Joel Goodman: Difference between revisions
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In 1999, Goodman founded the record label Museum Music<ref name="inkandescent" /> that specializes in creating custom music CDs for museums and related cultural organizations. That year, New York's [[Museum of Modern Art]] was hosting a [[Jackson Pollock]] exhibition. The museum was looking to create a compilation CD of music to accompany the exhibition, and Goodman was contacted as music consultant. Seeing a unique opportunity, Goodman successfully pitched MoMA to create the compilation himself, and thus Museum Music was born. "Jackson Pollock Jazz" featured music licensed directly from the artist's personal collection,<ref>[http://museummusic.com/jacksonpollockjazz.aspx Museum Music - Jackson Pollock Jazz]</ref> and was an immediate success. Shortly after, Museum Music landed business with the [[J. Paul Getty Museum]] in Los Angeles, which was preparing for its grand opening at the time, and has since grown to service dozens of major cultural institutions around the world. |
In 1999, Goodman founded the record label Museum Music<ref name="inkandescent" /> that specializes in creating custom music CDs for museums and related cultural organizations. That year, New York's [[Museum of Modern Art]] was hosting a [[Jackson Pollock]] exhibition. The museum was looking to create a compilation CD of music to accompany the exhibition, and Goodman was contacted as music consultant. Seeing a unique opportunity, Goodman successfully pitched MoMA to create the compilation himself, and thus Museum Music was born. "Jackson Pollock Jazz" featured music licensed directly from the artist's personal collection,<ref>[http://museummusic.com/jacksonpollockjazz.aspx Museum Music - Jackson Pollock Jazz]</ref> and was an immediate success. Shortly after, Museum Music landed business with the [[J. Paul Getty Museum]] in Los Angeles, which was preparing for its grand opening at the time, and has since grown to service dozens of major cultural institutions around the world. |
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===Education and |
===Education and advocacy=== |
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Goodman strongly supports and advocates for the fair and just valuation of music. As a board member of the Production Music Association<ref name="PMA" /> and chair of its Performing Rights Committee, Goodman works to educate the membership on best practices for effectively valuing and exploiting their copyrights in today's evolving music industry. He is a regular panelist for such organizations as [[American Society of Composers, Authors and Publishers|ASCAP]], [[Independent Feature Project|IFP]], [[American Film Institute|AFI]] and [[Society of Composers & Lyricists|SCL]], providing insight and expertise on these same issues, and has served as an [[American Society of Composers, Authors and Publishers|ASCAP]] industry representative in meetings with members of the U.S. Congress, advocating for the rights of artists. |
Goodman strongly supports and advocates for the fair and just valuation of music. As a board member of the Production Music Association<ref name="PMA" /> and chair of its Performing Rights Committee, Goodman works to educate the membership on best practices for effectively valuing and exploiting their copyrights in today's evolving music industry. He is a regular panelist for such organizations as [[American Society of Composers, Authors and Publishers|ASCAP]], [[Independent Feature Project|IFP]], [[American Film Institute|AFI]] and [[Society of Composers & Lyricists|SCL]], providing insight and expertise on these same issues, and has served as an [[American Society of Composers, Authors and Publishers|ASCAP]] industry representative in meetings with members of the U.S. Congress, advocating for the rights of artists. |
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Revision as of 13:11, 22 June 2023
 | A major contributor to this article appears to have a close connection with its subject. (June 2023) |
Joel Goodman is an Emmy-award winning American composer and recording artist, music business entrepreneur and educator.
His film scoring work has appeared at every major film festival in the world and includes scores to films and television programs that have received 5 Oscar nominations, 30 Emmy awards and over 40 Emmy nominations. Prior to scoring films, Goodman composed music for advertising and produced records, including those for Chuck Mangione,[1] Livingston Taylor[2] and Carla Lother[3] before releasing his own album as an artist in 2023. In 1999, he founded the record label Museum Music[4] and in 2002 co-founded the music licensing and publishing company MusicBox.[4][5] Through his production company Hi-Fi Productions, Goodman created 4 production music catalogs that are distributed by Universal Music Publishing. Goodman conducts university master classes in the US and Europe, is a regular panelist for such organizations as ASCAP, IFP, AFI and SCL amongst others, and currently serves on the board of the Production Music Association,[6] where he is the Chairman of the Performing Rights Committee.
