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{{Short description|American percussionist (1941–1986)}}
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{{refimprove|date=August 2012}}

{{Infobox musical artist <!-- See Wikipedia:WikiProject_Musicians -->
{{Infobox musical artist
| name = Coke Escovedo
| image =
| name = Coke Escobedo
| caption =
| image =
| image_size =
| caption =
| image_size =
| background = non_vocal_instrumentalist
| birth_name = Joseph Thomas Escovedo
| birth_name = Joseph Thomas Escovedo
| alias =
| alias =
| birth_date = {{Birth date|1941|4|30|mf=yes}}
| birth_date = {{Birth date|1941|4|30|mf=yes}}
| birth_place = [[Los Angeles]], [[California]], U.S.
| birth_place = [[Los Angeles]], [[California]], U.S.
| death_date = {{Death date and age|1986|7|13|1941|4|30|mf=yes}}
| death_date = {{Death date and age|1986|7|13|1941|4|30|mf=yes}}
| death_place = [[Montebello, California|Montebello]], [[California]], U.S.
| death_place = [[Montebello, California|Montebello]], [[California]], U.S.
| origin = [[Oakland]], [[California]], [[United States|U.S.]]
| origin = [[Oakland]], [[California]], [[United States|U.S.]]
| genre = [[R&B]], [[Jazz fusion|Jazz Fusion]], [[Soul music|Soul]], [[Disco music|Disco]], [[Funk music|Funk]]
| genre = [[R&B]], [[jazz fusion]], [[Soul music|soul]], [[Disco music|disco]], [[Funk music|funk]]
| instrument = Timbales (also congas, tambourine, occasional vocals)
| instrument = Percussions, timbales, congas, bongos, tambourine, vocals
| occupation = Percussionist
| occupation = Percussionist
| years_active = late 1950's–1986
| years_active = 1958–1986
| label = [[Mercury Records]]
| label = [[Mercury Records]]
| associated_acts = [[Santana (band)|Santana]], [[Azteca (band)|Azteca]], [[Pete Escovedo]]
| associated_acts = [[Santana (band)|Santana]], [[Azteca (band)|Azteca]], [[Pete Escovedo]]
| website =
| website =
| current_members =
| current_members =
| past_members =
| past_members =
| notable_instruments =
}}
}}


'''Joseph Thomas "Coke" Escovedo''' (April 30, 1941 – July 13, 1986) was an American [[Percussion instrument|percussionist]], who came from a prominent musical family including five musician brothers and his niece, [[Sheila E.]] He played in various genres, including [[Rhythm and blues|R&B]], [[jazz fusion]] and [[Soul music|soul]], with bands including [[Santana (band)|Santana]], [[Malo (band)|Malo]], [[Cal Tjader]], and [[Azteca (band)|Azteca]].
'''Coke Escovedo''' (born Joseph Thomas Escovedo) was an American [[Percussion instrument|percussionist]] born April 30, 1941, in [[Los Angeles]], [[California]]. Coke grew up in the East Bay region of the San Francisco Bay Area and developed an early interest in jazz and Latin music through exposure gained from his father, an aspiring big band singer, and eventually gravitated to drums and Latin percussion. Coke's older brother, fellow percussionist Pete Escovedo, recruited Coke for a local Latin Jazz combo led by pianist Carlos Federico. The Federico combo evolved into the Escovedo Brothers Band, which also counted Pete, bassist brother Phil Escovedo, saxophonist/flautist Mel Martin and trombonist Al Bent among it's regular members. Coke began to gain some notoriety in the San Francisco Bay Area Latin Jazz scene and worked with jazz vibraphonist Cal Tjader (some of his finest work can be found on Tjader's album "Agua Dulce"). Coke rose to even greater prominence in early 1971 when he first became a member of [[Santana (band)|Santana]], initially as a replacement for timbale player Jose "Chepito" Areas, who had been sidelined with medical issues. Escovedo was featured on Santana's ''[[Santana (1971 album)|Santana III]]'' album. Coke co-authored a hit song from that album, "No One To Depend On," which peaked at #36 on the Billboard Hot 100 chart. Years later the song would be covered by Vitamin C as part of her 1999 hit "Me, Myself And I" (#36 on Top 40 Mainstream chart). While in the Santana band, Coke performed at many high-profile concerts, including the historic closing of the Fillmore West (appearing on the live recording and documentary film from that event). Santana drummer Michael Shrieve has credited Coke for showing him how to incorporate some Latin percussion figures into his drum set playing during their time together.

