Cristina Urchueguía

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María Cristina Urchueguía (* 1965 in Irún ) is a Spanish musicologist . She is professor at the Institute for Musicology at the University of Bern and President of the Swiss Music Research Society .

Life

Urchueguía was born in the northern Spanish city of Irún, its name comes from the Basque language . After graduating from the German School of Valencia in 1983 , Urchueguía obtained a piano diploma from Perfecto García Chornet at the Conservatorio Superior de Música in Valenzia (1989).

From 1990 to 1995 she studied musicology , art history and Romance philology at the Julius Maximilians University of Würzburg . She completed her master's degree in musicology in 1995 with a thesis on "The Songs of Manuel de Falla ". Then she was with the topic “The polyphonic mass in the golden century. Tradition and repertoire formation in sources of Spanish and Portuguese provenance (approx. 1490–1639) ”PhD student at the graduate school“ Text criticism as the basis and method of historical sciences ”at the Ludwig Maximilians University in Munich . In 1999 she was in Würzburg with Martin Just for Dr. phil. PhD. In 2003 the work appeared in the Würzburg music history contributions .

In 2000/01 she was a post-doctoral fellow at the graduate school “Text criticism as the basis and method of historical sciences” at the Ludwig Maximilians University in Munich, where she worked on the project “Edition and Commentary by Gonçalo de Vaenas: Arte nouamente inventanda, Lisbon [German Galharde] 1540 ”. From 2000 to 2002 she was also an intern at the Wagner Complete Edition in Munich, and in 2007 she was co-editor of the Tannhäuser and the Singers' War on Wartburg . From 2001 to 2004 she received a DFG research grant for the musicological project “Writing and composing in the works of 'middle' Beethoven . Text genesis and working method in the symphonies No. 5 in C minor op. 67 and No. 6 in F major op. 68 ”. In 2003/04 she was involved in the musicological SNSF project “ Arcangelo Corelli : Historical-Critical Edition of Musical Works. Vol. III: Sonata a Violino e Violone o Cimbalo, Opus V. “included. In addition, she was a research assistant at the Johann Sebastian Bach Institute in Göttingen until 2005 . She then became a research assistant at the Musicological Institute of the University of Zurich . In 2006 she received a visiting professorship at the Universidad Politécnica de Valencia . In 2009 she qualified as a professor at the Philosophical Faculty of the University of Zurich on the subject of the very dearest monsters: The German comic Singspiel 1760–1790 and was granted the license to teach musicology. Her mentor was Laurenz Lütteken .

After she initially accepted an appointment as assistant professor at the Institute for Musicology at the University of Bern from 2010 to 2015 , she became extraordinary professor for historical musicology on January 1, 2016 . Her focus is on older music history and edition-philological topics ( polyphony , multi-part mass , German-language music theater , German-language instrumental music , methodological issues , etc.). She is the faculty planner of the Philosophical and Historical Faculty of the University of Bern.

She has also been President of the Bern Section since 2011 and President of the Swiss Music Research Society since 2012, as well as a board member of the Swiss Academy of Humanities and Social Sciences since 2016 and, as the successor to Silvia Naef, President of Section 2. Urchueguía is a member of the Répertoire International des Sources Musicales and Co-editor of the Swiss Contributions to Music Research ( Bärenreiter-Verlag ).

She is married to the German publisher Karl Dietrich Wolff (* 1943).

