List of works by Antonio Salieri

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Catalog raisonné Antonio Salieri

Secular vocal music

Operas

Insert arias and ensembles

  • Addio carina bella (Meng.), Aria in G major for bass and orchestra, for?
  • Affè questa sera grandissima - Una domina? Una nipote? (Don Anchise), aria & recitative for bass and orchestra (1775?), For Pasquale Anfossi La finta giardiniera ?
  • Ah ciel che noja è questa , aria fragment
  • Ah dove amici , recitative for soprano and orchestra, for?
  • Ah non siete ogni si facile (tenast), aria for tenor and orchestra, for?
  • Alla speranza (Galatea), aria for soprano and orchestra, for?
  • All'idea del gran mistero , aria in A major for soprano, choir and orchestra, for?
  • Anch'io nello specchio talora , Aria in E major for soprano and orchestra (1771), for?
  • Cedo l'intatto pegno (Dely - Davidde), duet for soprano, tenor and orchestra, for?
  • Che mi s'appresti? (Capitano), Aria in C major for bass and orchestra (1775), for?
  • [...] che strane vicende (Ros. - Fior. - Pasq. - Fulg.) fragmentary finale of an opera (second act), for Felice Alessandris La novità ?
  • Chi vuol la zingara , duet for two sopranos and orchestra, for?
  • Dall'uso parigino il bello, il sopraffino , Aria in C major for soprano and orchestra (1773), for?
  • Del morir le angoscie adesso , scene and aria for tenor and orchestra
  • Don't think of the time of pain , duet for soprano, tenor and orchestra, from Danaus
  • Dico sol, che la padrona (Lena), aria for soprano and orchestra, for La locandiera ?
  • D'oro saranno i letti (Fulg.), Aria in D major for bass and orchestra (1775), for?
  • Dottorini saputelli (Clar.), Aria for soprano and orchestra (1774), for?
  • D'uno sposo si dolce mi vanto (Fiamme.), Aria for soprano and orchestra (1775), for?
  • Eccomi al punto ch'io già tanta temei , aria fragment for soprano and orchestra, for?
  • Fate largo al gran Pasquino (Pasquino), aria in D major for bass and orchestra (1775), for Felice Alessandris La novità ?
  • Figlia mia diletta , trio for soprano, tenor, bass and orchestra, for?
  • Fra tanto pietre brune (Polidoro), recitative for bass and orchestra (1785?), For Domenico Cimarosa's L'italiana in Londra ?
  • Gelosia d'amore è figlia , aria for soprano and orchestra, for?
  • Goder lasciatemi (Gianetta), aria for soprano and orchestra, for?
  • Gran diavolo! (Uberto), Aria in F major for bass and orchestra, for?
  • Guarda in quel volto , aria in E flat major for soprano and orchestra, for?
  • Ho perduto la mia pace (Brettone), aria for tenor and orchestra (1775), for Giovanni Paisiellos L'innocenza fortunata
  • Ho stampato libri in foglio , aria for tenor and orchestra, for?
  • Il pargoletto amabile , aria in A major for tenor and orchestra, for?
  • In tuo favore mi parla il core , duet for two sopranos and orchestra, for?
  • Io contento , recitative, for?
  • Io di nuovo vel ripeto , aria for soprano and orchestra (1777), for?
  • Io lo dico e il posso dire , trio for alto, tenor, bass and orchestra, for?
  • Io non so che pensare , recitative & cavatina for tenor and orchestra, for?
  • La donna è semper unabile (Belfusio), aria for tenor and orchestra, for La fiera di Venezia ?
  • La mia morosa me l'ha fatta (Sandrina), aria for soprano and orchestra, for Il talismano ?
  • L'amour est un dieu , canzone for soprano and orchestra, for?
  • La sposa se cedo , aria for soprano and orchestra, for?
  • Le diras, che il campione (Gusman), aria for bass and orchestra (1775), for?
  • Le Inconvenienze teatrali , quartet for soprano, alto, tenor, bass and orchestra, for?
  • L'introduco immantante - Quando ho visto il dottorino (Rosina), recitative & aria for soprano and orchestra (1776), for La finta scema
  • Madame vezzosissima (Zeffirina - Valerio), fragmentary recitative and duet, for?
  • Ma quai mali intorno al core , aria for tenor and orchestra
  • Ma quale agli occhi miei (Conte), recitative, for?
  • Mia vaga Dorilla , aria for bass and orchestra (1775), for Baldassare Galuppis Il marchese villano
  • Moriam, moriam mia vita , recitative & duet for soprano, tenor and orchestra, for?
  • Nel mio seno , aria, for?
  • No, che pietà (Arrich. - Pett.), Duet for soprano and tenor with orchestra (October 3, 1780), for?
  • Non per parlar d'amore (Laurina), aria in E flat major for soprano and orchestra, for Niccolò Piccinnis L'Astretta
  • Non temer che d'altri (Falsirena), aria for soprano and orchestra (1779), for La fiera di Venezia