Early life and education
Goodman was born in Brooklyn, NY and grew up in Queens, where he learned to play his first instrument (the trumpet) from the legendary public school music educator Allen Stier. He attended high school in Manhattan at The High School of Music & Art,[7] studying jazz with Justin DiCioccio and orchestral performance with Sydney Baker while taking private bass lessons from Rich Samalin and Ken Smith. As a result, Goodman played trumpet in the orchestra, and wrote arrangements and played bass for his high school jazz band. Some notable classmates of Goodman's include Charley Drayton, Bernard Wright, Sterling Campbell, Tony Mangurian, Larry Aberman, Erik Sanko, Eric Rosenberg, Roey Shamir and Marcus Rojas.
Goodman attended the Berklee College of Music as a double major focusing on both bass performance and jazz composition and arranging.[7] This gave him the opportunity to study with such greats as Herb Pomeroy, Michael Gibbs, Bob Freedman, John LaPorta, Gary Burton, John Abercrombie, Jerry Bergonzi, Steve Swallow and Bruce Gertz.
It was during this time that Goodman joined the jazz/world/fusion band Ananda founded by composer and guitarist Claudio Ragazzi. Their first album, titled Amazonia, was recorded for the record label Sonic Atmospheres and was produced by Craig Huxley.[8] The band toured regularly in the Northeastern United States and on a few occasions included appearances by Ralph Towner as a member of the live band.
Film and TV scoring career
After graduating from Berklee in 1984, Goodman moved back to New York City and began his music career as a live and studio session bassist.[7] In 1991 he became a staff composer for the music production house North Forty Music where he composed music for hundreds of major national television advertisements including those for American Express, Budweiser, IBM, Gatorade and Procter & Gamble.[7] Goodman worked at North Forty Music until 1999, when he left to pursue composing for film full-time.
Goodman's first score, for a documentary film called My Knees Were Jumping, came about by a chance meeting with an old high school friend on the streets of New York City. The film premiered at the Sundance Film Festival in 1996 and opened the door for many more film scoring opportunities to come.[7]
While the music was being mixed into the film prior to its release, another film producer in the studio next door came in to inquire about the music, and this ultimately led to Goodman's next scoring project. Green Chimneys premiered at the Sundance Film Festival the following year. When the editor from Green Chimneys was hired to edit the Albert Maysles film Concert of Wills: Building the Getty Center, Goodman was asked to provide the music - an opportunity that played an important role in his subsequent founding of Museum Music.
Goodman has since gone on to score over 150 films and TV shows, and has collaborated with many distinguished directors and producers including Neil LaBute, Albert Maysles, Andrew Jarecki, Barbara Kopple, Wong Kar-wai, Rachel Grady, Marshall Curry, Sebastian Junger, Barak Goodman, Alexandra Pelosi, Michael Epstein, Joe Berlinger, Oren Jacoby, Irene Taylor Brodsky, Lesli lwerks, and Fisher Stevens.[9]
In 2012, Goodman received an Emmy Award in recognition of his score to the HBO film Saving Pelican #895. The award was presented as part of the 33rd Annual News & Documentary Emmy Awards in the category of Outstanding Individual Achievement in a Craft: Music & Sound.[10] Goodman composed the theme for the series, American Experience. His theme debuted in 2011, Season 23, and has been used ever since.
