Tim White-Sobieski

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Tim White-Sobieski (* 1961 in Warsaw ) is a Polish video and installation artist who works in New York City and Berlin .

life and work

Tim White-Sobieski was born in Warsaw in 1961 and emigrated to the United States in the early 1990s. He attended New York University and Parsons The New School for Design before deciding to embark on an art career.

He is also a trained architect , but devoted himself to the fine arts and filmmaking; In the course of his career he discovered painting, sculptures, photography, video and light installations for himself. In the early 1990s he began exhibiting in New York and showed the Blue Paintings , which form the aesthetic foundation for his future oeuvres and which can be found in photographic and video works such as Presence , Runner and Queen Mary . The role of the unconscious as the focus of his paintings was similar to visual abstractionism and literary existentialism. Many of his works deal with human experiences and the relationship to oneself and the universe, the energetic connection between light, spirit and the self is analyzed in detail. Much of the work also refers to the literary works that inspired the artist; icons of American literature were often depicted in his installations. Writers such as Walt Whitman , John Steinbeck , John Updike , Kurt Vonnegut , JD Salinger , William Faulkner and Robert Penn Warren are evident in Tim White-Sobieski's works as they reveal some of the innermost mysteries of human nature and reveal the beauty and complexity of the mind . White-Sobieski composes most of his films and video soundtracks himself, but he also uses contemporaries such as Brian Eno , David Byrne , Robert Fripp , Pierre Schaeffer , Pierre Boulez , and Steve Reich as well as classical masters such as Henry Purcell and Giovanni Battista in his works Pergolesi and Johann Sebastian Bach .

Tim White-Sobieski was invited in 2005 (together with artists such as James Turrell and Olafur Eliasson ) to design a work of art for the new Louis Vuitton flagship store on the Champs-Élysées in Paris . The project consisted of a 24 meter long, programmed fiber optic video wall, which is currently unique in the world - and not just in terms of size. Another large-format video wall was installed at the Petit Palais to celebrate the commissioning. This was a unique collaboration between three artists and architects ( Peter Marino , architect from New York and Eric Carlson / Carbondale, architect from Paris). In 2006, the Louis Vuitton company repeatedly invited Tim White-Sobieski to participate in an exhibition entitled Icons (Icones), an interpretation of the iconic logo bags. Other artists were Marc Jacobs , Zaha Hadid , Ugo Rondinone , Sylvie Fleury , Shigeru Ban , Robert Wilson and Andrée Putman .

In 2008 White-Sobieski created and constructed a video installation for a video wall with 144 synchronized vertical LCD monitors for Gimpo Airport in Korea, which is currently the largest video wall in the world. The project was named Water and Earth to convey the universal themes of the elements that unravel the feeling of flight. The artist went on to develop new methods of controlling and displaying videos with the purpose of integrating a moving image within the architectural interior and any contours, shapes and materials. The artist's video inventory currently consists of more than 60 titles, multi-channel synchronized video installations and stand-alone single theater presentations. His videos, photographs, paintings, sculptures and installations belong to the following collections: CGAC Santiago de Compostela , Denver Art Museum , Domus Artium 2002 (Salamanca), Elgiz Museum of Contemporary Art (Istanbul), Museo de Bellas Artes de Bilbao (Santander), Museo Reina Sofía (Madrid), Stiftung kunst: raum Sylt Quelle (Sylt), Nomas Foundation (Rome), Kunstverein Wiesbaden (Wiesbaden).

Work

Video installations

Movable Paintings / Movable Drawings (1993 - today)

