Lucio Papirio dittatore

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Work data
Title: Lucio Papirio dittatore
Title page of the libretto from 1719 (music by Antonio Caldara)

Title page of the libretto from 1719
(music by Antonio Caldara)

Shape: Opera seria in three acts
Original language: Italian
Music: First setting by Antonio Caldara
Libretto : Apostolo Zeno
Literary source: Titus Livius : Ab urbe condita
Premiere: November 4, 1719
Place of premiere: Kaiserhof Vienna
Place and time of the action: Rome, 324 BC Chr.
people
  • Lucio Papirio , dictator
  • Marco Fabio , father of Quinto Fabio
  • Quinto Fabio , Commander in Chief of the Cavalry, son of Marco Fabio, husband of Papiria
  • Papiria, daughter of Lucio Papirio, wife of Quinto Fabio
  • Rutilia, sister of Quinto Fabio, lover of the Cominio
  • Cominio, military tribune , lover of Rutilia
  • Servilio, tribune of the people , unhappily in love with Rutilia
  • Pages with Papiria, Pages with Rutilia, Lictors with Lucio Papirio, Soldiers with Quinto Fabio, Samnite Slaves with Quinto Fabio, Magistrates and People with Servilio (extras)

Lucio Papirio dittatore (later also Quinto Fabio ) is a libretto for an opera seria in three acts by Apostolo Zeno . The work was performed for the first time in the setting by Antonio Caldara on November 4, 1719 at the Imperial Court in Vienna. A total of almost 30 settings are known.

action

“In 430, after the city of Rome was built, Lucius Papirius Cursor was chosen as dictator in the war against the Samnites . He appointed his military tribune to Quintus Fabius Rurilianus , of Marcus Fabius son, who had already been Einmahl Consul and Dictator dreymahl. Now that Papirius arrived at Imbrinium in the face of the enemy, the fortune-tellers suggested to him that before the hostilities began, he should return to Rome once more, receive new premonitions, and reconcile the gods. As a result of this he left the command of the army to Quintus Fabius, with the forbidden to dare to meet the Samnites in any way. The disobedience of Quintus, who had seized the opportunity, attacked and conquered the enemy, gave the dictator such an opportunity for such anger that he hurried back to the camp, and acknowledged that he had been struck with sticks and then beheaded should be. Quintus took refuge in the legions and incited them to indignation; afterwards he fled to Rome that night, where his father appealed first to the council, then to the people. But nothing in the world was able to induce Papirius to forgive the guilty party, except for the petitions which the tribunes made for him on behalf of the whole people. With these and even more circumstances, the incident can be read in the eighth book of the first Decas by Titus Livius.

One has connected the truth of the story with the probable love, as one can see in the present Singspiel. "

- Foreword to the libretto of the setting by Carl Heinrich Graun, Berlin 1745 (slightly shortened translation of the original foreword from 1719)

The following table of contents is based on the libretto of the first version from 1719. The mentioned aria titles also refer to this version set to music by Antonio Caldara .

first act

The Capitol in Rome with the outside of the Temple of Jupiter

Scene 1. The dictator Lucio Papirio, Marco Fabio (who previously held the dictatorial office several times), his daughter Papiria, Marco's daughter Rutilia, lictors and the Roman people step out of the temple (Tutti: “Con fausti auspici”). The augurs recommended Lucio to reconcile himself with the gods before the decisive battle against the Samnites in Rome. During his absence, Quinto Fabio, the son of Marcos who is married to Papiria, is to take command of the army. Lucio impresses on Marco that Quinto should keep the camp closed and not attack the enemy. Marco thinks that this will be very difficult for his son (Marco Fabio: "Tal generoso destriero indomito").

Scene 2. Papiria and her friend Rutilia (Quinto's sister) say goodbye to Lucio Papirio.

Scene 3. The tribune, Servilio, brings the news that Quinto Fabio had written a message to the Senate through the Cominio military tribune and thus passed over Lucio. Shortly afterwards, cheers for Fabio can be heard from the Capitol. Lucio is worried. He goes in to find out more (Lucio: "Chi non so, se colpevole ancor sia").

