List of pictures by Wolf Vostell

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The German artist Wolf Vostell (1932–1998) created pictures from 1952 to 1998. The pictures are in museums and private collections worldwide.

background

The Korean War , World War II , Holocaust , world politics , building of the Wall , the division of Germany , Vietnam War , racism , Cold War , Second Gulf War as well as social and historical events were subjects of his pictures. Wolf Vostell has been integrating televisions into his pictures since 1958 . A tendency towards Spanish topics can be seen in his work.

List of images (selection)

  • 1953: Korea Massacre , gouache on paper. Fluxus Plus Museum
  • 1953: Korea , gouache on paper.
  • 1953: War crucifixion , gouache on paper.
  • 1953: War Crucifixion II , oil on canvas.
  • 1953: airplane , watercolor.
  • 1953: The couple , watercolor.
  • 1953: family , gouache on paper.
  • 1953: Escape , watercolor.
  • 1954: Fall and Rise and Fall , Dé-coll / age , 39.5 × 64.5 cm.
  • 1954: TE , Dé-coll / age.
  • 1955: EV , Dé-coll / age.
  • 1955: Bus 24 , Dé-coll / age.
  • 1957: Judo Karate , Dé-coll / age, 50 × 20 cm.
  • 1957: Bon Danseur , Dé-coll / age, 40 × 30 cm.
  • 1958: OR , mixed media , 40 × 60 cm.
  • 1958: Club du KC , Dé-coll / age, 30 × 40 cm, Staatsgalerie Stuttgart
  • 1958: Homage to Cassandre , Dé-coll / age, 180 × 200 cm. Domnick Collection, Staatsgalerie Stuttgart.
  • 1958: ET , Dé-coll / age, 150 × 180 cm.
  • 1958: Guadalupe cycle , oil on canvas, various titles, various formats.
  • 1958: Transmigración cycle , different objects, different techniques, different formats.
  • 1958: Transmigración (I-III), Transmigración cycle , oil paint, dé-coll / age, canvas, TV set, 92 × 100 × 39 cm. Transmigración I Museum Fluxus Plus , Transmigración II Center for Art and Media Technology , Transmigración III Museo Vostell Malpartida
  • 1958: TV-dé-coll / age No. 1 , 6 TV sets behind a white screen with 6 slots (reconstruction 1988).
  • 1959: La Boda , Dé-coll / age.
  • 1959: Oscillographs cycle , B / W photographs of Lissajous figures .
  • 1959: TV-dé-coll / age events for millions , score , mixed media.
  • 1959: TV-dé-coll / age for millions , B / W photographs of TV blurring and electronic distortion (photographed from the TV screen).
  • 1959: The big R , Dé-coll / age, 40 × 50 cm.
  • 1959: Amiq , Transmigración cycle , Dé-coll / age, 40 × 40 cm.
  • 1959: ASA , Transmigración cycle , Dé-coll / age, 60 × 73 cm.
  • 1960: Gui , Transmigración cycle , Dé-coll / age, 45 × 66 cm.
  • 1960: 75 vol. Du M , Dé-coll / age, 90 × 90 cm
  • 1960: Rue de Rosiers , Dé-coll / age, 100 × 100 cm.
  • 1960: Ceres , Dé-coll / age, 220 × 160 cm.
  • 1960: Rue de Buci , Dé-coll / age, 130 × 100 cm. Dortmunder U
  • 1960: Anti-process II , Dé-coll / age.
  • 1961: A los Toros , Dé-coll / age, 120 × 200 cm. Gino Di Maggio Collection, Fondazione Mudima Milan .
  • 1961: Kceres , Dé-coll / age.
  • 1961: Oreo 8 , Dé-coll / age.
  • 1961: Large meeting with Da , Dé-coll / age, 240 × 140 cm. FRAC
  • 1961: Your candidate , Dé-coll / age on hard fiber, 140 × 200 cm. House of the History of the Federal Republic of Germany
  • 1961: Coca-Cola , Dé-coll / age, 200 × 300 cm. Museum Ludwig , Cologne .
  • 1961: Smear I , smear , 34 × 52 cm.
  • 1961: Smear II , smear, 34 × 52 cm.
  • 1961: Blurring III , blurring, 34 × 52 cm.
  • 1961: Newsweek , blurring.
  • 1961: Mr. K , blurring.
  • 1961: Time I , blurring.
  • 1961: Time II , blurring.
  • 1961: La Gréve , blurring, 35 × 52 cm.
  • 1961: Time Kennedy , blurring, 30 × 40 cm.
  • 1961: concrete slab , blurring, 50 × 70 cm.
  • 1961: Bernauer Strasse Berlin , blurring, 52 × 36 cm.
  • 1961: In Berlin , blurring, 52 × 36 cm.
  • 1961: June 17, 1953 , blurring, 52 × 36 cm.
  • 1961: Constantine , mixed media. Museum Bochum - art collection
  • 1962: Dé-coll / age manifest , photographs.
  • 1962: Kleenex cycle , smudges, various objects, various formats.
  • 1962: Eisenhower & De Gaulle , Kleenex cycle , blurring, broken light bulb , 30 × 40 cm.
  • 1962: Lenin , Kleenex cycle , blurring, broken light bulb, 30 × 40 × 12 cm.
  • 1962: Stalin , Kleenex cycle , blurring, broken light bulb, 30 × 40 × 12 cm.
  • 1962: Fluxus Concert , Wiesbaden 1962, Kleenex (score and documentation from September 14, 1962), blurring, photos, light bulbs .
  • 1962: Las Ramblas , Dé-coll / age, 120 × 80 cm.
  • 1962: Novillada , Dé-coll / age, 100 × 80 cm.
  • 1962: Fiestas de la Merced , Dé-coll / age, 220 × 160 cm. Cremer Collection.