  • Non veste alla moda (Aga.), Aria for bass and orchestra (1774), for?
  • Non vi fidate , aria for soprano and orchestra, for?
  • O hate, o pride, o love! (Anna), aria for soprano and orchestra (around 1804), alternative aria (Act II, No. 6) for Die Neger
  • Oh che donna che matta (Peppino), recitative, for?
  • Oh me infelice - Allor potrei , recitative and aria, for?
  • Oh qual sorpasso giubilo (Pilemone), aria in F major for bass and orchestra, for Eraclito e Democrito ?
  • Oh quanti veggarsi (Cardano), aria for tenor and orchestra, for Il talismano ?
  • Oh sancte inviete , aria for soprano and orchestra (1775), for?
  • Padre, oh Dio! con qual fronte , recitative and trio (1775) - with Salieri's comment "Composto per la prima Accademia l'anno 1775"
  • Padrona stimatissima (Pasquino), aria in D major for bass and orchestra, for Felice Alessandris La novità ?
  • Parlaste d'un cappone , aria for bass and orchestra (1776), for?
  • Pasquino avrà quest'ora , recitative, for Felice Alessandris La novità ?
  • Paterio giudizio , aria for bass and orchestra, for?
  • Pensieri funesti , aria for soprano and orchestra, for Giuseppe Sartis Giulio Sabino
  • Per amore io già vancillo (Perillo), aria for tenor and orchestra (1770), for?
  • Perder sogetto amato , duet for two sopranos and orchestra, for?
  • Per voi s'avanzi , aria for bass and orchestra, for?
  • Prendi un paterno amplesso (Emirena - Farnaspe - Osroe), recitative and trio (1773), for?
  • Qual densa notte (Artalice - Chabri - Nehemia - choir), finale of an opera, for?
  • Quando sarà mia sposa (Capitano), aria for bass and orchestra (1775), for?
  • Quest'è un mar di confusione , quartet for soprano, alto, tenor, bass and orchestra, for?
  • Qui non si dice: cara a chi d'avver non s'ama , aria for soprano and orchestra (1774), for?
  • Rasserena nel tuo barbaro , aria fragment, for?
  • Sans argent et sans crédit (Boschetto - Pirati - Lauretta), scene with orchestra (1768), for?
  • Scomodarmi da palazzo e trattarmi in questa guisa , aria in F major for soprano and orchestra (1775), for?
  • Se amor m'ha dato in testa, se mi far delirare , aria for soprano and orchestra (1776), for?
  • Se credessi di volare (Peppino), Aria in E flat major for bass and orchestra (1774), for?
  • Se Dio veder tu vuoi (Achior - Ozia,) Duet, for Florian Leopold Gassmann's La Betulia liberata
  • Se tu vedessi il core (Isabella), aria in G major for soprano and strings, for Baldassare Galuppi's Il villano geloso
  • Signor mio scrivete bene (Pasquino), Aria in F major for bass and orchestra (1775), for Felice Alessandris La novità ?
  • S'odo, o duce (Epponina - Voadice - Sabino - Arminio - Annio), finale of an opera (1785?), For Giuseppe Sartis Giulio Sabino
  • Son dama, ma so l'arte ancor delle plebe (Polissena), aria for soprano and orchestra (1774), for Giovanni Paisiellos Il Tamburo (notturno)
  • Son nipote d'un togato (Isabella), aria in F major for soprano and strings, for Baldassare Galuppi's Il villano geloso
  • Sopra il volto sbigotito , Aria in E flat major for bass and orchestra, for?
  • Talor non si comprende , aria for bass and orchestra, for?
  • Tenero cor , recitative & cavatina for soprano and orchestra (1780), for?
  • Tu che ferita sei , aria for tenor and orchestra, for Il barone di Rocca Antica ?
  • Tu il fato regola (Idalide), scene for soprano and four-part choir with orchestra, for?
  • Tutte le furie unite in questo petto io sento , aria for soprano and orchestra (1776), for?
  • Tutti dicon che la moglie , aria for bass and orchestra, for?
  • Una domina? una nipote? - see Aria Affè questa saria grandissima
  • Un bel marito , aria for soprano and orchestra, for?
  • Un pescatore mi pare amore , aria for bass and orchestra, for?
  • Vedi ben che queste scene , trio for soprano, alto, bass and orchestra, for?
  • Venga su la finestra , aria for tenor, choir and orchestra, for?
  • Venissi cari, l'affare è serio (Patenio), aria for bass and orchestra (1777), for?
  • Verdammter Streich (Mauser), aria for tenor and orchestra, for?
  • [...] vicino a perdere l'amato ben , aria fragment, for?
  • Villottino mio bellino (Lisetta), aria for alto and orchestra (1775), for?
  • Vi son sposa , aria, for?
  • Vivi pur felice ognora (Anna - Caterina), recitative and duet for two sopranos with a final choir Si onor (1777), for?
  • Aria (Polissena) for soprano and orchestra (1774), for Giovanni Paisiellos Il tamburo (notturno)
  • Finale of an opera for three sopranos, two tenors, bass and orchestra (1779), for La scuola de 'gelosi ?