Fonts

  • Source study and analysis. Festschrift for Martin Just on his 70th birthday. Ergon-Verlag, Würzburg 2001, ISBN 3-935556-69-1 . (Ed. with Peter Niedermüller and Oliver Wiener)
  • The polyphonic mass in the “Golden Century”: Tradition and repertoire formation in sources from Spain and Portugal (approx. 1490–1630) . Schneider, Tutzing 2003, ISBN 3-7952-1086-0 . (= Würzburg music-historical contributions. Volume 25.)
  • Dearest monsters. German comic Singspiele 1760–1790. Stroemfeld Verlag, Frankfurt am Main / Basel 2014, ISBN 978-3-86109-199-8 . (= Nexus, 99.)
  • International dictionary of sources of music . B / XV: Multi-part masses in sources from Spain, Portugal and Latin America: approx. 1490–1630; Prints, manuscripts and lost sources . Henle, Munich 2005, ISBN 3-87328-113-9 . (described and inventoried)
  • Richard Wagner - Complete Works . Volume 25: Documents and texts on "Tannhauser and the Singers' War on Wartburg" . Schott Music, Mainz 2007, ISBN 978-3-7957-9254-1 . (Ed. with Peter Jost)
  • Passages: 18th Congress of the International Society for Musicology, Zurich, July 10-15, 2007; Program. Bärenreiter, Kassel ISBN 978-3-7618-1997-5 . (in connection; edited by Hans-Joachim Hinrichsen and Laurenz Lütteken)

Web links

Individual evidence

  1. ↑ Swiss Academy of Humanities and Social Sciences SAEL. In: Schweizerisches Handelsamtsblatt . No. 249 of December 22, 2016.
  2. ↑ Urs Wüthrich : It was intellectuals who saved the alphorn from destruction. In: Berner Zeitung . December 27, 2012, p. 4.
  3. ↑ a b c d Swiss Academy of Humanities and Social Sciences (ed.): Annual report 2016, Bern 2017, p. 27 f.
  4. ↑ a b Cristina Urchueguía , textkritik.uni-muenchen.de, accessed on January 20, 2018.
  5. ↑ Stephen Rice: Golden Age polyphonic (review), In: Early Music. Volume 32, No. 3 (2004), pp. 463-465.
  6. ↑ Abstracts Curricula Vitae (PDF), 2nd Trogener Library Discussion, Cantonal Library Appenzell , 2007, p. 22 f.
  7. ^ Project: Writing and composing in the works of the `middle` Beethoven. Text genesis and working method in Symphonies No. 5 in C minor, Op. 67 and No. 6 in F major, Op. 68 , gepris.dfg.de, accessed on January 20, 2018.
  8. ^ Project: Arcangelo Corelli: Historical-critical edition of the musical works. Vol. III: Sonate a Violino e Violone o Cimbalo, Opus V. , p3.snf.ch, accessed on January 20, 2018.
  9. ↑ Dearest monster: Das deutsche Komische Singspiel 1760–1790 , www.zora.uzh.ch, accessed on January 20, 2018.
  10. ↑ Habilitations and Appointments 5/2010 ( Memento of the original from January 20, 2018 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , in: Research and Teaching , accessed on January 20, 2018. @1@ 2Template: Webachiv / IABot / www.forschung-und-lehre.de
  11. ↑ Habilitations and Appointments 3/2016 ( Memento of the original from January 21, 2018 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , in: Research and Teaching , accessed on January 20, 2018. @1@ 2Template: Webachiv / IABot / www.forschung-und-lehre.de
  12. ↑ Cristina Urchueguía: Research Focus, musik.unibe.ch, accessed on January 20, 2018.
  13. ↑ Planner: Prof. Dr. Cristina Urchueguía , www.philhist.unibe.ch, accessed on January 20, 2018.
  14. ↑ Edith Keller: In conversation with Therese Bruggisser-Lanker and Cristina Urchueguía. In: Swiss music newspaper . No. 11, November 2012, p. 47.
  15. ↑ Central Presidents , sagw.ch, accessed on January 20, 2018.
  16. ↑ Members , rism-ch.org, accessed January 20, 2018.
  17. ^ Swiss contributions to music research , musik.uzh.ch, accessed on January 20, 2018.
  18. ↑ Christine Richard: Publisher KD Wolff in the ghost house. In: Basler Zeitung . November 12, 2010, p. 41 f.
personal data
SURNAME Urchueguía, Cristina
ALTERNATIVE NAMES Urchueguía, María Cristina; Urchueguía Schölzel, María Cristina
BRIEF DESCRIPTION Spanish musicologist
DATE OF BIRTH 1965
PLACE OF BIRTH Irun