In 1993 White-Sobieski began working on projects called Moving Paintings and Moving Drawings as a series of experiments in image animation, based in part on the Lingo scripting language used in Macromedia applications. During this period the artist studied film music and was particularly interested in the musical architecture of the silence by John Cage . In response to Cage's suggestion to “listen through” through sounds and not just listen to them, White-Sobieski created his infinite animations of paintings and drawings as the parallel life of a work of art, a “picture in process”. White-Sobieski wrote the scripts to program infinite ways of controlling the behavior of contours, colors and image parameters in a video image (and in a digital image, if not video); Much of the work has been finalized and exhibited in multiple venues, and many of them still exist. Contemporary and experimental music continued to be a major influence on White-Sobieski's works, and composers such as Pierre Schaeffer, Pierre Boulez, Steve Reich, Brian Eno, David Byrne, and Robert Fripp featured in his later projects. One of the most successful experiments in combining moving painting animation principles with real-time video editing and rendering techniques was the 1999 project I Repeat Myself When Under Stress , exhibited in New York, Chicago and Turin. The same method was later developed in hand-rendered films for the Terminal project. Almost every video frame in the series has been hand drawn and, when pieced together, semi-abstract moving compositions have been created. These projects received critical acclaim at the Prague Biennale (2003), Lyon Biennale (2003) and Bucharest Biennale (2004).

Time of Adolescence Series (1998-2006)

The subject of genetic memory and war were also explored in Confession (2000–2002), Before They Were Beatles (2004) and Sweet Dreams (2002). From Confession he started a series of videos with a visual memory meditation and the demand that “memory is possibly genetically transferred from generation to generation”. While Confession had a multi-channel narrative sequence and was about a twin nomad character (as a split personality), the artist's later videos also examine migrant characters in Closer to Fall , Awakening , Route 17N, and The Sound and the Fury . In 2007, Tim White-Sobieski completed a series of large-scale photographs and a video titled Awakening , in 2008 as an extension of the same subject Route 17 North . The sheer repetition rhythm of the series creates a narrative logic while the artist depicts an American youth from the early 21st century in a world of postmodern simulacras. Both video and photo series - of a pictorial nature - demonstrate the influence of literature and narrative filmmaking on the artist. In 2009 White-Sobieski finished his short (20 minutes) multi-channel film The Sound and the Fury based on the first part of William Faulkner's novel. The first version of the film was shown in Barcelona as Seventh Heaven (based on the subtitle of the 1928 literary work April Seventh ). From Deconstructed Reality , where time does not appear sequentially but simultaneously, White-Sobieski combines absurd elements in Seventh Heaven ; geometric abstraction superimposed on semi-abstract human form. The artist's work is related to the author's initial idea, Faulkner borrowed its title from Macbeth : "It is a story told by an idiot full of noise and anger, something insignificant". In his works, the artist presents a video translation of the non-linear, non-interpretive perspective of the main character.

Terminals Cycle (2000-2005)

Terminal Cycle consists of a series of videos: Terminal by Day (I) , Terminal at Night (II) , Terminal Dream (III) , On the Wing (IV) and Terminal Heart (V) . Terminal (I) was created immediately after the events of September 11th in New York, where the artist found himself in the immediate vicinity of the events and narrowly escaped the catastrophe. The tragic event had a significant impact on his creativity and artistic vision. The following years were influenced by the post-traumatic feeling of living in downtown Manhattan. Together with the colors blue and red of his pulsating signature, these videos marked his commitment to ambient music by various composers such as Brian Eno, frippertronics by Robert Fripp and experiments by John Cages. Between 2004 and 2006, Tim White-Sobieski created several abstract-figurative video compositions: Among them were works such as New York City Suite , Vertigo and Desire . The artist continued to work in the field of music-visual synthesis; new methods and algorithms were developed to generate color, rhythm and animation based on sound parameters - further development ideas that were explored in the Moving Paintings project.

Deconstructed Cities (2005-2014)

Tim White-Sobieski. Visor'd, 2008 (based on the novel by Walt Whitman). Range of video light boxes, fiber optic animations, circuit board design, multi-channel video projections, LED, sculpture installations. Initial project with 16-channel asynchronous video.

