List of works by Antonio Salieri
Catalog raisonné Antonio Salieri
Secular vocal music
Operas
- La Vestale (1769) - lost
- L'amore innocente (1770)
- Le donne letterate (1770)
- La moda, ossia Gli scompligi domestici (1771) - Pasticcio, only parts of the second and third acts by Salieri
- Don Chisciotte alle nozze di Gamace (1770)
- Armida (1771)
- La fiera di Venezia (1772)
- Il barone di Rocca Antica (1772)
- La secchia rapita (1772)
- La locandiera (1773)
- La calamita de 'cuori (1774)
- La finta scema (1775)
- Daliso e Delmita (1776)
- L'Europa riconosciuta (1778)
- La scuola de 'gelosi (1778, second version 1783)
- La partenza inaspettata (1779)
- Il talismano (1779) - first act by Salieri, second and third acts by Giacomo Rust
- La dama pastorella (1780)
- The chimney sweep or the indispensable traitors of their masters out of self-interest (1781)
- Semiramide (1782)
- Les Danaïdes (1784)
- Il ricco d'un giorno (1784)
- La grotta di Trofonio (1785)
- Prima la musica e poi le parole (1786)
- Les Horaces (1786)
- Cublai, gran kan de 'Tartari (1786–88) - premiered posthumously in 1998 in Würzburg
- Tarare (1787)
- Axur, re d'Ormus (1788)
- Il pastor fido (1789)
- L'ape musicale (1789) - Pasticcio
- La cifra (1789)
- La scuola degli amanti ossia Così fan tutte (ca.1789) - fragment
- Le couronnement de Tarare (1790) - an addition to Tarare adapted to the new political conditions
- Catilina (1790–92) - premiered posthumously in 1994 in Darmstadt
- Il mondo alla rovescia (1792, first performance 1795)
- Eraclito e Democrito (1795)
- Palmira, regina di Persia (1795)
- Il moro (1796)
- I tre filosofi (1797) - fragment
- Falstaff ossia Le tre burle (1799)
- Cesare in Farmacusa (1800)
- L'Angiolina ossia Il matrimonio per sussurro (1800)
- Annibale in Capua (1801)
- La bella selvaggia (1802) - not listed
- The Negroes (1802, first performance 1804)
- Palmira (1803) - German version of Palmira, regina di Persia
- Danaus (1807) - German version of Les Danaïdes
- The post office - fragment, lost
- The dress rehearsal - fragment
Insert arias and ensembles
- Addio carina bella (Meng.), Aria in G major for bass and orchestra, for?
- Affè questa sera grandissima - Una domina? Una nipote? (Don Anchise), aria & recitative for bass and orchestra (1775?), For Pasquale Anfossi La finta giardiniera ?
- Ah ciel che noja è questa , aria fragment
- Ah dove amici , recitative for soprano and orchestra, for?
- Ah non siete ogni si facile (tenast), aria for tenor and orchestra, for?
- Alla speranza (Galatea), aria for soprano and orchestra, for?
- All'idea del gran mistero , aria in A major for soprano, choir and orchestra, for?
- Anch'io nello specchio talora , Aria in E major for soprano and orchestra (1771), for?
- Cedo l'intatto pegno (Dely - Davidde), duet for soprano, tenor and orchestra, for?
- Che mi s'appresti? (Capitano), Aria in C major for bass and orchestra (1775), for?
- [...] che strane vicende (Ros. - Fior. - Pasq. - Fulg.) fragmentary finale of an opera (second act), for Felice Alessandris La novità ?
- Chi vuol la zingara , duet for two sopranos and orchestra, for?
- Dall'uso parigino il bello, il sopraffino , Aria in C major for soprano and orchestra (1773), for?
- Del morir le angoscie adesso , scene and aria for tenor and orchestra
- Don't think of the time of pain , duet for soprano, tenor and orchestra, from Danaus
- Dico sol, che la padrona (Lena), aria for soprano and orchestra, for La locandiera ?
