Gabi Dolff-Bonekämper

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Gabi Dolff-Bonekämper, March 2013

Gabriele "Gabi" Dolff-Bonekämper (* 1952 in Münster ) is a German art historian .

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Gabi Dolff-Bonekämper studied art history , Christian archeology and Romance studies ( French ) at the University of Marburg and the University of Poitiers and at the Center d'études supérieures de civilization médiévale (CESCM) from 1971 to 1984 . In 1984/85 she received her doctorate in Marburg with Hans-Joachim Kunst and Heinrich Klotz with a thesis on the history of monument preservation in Hesse .

From 1984 until the end of the Funkkolleg Kunst in 1985 she was an editor at the German Institute for Distance Learning (DIFF) at the University of Tübingen . She then taught at the University of Stuttgart until 1988 , where she worked on an IT project for the Institute for Art History.

From 1988 to 2002 she worked as an inventory manager at the Landesdenkmalamt Berlin . After a stay at the Getty Conservation Institute in Los Angeles , she resumed this activity from late 2001 to early 2002.

From 2002 to 2005 she taught as a visiting professor at the Institute for Urban and Regional Planning (ISR) at the Technical University of Berlin . Since 2005 she has been professor for the preservation of monuments there . Since 2016, together with Hans-Rudolf Meier , she has also held the position of spokeswoman for the Graduate School "Identity and Heritage" of the German Research Foundation .