Between 2005 and 2014 White-Sobieski created a series of films and images of deconstructed cityscapes; Distinctions between design, painting, photography and architecture ( Deconstructed Reality , Deconstructed Cities , London (2007), Katrina (2008) and New York City Suite ) have been eliminated. The first city-related photo and video project, New York City Suite , was shown in galleries and museums in 2006. There the artist not only explored the structures of New York landmarks, the face of the city in concrete , steel , glass , but also offered a psychological portrait of New York City's residents he met on the streets (friends and people who were still known). Deconstructed Reality followed, based on images from many global cities . Almost existential , the latter photographs conveyed a feeling of being lost in reality, a world full of logical contradictions in which life is deconstructed and mixed up in every moment. This project continues, and ultimately there are plans to incorporate images of Paris, Madrid, Shanghai, Tokyo and other global metropolises. Fragments of reality, flashbacks, thoughts, hopes, dreams and nostalgic thematic realization can be found in Deconstructed Reality . Vertigo (2005) and New York City Suite were designed on the basis of similar principles as in the previous Moving Drawings projects, where the video composition was collected from hundreds of video clips and digital images in the artist's database and published on DVD. The projects were then presented in the Contemporary Art Museum Málaga and ARTIUM Centro-Museo Vasco de Arte Contemporáneo.

Nebulas And My Other Galaxies (2008-2011)

Nebulas And My Other Galaxies includes Lighthouse , Cold Forest , Garden of Stones ; Nebulae and Light Circles were shown in Germany, England and Scandinavia. These installations consist of LED-based, computer-coded infinite light animations. The fiber optic lighting projects Lighthouse and Cold Forest also included stainless steel compositions. The projects Light Circles (2008) and Garden of Stones (2009) were based on seamless multi-channel HD video technology (© Tim White-Sobieski). Both installations integrate 16-channel video projections, high-resolution synchronized video sources, aluminum and stainless steel sculptures, LED fiber optic light objects and a lighting program synchronized with video. One of the artist's largest and most technologically advanced projects was commissioned by the LVMH / Louis Vuitton group of companies in Paris (for its flagship building on the Champs-Élysées in Paris, which opened in October 2005). It is currently the largest seamless fiber optic field: The video was played back with a resolution that was four times greater than the standard of "high definition". Artists James Turrell and Olafur Eliasson also attended the grand event by presenting their own unique pieces at the opening.

Most of White-Sobieski's works, whether photography, video or pictorial work, are described by critics as "painterly". The videos Presence and Runner (both 1998–1999) were obtained from documentary footage about the Second World War . By transforming films into videos and videos into photographs, White-Sobieski continued a process of cultural abstraction and proved that the process of arbitration may be infinite. The further he moved in historical time and space, the closer he came to the psychological "truth" of the event. Tim White-Sobieski's compositions offer a meditation for discussion, which Jean Baudrillard ("history survives its disappearance") started. Tim White-Sobieski has just completed the production of Waiting For Godot - Waiting For God (2014), a feature film and photography project in homage to Samuel Beckett . The project was played as a 4-channel synchronized video installation for a museum exhibition with the artist's soundtrack and music by Henry Purcell and Giovanni Battista Pergolesi. One Hundred Years of Solitude (Cien años de Soledad), based on the novel by Gabriel García Márquez , is currently in production and will be presented as a series of twelve short films. In 2016 the project will appear in theaters and museums.

Exhibitions

Museum exhibitions Tim White-Sobieski has had major solo shows at the [Vejle Art Museum], Vejle, (Denmark), CAC Centro de Arte Contemporáneo de Málaga , (Spain) and Museo Centro de Arte de Salamanca , Domus Artium (Spain). In addition, it is exhibited in the following locations: Akademie der Künste (Berlin) (Germany); Palais de Tokyo , Musee d'art Moderne de la Ville de Paris , Paris (France); House of World Cultures , Berlin (Germany); Museo Nacional Centro de Arte Reina Sofia Madrid (Spain); Stenersen Museum Oslo (Norway), Prague National Gallery , Prague (Czech Republic); National Museum of Contemporary Art (MNAC) Bucharest (Romania) and many more. Collections Tim White-Sobieski's works belong to the collection of Aena Foundation - FUNDACIÓN AENA, Madrid (Spain), CITI Bank Collection New York, Collection of Akademie der Künste, Berlin (Germany), Collezione Foundation LA GAIA, Busca (Italy), Denver Museum of Contemporary Art, CO, Fundación Rac (Rosón Arte Contemporáneo) Pontevedra (Spain), ING Art Collection (Brussels-Amsterdam-London-New York), L'Oréal Collection Paris (France); Louis Vuitton Foundation Paris (France), Museo de Bellas Artes de Santander, Santander (Spain), Museo Nacional Centro de Arte Reina Sofía (MNCARS) Madrid (Spain), Museum of Contemporary Art CGAC, Santiago de Compostela (Spain), Museum of Contemporary Art Elgiz Istanbul (Turkey), Museum of Contemporary Art GAM Turin (Italy); Museum of Contemporary Photography Chicago, IL, (USA), New York Public Library, Print Collection New York (USA), The Miriam and Ira D. Wallach Division of Art, Prints and Photographs New York, (USA), and UBS - Collection in the Museum of Contemporary Art Basel (Switzerland).

