Blalla W. Hallmann
Blalla W. Hallmann (actually: Wolfgang Ewald Hallmann; born March 23, 1941 in Quirl , Riesengebirge , Lower Silesia ; † July 2, 1997 in Windsbach , Middle Franconia ) was a German painter and graphic artist .
life and work
Hallmann studied from 1957 to 1958 at the State Art Academy in Düsseldorf . From 1958 to 1960 he completed an apprenticeship as a painter in Emsdetten , and from 1960 to 1965 continued his art studies at the Academy of Fine Arts in Nuremberg with Fritz Griebel . In Nuremberg he was a member of the artist trio around Herbert Haberl and Bernd Wangerin. In 1965 he was a founding member of a traveling theater, the later " Hoffmanns Comic Teater ". Members of this group later became the rock band Ton Steine Scherben . From 1967 to 1969 Hallmann stayed in the USA . In 1968 he taught at the University of California in San Francisco . After a stay in a psychiatric institution in 1969, he destroyed all of his own work available to him in 1970. From 1992 to 1995 Hallmann was a professor at the Braunschweig University of Art . Since 1994 he lived in Windsbach.
Blalla W. Hallmann's work deals in a drastic, blasphemous as well as obscene way with basic existential questions ( religion , sexuality , ...). Formally, it ranges between surrealism , outsider art ( Art Brut ), folk art and numerous references to art history . In the 1980s the cycle of "horror pictures" was created, which, among other things, thematize the Inquisition and the Holocaust . In addition to other techniques, reverse glass painting , known from folk art, is characteristic for him . In 1995/1996 a woodcut series of 149 sheets was created in which Hallmann recapitulated his own career under the title “The Path, Truth and Life”.
Blalla W. Hallmann died in 1997 of complications from cancer. He was no longer able to complete his tomb for the artist necropolis in Kassel , which he had promised in 1996 . Instead, a picture with the title Evening Meeting at the Glade - Harry's Farewell was installed there in 1998 , which Hallmann had sent to his widow in Kassel in 1997 after the death of the necropolis initiator Harry Kramer .
Solo exhibitions (selection)
- 1964: Graphic exhibition in the gallery in the student theater on Luegerplatz, Vienna
- 1968: Unicorn Gallery, San Francisco
- 1982: Constellations, gallery at Schloss Brühl
- 1985: Blallas HumorDienst, Producer Gallery Hamburg
- 1991: Albrecht Dürer Society , Nuremberg
- 1991: Retrospective, Stroetmanns Factory, Emsdettener Kunstverein eV, Emsdetten
- 1992: The Black Series, Producer Gallery, Hamburg
- 1992: It's enough home, New Society for Fine Arts (NGBK), Berlin , Kreuzberg Art Office , Künstlerhaus Bethanien
- 1994: Heroes of our time, Villa Weiner, Association for Art Promotion, Ochtrup
- 1996: Paintings, objects, graphics, Museum Ostdeutsche Galerie Regensburg
- 1996: Blalla W. Hallmann - According to all the rules of the art "Galerie Kuchta-Haberl" alias "Galerie Dumping"
- 2000: Paintings and graphics, Kunstverein Brühl
- 2000: Blalla W. Hallmann - works from thirty years, Kunsthaus Nürnberg
- 2007: Paintings, objects, graphics, Kunsthalle Recklinghausen
- 2010: Blalla W. Hallmann has long since recognized what's going on and where the hare runs, Malkasten , Düsseldorf
- 2013: Ecce Blalla! - Crashes and flights of fancy, Museum for Sepulchral Culture , Kassel
Group exhibitions (selection)
- 1984: “Deep Views - Art of the 1980s from the Federal Republic of Germany, the GDR, Austria and Switzerland”, Hessisches Landesmuseum Darmstadt
- 1986: Art in the FRG 1945–1985, Neue Nationalgalerie , Berlin (West)
- 1990: "Finally - Post-Revolutionary Art in the IV. Reich" with 32 other artists, NGBK, Berlin (West)
- 1992 friends and relatives , curated by Peter Angermann , Kunsthalle Nürnberg
- 1994: House of World Cultures , Berlin
- 1996: Deep Inside. The Art of Porno, Musée d'Art contemporain Pornographique Lausanne
- 2005: Eerie Places. Heaven and Hell, Museum of the City of Ratingen
- 2007: The art of collecting, museum kunst palast Düsseldorf
literature
- Blalla W. Hallmann: The way, the truth and the life. Verlag der Buchhandlung Walter König, Cologne 1995. ISBN 3-88375-229-0
- Blalla W. Hallmann: reference to creation. Prometh Verlag, Cologne 1985, ISBN 3-922009-75-1
- Hessisches Landesmuseum Darmstadt (ed.): Deep views - art of the eighties. DuMont, Cologne 1985, ISBN 3-7701-1740-9
- Dorothee Kruse, Tom Jacobi: Art from Germany. STERN No. 32/1984
- Matthias Reichelt (Ed.): Blalla W. Hallmann. Lost the language - The visual power of Blalla W. Hallmann . Verlag für modern art, Nuremberg 2007, ISBN 978-3-936711-91-2
- Michael Zepter: Escape the horror with a billowing sail. Foreword to the Blalla W. Hallmann catalog. Producer Gallery Hamburg 1983
Web links
- Blalla W. Hallmann website
- Literature by and about Blalla W. Hallmann in the catalog of the German National Library
- Galerie Yperit - extensive retrospective ( Memento from October 29, 2013 in the Internet Archive )
Individual evidence
- ^ Angela Landgrebe: Artists Necropolis Kassel . euregioverlag, Kassel 2004, ISBN 3-933617-18-9 , p. 28 .
- ↑ Always on a knife's edge in Hessisch Niedersächsische Allgemeine from February 23, 2013, page NO-KU2
personal data | |
---|---|
SURNAME | Hallmann, Blalla W. |
ALTERNATIVE NAMES | Hallmann, Wolfgang Ewald |
BRIEF DESCRIPTION | German painter and graphic artist |
DATE OF BIRTH | March 23, 1941 |
PLACE OF BIRTH | Quirl , Lower Silesia |
DATE OF DEATH | July 2, 1997 |
Place of death | Windsbach |