Scene 4. The two women ask Servilio to follow Lucio and bring them word quickly.

Scene 5. Papiria and Rutilia are concerned (Rutilia: “A la candida agnelletta”).

Scene 6. Cominio presents flags and other spoils of war from the defeated Samnites to Lucio and the people. Quinto Fabio did not wait for Lucio to return, but immediately attacked and defeated the enemy. Papiria does not believe that her father will simply accept this insubordination (Papiria: "Sento applausi: miro allori").

Scene 7. Cominio and Rutilia assure each other of their love for one another. Rutilia reminds Cominio that her father will only accept the most worthy husband for her. Cominio promises her to behave accordingly (Cominio: "Se quanto so di amarti").

Scene 8. Servilio talks to Rutilia about his fear that Lucio will punish Quinto very severely. He also reminds Rutilia of his own love for her. Rutilia points out to him that the Fabians, despite his high rank as tribune of the people, would never accept a plebeian like him in the family (Rutilia: "A rader nato il suolo").

Scene 9. Servilio wants to prove to Rutilia that he is worthy of her (Servilio: “Un gran fasto”).

Banks of the Tiber outside Rome overlooking the city

Scene 10. Quinto Fabio crosses the Tiber in a triumphal chariot drawn by Samnite slaves to the sound of a military sinfonia (Quinto: “Qual piacer, o Tebro invitto”). The city gates are opened. Papiria and the Roman people receive the winner with laurel wreaths.

Scene 11. The spouses greet each other happily (Quinto / Papiria: “Non sento tutto il giubilo”).

Scene 12. Cominio warns Quinto of the dictator's wrath. Papiria also begs him to flee as quickly as possible. However, Quinto feels right and wants to stand up for what he did. Cominio promises him his support (Cominio: "Leggi a noi tutti in volto").

Scene 13. Lucio Papirio comes out of town with the lictors. He's already brought a court chair with him for the trial. When Quinto confirms that he deliberately disregarded the prohibition of attack, he sentenced him to death. Neither Quinto's justification for having saved Rome through his actions, nor the intercession of Lucio's daughter Papiria have any effect. Quinto accepts the punishment, but does not want to die as a criminal, but as a warrior at the hands of Roman soldiers (Quinto Fabio: “Se vuoi, ch'io cada esanime”).

Scene 14. Although Cominio points out that the army remains loyal to Quinto, Lucio sticks to his decision. Marco Fabio also asks for mercy for his son. Not the dictator, but the Senate should make the final judgment. Lucio accepts the proposal. Should the Senate acquit Quinto, however, he would resign (Lucio Papirio, Marco Fabio, Cominio: "Manlio vinse; e Tito forte").

Scene 15. Papiria has a conflict of conscience because she has to honor her father as well as love her husband (Papiria: "Rigori fingerò, - ripulse, e sprezzi").

Dance of the Samnite slaves celebrating their regained freedom.

Second act

Gallery between the houses of the Fabier and the Papirier

Scene 1. Rutilia and Cominio talk about Quinto's chances in front of the Senate (Cominio: “Come per nube il raggio”).

Scene 2. Servilio tells Rutilia that the Senate could not come to a common judgment. The decision now lies with the dictator again.

Scene 3. Papiria contradicts. Marco called the Roman people, and Servilio as tribune has great influence on them. Rutilia makes no attempt to hide her disgust for Servilio. Instead of asking him for help, she appeals to his sense of duty (Rutilia: “Non deggio amarti”) and leaves.

Scene 4. Papiria asks Servilio not to take Rutilia's insults too much to heart. Their father will surely help him to get his rights. When he arrives, she tells him about Rutilia's behavior towards Servilio. Marco explains that human virtue is more important to him than birth. If Servilio proves worthy, he will give him his daughter's hand. Servilio wants to do his best (Servilio: "Non dispetto, non speranza").

Scene 5. Papiria worries about her husband's fate. Marco, on the other hand, has doubts. When Quinto arrives and wants to hug his father gratefully, Marco pushes him back. He will only see him as a son again when his innocence has been proven (Marco: "Tu figlio mio? Non sei").

