Wolf-Dieter Trüstedt

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Wolf-Dieter Trüstedt
Wolf-Dieter Trüstedt at the special concert in the Carl Orff Auditorium of the University of Music and Theater on October 17, 2015.

Wolf-Dieter Trüstedt (born August 3, 1939 in Berlin ) is a German artist. He conducts research and works on the phenomena of light and sound , develops acoustic and electronic musical instruments , music and abstract films . Wolf-Dieter Trüstedt is an avant-garde artist and “one of the engines of the Munich independent scene” and was a member of the “ New Group ”.

Life

Wolf-Dieter Trüstedt studied physics at the Technical University of Munich and received his doctorate in 1969 under Heinz Maier-Leibnitz . He then continued his research on solid state physics at the Department of Physics at the Technical University of Munich in Garching. From 1973 he was freelance in art and science and made numerous contributions in instrument making, in art and science (including 1971 Experimenta Frankfurt, 1984 Phenomena Zurich), artistic projects and teaching ( Ulm University , Berlin University of the Arts (HdK ) and the University of Music and Theater Munich ) and the establishment of the musical center of the University of Ulm (MUZ).

Professional activities

After his first scientific work at the Department of Solid State Physics at the Technical University of Munich in Garching, Wolf-Dieter Trüstedt turned to the scientific study of the phenomena of sound and light and their artistic design, but was also concerned with passing on his findings. In 1979 this led to collaboration at the Free Music Center in Munich and from 1986 to 1990 the project “Music in Prevention and Therapy” was developed in the Department of Cultural Anthropology and Science Research at the Ulm University Hospital . In 1984 Wolf-Dieter Trüstedt was invited to Ulm by Helmut Baitsch and Gerlinde Sponholz from the Phenomena in Zurich . There he began making instruments, which he had already practiced. First, in the studio of the School of Design of Nick reeds , then in Dornstadt near Ulm and finally in the Arts Center of the University of Ulm - opened in 1991 MUZ huts built. From the idea of ​​eliciting sounds from instruments and experimenting with these sounds together, the IBUEMU was founded in 1985, from which the group EMU was formed, which Wolf-Dieter Trüstedt took over. In addition to this activity, he also took on projects at the Ulm Art School for Young People from 1990, and from 1991 to 1995 a teaching position at the Berlin University of the Arts (HdK) with Hans Roericht (industrial design). From 1991 he taught at the University of Ulm in the field of music experiments at Renate Breuninger's Humboldt Study Center , and from 2007 to 2017 he designed the seminar for electronic music in theory and practice with Michael Weber (media informatics). From 1992 Wolf-Dieter Trüstedt also taught and worked at the University of Music and Theater in Munich and became a co-founder of the “Real Time Hall” in Munich and its group “Author Music”.

Honors

Instruments and sound objects

  • 1969-1973: Synthesizer .
  • 1972: Eternal Electronic Music.
  • 1973: binary noise .
  • 1973: Alphas and other rhythms.
  • 1973: movement holograms.
  • 1976: Synchronous sounds from the noise .
  • 1978–1982: Ch'in instruments, aeolian harps .
  • 1978–1984: Partial playing fields.
  • 1973-1989: frame drums, Baßrohre, Nay , reed flutes, pool .
  • 1990: Ulm wind harp
  • 1995: Klangfahne Musikinstrumenten-Museum, Stuttgart
  • 1996: TIPI solar wind harp, Solarsculptura Ulm
  • 1997 & 1999: Wind harp St. Pölten / Vienna Klangturm

Light art projects

Music projects and performances

  • just rush
    • 1985 Experimental Music Night (Technical University of Munich), 1986 Theaterhallen Dachauerstraße Munich, LOFT Munich in "thinking about chaos"
  • From Paradise Lost ( Hans Werner Henze ) Munich Biennale 1988
  • Interrogations, Yoshi Oida (Paris), music in the joint performances
    • Berlin, Rome, Schauspielhaus Basel, Schauspielhaus Cologne, Bologna, Freiburg, Santarcangelo dei Teatri, Internat. Kampnagel Summer Theater Hamburg, Research Acting Institute Los Angeles, Komatshi in Prithvi Theater Bombay, Black Box Munich, ICA London, Ludwigsburg Festival, Asti Festival, Italy, La Bellone, Brussels, Japan Institute New York 1998, Stuck Villa Munich 1998, Berliner Ensemble, 1998; Teatro el Galeón, Mexico 1999; SESC, São Paulo Brazil 1999, Utrecht-Verona-Brescia 2000, Reykiavik Island June 2000, Berlin, Nuremberg 2001, Paris 2001.
  • Music for Molly Swenney, ballet of the municipal stage in Nuremberg, conductor: Yoshi Oida . Performances live March / April 2001
  • genesis-sequence.one with Jessica Billeter (Ballett Nürnberg), Alexander Schilling (Schauspiel Nürnberg) and Hans Wolf (Munich), Reaktorhalle 3okt01
  • Zeitbänke with Ulrike Döpfer (text, movement), abstract film and ch'in music, premiere Reaktorhalle Munich 2001
  • Time dreams with Ulrike Döpfer (choreography, dance), virtual stage design, shakuhachi , electronic live music, world premiere in the Carl Orff Auditorium Musiklabor Munich, auditorium of the Pinakothek der Moderne Munich 2002.

Publications and lectures

  • Theater der Mechanik Ravensburg, 1972. Apparative Art, DuMont, Cologne, 1975.
  • National School Musicians Conference: Group Improvisation, Münster, 1973 and Munich, 1978.
  • Tonmeistertagung: Teiltonspielfelder, WDR, Cologne, 1978.
  • Ars Electronica , Linz, 1980.
  • Music education and experiment, Berlin, 1979 and 1982.
  • Composers' Association Berlin: Micro Intervals, 1981.
  • The New Grove ( Aeolian Harp ), London, 1983.
  • Experimental Music, Munich 1987, 1988.
  • Volume of reports: Music in Prevention and Therapy, Ulm University, 1991.
  • Art in Science, Center for Contemporary Music, Dresden, 1991.
  • Wuppertal, Klangzeit: Windharfe, 1992.
  • Art path, Ulmer Kunststiftung pro Arte, 1991.
  • Het Apollohuis, Eindhoven, Holland: Windharp , 1993.
  • On the lack of intention, Fra ordine e caos, Rome, Goethe-Institut, 1995
  • 1st International Artist Symposium Ulm 1993.
  • solar year-sculptura ulm '96,
  • "About the lack of intent", Ulm 2nd International Art Symposium 1997,
  • Monday talks in Einstein, Munich 1999 and music laboratory since September 2000.
  • Chairmusic, Wolf-Dieter Trüstedt / Volkmar Müller, report in Music & Education, Practice in Music Lessons, No. 5, Oct./Nov. 2001
  • QUIVID, City of Munich, Building Department, page 123, competition underground station, Olympia shopping center. Modern Art Publishing House Nuremberg, 2003.

Author ensemble

Individual evidence

  1. ↑ Reference to a radio report “webwatch”: Cultural advisor Lydia Hartl: 100,000 euros for Munich's independent music scene. In: neue musikzeitung , June 10, 2002, accessed on August 3, 2019.
  2. ↑ Quoted from Andreas Kolb: The Munich independent scene is on trial . In: neue musikzeitung , issue 3/2004 - 53rd year

Web links

personal data
SURNAME Trüstedt, Wolf-Dieter
BRIEF DESCRIPTION German artist
DATE OF BIRTH August 3, 1939
PLACE OF BIRTH Berlin