Hilde Hildebrand

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Emma Minna Hilde Hildebrand (born September 10, 1897 in Hanover , † May 27, 1976 in Berlin - Grunewald ) was a German theater and film actress .

Life

Training and revue appearances

Hildebrand, daughter of fitter Julius Christian Hildebrand and his wife Luise née Weinrich, was accepted into the ballet at the Hoftheater Hannover at the age of eight and in the ballet ensemble of the Residenztheater in 1913. She made her theatrical debut in 1914 after training to be an actor and took on various roles under the name Emmy Hildebrand.

After the First World War , Hilde Hildebrand, as she was now called, developed into a celebrated revue star. It caused a sensation on the Berlin theaters in the late 1920s. In the Nelson Revues It rang and Something for You appeared in classically ironic numbers. Her smug tone in ironic self-distance was captured on shellac with her partner Gustaf Gründgens in the duet "Oh God, how are we noble" from the Künneke operetta Liselott .

Movie

After a few unimportant silent film roles, she was finally able to bring her talent to bear in the cinema when the sound film emerged. She celebrated her greatest successes in the sound film of the thirties. In Viktor and Viktoria , Allotria , Bel Ami and Amphitryon - Happiness Comes from the Clouds , she demonstrated her artistic ability as a character actress. Hilde Hildebrand embodied the type of sophisticated lady who charmed young men at five o'clock tea and embarrassed them with frivolous seductive skills. Mostly she lost the gentleman to a young girl, as in The English Marriage or Jenny and the Gentleman in Tailcoat. Hilde Hildebrand always carried it calmly. Ingenious nuances were her strength, which was aimed more at the connoisseur than at the amusing audience. It was erotic, but never vulgar.

singer

The grave of Hilde Hildebrand in the Heerstrasse cemetery in Berlin-Westend

Her vocal performances and chansons played a decisive role in her film appearances. Peter Kreuder , Theo Mackeben , Leo Leux , Michael Jary and Franz Doelle wrote elegant chansons for the artist. For most of the recordings, Hilde Hildebrand did without a large sound film orchestra and instead secured the participation of the small ensemble “ Die Goldene Sieben ”. With a subtle sense of humor, she was able to interpret lively tunes in songs such as “Come on, play with me blind man's cow” and “The first time it hurts”, but her strengths were the soft and tenderly lascivious tones that she used with her rough voice Brought blades. “Love is a secret”, “My heart is homesick” and “The phone went off at night” were characteristic titles.

Late work

After the war Hildebrand continued to work as a stage artist. Her appearances in The Mad of Chaillot and The Visit of the Old Lady are unforgettable . She also appeared in many television films.

On May 27, 1976, Hilde Hildebrand was found dead in her apartment in Berlin-Grunewald . She was 78 years old. Her grave is in the Heerstrasse cemetery in Berlin-Westend (grave location: 6-E-12).

