Monuments of music art in Bavaria

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Monuments of the Tonkunst in Bayern is a series with editions of historical music from Bavaria from the baroque to the romantic . It forms series 2 of the monuments of German music art . The series Monuments of the Tonkunst in Bayern appeared in an old series (1900-1931) and a new series (since 1967). It is published by the Society for Bavarian Music History .

Contents overview

Old episode

  • 1st, year I (1900): Selected works by the Electoral Bavarian concertmaster Evaristo Felice Dall 'Abaco (1675–1742). Part One - Introduced and edited by Adolf Sandberger .
  • 2nd, year II (1901/02), volume 1: Piano works by Johann Pachelbel (1653–1706). Along with attached pieces by Wilhelm Hieronymus Pachelbel (1686 –1764, son of the previous one). - Introduced and edited by Max Seiffert . With preliminary biographical remarks by Adolf Sandberger.
  • 3rd, year II, volume 2: Selected works by the Electoral Bavarian court music director Johann Kaspar Kerll (1627–1693). First part. - Introduced and edited by Adolf Sandberger.
  • 4th, Volume III (1902/03), Volume 1: Symphonies of the Palatinate Bavarian School ( Mannheim School ). Johann Stamitz (1717–1757). Franz Xaver Richter (1709–1789). Anton Filtz (approx. 1725-1760). - Introduced and edited by Hugo Riemann .
  • 5th, Volume III, Volume 2: Ludwig Senfl's works. First part. - Introduced and edited by Theodor Kroyer . Along with a treatise on Senfl's birthplace and origin of Adolf Thürlings.
  • 6th, Volume IV (1903/04), Volume 1: Organ compositions by Johann Pachelbel (1653–1706). Along with the attached pieces by Wilhelm Hieronymus Pachelbel (1686–1764). - Introduced and edited by Max Seiffert
  • 7th, Volume IV, Volume 2: Selected works by Christian Erbach (1570–1635). First part. Works for organ and piano. Works by Hans Leo Haßler (1565–1612). First part. Works for organ and piano. With attached pieces by Jakob Haßler (1569–1621 / 22, brother of the previous one). - Introduced and edited by Ernst von Werra .
  • 8./9., Volume V (1904/05): Works by Hans Leo Haßler . Second part. Delivery 1. Remarks on the biography of Hans Leo Haßler and his brothers, as well as on the music history of the cities of Nuremberg and Augsburg in the 16th and early 17th centuries. - By A. Sandberger. 2. Delivery. Canzonette from 1590 and Neüe Teütsche Gesang from 1596. - Introduced and edited by Rudolf Schwartz . 1. Delivery text. 2. Delivery text, notes.
  • 10th, year VI (1905/06), volume 1: Nuremberg Masters of the second half of the 17th century. Spiritual concerts and church cantatas. - Edited by Max Seiffert: Paul Hainlein , Heinrich Schwemmer (1621–1696), Georg Caspar Wecker , Johann Pachelbel , Johann Philipp Krieger , Johann Krieger
  • 11., Volume VI, Volume 2: Selected works by Agostino Steffani (1654–1728). First part. - Edited by Alfred Einstein and Adolf Sandberger. - Elaborations of the basso continuo by Franz Bennat.
  • 12. Volume VII (1906/07), Volume 1: Selected works by the Nuremberg organist Johann Staden (1581–1634). First part. - Introduced and edited by Eugen Schmitz.