==Early life==

Escovedo was born in [[Los Angeles|Los Angeles, California]], the son of Pedro Escovedo, a plumber and amateur musician, who had immigrated from Mexico at age 12, and Anita ({{nee|Valenzuela}}).<ref>{{cite news |first=Mary |last=Rourke |title=Pedro Escovedo, 96; Plumber Was Patriarch of Musical Family |url=http://articles.latimes.com/2004/feb/21/local/me-escovedo21 |newspaper=[[Los Angeles Times]] |date=February 21, 2004 |access-date=October 20, 2017}}</ref><ref>{{cite news |first=Jack |last=Williams |title=Pedro Escovedo, 96; passed his love of music to his family |url=http://legacy.sandiegouniontribune.com/uniontrib/20040219/news_1m19escovedo.html |newspaper=[[The San Diego Union-Tribune]] |date=February 19, 2004 |access-date=October 20, 2017 |archive-url=https://web.archive.org/web/20171021060429/http://legacy.sandiegouniontribune.com/uniontrib/20040219/news_1m19escovedo.html |archive-date=October 21, 2017 |url-status=dead }}</ref> Escovedo grew up in the [[East Bay (San Francisco Bay Area)|East Bay]] region of the [[San Francisco Bay Area]]. He developed an early interest in [[jazz]] and [[Latin music (genre)|Latin music]] through exposure gained from his father Pedro, an aspiring [[big band]] singer, and eventually gravitated to drums and Latin percussion. Coke's older brother, fellow percussionist [[Pete Escovedo]], recruited Escovedo for a local Latin jazz combo led by pianist Carlos Federico. The Federico combo evolved into the Escovedo Brothers Band, which also counted Pete, bassist brother Phil Escovedo, saxophonist-flautist Mel Martin and trombonist Al Bent among its regular members.

==Career==

Escovedo began to gain some notability in the San Francisco Bay Area Latin jazz scene and worked with jazz vibraphonist [[Cal Tjader]] (some of his finest work can be found on Tjader's album ''Agua Dulce''). Escovedo rose to even greater prominence in early 1971 when he first became a member of [[Santana (band)|Santana]], initially as a replacement for [[timbales|timbale]] player [[Jose Areas|Jose "Chepito" Areas]], who had been sidelined with medical issues. Escovedo was featured on Santana's ''[[Santana (1971 album)|Santana III]]'' (1971) album. Escovedo co-authored a hit song from that album, "[[No One to Depend On]]", which peaked at #36 on the Billboard Hot 100 chart. Years later the song would be covered by [[Vitamin C (singer)|Vitamin C]] as part of her 1999 hit "[[Me, Myself and I (Vitamin C song)|Me, Myself and I]]" (#36 on Top 40 Mainstream chart).

While in the Santana band, Escovedo performed at many high-profile concerts, including the historic closing of the [[Fillmore West]] (appearing on the live recording and documentary film from that event). Santana drummer [[Michael Shrieve]] has credited Escovedo for showing him how to incorporate some Latin percussion figures into his drum set playing during their time together.<ref>{{cite web |title=Q&A with Michael Shrieve |url=http://www.moonflowercafe.com/mscafe1.html |archive-url=https://web.archive.org/web/20130127154130/http://www.moonflowercafe.com/mscafe1.html |archive-date=January 27, 2013 |work=Moonflower Cafe |access-date=October 20, 2017}}</ref>

During [[Carlos Santana]]'s transition period between the original and "New" Santana bands, Escovedo also performed with the Carlos Santana/Buddy Miles group, appearing on the 1972 release ''[[Carlos Santana & Buddy Miles! Live!]]''

Escovedo and Areas had been pioneering a new style on the traditional Cuban timbales. Though drawing on the influence of timbale virtuoso's [[Tito Puente]] and [[Willie Bobo]], Escovedo took the explosive power of the Cuban drums even farther, adapting them to rock, soul, and funk recordings by artists such as [[Boz Scaggs]], [[Cold Blood (band)|Cold Blood]], [[It's a Beautiful Day]], and [[Malo (band)|Malo]] (with whom he was a featured soloist on their debut LP), as well as to freer Latin jazz experiments with artists such as trumpeter [[Luis Gasca]].