Scene 6. Papiria tells Quinto that she is on the side of her father and will only accept him as husband again when he has received his forgiveness (Papiria: “Tu sei mio caro ardor”).

Scene 7. Quinto finds it difficult to overcome his pride (Quinto: “Troppo è insoffribile fiero martir”).

Lucio Papirio's tent with a small table

Scene 8. Papiria begs her father to show mercy towards his son-in-law if he sees his guilt and begs for forgiveness (Papiria: “Fra due sirti la navicella”).

Scene 9. Cominio tells Lucio that all the tribune and soldiers are asking for mercy on Quinto. He was a war hero and was forced to fight (Cominio: "Col vincer te stesso").

Scene 10. Quinto has conquered his pride and humbly steps in front of Lucio. He admits his mistake, but adds that he acted out of love and passion. He lays his helmet and sword on the table and falls on his knees in front of Lucio to take his punishment. Lucio seems impressed. He signals to open the tent wings.

Field of Mars with people and soldiers

Scene 11. Lucio announces to the crowd that Quinto has seen his guilt and asks for mercy. Marco is disappointed in his son. However, Quinto insists that he was wrongly accused. Outraged, Lucio rejects any mildness (Lucio Papirio: "Rigido, inesorabile").

Scene 12. Marco accuses his son of having disgraced the family by submitting. Quinto replies that he by no means begged for mercy, but was ready to take the punishment. Lucio twisted his words and publicly dishonored him. He takes up his sword to kill himself. Impressed, Marco snatches his sword from him. Quinto continues to long for an honorable death (Quinto: “Tra le ferite, e'l sangue”).

Scene 13. Marco Fabio ponders the fate of his son (Marco Fabio: “Presaga l'anima”).

Dance of the young Roman nobles during a military exercise.

Third act

Roman Forum with pedestals for the tribune and the magistrates

Scene 1. In Quinto's presence, Marco and the people turn against the death sentence. Instead, Quinto's victory should be celebrated (Marco / choir: “Di trionfo, e non di morte”). When they are about to leave the podium, Lucio meets them with the lictors.

Scene 2. When Lucio points out to Marco that the forum should not be used by private individuals, the two of them quarrel.

Scene 3. Servilio arrives with the people's magistrates and interrupts the dispute. He, Lucio and the magistrates take their places on the podium. Marco and Quinto sit a little lower. Marco opens the negotiation with an appeal to the people, referring to Quinto's merits. Lucio, on the other hand, promises doom to Rome if criminals like him are left unpunished. He leaves the podium angrily. Quinto announces that he will submit to the Roman people - neither as a guilty party nor as a hero, but as a citizen. He says goodbye to his father and asks his forgiveness (Quinto Fabio: "Dammi un amplesso, o padre").

Scene 4. Marco suffers with his son (Marco: “A torrente, che cresce, ed inonda”).

room

Scene 5. Even if Servilio should prove worthy in rescuing her brother, Rutilia wants to remain loyal to Cominio. He promises her to start a soldiers' uprising to save Quinto. Then Marco cannot refuse his daughter's hand (Cominio: “Più cori, più vite”).

Scene 6. When Servilio appears, Rutilia meets him with undisguised disgust and accuses him of being guilty of her brother's death (Rutilia: “Al duolo, a l'odio”).

Scene 7. Servilio informs Lucio and Papiria of the people's decision: Quinto is to be handed over to the lictors. Lucio is surprised because Quinto's offense only affected him personally, not the people, who have shown themselves to be ungrateful through the conviction. Servilio thinks that now only Lucio himself can save Quinto by transforming himself from a strict to a gracious dictator (Servilio: “In tua man sta vita, e morte”).

Scene 8. Despite Papiria's plea, Lucio doesn't want to overturn the sentence (Papiria: “Padre amoroso - Padre crudele”).

Scene 9. The tied Quinto is shown to Lucio. To Papiria's delighted surprise, he orders the chains to be removed from Quinto. Then he gives him a pompous sword and decorates his head with laurel. However, nothing has changed about the death sentence. Quinto is to be honored to be led to the place of execution (Lucio: "Consolati. Sul sasso").