Ballet music and drama music

  • Pafio e Mirra ossia I prigionieri di Cipro - Ballet in 16 numbers for L'Europa riconosciuta (1778)
  • Ballet music in 7 numbers
  • Ballet music in 10 numbers
  • Ballet music in 8 numbers
  • Fragment of a ballet music
  • Overture, four intermediate acts and nine choirs to Die Hussiten vor Naumburg by August von Kotzebue (1803)

Secular cantatas

  • Cantata per le nozze di Francesco I for solos, choir and orchestra (1808)
  • Der Tyroler Landsturm for soprano, tenor, bass, four-part choir and orchestra (1799)
  • The four times of day for four-part choir and orchestra (1819)
  • You, this federal rock and founder for four-part choir and orchestra to the praise of Florian Leopold Gassmann (1820)
  • Habsburg for tenor, bass, four-part choir and orchestra (1805/06)
  • Il Trionfo della Gloria e della Virtù for two sopranos, tenor, four-part choir and orchestra (1774 or 1775)
  • La Riconoscenza for soprano, five-part choir and orchestra (1796)
  • La Riconoscenza de 'Tirolesi for four-part choir and orchestra (1800)
  • La Sconfitta di Borea for solos, four-part choir and orchestra (1774 or 1775)
  • Let us approach everyone, everyone! for soprano, tenor, bass, four-part choir and orchestra for the birthday of Count Heinrich Wilhelm III. from Haugwitz (1817)
  • Le Jugement dernier for tenor, four-part choir and orchestra (1787/88)
  • L'Oracolo for solos, four-part choir and orchestra (1802/03)
  • Like a purple flower for two sopranos, four-part choir and orchestra (arrangement of choir I.1 and duet II.1 from Armida )