- D'oro saranno i letti (Fulg.), Aria in D major for bass and orchestra (1775), for?
- Dottorini saputelli (Clar.), Aria for soprano and orchestra (1774), for?
- D'uno sposo si dolce mi vanto (Fiamme.), Aria for soprano and orchestra (1775), for?
- Eccomi al punto ch'io già tanta temei , aria fragment for soprano and orchestra, for?
- Fate largo al gran Pasquino (Pasquino), aria in D major for bass and orchestra (1775), for Felice Alessandris La novità ?
- Figlia mia diletta , trio for soprano, tenor, bass and orchestra, for?
- Fra tanto pietre brune (Polidoro), recitative for bass and orchestra (1785?), For Domenico Cimarosa's L'italiana in Londra ?
- Gelosia d'amore è figlia , aria for soprano and orchestra, for?
- Goder lasciatemi (Gianetta), aria for soprano and orchestra, for?
- Gran diavolo! (Uberto), Aria in F major for bass and orchestra, for?
- Guarda in quel volto , aria in E flat major for soprano and orchestra, for?
- Ho perduto la mia pace (Brettone), aria for tenor and orchestra (1775), for Giovanni Paisiellos L'innocenza fortunata
- Ho stampato libri in foglio , aria for tenor and orchestra, for?
- Il pargoletto amabile , aria in A major for tenor and orchestra, for?
- In tuo favore mi parla il core , duet for two sopranos and orchestra, for?
- Io contento , recitative, for?
- Io di nuovo vel ripeto , aria for soprano and orchestra (1777), for?
- Io lo dico e il posso dire , trio for alto, tenor, bass and orchestra, for?
- Io non so che pensare , recitative & cavatina for tenor and orchestra, for?
- La donna è semper unabile (Belfusio), aria for tenor and orchestra, for La fiera di Venezia ?
- La mia morosa me l'ha fatta (Sandrina), aria for soprano and orchestra, for Il talismano ?
- L'amour est un dieu , canzone for soprano and orchestra, for?
- La sposa se cedo , aria for soprano and orchestra, for?
- Le diras, che il campione (Gusman), aria for bass and orchestra (1775), for?
- Le Inconvenienze teatrali , quartet for soprano, alto, tenor, bass and orchestra, for?
- L'introduco immantante - Quando ho visto il dottorino (Rosina), recitative & aria for soprano and orchestra (1776), for La finta scema
- Madame vezzosissima (Zeffirina - Valerio), fragmentary recitative and duet, for?
- Ma quai mali intorno al core , aria for tenor and orchestra
- Ma quale agli occhi miei (Conte), recitative, for?
- Mia vaga Dorilla , aria for bass and orchestra (1775), for Baldassare Galuppis Il marchese villano
- Moriam, moriam mia vita , recitative & duet for soprano, tenor and orchestra, for?
- Nel mio seno , aria, for?
- No, che pietà (Arrich. - Pett.), Duet for soprano and tenor with orchestra (October 3, 1780), for?
- Non per parlar d'amore (Laurina), aria in E flat major for soprano and orchestra, for Niccolò Piccinnis L'Astretta
- Non temer che d'altri (Falsirena), aria for soprano and orchestra (1779), for La fiera di Venezia
- Non veste alla moda (Aga.), Aria for bass and orchestra (1774), for?
- Non vi fidate , aria for soprano and orchestra, for?
- O hate, o pride, o love! (Anna), aria for soprano and orchestra (around 1804), alternative aria (Act II, No. 6) for Die Neger
- Oh che donna che matta (Peppino), recitative, for?
- Oh me infelice - Allor potrei , recitative and aria, for?
- Oh qual sorpasso giubilo (Pilemone), aria in F major for bass and orchestra, for Eraclito e Democrito ?
- Oh quanti veggarsi (Cardano), aria for tenor and orchestra, for Il talismano ?
- Oh sancte inviete , aria for soprano and orchestra (1775), for?
