Lutz Lesle

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Lutz Lesle (born January 17, 1934 in Cuxhaven ) is a German musicologist , university professor , librarian , author and publicist .

family

Lutz Lesle married the sculptor and painter Dietlind Petzold (* 1941) in 1967 . The childless marriage ended in divorce in 1979.

education

Lesle studied school music from 1955 to 1959 at the Hochschule für Musik in Hamburg, majoring in flute, and from 1960 to 1963 at the University of Hamburg German and musicology . In 1967 he graduated from the Hamburg University of Applied Sciences with a diploma for public library services. In 1983 he received his doctorate with his dissertation The Music Critic - Reviewer or Animateur? Aspects of an audience-educational theory of action in music journalism for the Doctor of Philosophy (Dr. phil.).

Act

From 1968 to 1983 Lesle was director of the music library of the Hamburg public library and from 1973 to 1998 lecturer at the University of Applied Sciences Hamburg in the library and information department. From 1984 to 2005 he was a lecturer at the Lübeck University of Music for music history and form studies . In 1992 the Ministry of Education, Science, Youth and Culture of Schleswig-Holstein awarded him the title of " Professor ".

Since 1964 he has been working as a freelancer for several media, including the daily and weekly newspapers

In addition, he wrote and writes articles for magazines such as

for anthologies and the loose-leaf lexicon of contemporary composers (KDG).

As a radio author, he wrote music reports for Deutschlandfunk , Norddeutscher Rundfunk and Süddeutscher and Südwestrundfunk . He produced a large number of composer portraits for the broadcasting column “Atelier neue Musik” of Deutschlandfunk, for example Kalevi Aho , Friedhelm Döhl , Martin Georgiev (* 1983), Pelle Gudmundsen-Holmgreen , Mikko Heiniö (* 1948), Anders Hillborg , Romualds Kalsons ( * 1936), Vassil Kazandjiev (* 1934), Ulrich Leyendecker , Onutė Narbutaitė , Sunleif Rasmussen , Poul Ruders , Sven-David Sandström , Bent Sørensen , Atli Heimir Sveinsson and Helena Tulve .

Publications (selection)

  • Emergency music review . Breitkopf and Härtel, Wiesbaden 1981, ISBN 3-7651-0177-X .
  • The music critic - reviewer or animator? Aspects of an audience-educational theory of action in music journalism (= contributions to systematic musicology, Volume 7), Verlag der Musikalienhandlung KD Wagner, Hamburg 1984, ISBN 3-921029-91-0 . (Dissertation 1983)
  • as editor: Between note stems and clay heads. 75 years of the Hamburg Music Library . Traugott Bautz, Herzberg 1990, ISBN 3-88309-030-1 .
  • Summer Music Days Hitzacker 1946–1995. Looking back ahead . Verlag Holm (Edition Herms) 1995, ISBN 3980403831 .
  • New worlds of hearing in Scandinavia, Poland and the Baltic countries (= Colloquia Baltica, Volume 21), Martin Meidenbauer, Munich 2010, ISBN 978-3-89975-214-4 .