Scene 10. Quinto and Papiria take a tender farewell to each other (Papiria / Quinto: “In stringerti al seno”).

Magnificent atrium with loggias that lead to the Roman Curia

Scene 11. Lucio laments the loss of Quinto.

Scene 12. Rutilia wonders at Lucio's obvious grief.

Scene 13. Papiria reports on the soldiers' uprising.

Scene 14. When Cominio reports that a large part of the people has joined the rebels, Lucio wants to oppose them alone if necessary.

Scene 15. Marco leads Quinto, who had already been freed, to Lucio himself to avert further dangers from the fatherland. Impressed, Lucio cedes the dictatorial office to Marco, who now has to decide the fate of his son. To restore peace, Quinto is ready to die. Cominio then confesses that he himself was responsible for the uprising and that he wants to die in Quinto's place.

Scene 16 (“ultima”). On behalf of the whole people, Servilio throws himself at the dictator's feet and asks for forgiveness. Now that the dictatorship has been saved, Lucio is gracious. He does not acquit Quinto himself, but hands him over to the Roman people - with the advice to better respect the laws in the future. Everyone cheers (Tutti: "O grande! O giusto! O pio! O nostro dittator!"). Lucio promises Servilio the hand of Rutilia as a reward for his services. However, he shows understanding and asks Marco to give it to her lover Cominio instead. The people celebrate their dictator and love (chorus: “Festeggino, rimbombino”).

Dance of the Roman people celebrating Quinto Fabio's forgiveness.

Work history

The conflict between the Roman military dictator Lucio Papirio Cursor and his cavalry commander Quintus Fabius Maximus Rullianus , described in the eighth book of the first decade of Titus Livius ' historical work Ab urbe condita , was a popular opera subject in the 18th century. The libretti by Antonio Salvi and Apostolo Zeno were particularly popular .

Salvis Lucio Papirio has been set to music at least fourteen times. The first version is by Francesco Gasparini . It premiered on January 27, 1714 at the Teatro Capranica in Rome . Further settings are by Luca Antonio Predieri (Florence 1714), Giuseppe Maria Orlandini (Naples 1717), an unknown composer (Mantua 1718), Antonio Bioni (Breslau 1732), Leonardo Leo (Naples 1735), Nicola Antonio Porpora (Venice 1737) and Nicola Bonifacio Logroscino ( Quinto Fabio, Rome 1738). In Salvi's version, Lucio's daughter is named Emilia. Each character is driven by its own sense of duty, which sometimes ends tragically.

The second text, the Lucio Papirio dittatore described here , comes from Apostolo Zeno. Its rough plot largely corresponds to that of Salvis' libretto. Here, however, external circumstances are also cited as the reason for Fabio Quinto's disobedience and not just his exaggerated ambition. Zeno's text was set to music even more often than Salvi's. Later arrangements were also titled Quinto Fabio. The first performance was on November 4, 1719 at the Imperial Court in Vienna in a setting by Antonio Caldara . The occasion was the name day of Emperor Charles VI.

For the version by Antonio Pollarolo , which was played in the Teatro San Giovanni Crisostomo in Venice during the carnival season of 1721 , the painter and set designer Innocente Bellavite created eight scene sketches, which were in the possession of Lodovico Pogliaghi in Varese, whose whereabouts are unknown today.

Settings

The following composers set this libretto to music:

year composer premiere Performance location Remarks
1719 Antonio Caldara November 4, 1719, Kaiserhof Vienna also on January 30, 1721 in the Teatro Regio Ducale Milan;
on February 9, 1721 in the Braunschweig Theater
Antonio Caldara - Lucio Papirio dittatore - title page of the libretto - Vienna 1719.png
1720 Antonio Pollarolo December 26th 1720, Teatro San Giovanni Crisostomo Venice Antonio Pollarolo - Lucio Papirio dittatore - title page of the libretto - Venice 1721.png
1725 Anonymous 1725, Teatro della Pergola Florence as Lucio Papirio Anonymous - Lucio Papirio - title page of the libretto - Florence 1725.png
1728 Anonymous January 6, 1728, Teatro de 'Nobili detto del Pavone Perugia as Lucio Papirio
1729 Geminiano Giacomelli Spring 1729, Teatro Ducale Parma Libretto arranged by Carlo Innocenzo Frugoni ;
also in Cremsier in summer 1732;
Carnival 1734 in the Teatro Filarmonico in Verona
Geminiano Giacomelli - Lucio Papirio dittatore - titlepage of the libretto - Parma 1729.png
1732 Giovanni Porta 17th May 1732, Teatro delle Dame Rome Giovanni Porta - Lucio Papirio dittatore - title page of the libretto - Rome 1732.png
1732 George Frideric Handel ( pasticcio )
Lucio Papirio dittatore (Handel)
May 23, 1732, King's Theater on Haymarket London George Frideric Handel - Lucio Papirio dittatore - title page of the libretto - London 1732.png
1737 Ignaz Holzbauer October 12, 1737, theater Holešov Ignaz Holzbauer - Lucio Papirio dittatore - title page of the libretto - Holešov 1737.png
1739 Francesco Zoppis ( pasticcio ) Autumn 1739, Theater am Tummelplatz Graz Francesco Zoppis - Lucio Papirio dittatore - Graz 1739.png
1742 Johann Adolph Hasse January 18, 1742, Small Electoral Theater Dresden also on November 4, 1746 at the Teatro San Carlo , Naples;
on January 24, 1766 and 1784 revised as Lucio Papirio in the Royal Court Opera Berlin
Johann Adolph Hasse - Lucio Papirio dittatore - title page of the libretto - Naples 1746.png
1745 Carl Heinrich Graun 4th January 1745, Royal Court Opera Berlin as Lucio Papirio Carl Heinrich Graun - Lucio Papirio - german title page of the libretto - Berlin 1745.png
1748 Gennaro Manna February 11th 1748, Teatro delle Dame Rome Gennaro Manna - Lucio Papirio dittatore - title page of the libretto - Rome 1748.png
1751 Baldassare Galuppi Mass 1751, Teatro Pubblico Reggio nell'Emilia as Lucio Papirio;
also in 1765 in the Teatro de la Santa Cruz in Barcelona
Baldassare Galuppi - Lucio Papirio - title page of the libretto - Reggio 1751.png
1752 Ignazio Balbi December 26th 1752, Teatro Regio Turin as Lucio Papirio Ignazio Balbi - Lucio Papirio - title page of the libretto - Torino 1752.png
1756 Anonymous 1756, Det Kongelige Teater Copenhagen as Lucio Papirio Anonymous - Lucio Papirio - title page of the libretto - Copenhagen 1756.png
1767 Giovanni Paisiello circa June 30, 1767, Teatro San Carlo Naples also Carnival 1775 in the Teatro de Salvaterra in Lisbon Giovanni Paisiello - Lucio Papirio dittatore - title page of the libretto - Naples 1767.png
1771 Pasquale Anfossi Carnival 1771, Teatro delle Dame Rome as Quinto Fabio;
also on December 26, 1772 in the Teatro del Pavone in Perugia
Pasquale Anfossi - Quinto Fabio - title page of the libretto - Rome 1771.png
1778 Ferdinando Bertoni January 31, 1778, Teatro Interinale Milan as Quinto Fabio;
many other productions in Italian cities; also given several times in London
Ferdinando Bertoni - Quinto Fabio - title page of the libretto - Milan 1778.png
1778 Dmitri Bortnyansky December 26th 1778, Teatro Ducale Modena as Quinto Fabio Dmitry Bortniansky - Quinto Fabio - title page of the libretto - Modena 1778.png
1779 Anonymous Carnival 1779, Teatro Sant'Agostino Genoa as Quinto Fabio
1780 Giovanni Battista Borghi January 21, 1780, Teatro della Pergola Florence as Quinto Fabio Giovanni Battista Borghi - Quinto Fabio - title page of the libretto - Florence 1780.png
1780 Luigi Cherubini (first setting) October 1780, Teatro della città Alessandria as Il Quinto Fabio
1782 Anonymous Carnival 1782, Teatro Nazari Cremona as Il Quinto Fabio Anonymous - Il Quinto fabio - title page of the libretto - Cremona 1782.png
1783 Luigi Cherubini (second setting) January 7th 1783, Teatro Argentina Rome as Quinto Fabio Luigi Cherubini - Quinto Fabio - title page of the libretto - Rome 1783.png
1787 Anonymous Carnival 1787, Teatro dei Quattro Cavalieri Associati Pavia as Quinto Fabio
1791 Gaetano Marinelli May 30, 1791, Teatro San Carlo Naples 1791 as Lucio Papirio;
Libretto edited by Cosimo Mazzini
Gaetano Marinelli - Lucio Papirio - title page of the libretto - Naples 1791.png
1794 Niccolò Antonio Zingarelli Autumn 1794, Accademia degli Avvalorati Livorno as Quinto Fabio;
also in January 1802 at the Teatro della Pergola in Florence
Niccolò Antonio Zingarelli - Quinto Fabio - title page of the libretto - Livorno 1794.png