Secular choirs

  • Amor let you down [Picciola Serenata] for four-part choir and orchestra (1808)
  • To the desired peace in 1814 for four-part choir and orchestra (1814)
  • An die Religion for four-part a cappella choir (1814)
  • A un mover sol [Sonetto] for four-part choir and orchestra to praise Haydn (1820)
  • On the occasion of peace for soprano solo, tenor, bass and orchestra (1800)
  • They both shake hands for a four-part choir fragment
  • That out of nowhere for soprano, alto, tenor, bass and orchestra to praise Haydn - later, German version of the choir A un mover sol (1820)
  • Del redentore lo scempio for four-part choir and orchestra ( ca.1805 )
  • The prudence favor protect you, happy Austria, for four-part choir and orchestra (1813) - new version of the finale from Der Tyroler Landsturm (1799)
  • Dio serva Francesco for four-part choir and orchestra
  • Do re mi fa for four-part a cappella choir (1818)
  • The tones for four-part choir and orchestra resound
  • Warm feelings for the long-awaited and now established peace in 1814 for four-part choir and orchestra (1814)
  • Down into the lap of Amphitrite for four-part choir and orchestra (from Danaus ?)
  • Il piacer la gioia scenda for four-part choir and orchestra (arrangement of a choir from Semiramide )
  • O peace, rich in the Lord's salvation - see heartfelt sentiment at the long-awaited and now established peace in the year 1814
  • Ogni bosco, ogni pendice for four-part choir and orchestra - opening choir of the cantata Il Trionfo della Gloria e della Virtù
  • Religion, you heavenly daughter - see To religion
  • Recollection of the Germans nell'anno 1813 for four-part choir and orchestra (1813/14)
  • Float down, O sweet Seraph Peace - see To the desired peace in 1814
  • Our fatherland was difficult - see recollection of the Germans nell'anno 1813

Songs and polyphonic chants with and without piano, canons

Approx. 340 works in Italian, German (inter alia based on texts by Schiller , GA Bürger , Castelli , Matthisson ), French or Latin for different instrumentations

Sacred vocal music

Oratorios and sacred cantatas

  • Davidde for solos, four-part choir and orchestra (1791) - fragment
  • Gesù al limbo for solos, four-part choir and orchestra (1803)
  • La passione di nostro signore Gesù Cristo for solos, four-part choir and orchestra (1776)
  • Le Jugement dernier for tenor, four-part choir and orchestra (1787/88) - see above
  • Saul for solos, four-part choir and orchestra (1791) - fragment

Masses, mass sentences and requiems

  • Mass in C major for four-part a cappella choir (1767) - called Missa stylo a cappella
  • Mass in D major for four-part choir and orchestra (1788) - called Hofkapellmeistermesse or Imperial Mass
  • Mass in C major for double choir and orchestra (1799) - called the Proclamation Mass
  • Mass in D minor for solos, four-part choir and orchestra (1805)
  • Mass in B flat major for solos, four-part choir and orchestra (1809)
  • Kyrie in C major for solos, four-part choir and orchestra (1812) - part of an unfinished mass
  • Kyrie in F major for four-part choir and orchestra - fragment
  • Requiem in C minor for solos, four-part choir and orchestra (1804)
  • Requiem aeternam and Dies irae in C minor for four-part choir and orchestra (approx. 1815-20)

