Paul Klimsch

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Hans Paul Klimsch (born June 15, 1868 in Frankfurt am Main , † June 4, 1917 in Frankfurt-Niederursel ) was a painter and illustrator of German impressionism .

Life

Paul Klimsch came from the Frankfurt industrial family who founded the mechanical engineering company Klimsch & Co and originally came from Česká Lípa (German Bohemian Leipa). His parents were the artist Eugen Johann Georg Klimsch and Anna Helena Burkhard. His father led the painting class as a professor at the Städelschule , his younger brother Fritz became a sculptor, his brother Karl Maler , who was a year older . Paul Klimsch married Charlotte Klimsch (née Zickwolff, born July 26, 1867 in Frankfurt am Main; † November 2, 1932 there).

In 1886 he moved to Karlsruhe to study, where he studied with Ernst Schurth and Hermann Baisch at the State Academy of Fine Arts . From 1899 he lived with Albert Haueisen and Carl Hoff . He finished his studies in 1891 and moved to Munich a year later, where he studied with René Reinicke until 1900 .

Paul Klimsch lived on Holbeinstrasse in Frankfurt and moved to the Wiesenau villa colony in Frankfurt-Niederursel on April 1, 1911 , a village that was at that time a rural place at the gates of the city at the foot of the Taunus.

Klimsch often stayed in Berlin, his circle of friends included Max Liebermann and Heinrich Zille , the latter he motivated to become artistically active after his dismissal. Together with Max Slevogt he painted in the Frankfurt Zoo , and in 1901 he captured his colleagues in the painting The Parrot Keeper. This painting motivated Max Liebermann to also paint a parrot man. The zoo responded to artistic interest by setting up ateliers for Bruno Schäfer , Carl Wagner , Gertrud Winter and Paul Klimsch in the farm yard.

With the exception of excursions to the region, Klimsch made almost no painting trips, with the exception of Lake Constance, where the family of Paul von Gans owned the Gottlieben Castle on the Swiss side ; It is not known whether those four Klimsch paintings that von Gans owned also showed landscapes of Lake Constance.

Heinrich Hoffmann mentioned Paul Klimsch in the literature as a "tailor" (with paper scissors).

His early membership in the German Association of Artists is documented in the membership directory in 1906. Klimsch took part in numerous exhibitions of the Berlin Secession , for example in 1909, 1911 and 1912, and in exhibitions of the Frankfurt-Cronberger-Künstler-Bund . This union was the Frankfurt counterpart to the Secession. Paul Klimsch exhibited together with Ottilie Roederstein and Rudolf Gudden . In Berlin, the Schulte art salon showed works by the Frankfurt-Cronberger-Künstler-Bund, including Paul Klimsch. The exhibition did not meet with benevolent criticism.

He was also represented in the exhibition at the Glaspalast in Munich as well as in Dresden, Düsseldorf and 1904–05 at the Nassauischer Kunstverein Wiesbaden. In 1922, the Art Institute of Chicago posthumously showed works by Paul Klimsch in the exhibition The Second International Exhibition of Water Colors , alongside those of other members of the Berlin Secession such as Lovis Corinth and Ernst Oppler .

Paul Klimsch died at the age of 49 and was buried in Frankfurt's main cemetery.

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Paul Klimsch: Sleeping Jaguar , oil on cardboard 36 × 55.5 cm
“Taunuswiese”, oil on cardboard 45 × 36 cm

Paul Klimsch cultivated an "anti-academic, modern painting" stylistically

Due to his early death, his work is not very extensive. The publication by H. Weizsäcker and A. Dessoff in 1909 counts for the work a volume of only 70. The auction of the artistic estate took place on February 25, 1919 at FAC Prestel in Buchgasse 11A in Frankfurt and comprised 75 items, including 48 Paintings and watercolors and drawings