  • 1962: Salon de Mayo , Morsbroich Castle
  • 1962: Harlem Globetrotters , Dé-coll / age, red construction site lamp, 200 × 140 cm, Schweisfurth Collection.
  • 1962: De Gaulle , Kleenex cycle , blurring.
  • 1962: Marilyn Monroe , Dé-coll / age, blurring, red telephone, 200 × 140 cm. New gallery
  • 1962: The Large Weekend , blurring, 90 × 120 cm.
  • 1962: An Album of Intrigue , smudging on paper and canvas, 90 × 120 cm.
  • 1962: Contergan Mad Special & 2 TV , Dé-coll / age, blurring, 200 × 140 cm.
  • 1962: Put Finger In , Dé-coll / age, blurring, various objects on canvas, 145 × 190 cm. Morsbroich Castle
  • 1963: Fidel Castro , blurring, 160 × 120 cm.
  • 1963: Marilyn Idolo , Dé-coll / age, blurring, 157 × 122 cm. Museum of Modern Art Ludwig Foundation Vienna
  • 1963: K2r , Dé-coll / age, blurring, 200 × 140 cm.
  • 1963: The first kiss , blurring, 200 × 150 cm.
  • 1963: The Buchers International & Co. , blurring, 200 × 140 cm.
  • 1963: Budapest Horrors , blurring, 200 × 140 cm.
  • 1963: Les Défiles , blurring.
  • 1963: OAS Salan , blurring.
  • 1964: Phaenomene cycle , different techniques, different formats.
  • 1964: Kennedy before Corham , smudging on emulsified canvas, 125 × 450 cm.
  • 1964: Jackie crawled for help , blurring.
  • 1964: Coca Cola II , blurring.
  • 1964: You are Leaving the American Sector , blurring on emulsified canvas. 120 × 450 cm. Folkwang Museum
  • 1964: We were a kind of museum piece , screen printing , spray can paint, smudging on emulsified canvas, 123 × 450 cm. Berlinische Galerie
  • 1964: Driving Cologne-Frankfurt on the overcrowded motorway costs more nerves than working hard for a week , screen printing, spray can paint, smudging on emulsified canvas, 123 × 450 cm. Ludwig Forum for International Art
  • 1964: Happening scores for the happening in Ulm, around Ulm and around Ulm , different techniques, different formats.
  • 1964: You-Happening, NY Polaroid photographs from the color TV screen, TV alienations.
  • 1964: Dé-coll / age Le Figaro , newspaper, TV set. Museo Vostell Malpartida.
  • 1965: car accident , blurring, hair , 40 × 50 cm.
  • 1965: Car accident II , blurring.
  • 1965: Beatles , blurring.
  • 1965: Peter Fechter , smudging on emulsified canvas, spray can paint, screen printing on canvas, incandescent lamp with round reflector (originally round heated sun reflector), 200 × 125 cm. Ludwig Forum for International Art
  • 1966: Kennedy on the beach , screen print on canvas, blurring, 120 × 200 cm. Hamburger Kunsthalle
  • 1966: Wochenspiegel Beatles , Dé-coll / age, 190 × 140 cm. Saarland Museum
  • 1966: Livio , Dé-coll / age, 220 × 160 cm. Dortmunder U
  • 1966: Pope Pius , blurring.
  • 1966: Homage to Cologne , blurring, 65 × 100 cm.
  • 1967: Hanns Sohm , blurring, 70 × 70 cm. Archive Sohm, State Gallery Stuttgart
  • 1967: Dutschke , smudging on emulsified canvas, glaze, acrylic, 100 × 100 cm. House of the History of the Federal Republic of Germany
  • 1967: LBJ ( Lyndon B. Johnson ), smudging on emulsified canvas, glaze, acrylic, 100 × 100 cm.
  • 1967: Leningrad , smudging on emulsified canvas, acrylic, 121 × 181 cm.
  • 1967: H. Lübke , acrylic , screen print on emulsified canvas, smudging, 100 × 100 cm.
  • 1967: Benno Ohnesorg , smudging on emulsified canvas, glaze, acrylic, 100 × 100 cm.
  • 1967: Viet Cong , smudging on emulsified canvas, glaze, acrylic, 100 × 100 cm.
  • 1967: Konrad Adenauer , acrylic , screen print on emulsified canvas, smudging, 120 × 120 cm. Museum Ludwig , Cologne.
  • 1967: Proposal for the surroundings of Cologne Cathedral , photo montage.
  • 1967: Alabama Burning , concrete on photography.
  • 1967: Extension of Aachen Cathedral , photo montage. Ludwig Forum for International Art
  • 1967: Homage á Lidice , various objects on canvas, overpainted carrier bag.
  • 1967: Goethe today , smudging on emulsified canvas, transparent plastic tubes, peas, tennis shoe, plate on second canvas, connected to the picture by plastic tubes, 125 × 350 cm. Sprengel Museum Hannover
  • 1968: Jayne Mansfield , blurring, Dé-coll / age, 200 × 140 cm. Collection René Block
  • 1968: Sophie Scholl , blurring, 150 × 90 cm.
  • 1968: Hours of Fun , blurring, Dé-coll / age, various objects, 200 × 140 cm. Berlinische Galerie
  • 1968: Nuremberg , smudging on emulsified canvas, 120 × 120 cm.
  • 1968: Heinrich Albertz , blurring, 100 × 100 cm. Dortmunder U
  • 1968: The green armchair , smudging on emulsified canvas, glaze, acrylic, 115 × 180 cm.
  • 1968: Che Guevara , smudging on emulsified canvas, glaze, acrylic, 100 × 100 cm.
  • 1968: Miss America , blurring, acrylic, glaze, screen print on emulsified canvas, 200 × 120 cm. Museum Ludwig , Cologne.
  • 1968: Flower Power , blurring on emulsified canvas, glaze, blurring, 125 × 200 cm. Städelsches Kunstinstitut
  • 1968: Cycle 'reinterpretations , different techniques, different formats.