An Exquisite Moment (Album)
On June 23, 2023, Goodman released the album, An Exquisite Moment. With An Exquisite Moment, Goodman's deeply personal and improvisation-rich debut album of "full-experience" music, the Emmy-winning composer embarks on an epic voyage of self-discovery alongside some of the most accomplished and creative names in jazz. Special guests Randy Brecker (flugelhorn, trumpet), Brandee Younger (harp), Lisa Fischer (vocals), John Patitucci (bass), and Philippe Saisse (piano, vibes, marimba) join an A-team core group consisting of Donny McCaslin (saxophones), Eric Harland (drums), Adam Rogers (guitar), Mino Cinélu (percussion), Scott Colley (bass) and Goodman himself on keyboards and bass. Available on Spotify, Apple Music, Bandcamp and more.
Other endeavors
Museum Music
In 1999, Goodman founded the record label Museum Music[4] that specializes in creating custom music CDs for museums and related cultural organizations. That year, New York's Museum of Modern Art was hosting a Jackson Pollock exhibition. The museum was looking to create a compilation CD of music to accompany the exhibition, and Goodman was contacted as music consultant. Seeing a unique opportunity, Goodman successfully pitched MoMA to create the compilation himself, and thus Museum Music was born. "Jackson Pollock Jazz" featured music licensed directly from the artist's personal collection,[11] and was an immediate success. Shortly after, Museum Music landed business with the J. Paul Getty Museum in Los Angeles, which was preparing for its grand opening at the time, and has since grown to service dozens of major cultural institutions around the world.
Education and advocacy
Goodman strongly supports and advocates for the fair and just valuation of music. As a board member of the Production Music Association[6] and chair of its Performing Rights Committee, Goodman works to educate the membership on best practices for effectively valuing and exploiting their copyrights in today's evolving music industry. He is a regular panelist for such organizations as ASCAP, IFP, AFI and SCL, providing insight and expertise on these same issues, and has served as an ASCAP industry representative in meetings with members of the U.S. Congress, advocating for the rights of artists.
In addition, Goodman leads master classes and has served as composer-in-residence at universities, conferences and film festivals around the world,[12] encouraging the creative process and guiding both students and peers on effective methods for creative collaboration between composers and filmmakers.
Music Publishing
In 2002 Goodman and longtime college friend Daniel Stein founded the music licensing and publishing company MusicBox.[4][5] Under Goodman's leadership, the company licensed and produced custom music for all types of visual media, ultimately growing to include 24 catalogs and over 30,000 songs with representation in more than 45 countries worldwide. Anthem Music Publishing (then Ole Music Publishing, one of the largest independent music publishers in the world, acquired MusicBox in 2011.[13] Since 2014, Goodman has successfully launched the music publishing companies Spot On, Icon Trailer Music, Red Matter and Storyteller, all distributed and administered worldwide by Universal Music Publishing.
Personal life
Goodman is an active cyclist and fan of cycling. He rides over 5,000 miles a year and has completed several multi-day rides including the entire length of California (2x), cross-country United States tours (2x), across Tuscany, Italy, the Pyrennes, France, and the Italian Alps.
Credits
Discography
Beginning in 1996, Goodman produced four records for the acclaimed audiophile record label Chesky Records.
