Ingrid L. Ernst
Ingrid Lucia Ernst (born July 26, 1945 in Kassel ) is a German theater director , lecturer for scenic design of space and language, dramaturge and author of stage-related productions with literary-philosophical texts and live music.
Artistic career
Ingrid L. Ernst studied in Stuttgart at the Ludwigsburg University of Education (art education), at the Technical University ( German studies ), and at the University of Performing Arts (drama). With a thesis on Johan Huizinga , she passed the first state examination in 1968 , then worked as a teacher in Germany and Brazil. The second state examination took place on the subject of social learning with media. She then worked on a project to research space-body concepts of the 1920s and 1930s (stay at "Goldsmith 'College" in London). From 1980 she taught as a lecturer at the University of the Arts Berlin , the Art Academy Berlin-Weißensee , the Muthesius Art Academy Kiel , and at the Bauhaus Dessau in the study area interdisciplinary, cooperative art and performative space. At the same time, she worked as a director at theaters in Munich, Cologne, Berlin, Hamburg, Münster and in unusual spaces in independent theater . From 1990 to 1995 she directed the literary-oriented Modern Theater Berlin . After her time as chief dramaturge at the Hans Otto Theater (Potsdam) , she worked again with her own experimental, exploratory stage projects: Since then, the focus has been on the interweaving of theatrical means with visual arts and literary texts.
Others
Ingrid L. Ernst is married to Prof. RW Ernst and has two grown children. As chairwoman and member of the Freundeskreis Literaturhaus Berlin eV, she was the initiator of the Diner littéraire. From 2012 to 2016 she was a member of the Board of Trustees for the Performing Arts Fund. Member of the Förderverein Temnitzkirche eV and the German Werkbund DWB.
Productions (selection)
- 1981: Hour of the Maid , based on the story by Marieluise Fleisser , Free Volksbühne Berlin ticket office
- 1982: Every woman has a room , three simultaneous rooms, concept, Künstlerhaus Bethanien
- 1983: Riding to the Wartburg , by Friederike Roth , Modernes Theater Munich
- 1984: The singing, jumping Löweneckerchen , by Barbara Honigmann , Städtische Bühnen Münster
- 1984: Burning patience , by Antonio Skármeta , Modernes Theater Munich
- 1985: Fenn , by Caryl Churchill (not completed), Schauspiel Köln
- 1985: Berlin a Sea of Peace , by Einar Schleef , Schiller Theater Berlin workshop
- 1986: Because reality lies in the impossible , performative reading according to Clarice Lispector
- 1987: Miss Julie , by August Strindberg , Teamtheater Munich
- 1987: Shirley Valentine , by Willy Russell , Städtische Bühnen Münster
- 1988: Crispin comes in the evening , from Karl Otto Mühl , Städtische Bühnen Münster
- 1989: City Sugar , by Stephen Poliakoff , Theater der Jugend Munich
- 1989: Weißblume , by Karin Boldemann , Theater unterm Dach Berlin-Ost, Städtische Bühnen Marburg a . a.