In early 1972, Escovedo, following his vision of putting together "a band that could play anything", formed [[Azteca (band)|Azteca]] along with his brother Pete Escovedo. The band signed to [[Columbia Records]] and released its self-titled debut album in December 1972. It reached No. 38 on the R&B chart in 1973. A second album, ''[[Pyramid of the Moon (album)|Pyramid of the Moon]]'', was released in the fall of 1973. Both albums prominently featured Escovedo's timbale playing and some of his compositions, as leader of an all-star cast of musicians, many of whom would become prominent solo artists. Despite garnering critical acclaim and playing high-profile concert tours,{{citation needed|date=January 2013}} the big-band Azteca lineup was difficult to sustain. Their second release, ''Pyramid of the Moon'' failed to chart and by 1974, Escovedo left Azteca.

In 1975, he began work on the first of his three solo albums, simply titled ''[[Coke (album)|Coke]]''. This 1976 solo debut featured a spare, sophisticated soul/funk/jazz/Latin blend highlighting the talents of vocalist [[Linda Tillery]] (formerly of [[The Loading Zone]]) and keyboardist-composer [[Herman Eberitzsch]]. A Top 100 R&B single, "Make It Sweet", resulted, along with a TV appearance on ''[[Don Kirshner's Rock Concert]]''. Escovedo recorded two more albums: the pop-oriented ''[[Comin' at Ya! (album)|Comin' at Ya!]]'' (featuring former Azteca vocalist [[Errol Knowles]]) in 1976. 1977's ''[[Disco Fantasy]]'' proved critically and commercially disappointing and became the last album of solo material he released.


Escovedo continued to perform in the San Francisco Bay Area and beyond at the helm of a band that included former Malo guitarist [[Abel Zarate]]<ref>{{cite web |title=Interview with Abel Zarate |url=http://www.moonflowercafe.com/azone.html |archive-url=https://web.archive.org/web/20081121224547/http://www.moonflowercafe.com/azone.html |archive-date=November 21, 2008 |work=Moonflower Cafe |access-date=October 20, 2017}}</ref> in pursuit of a new record deal which never materialized. He also continued to do session work and to tour with the likes of Santana, [[Herbie Hancock]] and his niece [[Sheila E]], finally relocating to the Los Angeles area in the 1980s.
Coke had been, along with Jose "Chepito" Areas, pioneering a new style on the traditional Cuban timbales. Though drawing on the influence of the extroverted timbale showman Tito Puente, Coke took the explosive power of the Cuban drums even further, adding spice to rock and soul music recordings by artists such as Boz Scaggs, Cold Blood, It's A Beautiful Day, and Malo (with whom he was a featured soloist on their debut LP), as well as to freer jazz experiments with artists such as trumpeter Luis Gasca. In early 1972, Coke following his vision of putting together "a band that could play anything," formed [[Azteca (band)|Azteca]] along with his brother [[Pete Escovedo]]. The band signed to Columbia Records and released its self-titled debut album in December 1972. It reached No. 38 on the R&B chart in 1973. A second album, ''[[Pyramid of the Moon (album)|Pyramid of the Moon]]'', was released in the fall of 1973. Both albums prominently featured Coke's timbale playing and some of his compositions, as leader of an all-star cast of musicians may of whom would become prominent solo artists. Despite garnering critical acclaim and playing high-profile concert tours, the big-band Azteca lineup was difficult to sustain. Sophomore release "Pyramid of the Moon" failed to chart and by 1974, Coke Escovedo left Azteca. In 1975, he began work on the first of his three solo albums, simply titled ''[[Coke (album)|Coke]]''. He recorded two more albums: the pop-oriented ''[[Comin' at Ya! (album)|Comin' at Ya!]]'' in 1976 and ''[[Disco Fantasy]]'' in 1977, which proved critically and commercially disappointing and became the last album of solo material he released. Escovedo continued to perform in the San Francisco Bay Area and beyond at the helm of a band that included former Malo guitarist Abel Zarate in pursuit of a new record deal which never materialized, and also continued to do session work and tour with the likes of Santana, [[Herbie Hancock]] and his niece [[Sheila E]], finally relocating to the Los Angeles area in the 1980's. Coke Escovedo died at the age of 45 on July 13, 1986.