  • 1968: Now the Germans are again No. 1 in Europe , cycle Umfunktionierungen , 2 layer picture (1st layer: smudging on emulsified canvas and screen printing, 2nd layer: screen printing on Plexiglas), 120 × 200 cm. Germanic National Museum
  • 1968: This is how we live evening after evening in front of the television screen , cycle of re-functions , 2 layered image (1st layer: smudging on emulsified canvas and screen printing, 2nd layer: screen printing on plexiglass), 125 × 200 cm. State Collections Munich.
  • 1968: Brecht dem Schütz the bones, all power to the councils , cycle of re-functions , 2 layer picture (1st layer: smudging on emulsified canvas and screen printing, 2nd layer: screen printing on Plexiglas), 125 × 200 cm.
  • 1968: No sooner had he got used to the second heart than he received the third , cycle of re-functions , 2-layer image (1st layer: smudging on emulsified canvas and screen printing, 2nd layer: screen printing on plexiglass), 125 × 200 cm. Kunsthalle Kiel
  • 1968: smoking in the dining car, for the duration of the lunch and dinner undesirable , cycle reinterpretations , 2 layers image (1st layer: blurring on emulsionierter screen and screen printing, 2nd layer: screen printing on Plexiglas ) cm, 125 × 200th
  • 1968: Nur Die , screen printing, blurring, nylon stockings , stocking pack, 113 × 102.7 cm.
  • 1968: Nur die 1 , screen printing, blurring, nylon stockings, stocking pack, 121 × 88.5 cm.
  • 1968: Nur die 1 , screen printing, blurring, nylon stockings, suspender belt, stocking pack, 113 × 102.7 cm.
  • 1968: Only Die , screen printing, blurring, nylon stockings, stocking pack.
  • 1968: Nur Die , screen printing, blurring, nylon stockings, 93 × 125 cm.
  • 1968: Nur Die , screen printing, blurring, nylon stockings, 90 × 125 cm.
  • 1968: Project for the extension of the National Gallery in Berlin , photo montage.
  • 1969: B 52 in concrete , concrete relief on photograph.
  • 1969: Project T / N Raffaello in concrete , concrete relief on photography.
  • 1970: Paris in concrete , concrete relief on photograph.
  • 1970: Lower Manhattan in concrete , concrete relief on photograph.
  • 1970: Project: Museum XX. Century on a Cologne motorway junction , photo montage.
  • 1970: BRD in concrete , concrete relief on photograph.
  • 1971: Museum of the 2nd half of the XX. Century for Cologne , pencil and photography on cardboard.
  • 1971: Concreting a Rhenish industrial landscape , concrete relief on photograph.
  • 1971: Documentation cycle on the salad happening (tables), photographs, texts.
  • 1971: Vietnam Symphony / Desastres de la Guerra cycle ( VS / DDLG ) different objects, different techniques, different formats.
  • 1971: Basel in concrete , concrete relief on photograph.
  • 1971: Arrival of the concrete cloud from Chicago in Zurich , concrete relief on photograph.
  • 1972: TOT cycle , Technological Oak Tree , different techniques, different formats.
  • 1972: Olympic counter / concrete counter , concrete relief on photograph, 85 × 125 cm.
  • 1972: Berlin Wall Concrete Cuff , concrete relief on photograph.
  • 1973: Mania cycle , sources on Environment Mania , pencil, magazines, various objects, 120 × 100 cm.
  • 1973: Berlin Fever cycle , different techniques, different formats.
  • 1973: Berlin Fieber V , Berlin Fieber cycle , smudging on emulsified canvas, glaze, lead foil, plate on a string, 130 × 220 cm. Rheinisches Landesmuseum Bonn
  • 1973: Mania cycle , object boxes, pencil on photographs, blurring, various objects.
  • 1973: Calatayud cycle , object boxes, pencil, watercolor, photography, lead foil, 30 × 40 × 12 cm. Gino Di Maggio Collection, Fondazione Mudima Milan .
  • 1973: Energy , acrylic, concrete, tennis balls cycle .
  • 1974: Inferno cycle , photographs, pieces of lead, sickles.
  • 1974: Happening Documentation, Happening Berlin Fever , hammer, sickle, salt, linen cloth, lead foil, other objects, 130 × 220 cm.
  • 1974: Strawberries cycle , different techniques, different formats.
  • 1974: Strawberries , printed lead foil, TV set, medical demonstration model, various objects.
  • 1975: Project for a museum for German art after 1945 in Bonn , photography, plastic tube, iron ring.
  • 1975: Nuit de Beton cycle , watercolor on cardboard, photographs, concrete parts, 73 × 102 cm.
  • 1975: La Quinta del Sordo cycle , watercolor on cardboard, briquette .
  • 1975: Extremadura cycle , acrylic on emulsified canvas, lead foil, various objects, 200 × 200 cm.
  • 1975: Yuste , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm. House of the History of the Federal Republic of Germany
  • 1975: Cáceres , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm.
  • 1975: Malpartida , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm.
  • 1975: Trujillo , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm.
  • 1975: Guadalupe , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm.
  • 1975: Alcantara , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm.
  • 1975: Hervas , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm.
  • 1975: Badajoz , Extremadura cycle , acrylic, emulsified canvas, briquette, lead foil, 200 × 200 cm.
  • 1975: Fandango cycle , revised photographs, watercolor on cardboard, hammers, automobile doors, parts of automobile bodies, various formats. Gino Di Maggio Collection, Fondazione Mudima Milan .
  • 1976: Rain cycle , different techniques, different formats.
  • 1976: Carlos V (after Tizian ), cycle rain , acrylic, photography on emulsified canvas, lead foil, copper cable, wrist radio, 130 × 110 cm. Sprengel Museum Hannover
  • 1976: La Vénus d'Urbin (after Tizian), cycle rain , acrylic on photography, scythe, 157.5 × 133 cm.
