Joe Morris (guitarist)

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Joe Morris (born September 13, 1955 in New Haven , Connecticut ) is an American musician ( guitar , double bass ) of creative jazz and new improvisation music .

Life

Joe Morris first learned the trumpet before switching to guitar in 1969 and initially playing in rock. He then broadened his interests to free jazz and new music . In 1975 he turned to improvisation music. He began his professional career in the Boston area , where he was a member of the Boston Improvisers' Group after first guest appearances in Belgium and Holland . An early mentor and partner was the pianist Lowell Davidson . He also played in Boston with Billy Bang , Andrew Cyrille , Peter Kowald , Joe McPhee , Malcolm Goldstein , Samm Bennett, Butch Morris and Thurman Barker . Between 1987 and 1989 he lived in New York City , where he also performed with his trio in the Knitting Factory .

Since 1981 he has recorded a number of albums on his own Riti label. In 1995 he played in the studio ( Three Men Walking ) and on a subsequent tour with Joe Maneri and Mat Maneri in Europe, with the album Out Right Now being recorded for HatHut Records . Further records have also appeared on Soul Note , Leo Records , Knitting Factory , OmniTone and AUM Fidelity . There he sometimes appears as a soloist, as on the album Singularity from 2000, or improvising with musicians such as viola player Mat Maneri, clarinetist Ken Vandermark and bassist Chris Lightcap . Joe Morris has also worked with William Parker , Whit Dickey , Rob Brown , Karen Borca , Eugene Chadbourne , Susie Ibarra and Hamid Drake . As a bass player, he recorded the album High Definition with his bass quartet from Taylor Ho Bynum , Allan Chase and Luther Gray in 2007 , and his quartet album Blurry (Hatology, 2007) with Daniel Levin .

Morris' guitar playing is heavily influenced by Derek Bailey , but also incorporates elements of traditional African music and uses influences from avant-garde musicians such as saxophonists Eric Dolphy and Jimmy Lyons . Morris also plays the banjo and banjolele as secondary instruments .

Discography

  • Graffiti in Two Parts ( RogueArt , 1985, ed. 2012), with Lowell Davidson , Malcolm Goldstein , Butch Morris
  • No Vertigo (Leo, 1995) solo
  • Antennae (AUM Fidelity, 1997)
  • Deep Telling ( Okka Disk , 1998)
  • A Cloud of Black Birds (AUM Fidelity, 1998)
  • Many Rings (Knitting Factory, 1999)
  • Underthru (OmniTone, 1999)
  • Soul Search (AUM Fidelity, 1999)
  • At the Old Office (Knitting Factory, 1999)
  • Singularity (AUM Fidelity, 2000)
  • Age of Everything (Riti, 2002)
  • Beautiful Existence ( Clean Feed , 2004)
  • High Definition ( HatOLOGY , 2007)
  • Joe Morris, Ken Vandermark & ​​Luther Gray: Rebus (Clean Feed, 2007)
  • Today on Earth (AUM Fidelity 2009)
  • Sensor ( NoBusiness Records 2010; double bass solo)
  • Ambrosia (Riti, 2011) with Agustí Fernández
  • Altitude (AUM Fidelity, 2012) with William Parker, Gerald Cleaver
  • Mess Hall (Hatology, 2014)
  • Joe Morris & Jamie Saft : Plymouth (RareNose, 2014) with Chris Lightcap , Gerald Cleaver, Mary Halvorson
  • Joe Morris, William Parker & Gerald Cleaver : Altitude (AUM Fidelity, 2017)
  • Joe Morris / Daniel Levin : Live in Riga (2017)

Fonts

literature

Web links

Individual evidence

  1. ^ Review of the album in The New York Times