  • Lying Tiger (study), 1893
  • Girl in the meadow , oil on canvas, 61 cm × 81 cm
  • Taunuswiese - wide view , 45 × 36 cm
  • Taunus landscape , shown at the exhibition of the Berlin Secession.
  • Two women strolling through Munich's Viktualienmarkt , gouache 41 cm × 32.8 cm, 1898
  • Gatterl , 36 × 48 cm
  • Landscape with a herd of cattle , 34 × 47 cm
  • On the racecourse Tusche 27.6 × 28.9, 1899
  • Circus rehearsal , drawing, 1899
  • Farmer's wife - On the oven bench 58 × 48
  • The parrot keeper , 1901. Städelsches Kunstinstitut , Frankfurt
  • Bärenfang - polar bear , shown at the exhibition of the Berlin Secession, 1901
  • Field work , shown at the exhibition in the Munich Glass Palace in 1902
  • The Swan , oil on canvas, 40 × 50 cm, 1904. Städelsches Kunstinstitut , Frankfurt
  • Landungsbrücke near Bad Schachen on Lake Constance
  • Sketch from the Eifel
  • Titisee , 18th exhibition at the Berlin Secession in 1909 (also: "The Titisee with wooded hills") Oil on canvas, 60 × 80 cm
  • Two monkey monkeys
  • Sleeping Jaguar , oil on cardboard, 36 cm × 55.5 cm
  • Forest path in the Black Forest spring exhibition of the Frankfurter Kunstverein 1913
  • "Artist subjects", together with Robert Forell , Emil Gies, Johann Georg Mohr , Rudolf Gudden and Gustav Adolf Kilb.

Individual evidence

  1. ^ Studies and sketches on painting - Volumes 3–4 - page 155, 1917
  2. Rolf Kremming: Heinrich Zille: That was his milieu, pp 11-12
  3. https://www.wienand-koeln.de/pdf/978-3-86832-105-0.pdf
  4. ^ Wilhelm Busch 1832-1908 - Volume 1, page 198 1982
  5. Sigrun Paas, Lower Saxony State Gallery Hanover: "Max Slevogt: Paintings 1889–1931" - page 32, 1999
  6. August Wiederspahn, Helmut Bode: Die Kronberger Malerkolonie, page 122, 1976
  7. ^ Heinrich Hoffmann: Memoirs - page 264, 2005
  8. s. List of members in the catalog of the 3rd German Artists Association Exhibition , Weimar 1906. P. 48 online (accessed April 30, 2016)
  9. Manfred Grosskinsky, Birgit Sander, Haus Giersch - Museum Regionaler Kunst: Kunstlandschaft Rhein-Main: Painting in the 19th Century, page 46, 2001
  10. ^ Art for everyone: painting, sculpture, graphics, architecture - 17.1902, p. 354 https://digi.ub.uni-heidelberg.de/diglit/kfa1902/0381
  11. ^ Art for everyone: painting, sculpture, graphics, architecture - 19.1903–1904, p. 384 https://digi.ub.uni-heidelberg.de/diglit/kfa1903_1904/0405
  12. http://www.kunstverein-wiesbaden.de/en/exhibitions/exibition-details/wanderausst-d-verbandes-d-kunstfreunde-am-rhein-1904-1905-3067.html?jg=41
  13. Paul Klimsch's grave at the Frankfurt main cemetery (accessed April 30, 2016)
  14. Alexander Bastek, Manfred Grosskinsky: Ferdinand Brütt (1849-1936): Narrative and Impression: Exhibition in the Giersch Museum in Frankfurt a. M. from March 18 to July 15, 2007
  15. ^ H. Weizsäcker, A. Dessoff: Art and artists in Frankfurt am Main in the 19th century. Volume II, 1909
  16. https://digi.ub.uni-heidelberg.de/diglit/prestel1919_02_25/0026
  17. August Wiederspahn, Helmut Bode: Die Kronberger Malerkolonie, 1976 p. 248
  18. https://digi.ub.uni-heidelberg.de/diglit/dkd1908_1909/0137 German art and decoration: illustr. Monthly booklets for modern painting, sculpture, architecture, home art etc. artistic work by women - 23.1908, p. 119
  19. https://digi.ub.uni-heidelberg.de/diglit/dkd1908_1909/0137 German art and decoration: illustr. Monthly booklets for modern painting, sculpture, architecture, home art etc. artistic work by women - 23.1908, p. 119
  20. http://www.kunstmarkt.com/pagesmag/kunst/_id207832-/marktberichte_detail.html?_q=

Web links

Commons : Paul Klimsch  - Collection of pictures, videos and audio files

Literature by and about Paul Klimsch in the catalog of the German National Library