Recordings and performances in recent times

  • Antonio Caldara
    • 9-21 July 2019: Performances at the Buxton International Festival. Director: Mark Burns; La Serenissima under Adrian Chandler; Singers: Robert Murray (Lucio Papirio), William Towers (Marco Fabio), Owen Willetts (Quinto Fabio), Rowan Pierce (Papiria), Elizabeth Karani (Rutilia), Eleanor Dennis (Cominio) and Gareth Brynmor John (Servilio).
  • Johann Adolph Hasse
    • April 6, 2013: full concert performance at Grosvenor Chapel, Mayfair, London. Ensemble Serse; Singers: Benjamin Williamson (Lucio Papirio), Meili Li (Marco Fabio), Calvin Wells (Quinto Fabio), Elisabeth Fleming (Papiria), Roderick Morris (Rutilia), Catherine Pope (Cominio) and Christopher Jacklin (Servilio).

Web links

Commons : Lucio Papirio dittatore  - collection of images, videos and audio files

Remarks

  1. Scene 7 of the second act is incorrectly referred to as scene 6 in the printed libretto from 1719.

Digital copies

  1. ^ A b Carl Heinrich Graun: Lucio Papirio. Libretto (Italian / German), Berlin 1745. Digitized version of the Munich digitization center .
  2. ^ Antonio Caldara: Lucio Papirio dittatore. Libretto (Italian), Vienna 1719. Digitized version of the Austrian National Library .
  3. Lucio Papirio dittatore (Caldara, Antonio) : Notes and audio files in the International Music Score Library Project .
  4. ^ Antonio Pollarolo: Lucio Papirio dittatore. Libretto (Italian), Venice 1721. Digitized version of the Munich digitization center .
  5. Anonymous: Lucio Papirio. Libretto (Italian), Florence 1725. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  6. ^ Geminiano Giacomelli: Lucio Papirio dittatore. Libretto (Italian), Parma 1729. Digitized from the Library of Congress .
  7. Lucio Papirio dittatore (Giacomelli, Geminiano) : Notes and audio files in the International Music Score Library Project .
  8. ^ Giovanni Porta: Lucio Papirio dittatore. Libretto (Italian), Rome 1732. Digitized in the Internet Archive .
  9. ^ Ignaz Holzbauer: Lucio Papirio dittatore. Libretto (Italian), Holešov 1737. Digitized version of the Biblioteca Nazionale Braidense .
  10. ^ Francesco Zoppis: Lucio Papirio dittatore. Libretto (Italian), Graz 1739. Digitized version of the Austrian National Library .
  11. ^ Johann Adolph Hasse: Lucio Papirio dittatore. Libretto (Italian), Naples 1746. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  12. ^ Johann Adolph Hasse: Lucio Papirio. Libretto (Italian / German), Berlin 1784. Digitalisat the Berlin State Library .
  13. Lucio Papirio (Hasse, Johann Adolph) : Notes and audio files in the International Music Score Library Project .
  14. ^ Johann Adolph Hasse: Lucio Papirio. Score manuscript (excerpts), around 1742. Digitized version of the Dresden State and University Library .
  15. Lucio Papirio, GraunWV B: I: 11 (Graun, Karl Heinrich) : Notes and audio files in the International Music Score Library Project .
  16. ^ Gennaro Manna: Lucio Papirio dittatore. Libretto (Italian), Rome 1748. Digitized in the Internet Archive .
  17. Lucio Papirio dittatore (Manna, Gennaro) : Notes and audio files in the International Music Score Library Project .
  18. ^ Baldassare Galuppi: Lucio Papirio. Libretto (Italian), Reggio nell'Emilia 1751. Digitized version of the Munich digitization center .
  19. Lucio Papirio (Galuppi, Baldassare) : Sheet music and audio files in the International Music Score Library Project .
  20. Ignazio Balbi: Lucio Papirio. Libretto (Italian), Turin 1752. Digitized in the Internet Archive .
  21. Anonymous: Lucio Papirio. Libretto (Italian / German), Copenhagen 1756. Digitized from the Library of Congress .