- Padre, oh Dio! con qual fronte , recitative and trio (1775) - with Salieri's comment "Composto per la prima Accademia l'anno 1775"
- Padrona stimatissima (Pasquino), aria in D major for bass and orchestra, for Felice Alessandris La novità ?
- Parlaste d'un cappone , aria for bass and orchestra (1776), for?
- Pasquino avrà quest'ora , recitative, for Felice Alessandris La novità ?
- Paterio giudizio , aria for bass and orchestra, for?
- Pensieri funesti , aria for soprano and orchestra, for Giuseppe Sartis Giulio Sabino
- Per amore io già vancillo (Perillo), aria for tenor and orchestra (1770), for?
- Perder sogetto amato , duet for two sopranos and orchestra, for?
- Per voi s'avanzi , aria for bass and orchestra, for?
- Prendi un paterno amplesso (Emirena - Farnaspe - Osroe), recitative and trio (1773), for?
- Qual densa notte (Artalice - Chabri - Nehemia - choir), finale of an opera, for?
- Quando sarà mia sposa (Capitano), aria for bass and orchestra (1775), for?
- Quest'è un mar di confusione , quartet for soprano, alto, tenor, bass and orchestra, for?
- Qui non si dice: cara a chi d'avver non s'ama , aria for soprano and orchestra (1774), for?
- Rasserena nel tuo barbaro , aria fragment, for?
- Sans argent et sans crédit (Boschetto - Pirati - Lauretta), scene with orchestra (1768), for?
- Scomodarmi da palazzo e trattarmi in questa guisa , aria in F major for soprano and orchestra (1775), for?
- Se amor m'ha dato in testa, se mi far delirare , aria for soprano and orchestra (1776), for?
- Se credessi di volare (Peppino), Aria in E flat major for bass and orchestra (1774), for?
- Se Dio veder tu vuoi (Achior - Ozia,) Duet, for Florian Leopold Gassmann's La Betulia liberata
- Se tu vedessi il core (Isabella), aria in G major for soprano and strings, for Baldassare Galuppi's Il villano geloso
- Signor mio scrivete bene (Pasquino), Aria in F major for bass and orchestra (1775), for Felice Alessandris La novità ?
- S'odo, o duce (Epponina - Voadice - Sabino - Arminio - Annio), finale of an opera (1785?), For Giuseppe Sartis Giulio Sabino
- Son dama, ma so l'arte ancor delle plebe (Polissena), aria for soprano and orchestra (1774), for Giovanni Paisiellos Il Tamburo (notturno)
- Son nipote d'un togato (Isabella), aria in F major for soprano and strings, for Baldassare Galuppi's Il villano geloso
- Sopra il volto sbigotito , Aria in E flat major for bass and orchestra, for?
- Talor non si comprende , aria for bass and orchestra, for?
- Tenero cor , recitative & cavatina for soprano and orchestra (1780), for?
- Tu che ferita sei , aria for tenor and orchestra, for Il barone di Rocca Antica ?
- Tu il fato regola (Idalide), scene for soprano and four-part choir with orchestra, for?
- Tutte le furie unite in questo petto io sento , aria for soprano and orchestra (1776), for?
- Tutti dicon che la moglie , aria for bass and orchestra, for?
- Una domina? una nipote? - see Aria Affè questa saria grandissima
- Un bel marito , aria for soprano and orchestra, for?
- Un pescatore mi pare amore , aria for bass and orchestra, for?
- Vedi ben che queste scene , trio for soprano, alto, bass and orchestra, for?
- Venga su la finestra , aria for tenor, choir and orchestra, for?
- Venissi cari, l'affare è serio (Patenio), aria for bass and orchestra (1777), for?
- Verdammter Streich (Mauser), aria for tenor and orchestra, for?
- [...] vicino a perdere l'amato ben , aria fragment, for?
- Villottino mio bellino (Lisetta), aria for alto and orchestra (1775), for?
- Vi son sposa , aria, for?
