Franz Josef Wild

from Wikipedia, the free encyclopedia

Franz Josef Dietrich Wild (born June 4, 1922 in Riedenburg, Upper Palatinate , † April 10, 1998 in Munich ) was a German director and pioneer of domestic television.

Live and act

The son of forester Bernhard Wild had passed the Abitur in 1939 at the Wilhelmsgymnasium in Munich . Then, in World War II , Wild did his military service. Back in civil life, Wild received artistic training at the Otto Falckenberg School and worked as an actor at the Münchner Kammerspiele from 1945 to 1952 . There he learned everything about directing as assistant to artistic director Erich Engel . Wild staged plays for the first time in the 1950s, and later also several operas. Wild was involved in building German post-war television almost from the start. In the period that followed , he directed a wealth of television films for Bayerischer Rundfunk , mostly productions based on literary sources. He has also produced a wide variety of BR films by hand. Johnny Belinda , the story of a deaf-mute girl played by Violetta Ferrari , had a measured visual participation rate of 78 percent and an extremely high level of approval in 1961 (according to Infratest : +9). From 1956 until his retirement in 1988, Wild also acted as senior game director and head of the BR's television game department.

His only excursion to the movie Ms. Cheney's End , based on a model by Frederick Lonsdale , found little support despite the prominent cast - the married couple Lilli Palmer and Carlos Thompson as well as Martin Held played the leading roles.

In his television career spanning almost three and a half decades, Franz Josef Wild has worked with a number of important German-speaking actors. The list ranges from Camilla Horn , Peter Pasetti , Karlheinz Böhm and Paul Hubschmid in the 50s to Hildegard Knef , Adolf Wohlbrück and Rudolf Forster in the 60s, Albert Lieven , Barbara Rütting , Dietmar Schönherr and Elfriede Irrall in the 70s Judy Winter , Elfriede Kuzmany , Heidelinde Weis , Maria Schell and Christa Berndl in the 80s. He repeatedly worked with Carl-Heinz Schroth , Hans Reiser , Gertrud Kückelmann , Hannes Messemer , Gustav Knuth and Ruth-Maria Kubitschek .

Several times, such as the creation of the scripts for Die Rote Rosa, The Conspiracy, The Deadly Strike and Mrs. Jenny Treibel , the author Wild collaborated with the Tuebingen philosophy professor Walter Jens . W. mainly stages theater-style plays and prefers the electronic recording process in order to make “the language of the human face” as effective as possible, in contact with the television viewers who are not arrogantly instructed and should not be hurt. He himself said: "I am relatively certain that outsiders see an honest presentation of conventional drama as a sign of my efforts."

Wild had been married to Dorothea Siersetzki since 1947 and had two daughters with her. For a while he also taught at the University of Television and Film in Munich .

Filmography

as a director on television, unless otherwise stated.

This list is incomplete.

  • 1955: one, two, three
  • 1955: The silk shoe
  • 1955: head in a sling
  • 1955: God's utopia
  • 1956: Welcome? A game of facts
  • 1956: Kiki from Montmartre
  • 1956: The strong trunk
  • 1957: Between sea and sky
  • 1957: Weekend (also screenplay)
  • 1958: Life exam
  • 1958: Sister Bonaventura (producer only)
  • 1958: the heiress
  • 1959: It's not from yesterday (also script)
  • 1959: The big knife
  • 1960: gas light (producer only)
  • 1960: The camel goes through the eye of the needle
  • 1960: A Christmas carol in prose
  • 1960: the beloved voice
  • 1961: Mrs. Cheney's End (Movie)
  • 1961: No time for comedy
  • 1961: The defense attorney
  • 1961: Johnny Belinda
  • 1962: Laura (also co-script)
  • 1962: The Little Lord (also producer)
  • 1962: The private secretary
  • 1963: The Death of the Salesman (producer only)
  • 1963: The legend of the holy drinker
  • 1963: Robinson is not supposed to die
  • 1964: The Trojan War does not take place
  • 1964: mine or yours
  • 1964: Sergeant Dower Must Die (producer only)
  • 1965: Children of the gods
  • 1965: One day in April
  • 1966: The red rose
  • 1966: The Oresty
  • 1966: an ideal husband (producer only)
  • 1966: mansion (producer only)
  • 1967: The Death of Socrates (producer only)
  • 1967: Free! (only producer)
  • 1967: Report by a coward (producer only)
  • 1968: A Silence From Heaven (Producer Only)
  • 1968: King Richard II (also producer)
  • 1968: Dreyfus affair
  • 1968: The Violet (producer only)
  • 1968: Iphigenia on Tauris (producer only)
  • 1969: The Conspiracy (also producer)
  • 1969: The Legacy (Producer Only)
  • 1969: A village without men (producer only)
  • 1970: The Day of the Crows Wing (also screenplay)
  • 1970: Visit around ten (producer only)
  • 1970: Queen Christine (producer only)
  • 1970: High school graduates (only producer)
  • 1971: Saint Joan
  • 1973: Diary of a madman
  • 1975: The fatal blow
  • 1977: Lydia
  • 1977: The questioning of Macchiavelli
  • 1978: Oh, these men
  • 1979: Old-fashioned comedy
  • 1979: The forest (production only)
  • 1980: The ungrateful one
  • 1982: Stella
  • 1982: the heiress
  • 1982: Mrs. Jenny Treibel (also co-script)
  • 1986: Quadrille
  • 1986: Unexpected happiness
  • 1988: The regular life of Gertie H.

Individual evidence

  1. a b c Egon Netenjakob: TV-Filmlexikon, p. 429

literature

  • Johann Caspar Glenzdorf: Glenzdorf's international film lexicon. Biographical manual for the entire film industry. Volume 3: Peit – Zz. Prominent-Filmverlag, Bad Münder 1961, DNB 451560752 , p. 1886.
  • Who is who? The German Who's Who . Issue XXIII 1983, p. 1320
  • Egon Netenjakob: TV film lexicon. Directors, authors, dramaturges 1952-1998 . Frankfurt am Main 1994. p. 429 ff.
  • Franz Josef Wild , in: Internationales Biographisches Archiv 21/1992 from May 11, 1992, in the Munzinger archive ( beginning of article freely available)

Web links