Selected video and photo projects as well as light-plastic installations (in chronological order)

  • Runner and Presence, 1997–98. Color LCD video projections 3-channel asynchronous video loop with animation, VHS cassette, color; 3:55 minutes soundtrack composed by the artist using electronically processed vowel tones, stereo CD-ROM, 9:14 minutes. 2002 digitized and replayed, DVD, 5.1 sound (catalog)
  • God bless America! (… And God Bless America), 1999. Four television monitors, 4-channel synchronized video, S-VHS cassettes, black and white and color, 6:45 minutes, 5-channel soundtrack by the artist, stereo, CD-ROM, 6: 45 minutes 2002 digitized and replayed, 4 DVDs, stereo sound (catalog)
  • Under stress I repeat myself / indiscipline (I Repeat Myself When Under Stress / Indiscipline), 1999. Plasma monitor. 1-channel digital video / animation, DVD, color, 4:32 minutes of music by King Crimson (Soundtrack Indiscipline from the album Discipline , 1981)
  • It's A Dangerous Place, 2000. Plasma monitors. 1-channel digital video / animation, DVD, color, 6:25 minutes of music by King Crimson (Soundtrack Thela Hun Ginjeet from the album Discipline , 1981)
  • Erste Liebe (First Love), 2001. Plasma monitors 2-channel synchronized digital video, DVD, black and white and color, 6:55 minutes 1-channel soundtrack by the artist, stereo, 6:55 minutes
  • Moving Paintings, 1999–2003. Plasma monitors / video projections 16 asynchronous video loops, digital animation, HDTV and DVD, color. Total duration about 18 minutes. Soundtrack by the artist
  • Terminal, 2002. Plasma monitor. 1-channel digital video / animation loop, HDTV and DVD, color, stereo loop, 6:59 minutes of music by Brian Eno & J. Peter Schwalm (Soundtrack Bloom from the album Drawn From Life , 2002) (catalog)
  • Confession, 1999–2002. Video projections 4-channel synchronized video, color, 4-channel stereo sound. Total duration 17 minutes / channel. Soundtrack by the artist. Music by JS Bach (catalog)
  • Sweet Dreams, 2002. Projection or monitor. 1-channel video loop, DVD, color, approx. 4:30 minutes. Soundtrack by the artist
  • Animal Farm, 2002. HDTV, plasma monitors. 4-channel asynchronous video loop, color, stereo, 11 min. Soundtrack by the artist
  • Basic Means, 2002-03. Projection of digital film, color, surround sound, approximate time 30 min. Soundtrack by the artist
  • Moving Drawings, 2001–2003. Ongoing project, 4 asynchronous video loops plasma monitors and DLP video projections. Soundtrack by the artist Computer-programmed animation, HDTV, color, variable length
  • Terminal 2 (Night at the Airport), 2003 1-channel digital video / animation loop, HDTV and DVD, color, stereo loop, 7:40 minutes of music by Brian Eno & J. Peter Schwalm (soundtrack Persis from the album Drawn From Life , 2002)
  • Come back, Johnny! (Johnny Come Home!) (Venice Holiday), 2003 One-channel video animation. HDTV, (random video), 14 min. Soundtrack by the artist.
  • Terminal 3 (Terminal Dream), 2003 1-channel digital video / animation loop, HDTV and DVD, color, stereo loop, 8:10 minutes of music by Brian Eno & J. Peter Schwalm (Soundtrack Night traffic of the album Drawn From Life , 2002)
  • In der Luft - Terminal IV (On The Wing - Terminal IV), 2003 1-channel digital video / animation loop, HDTV, color, stereo, 12 minutes soundtrack by Brian Eno
  • Before They Were Beatles, 2003-2004. 4-channel synchronized video project, approximately 18 minutes of color, Dolby Digital surround sound soundtrack by the artist. Projection format for synchronized 4 channels: D16 (2880 × 480), aspect ratio 1: 6.