  22. ^ Giovanni Paisiello: Lucio Papirio dittatore. Libretto (Italian), Naples 1767. Digitized in the Internet Archive .
  23. Lucio Papirio dittatore, R.1.12 (Paisiello, Giovanni) : Notes and audio files in the International Music Score Library Project .
  24. ^ Pasquale Anfossi: Quinto Fabio. Libretto (Italian), Rome 1771. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  25. ^ Ferdinando Bertoni: Quinto Fabio. Libretto (Italian), Milan 1778. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  26. Dmitri Bortnjanski: Quinto Fabio. Libretto (Italian), Modena 1778. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  27. ^ Giovanni Battista Borghi: Quinto Fabio. Libretto (Italian), Florence 1780. Digitized in the Museo internazionale e biblioteca della musica di Bologna .
  28. Anonymous: Il Quinto Fabio. Libretto (Italian), Cremona 1782. Digitized in the Internet Archive .
  29. Luigi Cherubini: Quinto Fabio. Libretto (Italian), Rome 1783. Digitized from the Library of Congress .
  30. Gaetano Marinelli: Lucio Papirio. Libretto (Italian), Naples 1791. Digitized at Google Books .
  31. ^ Niccolò Antonio Zingarelli: Quinto Fabio. Libretto (Italian), Livorno 1794. Digitized from the Library of Congress .

Individual evidence

  1. a b c d e Dale E. Monson:  Lucius Papirius. In: Grove Music Online (English; subscription required).
  2. Lucio Papirio (Francesco Gasparino) in the Corago information system of the University of Bologna , accessed on June 29, 2019.
  3. Relazioni opera Lucio Papirio in the Corago information system of the University of Bologna , accessed on June 29, 2019.
  4. ^ Brian W. Pritchard (Ed.): Antonio Caldara. Essays on His Life and Times. Scolar Press, Vermont 1987, ISBN 0-85967-720-6 , p. 23.
  5. ^ Mercedes Viale Ferrero:  Bellavite, Innocente. In: Grove Music Online (English; subscription required).
  6. Lucio Papirio dittatore (Antonio Caldara) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  7. Lucio Papirio dittatore (Antonio Pollarolo) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  8. a b c Lucio Papirio (Anonymous) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  9. Lucio Papirio dittatore (Geminiano Giacomelli) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  10. Lucio Papirio dittatore (Giovanni Porta) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  11. Lucio Papirio dittatore (Georg Friedrich Händel) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  12. Lucio Papirio dittatore (Ignaz Holzbauer) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  13. Lucio Papirio dittatore (Francesco Zoppis) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  14. Lucio Papirio dittatore (Johann Adolph Hasse) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  15. Lucio Papirio (Carl Heinrich Graun) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  16. Lucio Papirio dittatore (Gennaro Manna) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  17. Lucio Papirio (Baldassare Galuppi) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  18. Lucio Papirio (Ignazio Balbi) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  19. Lucio Papirio dittatore (Giovanni Paisiello) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
  20. Quinto Fabio (Pasquale Anfossi) in the Corago information system of the University of Bologna , accessed on June 26, 2019.
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  30. David Karlin: Hasse's Lucio Papirio Dittatore revived at London Handel Festival on bachtrack.com, April 8, 2013, accessed on July 13, 2019.