  • 13th, Volume VII, Volume 2: Symphonies of the Pfalzbayerische Schule Mannheimer Symphoniker . Second part, first half. Johann Stamitz (1717–1757). Franz Xaver Richter (1709–1789). Anton Filtz (approx. 1725-1760). Ignaz Holzbauer (1711–1783). Giuseppe Toeschi (1724-1788). - Introduced and edited by Hugo Riemann.
  • 14., Volume VIII (1907/08), Volume 1: Selected works by the Nuremberg organist Johann Staden (1581–1634). Second part. - Edited by Eugen Schmitz , elaborations of the basso continuo by R. Lederer.
  • 15th, Year VIII, Volume 2: Symphonies of the Pfalzbayerische Schule Mannheimer Symphoniker . Second part, second half. - Christian Cannabich (1731-1798). Karl Stamitz (1746-1801). Franz Ignaz Beck (1734-1809). Ernst Eichner (1740–1777). - Edited and edited by Hugo Riemann.
  • 16., Volume IX (1908/09), Volume 1: Selected works by the Electoral Bavarian concertmaster Evaristo Dall'Abaco (1675–1742). Second part. - Introduced and edited by Adolf Sandberger. Arrangement of the basso continuo by Anton Beer-Walbrunn, Max Meyer-Olbersleben and Joseph Venzl
  • 17th, Volume IX, Volume 2: Selected works by Leopold Mozart (born in Augsburg November 14, 1719, died in Salzburg May 28, 1787). - Introduced and edited by Max Seiffert. Arrangement of the basso continuo by the editor, the piano reductions by Max Schneider.
  • 18th, year X (1909/10), volume 1: Selected works by Gregor Aichinger (1564–1628). First part. - Introduced and edited by Theodor Kroyer.
  • 19th, year X, volume 2: Selected works by Adam Gumpelzhaimer (1559–1625). Introduced and edited by Otto Mayr.
  • 20th, year XI (1910/11) Volume 1: Works by Hans Leo Haßler . Third part. Madrigals of 5, 6, 7, and 8 parts from 1596. - Introduced and edited by Rudolf Schwartz.
  • 21., Volume XI, Volume 2: Selected works by Agostino Steffani (1654–1728). Second part. First volume of operas. Alarico. Munich, January 18, 1687. - Edited by Hugo Riemann.
  • 22nd, year XII (1911/12), volume 1: Selected works by the Prince. Oettingen-Wallerstein Kapellmeister Antonio Rosetti (1750–1792). - Introduced and edited by Oskar Kaul .
  • 23rd, year XII, volume 2: Selected works by Agostino Steffani (1654–1728). Third part. Second volume of operas. Selected pieces from: Marco Aurelio (Munich, February 12/13, 1681). Servio Tullio (Munich, January 18 [?] 1686). Niobe (Munich, January 5, 1688). Henrico Leone (Hanover, January 1689). La Lotta d'Ercole con Acheloo (Hanover, summer 1689). La Superbia d'Alessandro [Il Zelo di Leonato] (Hanover 1690 [1691]). Le Rivali Concordi [Atalanta] (Hanover, February 10/12, 1692). Orlando Generoso (Hanover, December 1691). La Libertà Contenta [Alcibiade] (Hanover, February 3-6, 1693). I Trionfi del Fato [Le Glorie d'Enea] (Hanover, December 1695). Briseïde (Hanover, Carnival 1696). Tassilone (Düsseldorf 1709). Amor Vien dal Destino [Il Turno] (Düsseldorf 1709). - Introduced and edited by Hugo Riemann. - XXXVI pages of text, 191 pages of notes.
  • 24., year XIII (1912/13): Selected works by the Nuremberg organist Johann Erasmus Kindermann (1616–1655). First part. - Introduced and edited by Felix Schreiber.