Focus of work

Publications

Monographs
  • The discovery of the Middle Ages. Studies on the history of the registration of monuments and the protection of monuments in Hessen-Kassel and Kurhessen in the 18th and 19th centuries. Hessian Historical Commission a. a., Darmstadt and Marburg 1985, ISBN 3-88443-149-8 (revised version of the doctoral thesis Marburg 1983).
  • The Hansaviertel . International post-war modernism in Berlin. Verlag Bauwesen, Berlin 1999, ISBN 3-345-00639-1 (with photos by Franziska Schmidt).
items
  • Experiencing space, grasping space, describing space. For a self-confident handling of medieval architecture. In: Ilsebill Barta u. a. (Ed.): Women pictures, men myths. Art historical contributions. Reimer, Berlin and Hamburg 1987, ISBN 3-496-00910-1 , pp. 421-438.
  • The restoration of the Hainaer stained glass in the 19th century or from repairing to restoring. In: Marburg Yearbook for Art History. Vol. 22, 1989, ISSN  0342-121X , pp. 203-214.
  • Construction and counter-construction or the competition of systems: Stalinallee and Hansaviertel in Berlin. In: Ulrike Wendland (Ed.): Altstadt - City - Denkmalort: Annual conference of the Association of State Monument Preservers in the Federal Republic of Germany 1995. Christians, Hamburg 1997, ISBN 3-7672-1269-2 , pp. 171–173.
  • Secularization and art gain. For the reassessment of religious images and buildings of the Middle Ages in the 18th and early 19th centuries. In: Irene Crusius (Ed.): On the secularization of spiritual institutions in the 16th and 18th / 19th centuries. Century. Vandenhoeck & Ruprecht, Göttingen 1996, ISBN 3-525-35440-1 , pp. 180-197.
  • Art history as contemporary history. The Thälmann Memorial in Berlin. In: Wolfgang Kersten (Ed.): Radical art history. International anthology Subject OK Werckmeister . ZIP, Zurich 1997, ISBN 3-909252-01-X , pp. 134–145, Ill. 238–243.
  • The borrowed pain. The Holocaust Memorial and the Political Emotion. In: Michael Jeismann (Ed.): Mahnmal Mitte. A controversy. DuMont, Cologne 1999, ISBN 3-7701-4820-7 , pp. 184-188.
  • The KdF-Bad Prora on Rügen. An experiment on architecture and morality. In: Annette Tietenberg (ed.): The work of art as a historical document. Festschrift for Hans-Ernst Mittig. Klinkhardt & Biermann, Munich 1999, ISBN 3-7814-0419-6 , pp. 144-157.
  • Les monuments de l'histoire contemporaine à Berlin. Ruptures, contradictions and cicatrices. In: Régis Debray (Ed.): L'abus monumental? Entretiens du Patrimoine Paris 23-25 ​​nov. 1998. Editions Fayard, Editions du patrimoine, Paris 1999, ISBN 2-213-60342-1 .
  • Sentimientos confusos, pensamientos borrosos. In: Pasajes. Revista de pensamiento contemporáneo. Vol. 1, No. 1, 1999, ISSN  1575-2259 , pp. 37-40.
  • Berlin-Tempelhof. In: Berlin-Tempelhof , Liverpool-Speke , Paris-Le Bourget . Années 30 Architecture des aéroports, Airport Architecture of the Thierties, airport architecture of the thirties. Éditions du patrimoine, Paris 2000, ISBN 2-85822-328-9 , pp. 32-61.
  • The Berlin cultural forum . Architecture as a medium of political conflict. In: Hans-Rudolf Meier (ed.). Buildings and places as carriers of memory. The memory debate and the preservation of monuments . vdf, Zurich 2000, ISBN 3-7281-2732-9 , pp. 133-143.
  • Sites of Hurtful Memory. In: Conservation. The Getty Conservation Institute Newsletter. Vol. 17, No. 2, 2002 (Summer 2002), ISSN  1071-0892 , pp. 4–10. ( PDF ).
  • The Berlin Wall. An Archaeological Site in Progress. In: William Gray Johnson, Colleen M. Beck (Eds.): The Archeology of 20th Century Conflict. Routledge, London 2002, ISBN 0-415-23387-9 ( One World Archeology. Vol. 44), pp. 236-248.
  • La Neue Wache (Nouvelle Maison de la Garde Royale) in Berlin. In: Les Temps Modernes, Revue bimestrielle. Vol. 58, No. 625, 2003, ISSN  0040-3075 , pp. 164-185.
  • Lieux de mémoire et lieux de discorde. La valeur conflictuelle des monuments. In: Gennaro Toscano, Fabien Jamois (arr.): Victor Hugo et le débat patrimonial. Institut national du patrimoine, Paris 2003, ISBN 2-85056-709-4 , pp. 121-144.
  • Le Forum de la culture à Berlin. Monument d'histoire contemporaine. In: Maria Gravari-Barbas, Sylvie Guichard-Anguis (ed.): Regards croisés sur le patrimoine dans le monde à l'aube du XXIe siècle Presses de l'université de Paris-Sorbonne, Paris 2003, ISBN 2-84050-277 -1 , pp. 277-285.
  • Figuration and abstraction. Berlin in the 1960s. Two modes in East-West art and art politics. In: Charlotte Benton (Ed.): Abstraction / Figuration. Ashgate and the Henry Moore Institute, Aldershot (Hampshire) 2004, ISBN 0-7546-0693-7 , pp. 147-168.
  • True or false. Preservation of monuments as a medium for constructing national identity. In: Otto Gerhard Oexle u. a. (Ed.): Pictures of interpreted history. The Middle Ages in Modern Art and Architecture. Volume 2. Wallstein, Göttingen 2004, ISBN 3-89244-796-9 ( Göttingen Discussions on Historical Science. Vol. 21), pp. 231–285.
  • Kulturforum II. Competing models in urban planning. Or: What happens if the building and the counter building are to be followed by a counter-counter building? In: Hans-Rudolf Meier (Ed.): Monuments in the city - the city as a monument. Problems and opportunities for urban redevelopment. Tudpress, Dresden 2006, ISBN 3-938863-43-9 ( Series Urban Development and Monument Preservation. Vol. 1), pp. 155–162.
  • Places of action - places of art - places of remembrance. In: Günter Schlusche (Ed.): Architecture of Memory. Nazi crimes in the European culture of remembrance. Nicolai, Berlin 2006, ISBN 3-89479-352-X , pp. 114-117.
  • Monument topographies, memory topographies and memory collectives. In: Thomas Schilp, Barbara Welzel (ed.): The Dortmund Dominicans and the Provost Church as a place of remembrance. Verlag für Regionalgeschichte, Bielefeld 2006, ISBN 3-89534-628-4 ( Deutsche Mittelalter-Forschungen. Vol. 8), pp. 361–374.
  • Mostar. Un pont suspendu dans l'histoire. In: Les cahiers de science et vie. No. 91, février 2006, ISSN  1157-4887 , pp. 100-103.
  • Memory topographies and memory collectives. In: Moritz Csáky , Elisabeth Großegger (Hrsg.): Beyond borders. Transnational, translocal memory. Praesens, Vienna 2007, ISBN 978-3-7069-0475-9 (files of the 7th international congress of the research program "Places of Memory" of the Commission for Cultural Studies and Theater History of the Austrian Academy of Sciences, Vienna 2005; Memory - Memory - Identity. Vol. 8), pp. 63-73.
  • Sites of memory and sites of discord. Historic monuments as a medium for discussing conflict in Europe. In: Graham J. Fairclough et al. a. (Ed.): The heritage reader. Routledge, London 2008, ISBN 978-0-415-37285-5 , pp. 134-138.
  • The monument topography of the dictatorship in Buenos Aires. Proposal for a thematic inventory. In: Gabi Dolff-Bonekämper, Birgit Franz (Ed.): Social space and inventory of monuments. Procedures between preservation, loss, change and updating. Sandstein, Dresden 2008, ISBN 978-3-940319-42-5 ( Publication of the Working Group Theory and Teaching of Monument Preservation, No. 17), pp. 87–91.
  • Les objets du musée. Appropriation and appartenance. In: Jean-Claude Duclos (ed.): Musées et Société d'aujourd'hui. Musée dauphinois, Grenoble 2008, ISBN 978-2-35567-021-3 (Actes du Colloque tenu les 24 et 25 May 2007 à Grenoble au Musée Dauphinois), pp. 140–146.
  • National - regional - global? Old and new models of social heritage constructions. In: Acta Historiae Artium. Vol. 49, 2008, ISSN  0001-5830 , pp. 235-241.
  • Topographies of memory and memory collectives. In: Peter Birle u. a. (Ed.): Urban cultures of remembrance in dialogue. Berlin and Buenos Aires. Metropol, Berlin 2009, ISBN 978-3-938690-96-3 , pp. 26-36.
  • Les cadres sociaux et spatiaux du patrimoine. Quoi de neuf in the Convention de Faro? In: Conseil de l'Europe (ed.): Le patrimoine et au delà. Council of Europe Publishing - Éditions du Conseil de l'Europe, Strasbourg 2009 (PDF; 6.3 MB), ISBN 978-92-871-6635-7 .
  • The social and spatial frameworks of heritage - What is new in the Faro Convention? In: Council of Europe Publishing (Ed.). Heritage and Beyond. Council of Europe Publishing - Éditions du Conseil de l'Europe, Strasbourg 2009 (PDF; 6.2 MB), ISBN 978-92-871-6636-4 , pp. 69-74.
  • Berlin capitale. Le patrimoine des promesses de bonheur échouées. In: Corinne Jacquand, Ewa Bérard (ed.): Architectures au-delà du mur. Berlin, Varsovie, Moscou 1989–2009. Editions A. & J. Picard, Paris 2009, ISBN 978-2-7084-0855-5 , pp. 145-162.
  • Present values. For a renewal of Alois Riegl's monument value theory. In: Hans-Rudolf Meier, Ingrid Scheurmann (ed.): DENKmalWERTE. Contributions to the theory and topicality of monument preservation. Georg Mörsch on his 70th birthday. Deutscher Kunstverlag, Berlin and Munich 2010, ISBN 978-3-422-06903-9 , pp. 27–40.
  • Georg Dehio (1850-1932). In: Michel Espagne and Bénédicte Savoy (eds.). Dictionnaire des historiens d'art allemands. CNRS Editions, Paris 2010, ISBN 978-2-271-06714-2 , pp. 53-60, 388-389.
  • Loss of monument as a social construction. In: Adrian von Buttlar , Gabi Dolff-Bonekämper, Michael S. Falser, Achim Hubel, Georg Mörsch (eds.). Preservation of monuments instead of dummy cult. Against the reconstruction of monuments - an anthology . Bauverlag, Birkhäuser, Gütersloh, Berlin, Basel 2010, ISBN 978-3-0346-0705-6 ( Bauwelt Fundamente. Vol. 146), pp. 134-165.
  • Similarity desired - On the social and formal value of rebuilt monuments. Fundamental to the question of the "authenticity" of replacement buildings. In: Manfred Rettig (Ed.): Reconstruction using the example of the Berlin Palace from an art historical point of view. Results of the conference in April 2010. Essays and theses. Franz Steiner Verlag, Stuttgart 2011 [published mid-December 2010], ISBN 978-3-515-09826-7 ( Impulse - Villa Vigoni in conversation. Vol. 2), pp. 63–71.
  • Memorable moments - chosen cultural affiliations. In: Muriel Blaive, Christian Lindenberger and Thomas Gerbel (eds.): Clashes in European memory. The case of communist repression and the holocaust. Studien-Verlag, Innsbruck 2011, ISBN 978-3-7065-4812-0 ( European history and public spheres. Vol. 2), pp. 143-153.
Editorships