| Year | Artist | Album Title | Role | Label |
|---|---|---|---|---|
| 1996 | I Ching | Of the Marsh and the Moon[14] | Producer, Composer, Arranger | Chesky Records |
| 1997 | Livingston Taylor | Ink[2] | Producer, Arranger | Chesky Records |
| 1999 | Carla Lother | Ephemera[3] | Producer, Composer, Arranger | Chesky Records |
| 2000 | Chuck Mangione | Everything For Love[1] | Producer, Arranger | Chesky Records |
| 2023 | Joel Goodman | An Exquisite Moment | Producer, Composer, Arranger | A64 Records |
Documentary film scoring credits (partial list)
| Film Title | Filmmaker | Release Info |
|---|---|---|
| Entangled, and other Tree Stories | dir. Irene Taylor | HBO |
| Photographic Justice: The Corky Lee Story | dir. Jennifer Takaki | PBS |
| Loudmouth | dir. Josh Alexander | Greewhich Entertainment |
| Once Upon A Time In Queens | dir. Nick Dvis | ESPN |
| Doctor’s Orders | dir. Billy Shebar | Discovery |
| The Blinding Of Isaac Woodard | dir. Jamila Ephron | American Experience/PBS |
| Confronting A Serial Killer | dir. Joe Berlinger | Starz/SXSW |
| Murder Among The Mormons | dir. Jared Hess & Tyler Measom | Netflix |
| The Curve | dir. Adam Benzine | YouTube |
| Mae West: Dirty Blonde | dir. Sally Rosenthal & Julia Marchesi | American Masters/PBS |
| League of Legends: Origins | dir. Lesli Iwerks | Netflix |
| Jay Myself | dir. Stephen Wilkes | Oscilloscope |
| Q Ball | dir. Michael Tolajian | Fox Sports - MUSIC EMMY NOMINATION |
| Outside the Bubble | dir. Alexandra Pelosi | HBO |
| Ted Williams | dir. Nick Davis | American Masters/PBS |
| The Gilded Age | dir. Sarah Colt | American Experience/PBS |
| Voyeur | dir. Josh Koury, Myles Kane | Netflix |
| Shadowman | dir. Oren Jacoby | Amazon |
| Hell on Earth | dir. Sebastian Junger, Nick Quested | National Geographic |
| The Boys of '36 | dir. Margaret Grossi | American Experienc/PBS - MUSIC EMMY NOMINATION |
| La Laguna | dir. Aaron Shock | Amazon |
| Obit | dir Vanessa Gould | Amazon |
| MAKERS: Once and for All | dir. Michael Epstein, Dyllan McGee | PBS |
| Everything is Copy | dir. Jacob Bernstein, Nick Hooker | HBO |
| Harry & Snowman | dir. Ron Davis | FilmRise |
| Walt Disney | dir. Sarah Colt | American Experience/PBS |
| Spectres of the Shoah | dir. Adam Benzine | HBO - ACADEMY AWARD NOMINATED FILM |
| Prescription Thugs | dir. Chris Bell | Samuel Goldwyn Films |
| Cancer: The Emperor of all Maladies | dir. Barak Goodman | PBS |
| Playing for the Mob | dir. Joe Lavine | ESPN - 30x30 |
| MAKERS: Women in Business | dir. Jamila Wignot | PBS |
| MAKERS: Women in War | dir. Rachel Grady | PBS |
| MAKERS: Women in Space | dir. Michael Epstein | PBS |
| My Italian Secret | dir. Oren Jacoby | Film Sales Company |
| An Honest Liar | dir. Tyler Measom & Justin Weinstein | Abramorama |
| Bad Boys | dir. Zak Levitt | ESPN - 30x30 |
| JFK | dir. Susan Bellows | American Experience/PBS |
| Running From Crazy | dir. Barbara Kopple | OWN Network, Sundance FF |
| Miss You Can Do It | dir. Ron Davis | HBO |
| The Diplomat | dir. Jennifer Arnold and Senain Kheshgi | ESPN - MUSIC EMMY NOMINATION |
| MAKERS: Women Who Make America | dir. Barak Goodman | PBS |
| American Winter | dir. Joe Gantz & Harry Gantz | HBO |
| Which Way is the Front Line from Here? | dir. Sebastian Junger | HBO, Sundance FF |