Graduals

  • Ad te levavi animam meam in E flat major for four-part choir and orchestra
  • A solis ortu per Festo SS.Corporis Christi , C major for four-part choir and orchestra (1810)
  • Benedicam Dominum per Dominica 12ma post Pentecostem aut de Tempore , B flat major for four-part choir and orchestra
  • Confirma hoc Deus in C major for solos, four-part choir and orchestra (1809)
  • Improperium in C minor for four-part a cappella choir
  • Justorum animae in A major for four-part choir and orchestra (around 1800)
  • Liberasti nos, Domine pro Dominica XXIII. et ultima post Pentecostem , D major for four-part choir and orchestra (1799)
  • Magna opera Domini da tempore , D major for four-part choir and orchestra (1810)
  • Spiritus meus in D minor for four-part choir and orchestra (1820)
  • Tres sunt, qui testimonium dant in coelo de SS. Trinitate , D major for four-part choir and orchestra
  • Veni Sancte Spiritus in B flat major for four-part choir and orchestra (1800)
  • Veni Sancte Spiritus per Festo Pentecostem , B flat major for four-part choir and orchestra (1805)
  • Venite gentes in C major for double choir and orchestra (1799)
  • Vox tua mi Jesu in C major for four-part choir and orchestra (1774)

Offers

  • Alleluja (deinde) Bonum est in D major for four-part choir, strings and organ
  • Alleluja in D major for four-part choir and orchestra (1774) - reworked in 1788 into the Amen fugue in the Gloria of the Mass in D major
  • Alleluja in D major for four-part choir and orchestra (1780)
  • Assumpta est Maria in C major for four-part choir and orchestra (1799)
  • Audite vocem magnam in C major for four-part choir and orchestra (1809)
  • Beatus vir, qui non abit in D major for solos, four-part choir and orchestra
  • Benedixisti Domine in F major for four-part a cappella choir - Offertory to the Missa stylo a cappella (1767)
  • Benedixisti Domine in F major for four-part choir a cappella
  • Cantate Domino omnis terra in C major for double choir and orchestra (1799)
  • Desiderium animae in F major for soprano, alto, bass and orchestra
  • Domine, Dominus noster in G major for four-part choir and orchestra (1812)
  • Dum corde pio in C major for four-part choir, bass and organ
  • Excelsus super omnes gentes Dominus in C major for four-part choir and orchestra (1806)
  • Gloria et honor (e) in C major for four-part choir and orchestra (1809)
  • Jubilate Deo in A major for four-part choir and orchestra
  • Justus ut palma in B flat major for four-part choir and orchestra
  • Lauda Sion Salvatorem in C major for four-part choir and orchestra (1805)
  • Laudate Dominum omnes gentes in D major for four-part choir and orchestra (1809)
  • Magna et mirabilia sunt opera tua in C major for four-part choir and orchestra (1809)
  • Magna opera Domini in C major for four-part choir and orchestra (1812)
  • Miserere nostri in G minor for four-part choir and orchestra (1805)
  • Miserere nostri in E flat major for four-part choir and orchestra (1803)
  • O altitudo divitiarium in C major for four-part choir and orchestra (1809)
  • O quam bonus et suavis est in B flat major for solos, four-part choir and orchestra
  • Populi timente sanctum nomen Domini in E flat major for four-part choir and orchestra (1778)
  • Salve Regina in D major for four-part choir and orchestra (1815)
  • Salve Regina (with German text) in G major for four-part choir and organ
  • Salve Regina in B flat major for four-part choir and orchestra
  • Salvum fac populum (1805) - lost -
  • Si ambulavero in medio G minor for four-part choir and orchestra (1809)
  • Sub tuum praesidium in B flat major for four-part choir and orchestra (1820)
  • Tui sunt coeli in C major for four-part choir and orchestra
  • Tui sunt coeli in E flat major for four-part choir and orchestra