  • 1976: Danae (after Tizian), cycle rain , acrylic, photography on emulsified canvas, circular saw, 133 × 157 cm.
  • 1976: Fluxus music for DADA-Berlin , photography with text: Filling a burned-out sleeping car with shoes.
  • 1976: Self-portrait , cycle rain , No. 7, acrylic, photography on emulsion canvas, camera, lead foil, 157 × 133 cm. Sparkasse Bochum
  • 1976: VOAEX cycle , drawings, watercolors, photographs, various objects, 73 × 102 cm. Museo Vostell Malpartida
  • 1977: The Russian arm , the arm of a mannequin , wristwatches. Berlinische Galerie
  • 1977: The injured person , lead figures . German development service
  • 1977: The egg , wooden eggs, lead cycle . Gino Di Maggio Collection, Fondazione Mudima Milan .
  • 1977: The egg cycle , project drawings, photography, gouache, tube, cardboard, wooden eggs, string, 120 × 100 cm.
  • 1977: The dead man who thirsts has No. 1 , acrylic on canvas, saw, 210 × 198 × 8 cm.
  • 1977/1989: brain as video camera , photo montage.
  • 1977: Cycle The Dead Who Has Thirst , revised photographs, plates, various objects.
  • 1977: Los Barruecos , acrylic, lead foil on photography, 200 × 200 cm.
  • 1978: Endogenous Depression cycle , different techniques, different formats.
  • 1978: The dead man who is thirsty , acrylic, charcoal on canvas, camera, dead bird, 190 × 200 cm.
  • 1978: Fluxus Memorial for George Maciunas (New York, Cologne, Wiesbaden), blurring, photos, objects.
  • 1978: Cycle The Dead Who Has Thirst , 3 parts, acrylic on canvas, mannequin, gas mask, TV set, various objects, 200 × 300 × 15 cm. Ministere de la Culture et Communication Fonds National d'Art Contemporain.
  • 1979: Cycle of Jesus Variations , acrylic, concrete, smudging on emulsified canvas, cameras, 54 × 44 × 10 cm.
  • 1979: Hamlet cycle , sketches, scenes, various techniques, various formats.
  • 1980: The Fluxists are the negroes of art history , blurring on emulsified canvas, animal preparations (wolf), TV set, lead foil, cameras, pieces of clothing, branches, 190 × 240 × 50 cm. Gino Di Maggio Collection, Fondazione Mudima Milan .
  • 1980: Johanna die Wahnsinnige cycle , different techniques, different formats.
  • 1980: Las cosas del querer están llenas de misterio , cycle Johanna die Wahnsinnige , acrylic on canvas, triptych, 185 × 405 cm.
  • 1980: My combs are made of sugar , Johanna die Wahnsinnige cycle , acrylic on canvas, triptych, 185 × 404 cm. New National Gallery
  • 1980: Mas agua , Johanna die Wahnsinnige cycle , acrylic on canvas, triptych, 180 × 405 cm.
  • 1981: The stones (from Fluxus train ), telephones, bones, sacks of coal on wood, triptych, 243 × 567 × 30 cm.
  • 1981: Die Engel cycle (from Fluxus train ), different techniques, different formats.
  • 1981: Angeloi , cycle The Angels (from Fluxus Train ), acrylic on canvas, plastic chops, 190 × 290 cm.
  • 1981: Archai , cycle The Angels (from Fluxus Train ), acrylic on canvas, plastic chops, 190 × 290 cm.
  • 1981: Archangelo , The Angels cycle (from Fluxus Train ), acrylic on canvas, plastic chops, 190 × 290 cm.
  • 1982: The music of the angels , acrylic on canvas, 5 cassette recorders with music from the Fluxus opera The Garden of Earthly Delights , 5 plastic chops , 220 × 160 cm.
  • 1982: Descent from the Cross , acrylic on canvas.
  • 1982: Siberia Extremeña cycle , copper plates, various objects on canvas, various formats. 190 × 245 cm.
  • 1982: Isaac Cardoso , Siberia Extremeña cycle , acrylic on canvas, 190 × 240 cm. Museo de Cáceres .
  • 1982: The Battle of Anghiari , acrylic on canvas, concrete, bones, sickle , hand of a mannequin, triptych , 274 × 603 cm. Berlinische Galerie
  • 1982: The Battle of Anghiari (Version II), acrylic on canvas.
  • 1983: Taxi stand , acrylic on canvas, triptych, 240 × 570 cm.
  • 1983: Nude cycle , crawling down and up the stairs , different techniques, different formats.
  • 1983: Nude, crawling down and up the stairs I , acrylic on canvas.
  • 1983: Nude, crawling down and up the stairs II , acrylic on canvas.
  • 1983: Nude, crawling down and up the stairs III , acrylic on canvas.
  • 1983: Concrete-Tango cycle , different techniques, different formats.
  • 1983: Beton-Tango I , Beton-Tango cycle , acrylic on canvas, 240 × 190 cm.
  • 1983: Beton-Tango II , Beton-Tango cycle , acrylic on canvas, 240 × 190 cm.
  • 1983: Beton-Tango III , Beton-Tango cycle , acrylic on canvas, 240 × 190 cm.
  • 1983: Demoiselles D'Avignon (after Pablo Picasso ), acrylic, concrete relief on canvas, 245 × 235 cm. Musée d'art Moderne de la Ville de Paris
  • 1983: España , fan , pocket knife on wood.
  • 1984: Metamorphoses cycle , acrylic on canvas, various formats.
  • 1984: Cycle Spaniards , acrylic on canvas, different formats.
  • 1984: Tanguillos , cycle Spanish women , acrylic on canvas, 165 x 107 cm.
  • 1984: Seguidillas , cycle Spaniards , acrylic on canvas, 170 x 107 cm.
  • 1984: Metamorfosis America Latina , acrylic on canvas, triptych, 245 × 579 cm.
