Jean de Segonzac

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Jean de Segonzac, 2006

Jean de Segonzac (rarely Jean DeSegonzac ) is an American director, cameraman and screenwriter . He mainly shoots documentaries and television series . He is known for his coarse-grained cinéma verité style police dramas.

Life

Jean de Segonzac is the youngest of four children from Adalbert and Madeleine de Segonzac. His father (nicknamed "Ziggy") was a French journalist and worked for two decades as the chief correspondent for France Soir newspaper in Washington, DC. He was also a president of the Foreign Press Association. Jean de Segonzac graduated from the Rhode Island School of Design in 1975 .

plant

One of the first known works of Jean de Segonzac was his work as a cameraman for the documentary Born on the Fourth of July in 1985. His second major work was Common Threads: Stories from the Quilt (1989), followed by Crack USA: County Under Siege , an HBO production that was nominated for an Oscar for Best Documentary Feature . Jack Mathews of the LA Times called his camera style "intrusive". In 1991 he was in the documentary Where Are We? Our Trip Through America , which followed gay filmmakers Rob Epstein and Jeffrey Friedman as they moved from town to town interviewing locals. Newsday wrote: “The success of this film is largely owed to the cameraman Jean des Segonzac, whose keen camera eye also includes such unusual details as a copy of The New Sweden on the coffee table in a demonstration model of a trailer or a kitten emerging from a kidney-shaped miniature swimming pool licks, escapes. "" The film owes much of its success to director of photography Jean De Segonzac, whose alert camera takes in such eccentric details as a copy of The New Sweden on the coffee table of a model mobile home and a kitten lapping water from a miniature kidney-shaped pool. ”.

His breakthrough as a cameraman took place in 1992 with the indie film Laws of Gravity by Nick Gomez . Kenneth Turan of the LA Times called his imagery a " gifted Cinéma Verité camera work" . Boston Globe's Jay Carr praised the camerawork as "jumpy, in-your-face." His Laws of Gravity camera won second place in the 1992 New York Film Critics Circle Awards . De Segonzac sacrificed his $ 5,000 salary to help complete the film. The film had a total budget of $ 38,000. A Washington Post reviewer said of de Segonzac "fills the screen with beautifully framed scenes that need little verbal underpinning."

De Segonzac was part of the 1994 film team for the Peabody Award- winning documentary Road Scholar. He follows the Romanian-born poet and novelist Andrei Codrescu, known as a commentator on National Public Radio, across the United States as he tries to define what it means to be an American through the eyes of a naturalized person . Jean de Segonzac directed the camera and, together with Robert Weisberg, also directed.

Since 1996, de Segonzac's main focus has been directing police and crime series, including Homicide , Oz - Hell Behind Bars , Brooklyn South , Law & Order , Law & Order: Special Victims Unit and Criminal Intent - Crime in the sights . He also took the camera on several episodes of Michael Moore's Emmy-winning documentary series TV Nation and has directed and cameraman for a number of television films. Together with Barry Levinson, de Segonzac deserves credit for creating the "loose, free-flowing visual style" of Homicide, which builds on the characteristic documentary-like manner of Hill Street Blues . The television critic Matt Zoller Seitz named this series pilot in Salon.com one of the ten best pilots for television series of all time.

The actress Adrienne Shelly , with whom Jean de Segonzac shot an episode of Law & Order ( "High & Low") in 2000 , was murdered in November 2006. In February 2007, de Segonzac directed the Law & Order episode "Melting Pot," which featured a barely veiled version of the Shelly murder case.

Jean de Segonzac's well-known camera style was also responsible for the positive film reviews of John McNaughton's indie crime drama Normal Life , in which Luke Perry and Ashley Judd played the lead roles.

De Segonzac's feature film debut as a director was the 2001 science fiction horror sequel Mimic 2 . His second feature film was also a science fiction film, the low-budget film Lost City Raiders from 2008, which was produced by the Munich-based film production company Tandem Communications on behalf of Pro7 and the US broadcaster SyFy .

De Segonzac led both the first episode in 1999 and the 300th episode in 2012 on the crime series Law & Order: Special Victims Unit .

Web links

Jean de Segonzac in theInternet Movie Database(English)