Psalms

  • Beatus vir, qui timetable Dominum in D major for two tenors, four-part choir and orchestra
  • Confitebor Domine in B flat major for four-part choir and orchestra
  • De profundis in F minor for two-part choir, bass and organ (1815)
  • De profundis in G minor for four-part choir and orchestra (1815)
  • Dixit Dominus in G major for four-part choir and orchestra
  • Lauda, ​​Jerusalem, Dominum in C major for four-part choir and orchestra (1815)
  • Laudate pueri Dominum in G major for six-part choir and orchestra
  • Magnificat in C major for four-part choir and orchestra (1815)
  • Magnificat in F major for two-part choir and orchestra (1815)

Litanies

  • Litania di BMV in F major for solos, four-part choir and orchestra
  • Litania per Sabbato Sancto in B flat major for four-part choir a cappella (1820)

Hymns

  • Coelestis urbs Jerusalem Hymnus de dedicatione Ecclesiae, A major for four-part choir and orchestra
  • Genitori in F major for soprano, four-part choir and orchestra
  • In te Domine speravi in E flat major for two sopranos and bass (1817)
  • Tantum ergo in C major for double choir, two clarinets, four horns, four trumpets (Clarini), timpani, bass and organ
  • Tantum ergo in C major for four-part choir, two oboes, two bassoons, four trumpets (clarini), timpani and organ
  • Tantum ergo in C major for four-part choir, two trumpets (Clarini), timpani and organ
  • Tantum ergo in F major for soprano and strings (1768)
  • Te Deum laudamus de Incoronazione , D major for four-part choir and orchestra (1790)
  • Te Deum laudamus in D major for double choir and orchestra (1799) - New version of the Te Deum from 1790
  • Te Deum laudamus in C major for solos, four-part choir and orchestra (1819)

Introiti

  • Avertisti captivitatem Jacob pro Dominica XXIII. et XXIV. post Pentecostem , B flat major for four-part choir, strings and organ
  • Beati immaculati de Virginibus et Martyribus et de Sancto Stephano , F major for four-part choir, strings and organ
  • Concupiscit et deficit in dedicatione Ecclesia et in Festo Tranfigurationis Domini , F major for four-part choir, strings and organ
  • Dico ergo per Festis Beatae Mariae Virginis , D minor for four-part choir, strings and organ
  • Domine exaudi vocem meam per Dominica XXII. post Pentecostem , F major for four-part choir, strings and organ
  • Et justitiam tuam pro Festo Epiphaniae , D minor for four-part choir, strings and organ
  • Et psallare per Festo S. Joannis Apost. et S. Joannis Bapt. , B flat major for four-part choir, strings and organ
  • Inductus est Dominus per Dominica infra octavem Nativitas Domini et ad secundam missam , F major for four-part choir, strings and organ
  • In civitate pro Festo Purificationis Mariae et Dominica VIII. Post Pentecostem , C major for four-part choir, strings and organ
  • In mandatis ejus de Confessore et in Festo Sancti Joachim , G minor for four-part choir, strings and organ
  • Jubilate Deo Jacob per Dominica in albis , per Feria II. Post Pentecostem et in solemnitate corporis Christi, D minor for four-part choir, strings and organ
  • Jubilate Deo per Festo St. Januarii Episcopus et Mart., Per Festo Ascensionis Domini , F major for four-part choir, strings and organ
  • Laetentur insulae per Dominica III., IV., V., VI. post Epiphaniam , F major for four-part choir, strings and organ
  • Ne quando taceas per Dominica VI. post Pentecostem , D minor for four-part choir, strings and organ
  • Neque celaveris de Confessore , B flat major for four-part choir, strings and organ
  • Quam admirabile est nomen tuum pro Festo Sanctissime Trinitatis , D minor for four-part choir, strings and organ
  • Tu cognovisti per Festo Sanctorum Apostolorum , D minor for four-part choir, strings and organ