  • Vogelautomat (Mechanical Bird), 2003 1-channel digital video / animation loop, HDTV, color, stereo, 10 minutes of music by Robert Fripp from the album Gates of Paradise
  • We and the others (Us and Them), 2003. 1-channel digital film, HD, color, stereo, 18 minutes. Soundtrack by the artist
  • In the center - Terminal 5 (Terminal Heart), 2003 1-channel digital video / animation loop, HDTV, color, stereo, 10 minutes of music by Brian Eno & J. Peter Schwalm from the album Drawn From Life , 2002
  • Queen Mary - Return Home, 2004 1-channel video, B&W and color, 9 minutes. Music by Brian Eno from the album Apollo: Atmosphere & Soundtracks
  • Before the Fall (Closer To Fall), 2005 1-channel video, color, 4:10 minutes, HD format, computer-coded animation, music by Brian Eno
  • New York City Suite, 2005 4-channel video, color, 7:05 minutes, HD format, animation loops. Soundtrack by the artist. In 2006 the project was expanded to include an 8-channel museum version.
  • Fraud (Vertigo), 2005 two-channel, color, 5:00 minutes, HD format, animation. The artist's project soundtrack was expanded and played back again as a 4-channel version, 30 min
  • Desire, (self-portrait) 2005 3-channel vertical video, color, 7:10 minutes per channel, HD format. Music by the artist
  • Reconstructed cityscapes - New York City, 2004–2005 photo-video project, contains 16 large format photographs, 6 channels, HD video
  • Alpha, multi-channel synchronized video 2005, 240000 fiber optic installation, color, total approximate time of 30 minutes. 4 × HD format, video format (5760 × 1080 px), animation. Music by the artist
  • Awakening, Video 2006 1-channel video, color, 3:10 minutes, DVD, HD format. The artist's project soundtrack was replayed as a 4-channel synchronized gallery projection.
  • Illusion (video), 2006 1-channel video, color, 9 minutes. DVD, HD format. Soundtrack by the artist
  • Moving Paintings 2006 (Moving Pictures 2006), video, 2000–2006 16 - channel video, project, color, 60 min per channel, HD format. Soundtrack by the artist
  • Lux-Flux, 2006 7-channel vertical video installation, color, 10 minutes per channel, acrylic panels, mirrors, aluminum structures, site-specific installation in HD format. Soundtrack by the artist. Released as a set consisting of 8 DVDs and BluRay discs with an additional audio CD compilation disc. (Catalog)
  • Awakening (photography, based on previously published video), 2007 (catalog), 20+ large format photographs, wall compositions, neon + artist's soundtrack
  • Diary of light and sketches (Light Diaries and Sketches), 2006–2008 series of video light programs, fiber optics, circuit board design (3D light objects)
  • Route 17 North (Route 17 North), 2007 series of 16 large-format photographs + installation environment
  • Deconstructed Cities - London, 2005 photo-video project, includes 10 large-format photographs, 8 channels of HD video and fiber optic installation light sculptures
  • Deconstructing my Diaries, 2006 series of fiber optic light sculptures, welded steel, aluminum, printed circuit boards, video sources
  • Nebel und Galaxien (Nebulas And Galaxies), 2006–2008 Series of programmed light boxes with LED and fiber optic light sources, video light animations, fiber optics, circuit board design. Set consisting of 6 light panels.
  • Visor'd, 2008 (based on Walt Whitman's novel) Series of video light boxes, fiber optic animations, circuit board design, multi-channel video projections, LED, sculpture installation. Initial project with 16-channel asynchronous video