- Vivi pur felice ognora (Anna - Caterina), recitative and duet for two sopranos with a final choir Si onor (1777), for?
- Aria (Polissena) for soprano and orchestra (1774), for Giovanni Paisiellos Il tamburo (notturno)
- Finale of an opera for three sopranos, two tenors, bass and orchestra (1779), for La scuola de 'gelosi ?
Ballet music and drama music
- Pafio e Mirra ossia I prigionieri di Cipro - Ballet in 16 numbers for L'Europa riconosciuta (1778)
- Ballet music in 7 numbers
- Ballet music in 10 numbers
- Ballet music in 8 numbers
- Fragment of a ballet music
- Overture, four intermediate acts and nine choirs to Die Hussiten vor Naumburg by August von Kotzebue (1803)
Secular cantatas
- Cantata per le nozze di Francesco I for solos, choir and orchestra (1808)
- Der Tyroler Landsturm for soprano, tenor, bass, four-part choir and orchestra (1799)
- The four times of day for four-part choir and orchestra (1819)
- You, this federal rock and founder for four-part choir and orchestra to the praise of Florian Leopold Gassmann (1820)
- Habsburg for tenor, bass, four-part choir and orchestra (1805/06)
- Il Trionfo della Gloria e della Virtù for two sopranos, tenor, four-part choir and orchestra (1774 or 1775)
- La Riconoscenza for soprano, five-part choir and orchestra (1796)
- La Riconoscenza de 'Tirolesi for four-part choir and orchestra (1800)
- La Sconfitta di Borea for solos, four-part choir and orchestra (1774 or 1775)
- Let us approach everyone, everyone! for soprano, tenor, bass, four-part choir and orchestra for the birthday of Count Heinrich Wilhelm III. from Haugwitz (1817)
- Le Jugement dernier for tenor, four-part choir and orchestra (1787/88)
- L'Oracolo for solos, four-part choir and orchestra (1802/03)
- Like a purple flower for two sopranos, four-part choir and orchestra (arrangement of choir I.1 and duet II.1 from Armida )
Secular choirs
- Amor let you down [Picciola Serenata] for four-part choir and orchestra (1808)
- To the desired peace in 1814 for four-part choir and orchestra (1814)
- An die Religion for four-part a cappella choir (1814)
- A un mover sol [Sonetto] for four-part choir and orchestra to praise Haydn (1820)
- On the occasion of peace for soprano solo, tenor, bass and orchestra (1800)
- They both shake hands for a four-part choir fragment
- That out of nowhere for soprano, alto, tenor, bass and orchestra to praise Haydn - later, German version of the choir A un mover sol (1820)
- Del redentore lo scempio for four-part choir and orchestra ( ca.1805 )
- The prudence favor protect you, happy Austria, for four-part choir and orchestra (1813) - new version of the finale from Der Tyroler Landsturm (1799)
- Dio serva Francesco for four-part choir and orchestra
- Do re mi fa for four-part a cappella choir (1818)
- The tones for four-part choir and orchestra resound
- Warm feelings for the long-awaited and now established peace in 1814 for four-part choir and orchestra (1814)
- Down into the lap of Amphitrite for four-part choir and orchestra (from Danaus ?)