Motets and sacred arias and chants

  • Audimus Dei Verbum - lost
  • Contra vos, o monstra horrenda in B flat major, motet for soprano, four-part choir and orchestra (1769) - doubtful
  • Cor meum conturbatum in G minor for four-part choir and orchestra
  • Ecce enim veritatem G major for bass, three violas, double bass and organ
  • Tantum ergo in F major, motet for soprano, four-part choir and orchestra (1768)
  • Salve Regina in A major, motet for soprano and orchestra (1769)
  • Fremat tirannus in C major, motet for soprano, four-part choir and orchestra (1778)
  • O sancte invicte in D major, motet for soprano, four-part choir and orchestra (1775)
  • Alleluja in D major, aria for soprano, four-part choir and orchestra (1780)
  • Magna est virtus - lost
  • Misericordius Dominus in E flat major, duet for soprano, bass, concert violin and orchestra
  • O mortales, festinate in B flat major, aria for soprano, concertante clarinet and orchestra - doubtful
  • Quae est illa - Ave maris stella in B flat major, recitative and aria in honorem BVM for soprano, oboe, strings and organ - Latin parody of the aria Ah, se foss'io smarrita (II.2) from L'amore innocente
  • Quam magna multitudo in B flat major, duet for two sopranos, strings and organ - Latin parody of the duet Ah se ben mio tu sai from La fiera di Venezia
  • Quem terra pontus sidera in A major for soprano and orchestra - Latin parody of the aria Ai passi erranti (II.5) from La passione di nostro signore Gesù Cristo
  • Salve Jesu pie duet - lost
  • Tu es spes mea, Domine for soprano, flute, oboe and orchestra

Instrumental music

Concerts

  • Concerto for oboe, violin, violoncello and orchestra in D major (1770)
  • Concerto for Organ and Orchestra in C major (1773) - the second movement has only survived in one version for oboe, two bassoons and strings
  • Concerto for piano and orchestra in C major (1773)
  • Concerto for Piano and Orchestra in B flat major (1773)
  • Concerto for flute, oboe and orchestra in C major (1774)
  • Concertino da camera for flute or oboe and strings in G major (1777)

Symphonies, overtures and variations for orchestra

  • Symphony in D major Il Giorno onomastico (1775)
  • Symphony in D major La Veneziana ( compiled by an anonymous hand around 1785 from the overtures to La scuola de 'gelosi and La Partenza inaspettata )
  • Three minuets in B flat major, G major and D major for orchestra (probably before 1780)
  • 26 Variations on La Follia di Spagna for large orchestra with solo violin and harp (1815)
  • Allegretto in D major for orchestra
  • Fragment of a symphony (overture) in G major
  • Fragment of an instrumental movement for bassoons and strings
  • Overture La Frascatana - doubtful

Serenades

  • Picciola Serenata [Quintet] in B flat major for 2 oboes, 2 horns and bassoon (1778)
  • Serenade in B flat major for 2 clarinets, 2 bassoons, 2 horns and double bass
  • Serenade in C major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double bass (alternative version of the Serenade in B flat major for seven instruments)
  • Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double bass
  • Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns
  • 3 trios in G major, E flat major and C major for 2 oboes and bassoon (probably before 1780)
  • Armonia per un tempio della notte in E flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (c. 1795, quotes in the middle section the quartet “Silenzio facciasi” from the opera Palmira, regina di Persia )

Marches

  • 11 marches for orchestra (ca.1804)
  • Mark your hearts deeply, Brothers Marsch for harmony music
  • Parade March in C major for harmony music
  • The Landwehr March (1809)
  • March in honor of Gassmann in C major (1820)
  • 8 lifts for 2–8 trumpets and timpani

Chamber music

  • 4 Scherzi armonici istanbulali for string quartet (probably after 1800)
  • Fugue for string quartet (tema H.! Ben Die m. Is a s. Ma non il testo)
  • Fugue for three instrumental parts
  • Fugue in C major for two instrumental parts (1818)
  • Fugue in E flat major for two instrumental parts ( Tema Kerscorchiano )
  • Fughetta for two instrumental voices ( Allegro alla Kosaka )
  • 6 small pieces for piano
  • 6 small pieces for guitar - lost
  • 6 string quartets - lost