| Clinton | dir. Barak Goodman | American Experience/PBS |
| Being Elmo | dir. Constance Marks | Submarine Deluxe, Sundance FF Award Winner |
| Saving Pelican 895 | dir. Irene Taylor-Brodsky | HBO - MUSIC EMMY WINNER |
| Hot Coffee | dir. Susan Saladoff | HBO; Sundance FF |
| Triangle Fire | dir. Jamila Wignot | American Experience/PBS |
| Buck | dir. Cindy Mehl | Sundance Selects, Sundance FF Award Winner *additional music |
| My Lai | dir. Barak Goodman | American Experience/PBS |
| Once Brothers | dir. Michael Tolajian | ESPN - 30x30 |
| A Small Act | dir. Jennifer Arnold | HBO; Sundance FF |
| Valentino: The Last Emperor | dir. Matt Tyrnauer | Acolyte Films, Toronto FF |
| Wyatt Earp | dir. Rob Rapley | American Experience/PBS |
| A Village Called Versailles | dir. Leo Chiang | ITVS/PBS |
| Grand Central | dir. Michael Epstein | American Experience/PBS |
| Buffalo Bill | dir. Rob Rapley | American Experience/PBS |
| Combat Diary | dir. Michael Epstein | A&E |
| Worse than War | dir. Mike DeWitt | PBS |
| Racing Dreams | dir. Marshall Curry; prod. Bristol Baughan | ESPN |
| The Assassination of Abraham Lincoln | dir. Barak Goodman; prod. Jamila Ephron | American Experience/PBS |
| Breaking the Huddle | dir. & prod. Joe Lavine | HBO Sports |
| Looking for Lincoln | dir. & prod. John Maggio & Muriel Soenens | PBS |
| Walt Whitman | dir. Mark Zwonitzer | American Experience/PBS |
| Kit Carson | dir. Steven Ives | American Experience/PBS |
| Hear & Now | dir. Irene Taylor Brodsky | HBO; Sundance FF Audience Award Winner |
| Constantine’s Sword | dir. Oren Jacoby | First Run Features |
| Rain In A Dry Land | dir. Anne Makepeace | PBS |
| The Cats of Mirikitani | dir. & prod. Linda Hattendorf | PBS |
| Sister Rose’s Passion | dir. Oren Jacoby; prod. Steve Kalafer | HBO - ACADEMY AWARD NOMINATED FILM |
| Bearing Witness | dir. Marijana Wooten; prod. Barbara Kopple | A&E |
| Final Cut | dir. Michael Epstein; prod. Rachel Horovitz | Trio; Berlin & Toronto FF |
| To Be Alive! (restored 2004) | dir. Francis Thompson; prod. Alex Albenese | Academy Award Winner |
| Just A Clown | dir. Andrew Jarecki; prod. Marc Smerling | Sundance FF |
| The American Novel | dir. Michael Epstein | American Masters/PBS |
| The Collector of Bedford Street | dir. & prod. Alice Elliott | HBO - ACADEMY AWARD NOMINATED FILM |
| Robert Capa: In Love and War | dir. Ann Makepeace; prod. Joanna Rudnick | American Masters/PBS, Sundance FF |
| Children Underground | dir. Edet Belzberg | HBO, ACADEMY AWARD NOMINATED FILM |
| Too Hot Not To Handle | dir. Susan Lester; prod. Laurie David & Joe Lovett | HBO |
| Las Vegas | dir. Stephen Ives; prod. Amanda Pollak | American Experience/PBS |
| The Staircase | dir. Jean-Xavier Lestrade; prod. Denis Poncet | ABC |
| Happy To Be Nappy | dir. Diane Kolyer; prod. Ellen Goosenberg | HBO |
| Born Rich | dir. Jamie Johnson; prod. Nick Kurzon | HBO, Sundance FF |
| Seabiscuit | dir. Stephen Ives; prod. Eve Morgenstern | American Experience/PBS |
| Making The Cut | dir. Mike Tolajian; prod. Ray Romano & Matt Marantz | HBO |
| 10 Days That Changed America: Antietam | dir. Michael Epstein; prod. Caroline Suh | History Channel |
| None Without Sin | dir. Michael Epstein; prod. Elizabeth McNeill | American Masters/PBS |
