Josef Flossmann
Josef Flossmann (born March 19, 1862 in Munich ; † October 20, 1914 there ) was a German sculptor who lived and worked in Munich.
Life
Flossmann studied in Munich at the Kunstgewerbeschule (1881–1884) with Anton Hess and at the Art Academy (1884–1889) with Syrius Eberle . Influenced by Adolf von Hildebrand's art-theoretical writing The Problem of Form in Fine Art (1st edition, Baden-Baden / Strasbourg 1893), he turned, as one of the first artists of the Munich art circle, to adjusted forms, clarified silhouettes and a stronger connection to the Sculpture to architecture. He made a name for himself, especially as a building sculptor, working with architects such as Theodor Fischer , Friedrich von Thiersch , Gabriel von Seidl , German Bestelmeyer , Carl Hocheder , Paul Ludwig Troost , Josef Lang and Alfred Messel . In 1893 he received a small gold medal at the Great Berlin Art Exhibition .
Josef Flossmann was a founding member of the Munich Secession and exhibited regularly at the exhibitions of this progressive artists' association. As a member of the jury for the Munich Secession, he played a key role in fundamental artistic and aesthetic issues. In 1897 he was elected to the expert commission for the maintenance and management of art by the state . Because of his outstanding achievements in art and culture politics, he was awarded the title of royal professor in 1901. In 1902 the Grand Duke of Baden awarded him the Order of Knights 1st Class of the Grand Ducal Baden Order of the Zähringer Lion .
In 1903, after the founding meeting of the German Association of Artists in Weimar , Hans Flossmann was one of the more than 30 directly elected board members. As the predecessor of Josef Wackerle , he worked at the Munich School of Applied Arts as a professor of sculpture until his death in 1914. In 1906 he was made an honorary member of the Dresden Art Academy .
Villa Flossmann
The Flossmann Villa at Marsopstrasse 19 in Munich-Obermenzing has an interesting history. Built between 1905 and 1909, the villa served the artist as a studio and residence. Even after Flossmann's death, the house was used by his descendants as an artist's house. Significant personalities lived, worked or visited there at times. Names like Hans Osel (sculptor), Herbert Peters (sculptor), Rolf Nida-Rümelin (sculptor), his son-in-law Josef Erber (sculptor), Georg Schrimpf (painter), Josef Hauzenberger (painter), Karl Meisenbach (painter) should be mentioned here ), Wolfgang Znamenacek (stage designer), Ernst Buchner (art historian), Oskar Maria Graf (writer), Rudolf Pfister (art historian), Hans Christian Blech (actor), Gunnar Möller (actor), Michael Paryla (actor), Ruth Drexel (actress ), Erni Wilhelmi (actor), Peter Vogel (actor) etc. From 1931 the painter Edgar Ende lived in one of the studios with his family. According to autobiographical statements, his son, the writer Michael Ende , is said to have been inspired there for his later fantasy stories.
The Floßmannstraße in Munich-Pasing was named after Josef Flossmann.
plant
- A mother, marble, 1894, former Glyptothek, missing since 1950
- Reliefs and other architectural sculptures on the Bismarck Tower near Assenhausen, 1896–1899, architect Theodor Fischer
- Armed gable figures at the Bavarian National Museum in Munich, 1897, architect Gabriel von Seidl
- Portal design of the elementary school on Haimhauserstrasse in Munich, 1897, architect Theodor Fischer
- Heron fountain in the Au in Munich, 1899, with architect Theodor Fischer
- Facade design of the Müller Volksbad in Munich, 1897–1901, architect Carl Hocheder
- Building sculpture of the Villa Benno Becker in Munich, 1902–1905, architect Paul Ludwig Troost
- Facade design of the Karlsgymnasium in Pasing, 1910
- Bismarck fountain in Pasing, 1911
- Bismarck Memorial in Nuremberg, 1911–1914, with architect Theodor Fischer
- Josephine Fountain in the patronage facility in Baden-Baden
literature
- Flossmann, Josef . In: Ulrich Thieme (Hrsg.): General Lexicon of Fine Artists from Antiquity to the Present . Founded by Ulrich Thieme and Felix Becker . tape 12 : Fiori-Fyt . EA Seemann, Leipzig 1916, p. 128 ( Textarchiv - Internet Archive ).
- Alexander Heilmeyer: The sculpture of the 19th century in Munich. Munich 1931, p. 114.
- Susanna Partsch : Flossmann, Josef . In: General Artist Lexicon . The visual artists of all times and peoples (AKL). Volume 41, Saur, Munich a. a. 2004, ISBN 3-598-22781-7 , p. 375.
- Katharina Petzoldt: Josef Flossmann (1862–1914): A Munich sculptor of the style change and life reform movement around 1900, Munich 2016.
Web links
Individual evidence
- ^ Walter Leistikow : About the German artists' union and the days in Weimar. In: The art for everyone, painting, sculpture, graphics, architecture , 19th year 1903/1904, issue 9, p. 205.
- ^ Archive of the Dresden University of Fine Arts.
personal data | |
---|---|
SURNAME | Flossmann, Josef |
ALTERNATIVE NAMES | Floßmann, Joseph |
BRIEF DESCRIPTION | German sculptor |
DATE OF BIRTH | March 19, 1862 |
PLACE OF BIRTH | Munich |
DATE OF DEATH | October 20, 1914 |
Place of death | Munich |