- Il piacer la gioia scenda for four-part choir and orchestra (arrangement of a choir from Semiramide )
- O peace, rich in the Lord's salvation - see heartfelt sentiment at the long-awaited and now established peace in the year 1814
- Ogni bosco, ogni pendice for four-part choir and orchestra - opening choir of the cantata Il Trionfo della Gloria e della Virtù
- Religion, you heavenly daughter - see To religion
- Recollection of the Germans nell'anno 1813 for four-part choir and orchestra (1813/14)
- Float down, O sweet Seraph Peace - see To the desired peace in 1814
- Our fatherland was difficult - see recollection of the Germans nell'anno 1813
Songs and polyphonic chants with and without piano, canons
Approx. 340 works in Italian, German (inter alia based on texts by Schiller , GA Bürger , Castelli , Matthisson ), French or Latin for different instrumentations
Sacred vocal music
Oratorios and sacred cantatas
- Davidde for solos, four-part choir and orchestra (1791) - fragment
- Gesù al limbo for solos, four-part choir and orchestra (1803)
- La passione di nostro signore Gesù Cristo for solos, four-part choir and orchestra (1776)
- Le Jugement dernier for tenor, four-part choir and orchestra (1787/88) - see above
- Saul for solos, four-part choir and orchestra (1791) - fragment
Masses, mass sentences and requiems
- Mass in C major for four-part a cappella choir (1767) - called Missa stylo a cappella
- Mass in D major for four-part choir and orchestra (1788) - called Hofkapellmeistermesse or Imperial Mass
- Mass in C major for double choir and orchestra (1799) - called the Proclamation Mass
- Mass in D minor for solos, four-part choir and orchestra (1805)
- Mass in B flat major for solos, four-part choir and orchestra (1809)
- Kyrie in C major for solos, four-part choir and orchestra (1812) - part of an unfinished mass
- Kyrie in F major for four-part choir and orchestra - fragment
- Requiem in C minor for solos, four-part choir and orchestra (1804)
- Requiem aeternam and Dies irae in C minor for four-part choir and orchestra (approx. 1815-20)
Graduals
- Ad te levavi animam meam in E flat major for four-part choir and orchestra
- A solis ortu per Festo SS.Corporis Christi , C major for four-part choir and orchestra (1810)
- Benedicam Dominum per Dominica 12ma post Pentecostem aut de Tempore , B flat major for four-part choir and orchestra
- Confirma hoc Deus in C major for solos, four-part choir and orchestra (1809)
- Improperium in C minor for four-part a cappella choir
- Justorum animae in A major for four-part choir and orchestra (around 1800)
- Liberasti nos, Domine pro Dominica XXIII. et ultima post Pentecostem , D major for four-part choir and orchestra (1799)
- Magna opera Domini da tempore , D major for four-part choir and orchestra (1810)
- Spiritus meus in D minor for four-part choir and orchestra (1820)
- Tres sunt, qui testimonium dant in coelo de SS. Trinitate , D major for four-part choir and orchestra
- Veni Sancte Spiritus in B flat major for four-part choir and orchestra (1800)
- Veni Sancte Spiritus per Festo Pentecostem , B flat major for four-part choir and orchestra (1805)
- Venite gentes in C major for double choir and orchestra (1799)
- Vox tua mi Jesu in C major for four-part choir and orchestra (1774)
Offers
- Alleluja (deinde) Bonum est in D major for four-part choir, strings and organ
- Alleluja in D major for four-part choir and orchestra (1774) - reworked in 1788 into the Amen fugue in the Gloria of the Mass in D major
- Alleluja in D major for four-part choir and orchestra (1780)
- Assumpta est Maria in C major for four-part choir and orchestra (1799)
- Audite vocem magnam in C major for four-part choir and orchestra (1809)
- Beatus vir, qui non abit in D major for solos, four-part choir and orchestra
- Benedixisti Domine in F major for four-part a cappella choir - Offertory to the Missa stylo a cappella (1767)
- Benedixisti Domine in F major for four-part choir a cappella
- Cantate Domino omnis terra in C major for double choir and orchestra (1799)