Individual evidence

  1. a b French Writer Adalbert de Segonzac. Retrieved September 11, 2017 .
  2. ^ Adalbert de Segonzac, 89, French Reporter. The New York Times , January 8, 2002, accessed September 11, 2017 .
  3. ^ Rhode Island School of Design to Showcase Talent of Film and TV Industry Alumni Via Unique Los Angeles Exhibition. Rhode Island School of Design press release dated May 8, 2000.
  4. ^ David Bowman: This Must Be the Place. The Adventures of Talking Heads in the Twentieth Century . HarperCollins, New York 2002, ISBN 0-06-050731-4 .
  5. ^ Robert Blau, "Fourth of July": One Chicagoan's Struggle to Film a Vietnam Tragedy, " Chicago Tribune , p. 321, November 10, 1985, Archive-Link
  6. Robert Blau: 'Fourth Of July': One Chicagoan's Struggle To Film A Vietnam Tragedy. In: Chicago Tribune . November 10, 1985, accessed August 23, 2017 .
  7. Jay Boyar: Festival begins today with road trip, 2 darker journeys. In: Orlando Sentinel , p. E1. May 29, 1993, accessed August 25, 2017 .
  8. JACK MATHEWS: Movie Reviews: 'Crack' an Indictment of the US Legal System. In: Los Angeles Times . March 17, 1990, accessed August 24, 2017 .
  9. Jack Mathews, "Movie Reviews 'Crack' an Indictment of the US Legal System," Los Angeles Times , p. 4, March 17, 1990. Archive link
  10. Kevin Thomas: MOVIE REVIEW: On the Road to Find Out 'Where Are We'. In: Los Angeles Times . July 2, 1993, accessed August 24, 2017 .
  11. Jan Stuart: Portraits Of a Nation. In: Newsday , p. 70. July 30, 1993, accessed August 25, 2017 .
  12. Vincent Canby, “ Shabby Lives in Brooklyn, With Camera Looking On. “In: The New York Times . On: March 21, 1992
  13. Doris Toumarkine, " RKO observes 'Laws of Gravity' " In: The Hollywood Reporter , June 8, 1992.
  14. Kenneth Turan: Toronto's Feel-Good Festival of Film. In: Los Angeles Times . September 14, 1992, accessed August 24, 2017 .
  15. Jay Carr, "Festival Films Opening Commercially." In: Boston Globe . on: September 25, 1992.
  16. Lawrence Cohn: NSFC honors Clint, Thompson. In: Variety . January 3, 1993, accessed August 24, 2017 .
  17. ^ Peter Broderick: The ABC's of No-Budget Filmmaking. In: Filmmaker Magazine. 1993, accessed August 24, 2017 .
  18. Kenneth Turan: MOVIE REVIEW Hard-Edged `Laws of Gravity 'Downbeat, Gripping The volatile, verbal film, set among the petty hoodlums of Brooklyn's Greenpoint section, is American independent filmmaking at its best. In: Los Angeles Times . September 30, 1992, accessed August 24, 2017 .
  19. ^ Richard Harrington: Road Scholar ': Not Quite Poetry in Motion. In: The Washington Post . August 6, 1993, accessed August 24, 2017 .
  20. "Boxing" Match Set at Sundance, " The Hollywood Reporter, December 1, 1992; Kristi Turnquist, "Road Scholar: Critic's Choice Movies," The Oregonian , April 30, 1993; John Andersen, "Highway To Nation's Soul," Newsday , Jul 16, 1993; David Sterritt, "Freeze Frames," Christian Science Monitor , July 23, 1993.
  21. 47th Emmy Awards Nominees and Winners - OUTSTANDING INFORMATIONAL SERIES - 1995. Television Academy, 1995, accessed August 24, 2017 .
  22. Ray Loynd: Review: 'TV Nation'. In: Variety . July 19, 1992, accessed August 24, 2017 .
  23. ^ Ray Richmond, Ray, "Bad As I Wanna Bed: The Dennis Rodman Story," Variety , Feb. 2, 1998; Steve Brennan, "NBC Spins Off 'Law' Film for Noth," The Hollywood Reporter July 10, 1998; Jane Sumner, "Police Show Swerves to Dallas," Dallas Morning News . September 18, 1998; Steve Johnson, "Here's Your Scorecard for the Networks' February Sweeps," Chicago Tribune February 3, 1999; Susanne Ault, "Homicide" Resurrected as NBC Telepic, Variety October 21, 1999; Caryn James, “A Founding Father and Perhaps the Mother.” New York Times , Feb. 11, 2000; Bob Sokolsky, "Norco's La Rue Put on 'Ice' for a While," Riverside Press Enterprise, July 22, 2000; Scott Roxborough, “'Lost City Raider' Cast Shaping Up,” The Hollywood Reporter, March 7, 2008
  24. ^ A b Matt Zoller Seitz: 10. “Homicide: Life on the Street” (NBC, 1993). September 25, 2010. Retrieved August 24, 2017 .
  25. John Freeman Gill: Murder, They Wrote . In: The New York Times . February 11, 2007, ISSN  0362-4331 ( nytimes.com [accessed August 24, 2017]).
  26. ^ Todd McCarthy: Review: 'Normal Life'. In: Variety . February 11, 1996, accessed August 24, 2017 .
  27. Stephen Holden: A Femme Fatale Who's a Little Loony. In: The New York Times . November 1, 1996, accessed August 24, 2017 .
  28. Dana Harris: DP catches helming bug for 'Mimic 2'. In: Variety . March 22, 2000, accessed August 24, 2017 .
  29. ^ Antony Reeve-Crook: Tandem links up for $ 6.4m sci-fi movie. (No longer available online.) In: Press release. C21 Media, March 6, 2008, archived from the original on July 28, 2010 ; accessed on August 23, 2017 (English). Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.c21media.net
  30. Jacqueline Cutler, “'SVU' Nabs Its 300th Episode,” in Batavia Daily News, October 23, 2012