  • 1984: Caracoles , acrylic on canvas, 165 × 110 cm.
  • 1985: Majas cycle , different techniques, different formats.
  • 1985: Concrete sofa , acrylic on wood, concrete parts, 160 × 105 cm.
  • 1985: Duquesa de Alba I , acrylic on canvas, 130 × 97 cm.
  • 1985: Duquesa de Alba II , acrylic on canvas, 120 × 160 cm.
  • 1985: The Red Tongue , acrylic on canvas, 130 × 162 cm.
  • 1985: The four Andalusian principles , acrylic on canvas. Hochheimer art collection.
  • 1985: TV-dé-coll / age, reconstruction / version for ARCA Marseille 1985 , 20 TV sets, 20 slots in canvas, items of laundry, 3 × 15 meters.
  • 1985: The Burial of the Sardine cycle , different techniques, different formats.
  • 1985: The Burial of the Sardine , acrylic, concrete on canvas, triptych, 250 × 380 cm. Museo Vostell Malpartida
  • 1985: Doña Mercedes , acrylic on canvas, 165 × 107 cm.
  • 1985: Maja II , acrylic on canvas, 130 × 162 cm.
  • 1986: Milonga , acrylic on canvas, triptych, 190 × 510 cm.
  • 1986: Milonga cycle , acrylic, concrete on canvas, various formats.
  • 1986: The Burial of the Sardine , España cycle , tractor tires, guitar, bull horn, 170 × 170 × 75 cm.
  • 1986: Billiard girl , acrylic, concrete on canvas, diptych , 240 × 380 cm. Museo Vostell Malpartida
  • 1987: La Tortuga cycle , acrylic on photography, iron plate, various techniques, various formats.
  • 1987: Myth Berlin , acrylic, concrete on canvas, 2 TVs, car door, bones, triptych , 290 × 890 cm. Museo Vostell Malpartida.
  • 1987: Romerìa cycle , acrylic on canvas, various techniques, various formats.
  • 1988: Las Musas cycle , gouache, various formats.
  • 1988: Maja in gold , acrylic and gold leaf on canvas, 130 × 194 cm.
  • 1988: Homenaje a Santiago Amón , acrylic on canvas, 136 × 186 cm.
  • 1988: Tauromaquia en oro , acrylic on canvas, 195 × 131 cm.
  • 1988: Tauromaquia in red , acrylic, concrete on canvas, 130 × 190 cm.
  • 1988: Holocaust Memorial I, acrylic, photography on hardboard, granite, cassette recorder, 260 × 190 × 35 cm.
  • 1988: Holocaust Memorial II, acrylic, photography on hardboard, granite, 126 × 100 × 16 cm.
  • 1988: School of Athens , acrylic on canvas, concrete objects, triptych, 280 × 660 cm. Rheinisches Landesmuseum Bonn
  • 1988: Tauromaquia with BMW part , acrylic, concrete on canvas, fenders, 280 × 223 cm.
  • 1989: 6 million , acrylic on photography, piece of iron, piece of marble, 100 × 102.9 cm.
  • 1989: Millions box cycle , acrylic on photography, stones, TV sets, 134 × 93 × 37 cm.
  • 1989: Rien or in front of everyone , acrylic on wood, 2 automobile hoods, 2 automobile axles, 1 automobile steering wheel, 2 TV sets, iron, marble, photo and other objects, 5 parts each 260 × 196 × 110 cm.
  • 1989: Two concrete Cadillacs cycle in the form of naked Maja , overpainted photographs, iron plates, various formats.
  • 1989: Tauromaquia in gold , acrylic on canvas, 130 × 190 cm.
  • 1989: Reclining woman in gold , acrylic, gold leaf , concrete on canvas, 130 × 190 cm.
  • 1989: November 9, 1989 Berlin , acrylic, spray can paint, concrete, lead on canvas, 3 TV sets, triptych, 300 × 600 cm.
  • 1990: España cycle , objects in black boxes, various objects, various formats.
  • 1990: Carlos I y Rodrigo Aleman durante una visita en Coria , España cycle , specimen (bull's head), TV set, 160 × 160 cm.
  • 1990: Chivo , acrylic on canvas, spray can paint, screw conveyor
  • 1990: The Fall of the Berlin Wall cycle , acrylic, spray can paint, concrete, lead on canvas, TV sets, various formats.
  • 1990: cycle The Revolution of Consumption , acrylic, concrete, lead, various objects, 80 × 60 × 20 cm.
  • 1990: The Fall of the Berlin Wall No. 1 , acrylic, spray can paint, concrete, lead on canvas, TV, Coca-Cola can, 180 × 220 cm.
  • 1990: The Fall of the Berlin Wall No. 3 , acrylic, spray can paint, concrete, lead on canvas, glass plate, TV set, 180 × 220 cm.
  • 1990: The Fall of the Berlin Wall No. 4 , acrylic, spray can paint, concrete, lead on canvas, TV set, iron plate, scythe, 182 × 220 cm.
  • 1990: The Fall of the Berlin Wall No. 6 , acrylic, spray can paint, concrete, lead on canvas, TV set, 282 × 220 × 30 cm.
  • 1990: The Fall of the Berlin Wall No. 8 , acrylic, spray can paint, concrete, lead on wood, forks, spoons, 180 × 220 cm.
  • 1990: The Fall of the Berlin Wall No. 9 , acrylic, spray can paint, concrete, lead on wood, plate, 280 × 220 cm.
  • 1990: The Fall of the Berlin Wall No. 23 , acrylic, spray can paint, concrete, lead on wood, glass plates, 240 × 220 cm.
  • 1990: Berlin , acrylic on wood, iron plates, 3 TV sets, hammer, axes, forks, spoons, Coca-Cola cans, other objects, triptych, 280 × 660 cm.
  • 1990: Heart made of stone , acrylic, stone on photography.