  • 25., Volume XIV (1913/14), Volume 1: Selected scenes from il Farnace (1752), I Tantaridi (1760), Iphigenia in Tauride (1759), Le Feste d'Imeneo (1760), Antigona (1772) and La Sofonisba, del Sig. Mattia Verazj, dramma per musica da rappresentarsi alla corte elettorale palatina, in occasione del felicissimo giorno del nome del serenissimo elettore, l'anno 1772 by Tommaso Traetta (1727–1779). - Introduced and edited by Hugo Goldschmidt. Arrangement of the basso continuo by Anton Beer-Walbrunn. Piano reductions by Hugo Leichtritt and Anton Beer-Walbrunn.
  • 26., Volume XIV, Volume 2: Christoph Willibald Gluck , Le Nozze d'Ercole e d'Ebe, Dramma per musica da rappresentarsi nella villa reale di Pillnitz in occasione delle delle doppie auguste Nozze celebrate in Dresda l'anno 1747. - Introduced and edited by Hermann Abert.
  • 27., year XV (1914/15): Mannheim chamber music of the 18th century. I. part. Quartets and quintets (without piano) by Franz Xaver Richter (1709–1789), Ignaz Holzbauer (1711–1783), Johann Baptist Wendling (1720–1797), Karl Joseph Toeschi (1724–1788), Christian Cannabich (1731–1798) , Ernst Eichner (1740–1777), Karl Stamitz (1746–1801), Abbot Georg Joseph Vogler (1749–1814), Anton Stamitz (1754–1820), Franz Danzi (1763–1826). Introduced and edited by Hugo Riemann.
  • 28th, year XVI (1915/16): Mannheim chamber music of the 18th century. Part II. Trios and duos (without piano and with obbligato piano) by Franz Xaver Richter (1709–1789), Johann Stamitz (1717–1757), Karl Joseph Toeschi (1724–1788), Anton Filtz (1730–1760), Ernst Eichner (1740 –1777), Wilhelm Cramer (1746–1799), Karl Stamitz (1746–1801), Johann Friedrich Edelmann (1749–1794), Franz Xaver Sterkel (1750–1817), Anton Stamitz (1754–1820). - Introduced and edited by Hugo Riemann.
  • 29., Volume XVII: Selected scenes from La Sofonisba, Del Sig. Mattia Verazj, dramma per musica da rappresentarsi alla corte ellettorale palatina, in occasione del felicissimo giorno del nome del serenissimo elettore, l'anno 1762 by Tommaso Traetta (1727–1779 ). Selected Works. Part II. - Introduced and edited by Hugo Goldschmidt . Arrangement of the basso continuo by Anton Beer-Walbrunn. Piano reduction by Hugo Leichtentritt and Anton Beer-Walbrunn.
  • 30., Year XVIII: Johann Krieger , Franz Xaver Murschhauser and Johann Philipp Krieger , Collected Works for Piano and Organ. - Edited by Max Seiffert.
  • 31., Year XIX / XX: Selected works by Pietro Torri . First part. - Edited by Hermann Junker.
  • 32nd, year XXI - XXIV: Johannes Erasmus Kindermann . Selected Works. Second part. - Edited from the materials left behind by Felix Schreiber and introduced by Bertha Antonia Wallner. Arrangement of the basso continuo by Max Meyer-Olbersleben and Alfred Lorenz.
  • 33rd, year XXV: Anton Rosetti . Selected Works. Second part. - Introduced and edited by Oskar Kaul.
  • 34th, year XXVI: Jacobus de Kerle . Selected Works. First part. - Introduced and edited by Otto Ursprung.
  • 35th, year XXVII / XXVIII: Johann Christoph Pez . Selected Works. Edited and introduced by Bertha Antonia Wallner. Arrangement of the basso continuo by August Reuss.
  • 36th, year XXIX / XXX: Andreas Raselius . Selected Works. - Edited by Ludwig Roselius.
  • 37th, year XXXI - XXXVI. Rupert Ignaz Mayr . Selected church music. - Edited by Karl Gustav Fellerer. - X pages of text, 147 pages of notes.
  • 38th, year XXXVII / XXXVIII. Johann Wolfgang Franck . The three daughters of Cecrop. - Edited by Gustav Friedrich Schmidt. Master bass arrangement by Anton Beer-Walbrunn.