  • Water and Earth, 2009 series of multi-channel video installations designed for 144 synchronized LCD monitors, KIMPO Seoul Airport, Korea order. (Not published in optical media format, video server app only)
  • Seventh Heaven - The Sound and The Fury 2009 HD format (based on the novel by William Faulkner) Multi-channel video projections, LED, sculpture installation. The project was published as a theater version (single channel) and a gallery version (synchronized seamless 4-channel video stream). Available as DVD, HD disc and BluRay versions (PAL / NTSC, monitor and projection versions)
  • Sunset Blues 2009 video, 59:59 HD format (non-repeatable frame-based animation) single channel video, music from the John Cage collection. Available as DVD, HD disc and BluRay versions (PAL / NTSC, monitor and projection versions)
  • Paradies Nord-Süd (Paradise North-South) 2009 video, HD format 20:00 (non-repeatable frame-based animation) Double-channel video, basic loop 20 min. Available as DVD, HD disc and BluRay versions (PAL / NTSC, Monitor and projection versions)
  • Kalter Wald - Rock Gardens (Cold Forest - Rock Gardens ) 2010 Video, HD format 10:00 min per channel Multimedia installation The project includes the compilation of twelve highly polished platinum-coated steel sculptures with twelve matching vertical projected video compositions, full-color light-emitting light animation panels and fiber optic light installations, wall video projections, site-specific light installations, wall compositions of neon and titanium drawings, taxidermy, interactive bird cage 12-channel sound installation. Additional elements include: light controllers, electrical circuit boards, transformers, DMX-programmed multi-channel LED light spectrum.
  • O-mikuji (御 御 籤, 御 神 籤) (video), 2011 single-channel video, color, 12 minutes, DVD, HD format. Soundtrack by the artist. Gallery exhibition project includes wall compositions of stainless steel platinum coated mandalas and a light program.
  • Nihon Teien (日本 庭園, Japanese gardens) (video), 2012 single - channel video, color, 14 minutes, DVD, HD format. Soundtrack by the artist. Video projection and sculptural floor composition; Stainless steel, welded aluminum, site-specific lighting program.
  • Stainless Steal. 2013 light and sculpture installation, project contains compositions of aluminum sculptures; two wall compositions with multiple neon artworks of the same color palette; full color light emitting diode panels; Wall video projections; Site-specific light installation and large-format neon wall compositions on site-specific glass stone wall. Programmed light installation.
  • Waiting For Godot - Waiting For God. 2014 Full feature film and photography project. Theater release September 2015, project was re-played as a 4-channel synchronized video installation for a museum exhibition. Soundtrack by the artist. Music by Henry Purcell and Giovanni Battista Pergolesi.
  • Why do wolves howl at the moon (Why Do Wolves Howl At The Moon - Pourquoi les loups hurlent-ils à la pleine lune?) 2015 multimedia installation, video, light and multi-channel sound installation; Powder-coated laser cut stainless steel composition, found historical objects, plaster, fabric, industrial car paint, documentary historical and listed series of photographs. Site-specific installation.
  • Renaissance. 2015. Series of photographic, lithographic and screen printing on paper and metal. Project includes stained glass steel sculptures and Duratran transparency kites.
  • One Hundred Years of Solitude (Cien años de soledad) based on the novel by Gabriel García Márquez (in production) 2015–2016. Full art feature film presented as a series of twelve short films.