Discography

  • O God, how distinguished we are from the operetta Liselott , (Künneke / Gründgens), 1932, duet: Hilde Hildebrand and Gustaf Gründgens with orchestra under the direction of Eduard Künneke , Electrola No. EG 2525
  • The old school lady from Nelson-Revue It rang (Nelson / Zerlett), 1932, Hilde Hildebrand (soprano) with Rudolf Nelson and Fred Freed on two grand pianos, Electrola No. EG 2669
  • The Zeitfurie from the Nelson-Revue It rang (Nelson / Zerlett), 1932, Hilde Hildebrand (soprano) with Rudolf Nelson and Fred Freed on two grand pianos, Electrola No. EG 2669
  • Four little words (Robby Frey), 1933, lecture: Hilde Hildebrand with orchestral accompaniment, conductor Hans Bund, Telefunken No. A 1464, BÌEM 19281
  • Stupid Boy (Robby Frey), 1933, lecture; Hilde Hildebrand with orchestra accompaniment, conductor Hans Bund , Telefunken No. A 1464, BIEM 19282
  • Song by Stratosvater Piccard from the Eden-Revue You don't know it! (Erich Einegg), 1934, lecture: Hilde Hildebrand, on the piano: the composer, Telefunken No. A 1597
  • Love is a secret (Doelle / Amberg), 1935, Hilde Hildebrand with orchestral accompaniment, Electrola No. EG 3208
  • Smile again and lie (Weill), 1935, Hilde Hildebrand with orchestral accompaniment, Electrola No. EG 3268
  • Loneliness (Janzen / Weill), 1935, Hilde Hildebrand with orchestra accompaniment, Electrola No. EG 3333
  • Liebster (Janzen / Weill), 1935, Hilde Hildebrand with orchestral accompaniment, Electrola No. EG 3333
  • Tomorrow ... (Jary), 1936, Hilde Hildebrand with orchestral accompaniment, Electrola No. EG 3553
  • The roses that bloom most beautifully (Kollo), 1936, Hilde Hildebrand and Die Goldene Sieben, Electrola No. EG 3674
  • This is Berlin from the operetta Auf Großer Fahrt (Raymond / Fuchs), 1936, Hilde Hildebrand and the Golden Sieben, Electrola No. EG 3762
  • My heart is homesick (Hans-Otto Borgmann), 1936, Hilde Hildebrand (soprano) - cover version of the Pola Negri chanson from the film Moscow - Shanghai (1936), director: Paul Wegener
  • Quiet! Quiet! (Oehlschläger), 1936, Hilde Hildebrand and the Golden Sieben, Electrola No. 3762
  • The phone went off at night (Walter and Willi Kollo), 1937, Hilde Hildebrand (soprano)
  • Yes Sir (Ralph Benatzky), 1937, Hilde Hildebrand (soprano) - Cover version of the Zarah Leander chanson from the film To New Shores (1937), directed by Detlef Sierk (Douglas Sierk)
  • Love is a game with fire (Kirschstein / Böckmann), 1938, Hilde Hildebrand and the Golden Seven, Electrola No., EG 3863
  • Love is a tricky game from the sound film The Girl from Last Night , (Bochmann / Palm), 1938, Hilde Hildebrand and the Golden Seven, Electrola No. EG 6283
  • You have to prove your love to me first from the sound film The day after the divorce (Walter Kollo / KS Richter), 1938, Hilde Hildebrand and the Golden Sieben, Electrola No. EG 6283
  • For example, the wife of Eschebach from the film Jenny and the gentleman in tails (Lothar Brühne / Bruno Balz), 1941, was Hilde Hildebrand with the film orchestra
  • The first time there it still hurts from the film Great Freedom No. 7 (Werner Eisbrenner), 1944, Hilde Hildebrand with film orchestra
  • You only have one smile for my love
  • I am a woman for love

Awards

Filmography

literature

  • Rolf Aurich, Susanne Fuhrmann, Pamela Müller (Red.): Lichtspielträume. Cinema in Hanover 1896–1991. Catalog for the exhibition of the same name in the Theater am Aegi from October 6 to November 24, 1991. Society for Film Studies, Hanover 1991, p. 162f.
  • Rainer Dick, Frank-Burkhard Habel : Hilde Hildebrand - actress. In: CineGraph - Lexicon for German-Language Film , Delivery 30, 1998.
  • Frank-B. Habel: Crazy with desire. The film divas from the silent film era. A passionate look back to the time of the first stars. Schwarzkopf and Schwarzkopf, Berlin 1999, ISBN 3-89602-128-1 .
  • C. Bernd Sucher (ed.): Theater Lexicon . Authors, directors, actors, dramaturges, stage designers, critics. By Christine Dössel and Marietta Piekenbrock with the assistance of Jean-Claude Kuner and C. Bernd Sucher . 1995, 2nd edition, Deutscher Taschenbuch Verlag, Munich 1999, ISBN 3-423-03322-3 , p. 298.
  • Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, cutters, sound engineers, make-up artists and special effects designers of the 20th century. Volume 3: F - H. Barry Fitzgerald - Ernst Hofbauer. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 673 f.

Web links

Commons : Hilde Hildebrand  - collection of pictures, videos and audio files

Individual evidence

  1. Hilde Hildebrand died in Berlin . In: Hamburger Abendblatt . Friday May 28, 1976. p. 19. Retrieved November 13, 2019.
  2. Hans-Jürgen Mende : Lexicon of Berlin burial places . Pharus-Plan, Berlin 2018, ISBN 978-3-86514-206-1 . P. 488.