  • 1990: Berlinerin series , acrylic, concrete, lead , various formats.
  • 1990: Requiem cycle , object boxes, acrylic on photographs, TV sets, stones, lead.
  • 1990: Le Choc , acrylic, concrete, photography on emulsified canvas, TV set, 2 masks, wooden boards, 89 × 126 cm.
  • 1990: Bunker TV , acrylic, concrete, lead, photography on emulsified canvas, TV set, 108 × 124.5 cm.
  • 1990: Berlin cycle , acrylic, concrete, lead on canvas, various objects, 60 × 80 cm.
  • 1990: A people bursts its walls , acrylic, concrete, TV set, grating on wood, 180 × 180 cm.
  • 1990: Shunting yard , acrylic, photography, model railway wagons, nails, 1 stone on wood.
  • 1991: In front of the Brandenburg Gate , acrylic, photography on emulsified canvas, lead, iron, helmet (NVA, National People's Army ), TV set, 112 × 82 × 84 cm.
  • 1991: Betoncadillac with TV , acrylic, concrete, lead, photography on emulsified canvas, TV set, 83.5 × 112 × 22.5 cm.
  • 1991: Tauromaquia with violin , acrylic, lead on canvas, violin, 185 × 250 cm.
  • 1991: Tauromaquia with light bulbs , acrylic, concrete, lead on canvas, light bulbs (matt), 185 × 250 cm.
  • 1991: Tauromaquia with light bulbs , acrylic, concrete, lead on canvas, light bulbs (transparent), 185 × 250 cm.
  • 1991: Eye for an eye , acrylic, photography on emulsified canvas, lead, baroque sculpture, 1 video camera, 1 video monitor, 320 × 190 × 65 cm.
  • 1991: Wall pyramid , acrylic on photographs, helmets (NVA), pocket knife on wood, 240 × 190 cm. Wall Museum
  • 1991: Tauromaquia en las Hurdes , acrylic on canvas, pocket knife, 185 × 250 cm.
  • 1991: L'Arc de Paix / Paris , acrylic, photography on wood, model airplane, wooden shapes, 160 × 120 × 30 cm.
  • 1991: L'Arc de Paix / Paris , acrylic, photography on wood, 3 model airplanes, wooden molds.
  • 1991: La Habitación Extremeña , acrylic on canvas, guitar, coins, 250 × 185 × 15 cm.
  • 1991: Queen Luise of Prussia , Green Cycle , acrylic, gold leaf on canvas.
  • 1991: Maja with a blue background , acrylic on canvas, guitar.
  • 1991: Weeping cycle , acrylic, concrete, lead on canvas or strong cardboard, different techniques, different formats.
  • 1992: Weeping 2 , Weeping cycle , acrylic, concrete and lead on canvas, 220 × 250 cm.
  • 1992: Weeping 3 , Weeping cycle , acrylic, concrete and lead on canvas. 220 × 250 cm.
  • 1992: Weeping 5 , Weeping cycle , acrylic, concrete and lead on canvas, 220 × 250 cm.
  • 1992: Homage to Anne Frank , Weeping cycle , acrylic, concrete , lead on canvas, 220 × 250 cm.
  • 1992: Bodegon , acrylic on painting, plate, ploughshare , 160 × 90 cm.
  • 1992: Cycle of Berlin projects , acrylic on photographs, various objects, various formats.
  • 1993: Sarajevo cycle , acrylic on handmade paper, 220 × 220 cm.
  • 1993: Arc de Triomphe I , photography on wood, acrylic, lead foil, artificial fireplace, 160 × 130 × 30 cm.
  • 1993: Majas cycle , acrylic, concrete, gold leaf on cardboard, revised photographs.
  • 1993: Bull's heads cycle , acrylic, concrete, lead, photographs on cardboard.
  • 1993: Vida = / Y Arte de MGOV , acrylic on canvas, triptych, 160 × 80 cm.
  • 1993: The Embrace , acrylic, gold leaf on canvas, 185 × 160 cm.
  • 1993: Trashumancia cycle , acrylic, lead, TV sets, various objects on wood, 320 × 280 cm. Museo Vostell Malpartida
  • 1993: Last exit Brooklyn , Trashumancia cycle , acrylic, lead, TV set, barbed wire, truck axle on wood, 320 × 280 cm.
  • 1993: Last exit Tegel , Trashumancia cycle , acrylic, lead, 2 TV sets, 1 automobile on wood, 320 × 280 cm.
  • 1993: Last exit Seville , Trashumancia cycle , acrylic, lead, various objects on wood, 320 × 280 cm.
  • 1993: Last exit Barajas , Trashumancia cycle , acrylic, lead, various objects on wood, 320 × 280 cm.
  • 1994: Sarajevo , spray can paint , model airplane, glass plate, mason jar with duster, barbed wire, lead on canvas. Art Gallery of Bosnia and Herzegovina.
  • 1994: Project Tour Eiffel 2000 a Paris , photography on wood, acrylic, lead foil, small plastic televisions.
  • 1994: Pont Neuf TV , photography on wood, acrylic, lead foil, small plastic TVs.
  • 1994: Arc de Triomphe II , acrylic on photography, 9 TV sets, 7 brushes, 1 palette, 125 × 184 × 24 cm. City of Sparkasse Cologne
  • 1994: Stella Seelenfreund, In Memoriam an Schindler's List , wooden panel, chest, 6 TV sets, various objects, 477 × 280 × 90 cm. Museo Vostell Malpartida
  • 1995: A ....... Z , suitcase, plaster feet, TV set made of bronze on wood. Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz
  • 1995: Three Graces cycle , different techniques, different formats.
  • 1995: Three Graces on the way to the end of the XX. Century , acrylic, concrete on canvas, 250 × 220 cm.
  • 1995: violet cycle , majas , different techniques, different formats.
  • 1995: Green cycle , majas , different techniques, different formats.