Memberships

Individual evidence

  1. ↑ Lutz Lesle , on: peterlang.com
  2. ↑ a b c d e Lutz Lesle , on: prabook.com
  3. ↑ a b c d e Written self-assessment by Prof. Dr. Lutz Lesle, May 3, 2019.
  4. ^ Lutz Lesle: The music critic - reviewer or animator? Aspects of an audience educational theory of action in music journalism (dissertation) , on: worldcat.org
  5. ↑ The north calls and sings beguilingly . In: Die Welt , February 2, 2016.
  6. ↑ But glory and honor should be crowned you. Friedhelm Döhl 80th . In: Die Welt , July 7, 2016.
  7. ↑ Absurd world theater with fanfare . In: Die Welt , November 25, 2017.
  8. ↑ Grande audio channel . In: Die Welt , April 20, 2019.
  9. ↑ On the wings of song . In: Die Zeit , November 24, 1972.
  10. ↑ Forsaken by all good brothers. Warsaw autumn 1984 . In: Die Zeit , October 12, 1984.
  11. ↑ Having fun with music. In the Paradise of Books , In: Die Zeit , February 15, 1985.
  12. ↑ The eventful relationship box of word and tone . In: Deutsches Allgemeine Sonntagsblatt , November 1, 1987.
  13. ↑ The flirtation with sister art: When music meets painting ... In: Deutsches Allgemeine Sonntagsblatt , January 17, 1988.
  14. ↑ Reflexes of Political Change in the Baltic States . In: Neue Zürcher Zeitung , January 4, 1995.
  15. ↑ Inside views and pounding sounds of the heart . In: Neue Zürcher Zeitung , December 30, 1999.
  16. ↑ Routes in the jungle. World Music Days in Aarhus . In: Stuttgarter Zeitung , November 25, 1983.
  17. ↑ Egypt in the middle of the lake district . In: Stuttgarter Zeitung , August 10, 1989.
  18. ↑ The "Riddle of Faust", solved horribly . In: Stuttgarter Zeitung , June 26, 1995.
  19. ↑ Not historical, but beautiful: stream under the arch . In: Das Orchester , 10 (1989), pp. 965–969.
  20. ↑ Poetic frenzy, flogging, sickness to death . In: Das Orchester , 11 (1993), pp. 1162–1169.
  21. ↑ Judged, degenerated, suppressed, banished . In: Das Orchester , 9 (1994). Pp. 7-14.
  22. ↑ Courted like a rough lover. 15 months Elbphilharmonie . In: Das Orchester , 5 (2018), pp. 7–9.
  23. ↑ Fragment, Labyrinth, Myth. Friedhelm Döhl and his Medea opera . In: Neue Zeitschrift für Musik , 5 (1990), pp. 22-28.
  24. ↑ Sea Sonata and Fir Tree Fugue. The Lithuanian painter-musician Mikalojus Konstantinas Čiurlionis . In: Neue Zeitschrift für Musik , 6 (1993), pp. 24-29.
  25. ↑ And the light shines in the darkness. Dark Music Days in Reykjavik . In: Neue Zeitschrift für Musik , 2 (2011), pp. 74f.
  26. ↑ Faith, love, consolation. Peteris Vasks 70th . In: Neue Zeitschrift für Musik , 2 (2016), pp. 51–53.
  27. ↑ The sea in the auricle. The Faroese composer Sunleif Rasmussen . In: MusikTexte , 136 (2013), pp. 22–26.
  28. ↑ Balance on the needle point. The Estonian composer Helena Tulve . In: MusikTexte , 145 (2015), pp. 5–8.
  29. ↑ Bells and holy amazement. Arvo Pärt 65th . In: Musik und Kirche , 4 (2000), pp. 238–245.
  30. ↑ Rest to the dead, peace to the living. New sacred choral music from the Baltic countries . In: Musik und Kirche , 5 (2002), pp. 310–316.
  31. ↑ "Creation". An oratorio of the world religions by Krzysztof Meyer . In: Musik und Kirche , 3 (2004), pp. 166–172.
  32. ↑ "Rschtrscht" or the eloquence of the unspeakable. Helmut Lachenmann's "Girl with the sulfur sticks". Test case of music-critical word and weighing art . In: Music Culture Today . Bärenreiter-Verlag , Kassel 1998, pp. 138–151.
  33. ↑ Stake in the flesh of the avant-garde - cult figure of a new spirituality: Arvo Pärt in the mirror of the German feuilleton . In: German-Baltic musical relationships: history - present - future. Report on the 35th Conference of Musicologists of the Baltic States in Vilnius 18. – 20. October 2001 . Edition IME, Series I, Volume 11. Studio Verlag, Sinzig 2003, pp. 137–144.
  34. ↑ Does music criticism have to be an "emergency"? In: 50 years of the orchestra. Contributions to 500 years of orchestral culture . Schott Musik International, Mainz 2003, pp. 264–269.
  35. ↑ Ballads of Inner Life . In: Deutschlandfunk , Atelier of New Music , September 5, 2015, on: deutschlandfunk.de
  36. ↑ Reflections of the Sky . In: Deutschlandfunk , Atelier Neue Musik , 25 August 2018, on: deutschlandfunk.de
  37. ↑ The foreign in one's own . In: Deutschlandfunk , Atelier of New Music , August 20, 2016, on: deutschlandfunk.de
  38. ↑ Sitting on Bach's right . In: Deutschlandfunk , Atelier of New Music , September 2, 2017, on: deutschlandfunk.de
  39. ↑ Balance on the needle point . In: Deutschlandfunk , Atelier of New Music , August 16, 2014, on: deutschlandfunk.de
personal data
SURNAME Lesle, Lutz
BRIEF DESCRIPTION German musicologist, university professor, librarian, author and publicist
DATE OF BIRTH January 17, 1934
PLACE OF BIRTH Cuxhaven