bibliography

  • Decter, Joshua. Tim White-Sobieski: PRESENCE. Alexandre de Folin Gallery, New York, 1998
  • Henry, Gerrit. Tim White-Sobieski: GOD BLESS AMERICA. Alexandre de Folin Gallery, New York, Published by SAVVA Inc., 1999
  • Bernbach, Sarah. 2000 Años Luz. Catálogo Galeria Leyendecker, Spain. Instituto Oscar Domingez Art Contemporaneo. Espacio Cultural El Tanque, Centro de Arte La Recova, Santa Cruz de Tenerife, Spain, 2000.
  • Breidenbach, Tom and Henry, Max. Tim White-Sobieski: CONFESSION. Alexandre de Folin Gallery, New York, Published by SAVVA Inc., 2001. ISBN 0-9662641-1-8
  • White-Sobieski, Tim: TERMINAL. Museo de Bellas Artes Santander; Santander, 2003
  • White-Sobieski, Tim: TERMINAL. Galeria Pilar Parra, Madrid, 2003. ISBN 0-9676171-4-6
  • Ambur, Ole Herman; Jack Helgesen; Emilie Magnus; Ulf Rokkan. FOR EVERYONE. Vestfossen Art Laboratory, Vestfossen, Norway, 2003.
  • Alfonso, Albano, Miguel Fernández-Cid and Heinrich Böll. Traces of Light. Centro Galego de Arte Contemporánea, Santiago de Compostela, 2003. ISBN 978-84-453-3615-1
  • Barragan, Paco, Mari Bartomeu, Miguel Angel Garcia-Juez. The art to come. Actar / Subastas Siglo XXI. 2003. ISBN 84-607-4059-5
  • Castro, Fernando, Nuria Fernandes, Fernando Martin Galan. FRAGILES. Espacio Liquido Gallery, Gijón, Asturias, Spain. 2003
  • Hazout-Dreyfus, Laurence. Digital Video Art - Kinematics: New Languages ​​exhibition catalog. AFAA, Ministère des Affaires étrangères, Paris. 2003. ISBN 2-86545-206-9
  • PHE03: PhotoEspaña2003, VI Festival de Fotografía, Madrid, 2003. ISBN 978-84-95471-66-6
  • Barragán, Paco, Julián Zugazagoitia, Javier Panera, Coco Fusco and Roselee Goldberg El Museo del Barrio, New York; Salamanca, 2004. ISBN 84-933918-3-2
  • Barragan, Paco. Arquitecturas Urbanas: Fondos de la Colección Paco Barragán de fotografía contemporánea (2000–2003) Centro Municipal de las Artes de Alcorcón, Madrid; Centro Nacional de Fotografía Torrelavega, Santander, Spain, 2004
  • Cargioli, Simonetta and Sandra Lischi. Invideo 2004: stati liquidi: video d'arte e cinema oltre [mostra internazionale di video d'arte e cinema oltre, XIV edizione] International Exhibition of Video Art and Cinema Beyond Lingua. AIACE, Milan. 2004. ISBN 88-88995-04-8
  • Vust, Michel, Alessia Fondrini, Carine Bernasconi. 57th festival internazionale del film Locarno. Official Catalog. Festival International du Film Locarno, Locarno. 2004
  • White-Sobieski, Tim, Panera Cuevas, Francisco Javier and Alison Nordström. TIM WHITE: VIDEO AND PHOTOGRAPHY. Fundación Salamanca Ciudad de Cultura, Salamanca, 2004. ISBN 84-933182-6-4
  • Barro, David. Sky Shout: a pintura despois da pintura. Auditorio de Galicia, Santiago de Compostela, 2005. ISBN 84-88484-45-3
  • Jung, Katharina Klara and Anja & Andreas Greulich. REWIND <<. Nassauischer Kunstverein Wiesbaden, Germany. 2005. ISBN 978-3-9810187-2-1
  • Panera, Javier, Paco Barragán and Omar Pascual. Barrocos y Neobarrocos: the Infierno de lo Bello. Fundacion Salamanca Ciudad de Cultura, Salamanca, 2005. ISBN 84-934558-6-5
  • White-Sobieski, Tim. AWAKENING. Salamir Creación y Arte, Madrid, 2006.
  • Lehmann, Ulrike and Isabel Wünsche. Floating forms. Kerber Verlag Berlin, 2006. ISBN 3-938025-76-X
  • Gerschel, Stephane and Marc Jacobs. Louis Vuitton: ICONS. Assouline, New York, 2007. ISBN 978-2-84323-903-8
  • White-Sobieski, Tim. Tim White-Sobieski. Phoenix Cultural Foundation / Collection, Hamburg. 2007.
  • Schultz, Sarah. Happening. Birkhäuser Architecture, 2007. ISBN 3-7643-7976-6
  • Brummer, Sabine and John Pultz. Tim White-Sobieski: AWAKENING. Michael Schultz GmbH & Co.KG, Berlin, 2007.
  • Zybok, Oliver, Harald Falckenberg, Peter Gerlach, and Martje Schulz, IDYLL: ILLUSION and DELUSION. Hatje Cantz, Berlin, 2007. ISBN 978-84-96603-30-1
  • Barragán, Paco, Michele Robecchi and Amanda Coulson. The Art Fair Age. Charter. 2008. ISBN 978-88-8158-682-0
  • Bonet, Juan Manuel and Alfonso de la Torre. EN TORNO A LO TRANSPARENTE. Galería Miguel Marcos, Madrid, 2008. ISBN 978-84-95457-77-6
  • Crawford, Holly. Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices, 2008.
  • Gasparina, Jill, Glenn O'Brien , Taro Igarashi, Ian Luna, Valerie Steele. Louis Vuitton: Art, Fashion and Architecture. Rizzoli, 2009. ISBN 0-8478-3338-0
  • Cuevas, F. Javier Panera, Michele Robecchi, Selene Wendt, Paco Barragàn. When a Painting Moves… Something Must Be Rotten! Charter / The Stenersen Museum, Oslo, 2011. ISBN 978-88-8158-816-9
  • Buskirk, Martha. Creative Enterprise: Contemporary Art between Museum and Marketplace. Bloomsbury Academic. 2012. ISBN 1-4411-8820-7