- Desiderium animae in F major for soprano, alto, bass and orchestra
- Domine, Dominus noster in G major for four-part choir and orchestra (1812)
- Dum corde pio in C major for four-part choir, bass and organ
- Excelsus super omnes gentes Dominus in C major for four-part choir and orchestra (1806)
- Gloria et honor (e) in C major for four-part choir and orchestra (1809)
- Jubilate Deo in A major for four-part choir and orchestra
- Justus ut palma in B flat major for four-part choir and orchestra
- Lauda Sion Salvatorem in C major for four-part choir and orchestra (1805)
- Laudate Dominum omnes gentes in D major for four-part choir and orchestra (1809)
- Magna et mirabilia sunt opera tua in C major for four-part choir and orchestra (1809)
- Magna opera Domini in C major for four-part choir and orchestra (1812)
- Miserere nostri in G minor for four-part choir and orchestra (1805)
- Miserere nostri in E flat major for four-part choir and orchestra (1803)
- O altitudo divitiarium in C major for four-part choir and orchestra (1809)
- O quam bonus et suavis est in B flat major for solos, four-part choir and orchestra
- Populi timente sanctum nomen Domini in E flat major for four-part choir and orchestra (1778)
- Salve Regina in D major for four-part choir and orchestra (1815)
- Salve Regina (with German text) in G major for four-part choir and organ
- Salve Regina in B flat major for four-part choir and orchestra
- Salvum fac populum (1805) - lost -
- Si ambulavero in medio G minor for four-part choir and orchestra (1809)
- Sub tuum praesidium in B flat major for four-part choir and orchestra (1820)
- Tui sunt coeli in C major for four-part choir and orchestra
- Tui sunt coeli in E flat major for four-part choir and orchestra
Psalms
- Beatus vir, qui timetable Dominum in D major for two tenors, four-part choir and orchestra
- Confitebor Domine in B flat major for four-part choir and orchestra
- De profundis in F minor for two-part choir, bass and organ (1815)
- De profundis in G minor for four-part choir and orchestra (1815)
- Dixit Dominus in G major for four-part choir and orchestra
- Lauda, Jerusalem, Dominum in C major for four-part choir and orchestra (1815)
- Laudate pueri Dominum in G major for six-part choir and orchestra
- Magnificat in C major for four-part choir and orchestra (1815)
- Magnificat in F major for two-part choir and orchestra (1815)
Litanies
- Litania di BMV in F major for solos, four-part choir and orchestra
- Litania per Sabbato Sancto in B flat major for four-part choir a cappella (1820)
Hymns
- Coelestis urbs Jerusalem Hymnus de dedicatione Ecclesiae, A major for four-part choir and orchestra
- Genitori in F major for soprano, four-part choir and orchestra
- In te Domine speravi in E flat major for two sopranos and bass (1817)
- Tantum ergo in C major for double choir, two clarinets, four horns, four trumpets (Clarini), timpani, bass and organ
- Tantum ergo in C major for four-part choir, two oboes, two bassoons, four trumpets (clarini), timpani and organ
- Tantum ergo in C major for four-part choir, two trumpets (Clarini), timpani and organ
- Tantum ergo in F major for soprano and strings (1768)
- Te Deum laudamus de Incoronazione , D major for four-part choir and orchestra (1790)
- Te Deum laudamus in D major for double choir and orchestra (1799) - New version of the Te Deum from 1790
- Te Deum laudamus in C major for solos, four-part choir and orchestra (1819)
Introiti
- Avertisti captivitatem Jacob pro Dominica XXIII. et XXIV. post Pentecostem , B flat major for four-part choir, strings and organ
- Beati immaculati de Virginibus et Martyribus et de Sancto Stephano , F major for four-part choir, strings and organ
- Concupiscit et deficit in dedicatione Ecclesia et in Festo Tranfigurationis Domini , F major for four-part choir, strings and organ
- Dico ergo per Festis Beatae Mariae Virginis , D minor for four-part choir, strings and organ
- Domine exaudi vocem meam per Dominica XXII. post Pentecostem , F major for four-part choir, strings and organ