==Personal life==
==Personal life==
Coke Escovedo has five musician brothers:
Coke Escovedo has many family members involved in the entertainment industry. Coke's brothers include [[Pete Escovedo]], who was also percussionist with Santana (and father of Sheila E), and [[Alejandro Escovedo]], who is currently a prominent recording artist working in the Americana style of music and formerly led the 1990s band the True Believers, a band which included brother Javier Escovedo (of pioneering punk rock band, [[The Zeros (American)|The Zeros]]). Older brother Phil Escovedo played bass alongside Coke and Pete in the Escovedo Brothers Band and also on sessions with Latin Jazz vibraphonist Cal Tjader. Youngest brother Mario Escovedo fronted critically acclaimed San Diego rockers [[The Dragons (band)|The Dragons]]. Escovedo's niece is [[Prince (musician)|Prince]] collaborator Sheila Escovedo (a.k.a. [[Sheila E.]]) and his son is Paris Escovedo of the Escovedo Project.
* [[Phil Escovedo]] played bass alongside Coke and Pete in the Escovedo Brothers Band, and also on sessions with Latin Jazz vibraphonist Cal Tjader.
* [[Pete Escovedo]] also was a percussionist with Santana. His daughter [[Sheila E.]] collaborated with [[Prince (musician)|Prince]].
* [[Alejandro Escovedo]] is currently a prominent recording artist working in the Americana style of music. He and [[Jon Dee Graham]] formerly led the [[True Believers (band)|True Believers]].
* Javier Escovedo was a member of the pioneering punk rock band [[The Zeros (American band)|The Zeros]], as well as of the True Believers.
* [[Mario Escovedo]] fronted critically acclaimed San Diego rockers [[The Dragons (band)|The Dragons]].

Coke Escovedo also has a son, [[Paris A. Escovedo]] of the [[Escovedo Project]], and 2 daughters, [[Sabrina L. Escovedo]] and [[Antonia Escovedo]].

==Death==
Escovedo died of [[cirrhosis]] at the age of 45 on July 13, 1986.<ref>{{Cite web|url=https://www.sfgate.com/entertainment/article/Azteca-rises-anew-3176372.php|title = Azteca rises anew|date = 18 January 2009}}</ref>


==Discography==
==Discography==

===Studio albums===
===Studio albums===
{| class="wikitable" style="text-align:center;"
{| class="wikitable" style="text-align:center;"
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! rowspan="2"| Year
! rowspan="2"| Year
! rowspan="2"| Album
! rowspan="2"| Album
! colspan="2"| Chart positions<ref name="allmusic albums">{{Cite web|url={{Allmusic|class=artist|id=p30272/charts-awards/billboard-albums|pure_url=yes}}|title=Coke Escovedo US albums chart history|publisher=allmusic.com|accessdate=2011-04-23}}</ref>
! colspan="2"| Chart positions<ref name="allmusic albums">{{Cite web|url={{Allmusic|class=artist|id=p30272/charts-awards/billboard-albums|pure_url=yes}}|title=Coke Escovedo US albums chart history|publisher=allmusic.com|access-date=2011-04-23}}</ref>
! rowspan="2"| Record label
! rowspan="2"| Record label
|- style="font-size:smaller;"
|- style="font-size:smaller;"
Line 63: Line 92:


==References==
==References==
{{reflist}}www.chipboaz.com/blog/2010/07/13/latin-jazz-conversations-pete-escovedo-part-1/
{{reflist}}
===Sources===
* http://www.chipboaz.com/blog/2010/07/13/latin-jazz-conversations-pete-escovedo-part-1/
http://www.chipboaz.com/blog/2010/07/14/latin-jazz-conversations-pete-escovedo-part-2/
* http://www.chipboaz.com/blog/2010/07/14/latin-jazz-conversations-pete-escovedo-part-2/
http://santanamigos.pagesperso-orange.fr/band.htm
* http://santanamigos.pagesperso-orange.fr/band.htm
Voices of Latin Rock: The People and Events That Created This Sound (Jim McCarthy with co-author Ron Sansoe, 316 pages, Hal Leonard Corporation, June 2005, ISBN 0-634-08061-X)
* {{cite book |title=Voices of Latin Rock: The People and Events That Created The Sound |url=https://archive.org/details/voicesoflatinroc0000mcca |url-access=registration |first1=Jim |last1=McCarthy |first2=Ron |last2=Sansoe |publisher=[[Hal Leonard Corporation]] |date=2004 |isbn=978-0-634-08061-6}}