New episode

  • 9 (= Jg. V, 2): Hans Leo Hassler , Canzonette from 1590 and Neue Teutsche Gesang from 1596. Edited by R. Schwartz, revised by CR Crosby jr. (= Hans Leo Hassler, Complete Works, Vol. 2). 1962, 2nd edition 1975.
  • 20 (= year XI, 1): Hans Leo Hassler , Madrigals for five to eight voices. Edited by R. Schwartz, revised by CR Crosby Jr. (= Hans Leo Hassler, Complete Works, Vol. 3). 1968.
  • 22 (= Vol. XII, 1): Antonio Rosetti (1750–1792), Selected Symphonies. In addition to a thematic index of the instrumental compositions, edited and revised by O. Kaul. 1968.
  • 34 (= vol. XXVI): Jacobus de Kerle (1531 / 32–1591), selected works, 1st part: "Preces speciales etc." for the Council of Trent, 1562. Introduced and edited by O. Ursprung, revised and supplemented by a thematic index of de Kerle's works by R. Machold. 1974.
  • 36 (= year XXIX / XXX): Andreas Raselius (approx. 1563–1602), Cantiones Sacrae. Edited, revised and supplemented by L. Roselius. 1972.
  • 1. Evaristo Felice dall'Abaco (1675–1742), Selected Works, Part 3: 16 Concerti from Opus II, V and VI. Using the estate of A. Sandberger, edited by H. Schmid. 1967.
  • 2. Church music of the Mannheim school, 1st selection: The older Mannheimers ( Johann Hugo von Wilderer , CLP Grua the Elder ((probably Carlo Luigi Grua )) and CLP Grua the younger ((probably Franz Paul Grua ))) . In addition to a thematic directory of the sacred compositions of the Mannheim court musicians, published by E. Schmitt. 1982.
  • 3. Church music of the Mannheim School, 2nd selection: Johann Stamitz (1717–1757), Missa Solemnis in D and Motetto de Venerabili Sacramento. Edited by E. Schmitt. 1980.
  • 4. Music by the Bavarian court orchestra at the time of Orlando di Lasso , 1st selection: Madrigali a cinque voci de floridi virtuosi del serenissimo duca di Baviera, Venice 1569 and 1575. Edited by H. Leuchtmann. 1981.
  • 5. ETA Hoffmann (1776-1822), Aurora. Great romantic opera (Bamberg 1811/12). Edited by H. Dechant. 1984.
  • 6. Johann Löhner (1645–1705), Die triumphirende Treu, Sing-Spiel (Ansbach 1679). Reconstructed from the sources and edited by W. Braun. 1984.
  • 7. Music by the Bavarian court orchestra at the time of Orlando di Lasso , 2nd selection: Sdegnosi Ardori. 55 settings of a madrigal text from 1583 to 1678. Edited by H. Leuchtmann. 1989.
  • 8. Johann Philipp Krieger (1649–1725), XII Suonate a doi Violino e Viola da Gamba. Opera seconda 1693. Appendix: "Surgitecum gaudio". Cantata for soprano and instruments 1688. Edited by Folkmar Längin. 1988.
  • 9. Franz Xaver Murschhauser , Vespertinus Latriae et Hyperduliae cultus op. 2 (Ulm 1700). Published by Rudolf Walter. XX u. 159 pages. 1992.
  • 10. Georg Arnold , Missa quarta 1672 and Sacrae Cantiones. Edited by Gerhard Weinzierl. 1994.
  • 11. Christian Cannabich , Selected symphonies from the Munich creative period. Edited by Stephan Hörner . 1996.
  • 12. Ivo de Vento , Complete Works. Section A: Motets Vol. 1. Edited by A. De Groote. 1998.
  • 13. Ivo de Vento, Complete Works. Section A: Motets Vol. 2. Edited by A. De Groote. 2010.
  • 14. Ivo de Vento, Complete Works. Department B: German Songs Vol. 1. Edited by Nicole Schwindt. 2002.
  • 15. Ivo de Vento, Complete Works. Department B: German Songs Vol. 2. Edited by Nicole Schwindt. 2003.
  • 16. Ivo de Vento, Complete Works. Department C: Four-language printing and other individual works. Edited by A. De Groote. 2019.
  • 17. Symphonic poems by August Reuss , Felix vom Rath and Clemens von Franckenstein . Edited by Stephan Hörner. 2005.
  • 18. Abbé Georg Joseph Vogler , Requiem in E flat major. Edited by Joachim Veit . 2007.
  • 19. Johann Kaspar Kerll , Delectus Sacrarum Cantionum (Munich 1669). Edited by Bettina Eichmanns. 2006.
  • 20. Peter von Winter , Requiem in C minor. Edited by Angelika Tasler. 2010.
  • 21. Tommaso Traetta , Siroé. Edited by Jörg Riedlbauer. 2018.
  • 22. Songs of Peace 1621–1651. Music for the Thirty Years War. Compositions by Johannes Werlin (1620–1675), Sigmund Theophil Staden , Andreas Berger and Melchior Franck . Edited by Stefan Hanheide. 2012.
  • 23. Giovanni Benedetto Platti , Selected Concerti for Violoncello and Trio Sonatas with Obbligato Violoncello. Edited by Frohmut Dangel-Hofmann. 2011.
  • 24. Johann Anton Bachschmid , six solo concertos for violin, flute and bassoon. Edited by Christoph Großpietsch. 2014.
  • 27. Johann Jakob Schnell , Concerta commode tractabilia op. 3 (Bamberg 1731). Published by Alexander Heinzel. 2017.
  • Special volume 1: The Flötner card game and other curiosa of the musical tradition of the 16th century from Franconia. Edited by CR Crosby Jr. 1967.
  • Special volume 2: The Lochamer songbook . Introduction and adaptation of the melodies by W. Salmen, introduction and adaptation of the texts by Chr. Petzsch. 1972.

Individual evidence

  1. ↑ Life data according to ADB see Wikipedia: positive lists / list of ADB biographies (A – D)
  2. ↑ See Werlin, Johannes in the Bavarian Musicians' Lexicon Online (BMLO)Template: BMLO / maintenance / use of parameter 2

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