Arrangements of other works and collaborations with other composers

Theoretical works and writings

  • Lib. Di partimenti di varia specie pro profitto della gioventù - lost
  • Pamphlet about the maniera languida, smorfiosa, which was torn in strings (1814)
  • Scuola di canto in versi ei versi in musica a 4 voci (1816)
  • Christian report on inappropriate organ accompaniment in the church (1816)
  • Joint statement with Ludwig van Beethoven on the benefits of the metronome of Mälzel (1818)

Variations on Salieri's Works

  • Wolfgang Amadeus Mozart (1756–1791)
    6 variations for piano in G major on Mio caro Adone from La fiera di Venezia KV 180 (1773)
  • Giuseppe Sarti (1729–1802)
    Variations for violin and piano on the Cavatina La ra la ra from La grotta di Trofonio (1786)
  • Johann Baptist Vanhal (1739-1813)
    7 variations for piano on the Terzett Venite, o Donne, meco from La grotta di Trofonio (1786)
  • Josephus Andreas Fodor (1751–1828)
    Variations for two violins on the aria Ainsi qu'une abeille from Tarare (c. 1788)
  • Franz Jakob Freystädtler (1761–1841)
    9 variations for violin and piano in G major on the Cavatina Come ape ingegnosa from Axur, re d'Ormus [varies à la C.Ph.E. Bach, Sterkel, Kozeluch, Albrechtsberger, Vanhal, Haydn, Mozart, Clementi, Martin y Soler] (1791)
  • Anonymous
    Variations for violin and piano on the Cavatina La ra la ra from La grotta di Trofonio ( ca.1791 )
  • Josepha Barbara Auernhammer (1758-1820)
    Variations for piano on the duet La stessa, la stessissima from Falstaff ossia Le tre burle (after 1799)
  • Carl Friedrich Zelter (1758–1832)
    Dance and sacrificial song ( Come ape ingegnosa ) from Axur, re d'Ormus with some free changes for piano (1792)
  • Joseph Gelinek (1758-1825)
    8 variations for piano on the trio Coppia si tenera from Palmira, regina di Persia op.8 (1796)
    Variations for piano on a march from Cesare in Farmacusa ( ca.1805 )
  • Leonhard von Call (1768–1815)
    Variations for mandolin (or violin) and guitar on the duet Qui dove ride [recte: scherza ] l´aura from Axur, re d'Ormus op. 25
  • Philipp Karl Hoffmann (1769–1843)
    6 variations for piano on the trio Coppia si tenera from Palmira, regina di Persia op.8 (1798)
  • Ludwig van Beethoven (1770-1827)
    10 variations for piano in B flat major on the duet La stessa, la stessissima from Falstaff ossia Le tre burle WoO 73 (1799)
  • Johann Baptist Cramer (1771-1858)
    Capriccio for piano on the Barcarole Ahi! povero Calpigi from Tarare
  • Joseph Wölfl (1773-1812)
    9 variations for piano in B flat major on the duet La stessa, la stessissima from Falstaff ossia Le tre burle (1799)
  • Mlle.Benaut (* 1778)
    Variations for Piano on a Theme by Salieri
  • Johann Nepomuk Hummel (1778-1837)
    Fantasy for piano in C minor S20 on themes by Salieri (overture to Axur, re d'Ormus ), Haydn ( symphony "with the bang" ) and Mozart (various numbers from Die Zauberflöte ) (1799)
  • Friedrich Kalkbrenner (1785–1849)
    Introduction and rondino for piano on the Barcarole Ahi! povero Calpigi from Tarare op.78 ( ca.1826 )
  • Ignaz Moscheles (1794–1870)
    Impromptu martial for piano in G major over a march from Palmira, regina di Persia op.65 (ca.1825)

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