Memberships

Web links

Individual evidence

  1. ↑ Gabriele Dolff-Bonekämper: The discovery of the Middle Ages. Studies on the history of the registration of monuments and the protection of monuments in Hessen-Kassel and Kurhessen in the 18th and 19th centuries. Hessian Historical Commission a. a., Darmstadt and Marburg 1985, ISBN 3-88443-149-8 (revised version of the doctoral thesis Marburg 1983).
  2. ^ Institute for Urban and Regional Planning (ISR) of the TU Berlin
  3. ^ Department of Monument Preservation at the ISR of the TU Berlin
  4. ↑ Hans-Rudolf Meier, Gabriele Dolff-Bonekämper: Graduate College Identity and Heritage. Accessed November 4, 2019 (German).
  5. ↑ Working Group Theory and Teaching of Monument Preservation (AKTLD)
  6. ↑ Comité International d'Histoire de l'Art
  7. ↑ Citizens' Association Hansaviertel e. V.
  8. ↑ Series “Urban Development and Monument Preservation” ( Memento of the original of July 22, 2012 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice.  @1@ 2Template: Webachiv / IABot / www.jovis.de
  9. ↑ Research cluster "Identity and Heritage"
  10. ↑ Innovation center "Design of living spaces"
  11. ↑ ; Perspective - Revue semestrielle de l'INHA ( Memento of the original of July 11, 2011 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.inha.fr
personal data
SURNAME Dolff-Bonekämper, Gabi
ALTERNATIVE NAMES Dolff-Bonekämper, Gabriele (full name); Dolff, Gabriele (maiden name); Dolff, Gabi
BRIEF DESCRIPTION German art historian and monument conservator
DATE OF BIRTH 1952
PLACE OF BIRTH Muenster