- Et justitiam tuam pro Festo Epiphaniae , D minor for four-part choir, strings and organ
- Et psallare per Festo S. Joannis Apost. et S. Joannis Bapt. , B flat major for four-part choir, strings and organ
- Inductus est Dominus per Dominica infra octavem Nativitas Domini et ad secundam missam , F major for four-part choir, strings and organ
- In civitate pro Festo Purificationis Mariae et Dominica VIII. Post Pentecostem , C major for four-part choir, strings and organ
- In mandatis ejus de Confessore et in Festo Sancti Joachim , G minor for four-part choir, strings and organ
- Jubilate Deo Jacob per Dominica in albis , per Feria II. Post Pentecostem et in solemnitate corporis Christi, D minor for four-part choir, strings and organ
- Jubilate Deo per Festo St. Januarii Episcopus et Mart., Per Festo Ascensionis Domini , F major for four-part choir, strings and organ
- Laetentur insulae per Dominica III., IV., V., VI. post Epiphaniam , F major for four-part choir, strings and organ
- Ne quando taceas per Dominica VI. post Pentecostem , D minor for four-part choir, strings and organ
- Neque celaveris de Confessore , B flat major for four-part choir, strings and organ
- Quam admirabile est nomen tuum pro Festo Sanctissime Trinitatis , D minor for four-part choir, strings and organ
- Tu cognovisti per Festo Sanctorum Apostolorum , D minor for four-part choir, strings and organ
Motets and sacred arias and chants
- Audimus Dei Verbum - lost
- Contra vos, o monstra horrenda in B flat major, motet for soprano, four-part choir and orchestra (1769) - doubtful
- Cor meum conturbatum in G minor for four-part choir and orchestra
- Ecce enim veritatem G major for bass, three violas, double bass and organ
- Tantum ergo in F major, motet for soprano, four-part choir and orchestra (1768)
- Salve Regina in A major, motet for soprano and orchestra (1769)
- Fremat tirannus in C major, motet for soprano, four-part choir and orchestra (1778)
- O sancte invicte in D major, motet for soprano, four-part choir and orchestra (1775)
- Alleluja in D major, aria for soprano, four-part choir and orchestra (1780)
- Magna est virtus - lost
- Misericordius Dominus in E flat major, duet for soprano, bass, concert violin and orchestra
- O mortales, festinate in B flat major, aria for soprano, concertante clarinet and orchestra - doubtful
- Quae est illa - Ave maris stella in B flat major, recitative and aria in honorem BVM for soprano, oboe, strings and organ - Latin parody of the aria Ah, se foss'io smarrita (II.2) from L'amore innocente
- Quam magna multitudo in B flat major, duet for two sopranos, strings and organ - Latin parody of the duet Ah se ben mio tu sai from La fiera di Venezia
- Quem terra pontus sidera in A major for soprano and orchestra - Latin parody of the aria Ai passi erranti (II.5) from La passione di nostro signore Gesù Cristo
- Salve Jesu pie duet - lost
- Tu es spes mea, Domine for soprano, flute, oboe and orchestra
Instrumental music
Concerts
- Concerto for oboe, violin, violoncello and orchestra in D major (1770)
- Concerto for Organ and Orchestra in C major (1773) - the second movement has only survived in one version for oboe, two bassoons and strings
- Concerto for piano and orchestra in C major (1773)
- Concerto for Piano and Orchestra in B flat major (1773)
- Concerto for flute, oboe and orchestra in C major (1774)
- Concertino da camera for flute or oboe and strings in G major (1777)
Symphonies, overtures and variations for orchestra
- Symphony in D major Il Giorno onomastico (1775)
- Symphony in D major La Veneziana ( compiled by an anonymous hand around 1785 from the overtures to La scuola de 'gelosi and La Partenza inaspettata )
- Three minuets in B flat major, G major and D major for orchestra (probably before 1780)
- 26 Variations on La Follia di Spagna for large orchestra with solo violin and harp (1815)
- Allegretto in D major for orchestra
- Fragment of a symphony (overture) in G major
- Fragment of an instrumental movement for bassoons and strings
