Max Fassbender
Max Faßbender , also Maks Fassbender (born October 8, 1868 in Berlin ; † unknown, probably between 1927 and 1932) was a German cameraman and pioneer of cinematography .
Live and act
After his photographic training, he initially worked as a photographer and current affairs operator. Before the First World War, he made contact with the feature film and found a job with the production company Continental-Kunstfilm .
The director Joe May brought him for his early, popular Stuart Webbs crime stories , a little later Faßbender advanced to the permanent cameraman of Richard Oswald's successful films until 1919 . New directors Fritz Lang ( Harakiri ), EA Dupont ( Europe poste restante ) and Gerhard Lamprecht (“ Frauenbeichte ”) secured the knowledge of the experienced recording surgeon.
In 1922 Max Faßbender was behind the camera in his most elaborate work to date, Rudolf Meinert's historical material “ Marie Antoinette ”. In October of the following year he went to Switzerland to photograph the country's most ambitious cinema during the silent film era. But “ The Origin of the Confederation ”, an epic in the theatrical passion play style financed by the US-Swiss, turned out to be an artistic and economic fiasco. Only Faßbender's camera work was praised. After his return to Berlin at the beginning of October 1924, Max Faßbender was hardly able to receive any orders; in the winter of 1925/26 he worked on a Polish production in Poznan .
Faßbender probably died before 1932.
Filmography
- 1913: Factory Marianne
- 1913: The veiled image of Groß-Kleindorf
- 1913: The mysterious villa
- 1914: The man in the basement
- 1914: The haunted house of the professor
- 1914: The armored vault
- 1915: The striped domino
- 1915: The dead awaken
- 1916: A sheet of paper
- 1916: a lonely grave
- 1916: On the anvil of happiness
- 1916: his last mask (unsure)
- 1916: strange heads
- 1916: chains of faith
- 1916: fog and sun
- 1916: The eerie house
- 1916: The Chinese idol
- 1916: Friday the 13th The Eerie House, Part 2
- 1916: Battle of the Titans
- 1916: The revenge of the dead
- 1916–18: Let there be light! , 4 parts
- 1917: Royal beggars
- 1917: The Portrait of Dorian Gray
- 1917: The second woman
- 1917: The Lord of Hohenstein Castle
- 1917: The way out into the open
- 1917: The sign of Cain
- 1917: The curse of gold
- 1917: The good match
- 1917: racing fever
- 1918: The Dreimäderlhaus
- 1918: Colomba
- 1918: Dida Ibsen's story
- 1918: The living corpse
- 1918: the eternal doubt
- 1918: The Diary of a Lost Woman
- 1918: Jettchen Gebert's story
- 1918: Peer Gynt
- 1918: midnight
- 1918: Europe poste restante
- 1918: The New Years Eve bet
- 1919: The trip around the world in 80 days
- 1919: Different from the others
- 1919: prostitution
- 1919: Harakiri
- 1919: Manon. The high song of love
- 1919: The red sarafan
- 1920: Half innocence
- 1920: The leap into the dark
- 1920: George Bully
- 1920: The night of the dead
- 1920: Shadows from the realm of the dead
- 1920: The medium
- 1921: Lost souls
- 1921: The rat hole
- 1921: Women's confession, 2 parts
- 1922: Marie Antoinette
- 1923: Night storms
- 1924: The creation of the Swiss Confederation
- 1926: Cyganka aza
- 1926: The gray house
- 1927: The most sophisticated woman in Berlin
literature
- Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 2: C - F. John Paddy Carstairs - Peter Fitz. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 625.
Web links
- Max Fassbender in the Internet Movie Database (English)
personal data | |
---|---|
SURNAME | Fassbender, Max |
ALTERNATIVE NAMES | Fassbender, Maks |
BRIEF DESCRIPTION | German cameraman |
DATE OF BIRTH | October 8, 1868 |
PLACE OF BIRTH | Berlin |
DATE OF DEATH | after 1927 |