  • 1995: Fluxus Russian , model airplane, wooden parts, wooden TV models in the wings, 157 × 99.5 × 8.5 cm.
  • 1996: Bodegon , acrylic on canvas, 100 × 75 cm.
  • 1996: Blue cycle , acrylic on canvas, various formats.
  • 1996: Jesus with a TV heart , photography on wood, acrylic, TV set, 60 × 50 × 30 cm.
  • 1996: Three graces on the way to the feast of the end of the XX. Century , acrylic, concrete on canvas, 250 × 220 cm.
  • 1997: Berlin Outlook No.1 , photography, dollar bills, Mercedes star emblem.
  • 1997: Hebrew Suite for seven violins , 7 violins, 7 bows, 7 plates, 7 candles, 7 branches.
  • 1997: Blaue Maja I , acrylic on canvas, iron parts, 160 × 120 cm.
  • 1997: Blaue Maja II , acrylic on canvas, iron parts, 165 × 125 cm.
  • 1997: Shoah 1492–1945 , acrylic, concrete on canvas, triptych, 270 × 660 cm.
  • 1998: Per Gino , 11 TV sets, automobile tires, wooden panel with a layer of concrete. Museo Vostell Malpartida
  • 1998: Ritz , clothes hanger (Hotel Ritz), plastic torso, lingerie, TV set, canvas, 120 × 120 cm.

See also

literature

Web links

swell

  1. ↑ Rue de Buci, 1960 ( Memento of the original of February 18, 2013 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.nrw-museum.de
  2. ^ Big meeting with Da, 1961
  3. ↑ TPL , 1961
  4. ↑ Wolf Vostell in the Walker Art Center
  5. ↑ Kennedy before Corham, 1964
  6. ^ Object catalog of the collections of the Germanisches Nationalmuseum
  7. ↑ Transmigración II by Wolf Vostell in the Center for Art and Media Technology . Article in Arsprototo magazine No. 3, 2013, p. 26.
  8. ↑ phases . Jürgen Becker and Wolf Vostell, foreword by Max Bense , Der Spiegel gallery , Cologne 1960.
  9. ↑ TPL . François Dufrêne , Alain Jouffroy, Wolf Vostell, Der Kalender Verlag, Wuppertal 1961.
  10. ↑ Jürgen Becker , Wolf Vostell (ed.): Happenings, Fluxus, Pop Art, Nouveau Réalisme . A documentation. Rowohlt Verlag, Reinbek 1965.
  11. ↑ Wolf Vostell. Drawing of the lottery numbers, news of the day and weather card, Das Wort zum Sonntag . edition et, et 14, 1966.
  12. ↑ Vostell. Images, blurring, happening notations 1961–1966 . Kölnischer Kunstverein, 1966.
  13. ↑ Wolf Vostell. Dé-coll / agen, blurring 1954–1969 . Edition 17, Galerie René Block Berlin 1969.
  14. ^ Rainer K. Wick : Vostell Sociological . Bonn 1969.
  15. ^ Wolf Vostell (ed.): Actions, happenings and demonstrations since 1965 . Rowohlt Verlag, Reinbek 1970, ISBN 3-498-07053-3 .
  16. ↑ Wolf Vostell. Happening and life . Luchterhand Verlag, 1970.
  17. ↑ Wolf Vostell. Electronically . New gallery in the Alten Kurhaus, Aachen 1970.
  18. ↑ Wolf Vostell. Mania . Galerie van de Loo, Munich 1973.
  19. ↑ Vostell. Environments / Happenings, 1958–1974 . ARC 2, Musée D'ART Moderne de la Ville de Paris, Paris 1974.
  20. ↑ Wolf Vostell. Retrospective 1958–1974. Neue Nationalgalerie Berlin, State Museums of Prussian Cultural Heritage, Berlin 1975.
  21. ↑ Vostell. V 40 . Edizioni Multhipla, Milan 1976.
  22. ↑ Wolf Vostell. Drawings 1952–1976 . Museum am Ostwall, Dortmund 1977.
  23. ^ Wilhelm Salber : The egg as a media grammar for the documenta project by Vostell . Kassel 1977.
  24. ↑ Vostell. The hay cart . Uni Essen. January 25, 1978 AB: 11 a.m., Essen 1978.
  25. ↑ Vostell. Museo Español de Arte Contemporaneo, Madrid 1978.
  26. ↑ Vostell. De 1958 a 1978 . Fundació Joan Miró, 1979.
  27. ↑ Vostell . Galeria de Belém, Fundacao Calouste Gulbenkian, Lisbon 1979.
  28. ↑ Wolf Vostell. My sweet feast for the eyes .... Edition Ars Viva! Berlin 1979.
  29. ↑ Vostell. Dé-coll / agen, smudges, layered images, lead images, object images . Art Association Braunschweig 1980.
  30. ↑ Vostell. Omaggio A Giovanna La Pazza . Il Centro Napoli, Naples 1980.
  31. ↑ Wolf Vostell. Garden of Earthly Delights . Edition Ars Viva! Berlin 1981.
  32. ↑ Vostell. Fluxus train . The mobile museum. 7 environments about love death work. Berlin 1981.
  33. ^ Vostell and Berlin, Life and Work 1971–1981 . DAAD-Galerie Verlag, Berlin 1982.
  34. ↑ Mercedes Vostell : El Enigma Vostell . AMBIT SESA, Barcelona 1982.
  35. ↑ Wolf Vostell. The naked and the dead . Edition Ars Viva! u. Galerie Wewerka, Berlin 1983, ISBN 3-924306-11-7 .
  36. ↑ Wolf Vostell . Sala Parpalló, Valéncia 1984.
  37. ↑ Wolf Vostell . Homenaje a Juana La Loca, Libros BOABAB, Santa Cruz de Tenerife 1984.
  38. ↑ Wolf Vostell . Musée d'art moderne et contemporain de Strasbourg 1985.
