Carl Oesterley junior

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Farm . Private collection

Karl (Carl) August Heinrich Ferdinand Oesterley (born January 23, 1839 in Göttingen , † December 16, 1930 in Blankenese ) was a German landscape painter of Naturalism and Impressionism.

Life

Like his sisters Marie Oesterley and Luise Oesterley , Carl received his first drawing lessons from his father, Carl Oesterley senior (1805-1891). He attended the Polytechnic in Hanover and in 1857 went to the Düsseldorf Art Academy , where he trained for religious painting under Ernst Deger and Eduard Bendemann . During a stay in Lübeck, where he copied Hans Memling's Greveraden altar in 1865 , he began to be interested in landscape and architectural painting. He painted landscapes on the Wakenitz and Lübeck architecture. His repeated study trips to Norway , which he undertook almost annually since 1870, inspired him to take a series of pictures from the Nordic landscape. He also worked as a portrait painter. He lived in Blankenese near Hamburg from 1885. He was a member of the Hamburg Artists' Association from 1832 .

Oesterley is also traded internationally on the art market, for example in Germany and the United States. While paintings of the smaller format (oil / canvas; 28 × 39 cm) are estimated at Ketterer for € 800, large-format works also reach an estimated price of € 3000. His naturalistic works are far more common than the impressionistic ones . The latter are rarities. He signed his first name with "C" or "K". Oesterley junior was buried in the Blankenese cemetery.

Honors

  • 1st class medal of the art exhibition in the Glaspalast (Munich)
  • Oesterleystraße in Blankenese

Works

Carl Oesterley Jr.: Romantic river landscape with staffage on a glorious summer's day (1893)

His main works, which are distinguished by the brilliance of the coloring and the lighting as well as the great conception, are:

  • Midnight mood in Lofoten
  • Norwegian mountain gorge
  • Romsdalsfjord, Norwegian fjord
  • Raftsund in Northern Norway (1879, Museum in Breslau)
  • At the Saltenfjord (1882, Kunsthalle in Hamburg)
  • Loden wall (1885, Berlin National Gallery)
  • Norwegian Forest Pond (1891, Museum in Hanover)
  • Fisherman in the Fjord (1892)
  • Nordic summer night
  • Oldenvand in the Nordfjord
  • Loenvand (1895)
  • The Geirangerfjord (1898)
  • farm
  • Blankenese (1906)
  • Hamburg-Uhlenhorst with the Uhlenhorster ferry house

Works in museum ownership

In addition to numerous important national and international collections, Oesterley's works also found their place in the following institutions, including museums in Breslau , Braunschweig , Leipzig and Lübeck in the municipal gallery Mannheim ( An der Wakenitz zu Lübeck ):

literature

Web links

Commons : Carl Oesterley jun.  - Collection of pictures, videos and audio files

Individual evidence

  1. ^ Hugo Thielen : Osterley, (3) Marie. In: Klaus Mlynek, Waldemar R. Röhrbein (eds.) U. a .: City Lexicon Hanover . From the beginning to the present. Schlütersche, Hannover 2009, ISBN 978-3-89993-662-9 , p. 486.