http://www.moonflowercafe.com/mscafe1.html
==External links==
* {{Discogs artist|Coke Escovedo}}


{{Santana}}
{{Santana}}


{{Authority control}}
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Escovedo, Coke
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION =
| DATE OF BIRTH = April 30, 1941
| PLACE OF BIRTH = [[Los Angeles]], [[California]], U.S.
| DATE OF DEATH = July 13, 1986
| PLACE OF DEATH = [[Montebello, California|Montebello]], [[California]], U.S.
}}
{{DEFAULTSORT:Escovedo, Coke}}
{{DEFAULTSORT:Escovedo, Coke}}
[[Category:1941 births]]
[[Category:1941 births]]
[[Category:1986 deaths]]
[[Category:1986 deaths]]
[[Category:American percussionists]]
[[Category:American percussionists]]
[[Category:Musicians from California]]
[[Category:Hispanic and Latino American musicians]]
[[Category:People from Los Angeles, California]]
[[Category:Musicians from Los Angeles]]
[[Category:Musicians from the San Francisco Bay Area]]
[[Category:Musicians from the San Francisco Bay Area]]
[[Category:American musicians of Mexican descent]]
[[Category:American musicians of Mexican descent]]
[[Category:Santana (band) members]]
[[Category:Santana (band) members]]
[[Category:20th-century American musicians]]

[[Category:Deaths from cirrhosis]]
[[es:Coke Escovedo]]
[[Category:Alcohol-related deaths in California]]
[[fr:Coke Escovedo]]

Latest revision as of 07:39, 26 March 2024

Coke Escobedo
Birth nameJoseph Thomas Escovedo
Born(1941-04-30)April 30, 1941
Los Angeles, California, U.S.
OriginOakland, California, U.S.
DiedJuly 13, 1986(1986-07-13) (aged 45)
Montebello, California, U.S.
GenresR&B, jazz fusion, soul, disco, funk
Occupation(s)Percussionist
Instrument(s)Percussions, timbales, congas, bongos, tambourine, vocals
Years active1958–1986
LabelsMercury Records

Joseph Thomas "Coke" Escovedo (April 30, 1941 – July 13, 1986) was an American percussionist, who came from a prominent musical family including five musician brothers and his niece, Sheila E. He played in various genres, including R&B, jazz fusion and soul, with bands including Santana, Malo, Cal Tjader, and Azteca.

Early life[edit]

Escovedo was born in Los Angeles, California, the son of Pedro Escovedo, a plumber and amateur musician, who had immigrated from Mexico at age 12, and Anita (née Valenzuela).[1][2] Escovedo grew up in the East Bay region of the San Francisco Bay Area. He developed an early interest in jazz and Latin music through exposure gained from his father Pedro, an aspiring big band singer, and eventually gravitated to drums and Latin percussion. Coke's older brother, fellow percussionist Pete Escovedo, recruited Escovedo for a local Latin jazz combo led by pianist Carlos Federico. The Federico combo evolved into the Escovedo Brothers Band, which also counted Pete, bassist brother Phil Escovedo, saxophonist-flautist Mel Martin and trombonist Al Bent among its regular members.

Career[edit]

Escovedo began to gain some notability in the San Francisco Bay Area Latin jazz scene and worked with jazz vibraphonist Cal Tjader (some of his finest work can be found on Tjader's album Agua Dulce). Escovedo rose to even greater prominence in early 1971 when he first became a member of Santana, initially as a replacement for timbale player Jose "Chepito" Areas, who had been sidelined with medical issues. Escovedo was featured on Santana's Santana III (1971) album. Escovedo co-authored a hit song from that album, "No One to Depend On", which peaked at #36 on the Billboard Hot 100 chart. Years later the song would be covered by Vitamin C as part of her 1999 hit "Me, Myself and I" (#36 on Top 40 Mainstream chart).