  39. ↑ Wolf Vostell. Edition Wewerka, Berlin 1985, ISBN 3-924306-26-5 .
  40. ↑ Wolf Vostell. Pinturas-dibujos-objetos . Museo Vostell Malpartida / Edición Wewerka Galerie Malpartida, 1986.
  41. ↑ Wolf Vostell. The sculptural work 1953–87 . Mult (H) ipla, Milan 1987.
  42. ^ Dali / Vostell. El Fin de Parzival . Museo Vostell Malpartida, 1989.
  43. ↑ Vostell . Galerie Lavignes-Bastille, Paris 1990, ISBN 2-908783-00-2 .
  44. ↑ Wolf Vostell. Retrospective 92 . Edition Braus, Heidelberg 1992, ISBN 3-925520-44-9 .
  45. ↑ Vostell. Dipinti 1954-1991 . Catalog of works and catalog of the exhibition in the Palazzo delle Esposizioni, Rome 1992.
  46. ↑ Vostell - Extremadura . Asamblea de Extremadura 1992, ISBN 84-87622-07-0 .
  47. ↑ Wolf Vostell. Life = art = life . Art gallery Gera, EA Seemann , Gera 1993, ISBN 3-363-00605-5 .
  48. ↑ Wolf Vostell. Tempo De Barcelona . Sebastiá Jané Gallery, Barcelona 1994.
  49. ↑ Wolf Vostell. Sarajevo. 3 Fluxus pianos . Fundació Pilar i Joan Miro, Palma de Mallorca 1994, ISBN 84-89034-01-X .
  50. ^ Wolf Vostell in North Rhine-Westphalian collections . Culture Department Bayer AG, Leverkusen 1997.
  51. ↑ Wolf Vostell. Shoah 1492-1945 . Editorial Regional de Extremadura, 1997, ISBN 84-7671-436-X .
  52. ↑ Vostell - I disastri della pace / The Disasters of Peace . Varlerio Dehò, Edizioni Charter, Milan 1999, ISBN 88-8158-253-8 .
  53. ↑ Wolf Vostell. Automobiles . Wasmuth Verlag, Tübingen 1999, ISBN 3-8030-3093-5 .
  54. ↑ Wolf Vostell. La Caída del Muro de Berlin . Museo Vostell Malpartida , 2000, ISBN 84-7671-583-8 .
  55. ↑ José Antonio Agúndez García: 10 Happenings by Wolf Vostell . Editora Regional de Extremadura 2001, ISBN 84-7671-510-2 .
  56. ↑ Wolf Vostell. Museo Vostell Malpartida . MVM, Catalogo, 2002, ISBN 84-7671-697-4 .
  57. ↑ Wolf Vostell. Television . Galeria Miejska Arsenal w Poznania 2002, ISBN 83-88947-05-2 .
  58. ^ Vostell y la Música . Museo Vostell Malpartida, 2002, ISBN 84-7671-741-5
  59. ↑ Wolf Vostell . Giacomo Zaza, La Nuova Pesa, Rome 2004, ISBN 2-9519858-4-3 .
  60. ↑ Wolf Vostell . Maria del Mar Lozano Bartolozzi, Editorial Nerea, Arte Hoy series, 2005, ISBN 84-89569-38-X .
  61. ↑ Wolf Vostell - Die Druckgrafik . Dr. Wolfgang Vomm, Prof. Dr. Wulf Herzogenrath u. José Antonio Agúndez García, Municipal Gallery Villa Zanders in collaboration with the Galerie + Schloßverein eV Bergisch Gladbach 2006, ISBN 3-9810401-0-4 .
  62. ↑ Wolf Vostell. My art is the eternal resistance against death . Rheinisches Landesmuseum Bonn 2007, ISBN 978-3-9811834-0-5 .
  63. ↑ Wolf Vostell. Mon art est la résistance éternelle à la mort . Carré d´Art-Musée d´Art Contemporain de Nimes 2008, ISBN 978-2-915639-88-9 .
  64. ↑ sediment: Wolf Vostell. Through the galleries in streets and squares . Communications on the history of the art trade, issue 14/2007 Central archive of the international art trade, Verlag für modern art, Nuremberg 2007, ISBN 978-3-939738-61-9 .
  65. ↑ Wolf Vostell. Dé-coll / age . Editorial Pintan Espadas No.10, Badajoz 2008, ISBN 978-84-7796-165-9 .
  66. ↑ The theater is on the street, The Happenings by Wolf Vostell . Museum Morsbroich Leverkusen. Kerber Verlag, 2010, ISBN 978-3-86678-431-4 .
  67. ↑ Wolf Vostell. Artista Europeo . Mudima Edizioni, Milan 2010, ISBN 978-88-96817-04-9 .
  68. ^ Mi vida con Vostell, un artista de vanguardia . Mercedes Guardado. Editorial La Fabrica, Madrid 2011, ISBN 978-84-92841-91-2 .
  69. ↑ Mercedes Vostell: Vostell - for a lifetime . Siebenhaar Verlag, 2012, ISBN 978-3-936962-88-8 .
  70. ↑ Wolf Vostell. The artist is present . Stadtgalerie Mannheim 2012, ISBN 978-3-944128-37-5 .
  71. ↑ Klaus Gereon Beuckers : Dé-coll / age and happening . Studies on the work of Wolf Vostell. Ludwig, Kiel 2012, ISBN 978-3-86935-145-2 .
  72. ↑ Carteles. Wolf Vostell. Museo Vostell Malpartida 2013, ISBN 978-84-9852-359-1 .
  73. ^ Klaus Gereon Beuckers, Hans-Edwin Friedrich and Sven Hanuschek: dé-coll / age as manifesto, manifesto as dé-coll / age . Manifestos, lectures and essays by Wolf Vostell. neoAvantgarden, Volume 3, edition text + kritik: Munich 2014, ISBN 978-3-86916-260-7 .