- 1990: The tour guide , by Botho Strauss , Theater in the Basilica Hamburg
- 1990: The talented audience , mini-dramas, Modernes Theater Berlin
- 1991: The night shortly before the woods , by Bernhard-Marie Koltès , Modernes Theater Berlin
- 1991: The glowing Männla , by Kerstin Specht , Modernes Theater Berlin
- 1991: Seven female poets , portrait cycle, Modernes Theater Berlin
- 1992: The Street of Little Eternity , performative reading by Martin Beradt , Modernes Theater Berlin
- 1992: Älskap , by Märta Tikkanen , Modernes Theater Berlin
- 1992: Quartet , by Heiner Müller , Modernes Theater Berlin
- 1993: Five actresses , portrait cycle, Modernes Theater Berlin
- 1993: Sappho , a summer day, according to Franz Grillparzer , Modernes Theater Berlin
- 1993: The Clownin , by Gerlind Reinshagen , Modernes Theater Berlin
- 1994: Senso , by Camillo Boito , Modernes Theater Berlin, Schlossparktheater
- 1994: Mademoiselle Marie , after Marie Bashkirtseff , Modernes Theater Berlin, Teamtheater Munich
- 1998: The dream worker , theater film based on motifs by Wolfgang Bächler , Rüdersdorf industrial monument
- 1999: Sit on the blue armchair at the green table , theater daydream based on JW Goethe , Netzeband village church
- 1999: Regulations of loneliness , performative interventions in Bauhaus architecture
- 2000: Grid square dream , experimental stage projects at the Bauhaus Dessau
- 2002: Things and non-things , philosophical clips based on Vilém Flusser , Theater am Halleschen Ufer, Bauhaus Dessau
- 2003: Ideas on Stage , performative interventions, Kunsthochschule Weißensee
- 2003: Inter-disciplined spaces , interior design, Brecht-Haus Weißensee
- 2004: DET / DAS , performance based on Inger Christensen , Literaturhaus Berlin
- 2005: I was thought to be crazy , portrait performance for the figure Elsa von Freytag-Loringhoven , Literaturhaus Berlin
- 2006: The Places of Marguerite Duras , literature performance, Literaturhaus Berlin, Teamtheater Munich
- 2007: From Ingeborg Bachmann's Magic Atlas , literary performance, Literaturhaus Berlin
- 2009: Ozean, mobilis in mobili , lecture performance (dramaturgical collaboration), Kunsthalle zu Kiel
- 2010: Wunderkammer Ruppiner Land , photo exhibition, Temnitz Church Netzeband
- 2013: Winter web , picture-text production, Netzeband
- 2014: Alice, Robinson , Lecture Performances, Berlin primary schools
- 2014: Sea lust in the work of Ingo Kühl , scenic reading, Stadtgalerie Alte Post, Westerland / Sylt
- from 2015 stories, things and music / literary cycle for rural areas
Video works
- 1981: The Maid's Hour (35 min)
- 1982: Every woman has a room , threefold video installation (55 min)
- 1982: Tesito , film sketch on everyday African life (12 min)
- 1985: Ride on the Wartburg , TV recording
- 1999: Regulations of loneliness , documentation
- 2001: Grid square dream , documentation
- 2004: Schiefer Baum (5 min)
- 2004: Anyone (9 min)
- 2004: monastery room (16 min)
- 2006: butterfly (38 min)
- 2008: in the green (21 min)
Publications
- Every woman has a room within her . In: Frauen und Film , Issue 34, 1983, pp. 109–112.
- The museum park as a place of culture and art . In: Realization study Museum Park Rüdersdorf . Funded by the Federal Environment Foundation , 1998, pp. 103–121.
- Because reality lies in the impossible . In: Series of publications by the Guardini Foundation , Volume 7, 1997, pp. 12–30.
- There is hardly any talk of theater money . In: Der Tagesspiegel , December 28, 1996.
- Blades of grass from Latvia . In: Aesthetics & Communication , Issue 112, 2001, pp. 118–120.
- Complicated pathfinding of a technical college in the interdisciplinary . In: Aesthetics & Communication , Issue 114, 2001, pp. 4–6.
- Performance of text and space - principles and modes of action of the poor denk bühne . In: Marie-Luise Lange (Ed.): Experiencing Performativity. Schibri-Verlag , 2006, pp. 187-205.
- Review of explorations . In: Aesthetics & Communication, Issue 139, 2008, pp. 83–89.
- Moments on the intercultural practice of art in public space or on Pessoa's footsteps at research-based art // art based-research . In: Aesthetics & Communication. Issue 148, 2010, pp. 89-92.
- Sensual response to a physical environment . In: Aesthetics & Communication, issue 154, 2011.
- Lectures between art and science in a staged space . Material series of the Muthesius Kunsthochschule , Kiel 2012, ISBN 978-3-9813781-6-0 .
- Rousseau's stick . In: Art high school. Kiel 2012, ISBN 978-3-943 763-13-3 .
Web links
Individual evidence
personal data | |
---|---|
SURNAME | Ernst, Ingrid L. |
ALTERNATIVE NAMES | Ernst, Ingrid Lucia (full name) |
BRIEF DESCRIPTION | German theater director, lecturer, dramaturge and author |
DATE OF BIRTH | July 26, 1945 |
PLACE OF BIRTH | kassel |