| The Burning Wall | dir. & prod. Hava Kohav Beller | PBS, Berlin FF |
| A Boy's Life | dir. Rory Kennedy; prod. Liz Garbus | HBO |
| The Children of Chabannes | dir. & prod. Lisa Gossels & Dean Weatherall | HBO |
| American Standoff | dir. Kristi Jacobson; prod. Barbara Kopple | HBO; Sundance FF |
| Brooklyn North Homicide (Theme & Series) | dir. Daniel Elias; prod. David Houts | Court TV / BBC |
| Beauty In A Jar | dir. Lisa Ades; prod. Lesli Klainberg | A&E |
| In Search of China | dir. Emma Joan Morris; prod. Robert Fruchtman | PBS |
| In My Corner | dir. Ricki Stern; prod. Annie Sundberg | PBS |
| Concert of Wills: Building the Getty Center | dir. Susan Froemke; prod. Albert Maysles | Maysles Films |
| What About Me? | dir. Ben Allanoff; prod. Ted Hope | Good Machine |
| Green Chimneys | dir. Constance Marks; prod. Neil Parent | HBO; Sundance FF |
| My Knees Were Jumping | dir. Melissa Hacker; prod. Melissa Hacker | PBS; Sundance FF |
| Superchief | dir. Nick Kurzon; prod. Nick Kurzon | HBO |
Narrative film scoring credits (partial list)
| Film Title | Filmmaker | Release Info |
|---|---|---|
| Dirty Weekend | dir. Neil LaBute prod. Duncan Montgomery, Tiller Russell | Entertainment One |
| Canvas | dir. Joseph Greco; prod. Sharon Lane, Adam Hammel, Bruce Beresford | Screen Media Films |
| Club Soda | dir. Paul Carafotes; prod. Paul Carafotes, Jake Steinfeld, James Gandolfini | Independent, included in Stories USA |
| The Follow | dir. Wong Kar-wai; prod. David Fincher | bmwfilms.com |
| Evenhand | dir. Joseph Pierson; prod. Jon Glascoe | Sharp/Hart |
| Disorder | dir. & prod. Jack Smith | Universal |
| Interstate 84 | dir. Ross Partridge; prod. Tonia Lynn; Kevin Spacey | Trigger Street Productions |
| UnderMind | dir. Nevil Dwek; prod. Andy Fierberg & Amy Hobby | Double A Films |
| Lisa Picard is Famous | dir. Griffin Dunne; prod. Dolly Hall & John Penotti | GreeneStreet Films *additional music |
| The Forgotten | dir. Vincente Stassolla; prod. Henry Simonds | 1918 Productions |
| How to Kill a Mockingbird | dir. Joe Sweet; prod. Amy Brewster | Sweet Films |
| Cherry | dir. & prod. Joseph Pierson & Jon Glascoe | Cypress Films |
| Hoboken Tales | dir. Jay Gable; prod. George Belshaw | JudgeBelshaw Entertainment |
| Origin of the Species | dir. Andres Heinz; prod. David Nickoll | Panorama Releasing |
| Seed | dir. Bobby Sheehan; prod. Sarah Feldmann | IFC Films |
See also
References
- ^ a b Everything for Love - Chuck Mangione : Credits : AllMusic
- ^ a b Ink - Livingston Taylor : Credits : AllMusic
- ^ a b Ephemera - Carla Lother : Credits : AllMusic
- ^ a b c d Spotlight On: Joel Goodman, composer & founder, MusicBox — Los Angeles
- ^ a b MusicBox Bios
- ^ a b About the PMA - Board Members
- ^ a b c d e Documentary Craft: Interview with Composer Joel Goodman
- ^ Amazonia - Ananda : Credits : AllMusic
- ^ IMDB - Joel Goodman
- ^ Winners of the 33rd Annual News & Documentary Emmy Awards
- ^ Museum Music - Jackson Pollock Jazz
- ^ Get with the Net: Licensing Music for Digital Media - NAB Panel 2013
- ^ ole clear Acquires MisicBox
- ^ Of the Marsh and the Moon - I Ching : Credits : AllMusic
External links
| Authority control databases: Artists |
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