While in the Santana band, Escovedo performed at many high-profile concerts, including the historic closing of the Fillmore West (appearing on the live recording and documentary film from that event). Santana drummer Michael Shrieve has credited Escovedo for showing him how to incorporate some Latin percussion figures into his drum set playing during their time together.[3]

During Carlos Santana's transition period between the original and "New" Santana bands, Escovedo also performed with the Carlos Santana/Buddy Miles group, appearing on the 1972 release Carlos Santana & Buddy Miles! Live!

Escovedo and Areas had been pioneering a new style on the traditional Cuban timbales. Though drawing on the influence of timbale virtuoso's Tito Puente and Willie Bobo, Escovedo took the explosive power of the Cuban drums even farther, adapting them to rock, soul, and funk recordings by artists such as Boz Scaggs, Cold Blood, It's a Beautiful Day, and Malo (with whom he was a featured soloist on their debut LP), as well as to freer Latin jazz experiments with artists such as trumpeter Luis Gasca.

In early 1972, Escovedo, following his vision of putting together "a band that could play anything", formed Azteca along with his brother Pete Escovedo. The band signed to Columbia Records and released its self-titled debut album in December 1972. It reached No. 38 on the R&B chart in 1973. A second album, Pyramid of the Moon, was released in the fall of 1973. Both albums prominently featured Escovedo's timbale playing and some of his compositions, as leader of an all-star cast of musicians, many of whom would become prominent solo artists. Despite garnering critical acclaim and playing high-profile concert tours,[citation needed] the big-band Azteca lineup was difficult to sustain. Their second release, Pyramid of the Moon failed to chart and by 1974, Escovedo left Azteca.

In 1975, he began work on the first of his three solo albums, simply titled Coke. This 1976 solo debut featured a spare, sophisticated soul/funk/jazz/Latin blend highlighting the talents of vocalist Linda Tillery (formerly of The Loading Zone) and keyboardist-composer Herman Eberitzsch. A Top 100 R&B single, "Make It Sweet", resulted, along with a TV appearance on Don Kirshner's Rock Concert. Escovedo recorded two more albums: the pop-oriented Comin' at Ya! (featuring former Azteca vocalist Errol Knowles) in 1976. 1977's Disco Fantasy proved critically and commercially disappointing and became the last album of solo material he released.

Escovedo continued to perform in the San Francisco Bay Area and beyond at the helm of a band that included former Malo guitarist Abel Zarate[4] in pursuit of a new record deal which never materialized. He also continued to do session work and to tour with the likes of Santana, Herbie Hancock and his niece Sheila E, finally relocating to the Los Angeles area in the 1980s.

Personal life[edit]

Coke Escovedo has five musician brothers:

Coke Escovedo also has a son, Paris A. Escovedo of the Escovedo Project, and 2 daughters, Sabrina L. Escovedo and Antonia Escovedo.

Death[edit]

Escovedo died of cirrhosis at the age of 45 on July 13, 1986.[5]

Discography[edit]

Studio albums[edit]

Year Album Chart positions[6] Record label
US US
R&B
1975 Coke 195 44 Mercury Records
1976 Comin' at Ya! 190 37
1977 Disco Fantasy 195

References[edit]

  1. ^ Rourke, Mary (February 21, 2004). "Pedro Escovedo, 96; Plumber Was Patriarch of Musical Family". Los Angeles Times. Retrieved October 20, 2017.
  2. ^ Williams, Jack (February 19, 2004). "Pedro Escovedo, 96; passed his love of music to his family". The San Diego Union-Tribune. Archived from the original on October 21, 2017. Retrieved October 20, 2017.
  3. ^ "Q&A with Michael Shrieve". Moonflower Cafe. Archived from the original on January 27, 2013. Retrieved October 20, 2017.
  4. ^ "Interview with Abel Zarate". Moonflower Cafe. Archived from the original on November 21, 2008. Retrieved October 20, 2017.
  5. ^ "Azteca rises anew". 18 January 2009.
  6. ^ "Coke Escovedo US albums chart history". allmusic.com. Retrieved 2011-04-23.

Sources[edit]

External links[edit]