Web links

Individual evidence

  1. ^ Vienne, Véronique, March 2006 East Meets West on the Champs-Élysées, Metropolis Magazine
  2. ^ Art Aspects Biography
  3. ↑ Nancy Princenthal. Tim White in Blue, Catalog Item, NY 1995
  4. ↑ Lehmann, Ulrike, Floating Forms ( Memento of the original from November 17, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (May 16, 2006) @1@ 2Template: Webachiv / IABot / www.kerberverlag.com
  5. ↑ Zybok, Oliver, Idyll: Illusion and Delusion , 2007
  6. ↑ Traces of Light , Fernández-Cid, Miguel, 2003
  7. ↑ Anne Petersen, Art and Fashion Are A Good Match , Die Welt , December 12, 2008
  8. ↑ Susanne Haase, Vuitton and the naked women , October 2, 2006
  9. ^ Gerschel, Stephane and Marc Jacobs . Louis Vuitton : ICONS. Assouline , New York, 2007
  10. ^ For the Birds, John Cage in Conversation with Daniel Charles. Boston, Boyars, 1981
  11. ↑ Homage to Robert Fripp, soundtrack from King Crimson's "Indiscipline" ("Discipline" 1981)
  12. ↑ Artpulse Magazine , with Hans Op de Beeck , autumn 2011
  13. ^ Tom Breidenbach, Tim White: Confession, exhibition catalog, New York 2001
  14. ↑ Lauren Meir, A Light in the Dark: The Innovative Kunsthalle Detroit Museum , MutualArt.com , September 7, 2011
  15. ↑ Walter Robinson, MIAMI MYASTHENIA , ArtNet.com 2007
  16. ^ Judith H. Dobrzynski, Bright Shining Lights In Detroit , June 9, 2011
  17. ↑ TIM WHITE-SOBIESKI: MOVING HAPPENING , Olivier Houg Gallery, 2007
  18. ↑ Paola Obelleiro, Arte de altos vuelos , El Pais, Galicia , June 25, 2013
  19. ^ Art Daily , Rudolf Budja Gallery, Salzburg
  20. ↑ Stenersen Museum ( Memento of the original from January 5, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Oslo; When a Painting Moves, Something Must Be Rotten, 2011 @1@ 2Template: Webachiv / IABot / en.stenersen.dev.preform.no
  21. ↑ Hotel Magazine, 2012 ( Memento of the original from December 8, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / hotelmagazine.dk
  22. ^ Noelia Camacho, The Contemporary Art of the last 50 years Takes Off in the Centro del Carmen , Las Provincias, October 23, 2015
  23. ↑ Exposición de arte contemporáneo Espacios de Tránsito, de la colección Aena ( Memento of the original of August 8, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.dream-alcala.com
  24. ^ ING Art Collection
personal data
SURNAME White-Sobieski, Tim
BRIEF DESCRIPTION Polish video and installation artist
DATE OF BIRTH 1961
PLACE OF BIRTH Warsaw