- Overture La Frascatana - doubtful
Serenades
- Picciola Serenata [Quintet] in B flat major for 2 oboes, 2 horns and bassoon (1778)
- Serenade in B flat major for 2 clarinets, 2 bassoons, 2 horns and double bass
- Serenade in C major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double bass (alternative version of the Serenade in B flat major for seven instruments)
- Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double bass
- Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns
- 3 trios in G major, E flat major and C major for 2 oboes and bassoon (probably before 1780)
- Armonia per un tempio della notte in E flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (c. 1795, quotes in the middle section the quartet “Silenzio facciasi” from the opera Palmira, regina di Persia )
Marches
- 11 marches for orchestra (ca.1804)
- Mark your hearts deeply, Brothers Marsch for harmony music
- Parade March in C major for harmony music
- The Landwehr March (1809)
- March in honor of Gassmann in C major (1820)
- 8 lifts for 2–8 trumpets and timpani
Chamber music
- 4 Scherzi armonici istanbulali for string quartet (probably after 1800)
- Fugue for string quartet (tema H.! Ben Die m. Is a s. Ma non il testo)
- Fugue for three instrumental parts
- Fugue in C major for two instrumental parts (1818)
- Fugue in E flat major for two instrumental parts ( Tema Kerscorchiano )
- Fughetta for two instrumental voices ( Allegro alla Kosaka )
- 6 small pieces for piano
- 6 small pieces for guitar - lost
- 6 string quartets - lost
Arrangements of other works and collaborations with other composers
- La Betulia liberata by Florian Leopold Gassmann : cuts in recitatives and arias, as well as the inclusion of additional choirs, which Salieri takes from other Gassmann compositions (1820)
- Il Talismano : joint composition by Salieri (first act) and Giacomo Rust (second and third act) (1779)
- Iphigénie en Tauride by Christoph Willibald Gluck : Italian version as Ifigenia in Tauride in the translation by Lorenzo da Ponte (1783)
- Per la ricuperata salute di Ofelia for soprano and piano: joint composition by Salieri, Mozart and “Cornetti” (1785) - rediscovered in 2015
- Requiem in E flat major by Niccolò Jommelli : additional instrumentation with two oboes, two bassoons and two trombones (for the solemn Requiem for Christoph Willibald Gluck on April 8, 1788)
- Stabat Mater in F minor by Giovanni Battista Pergolesi : arrangement for solos, choir and orchestra, instrumentation by Franz Xaver Süßmayr
Theoretical works and writings
- Lib. Di partimenti di varia specie pro profitto della gioventù - lost
- Pamphlet about the maniera languida, smorfiosa, which was torn in strings (1814)
- Scuola di canto in versi ei versi in musica a 4 voci (1816)
- Christian report on inappropriate organ accompaniment in the church (1816)
- Joint statement with Ludwig van Beethoven on the benefits of the metronome of Mälzel (1818)
Variations on Salieri's Works
-
Wolfgang Amadeus Mozart (1756–1791)
- 6 variations for piano in G major on Mio caro Adone from La fiera di Venezia KV 180 (1773)
-
Giuseppe Sarti (1729–1802)
- Variations for violin and piano on the Cavatina La ra la ra from La grotta di Trofonio (1786)
-
Johann Baptist Vanhal (1739-1813)
- 7 variations for piano on the Terzett Venite, o Donne, meco from La grotta di Trofonio (1786)
- Josephus Andreas Fodor (1751–1828)
- Variations for two violins on the aria Ainsi qu'une abeille from Tarare (c. 1788)
-
Franz Jakob Freystädtler (1761–1841)
- 9 variations for violin and piano in G major on the Cavatina Come ape ingegnosa from Axur, re d'Ormus [varies à la C.Ph.E. Bach, Sterkel, Kozeluch, Albrechtsberger, Vanhal, Haydn, Mozart, Clementi, Martin y Soler] (1791)
- Anonymous
- Variations for violin and piano on the Cavatina La ra la ra from La grotta di Trofonio ( ca.1791 )
-
Josepha Barbara Auernhammer (1758-1820)
- Variations for piano on the duet La stessa, la stessissima from Falstaff ossia Le tre burle (after 1799)
-
Carl Friedrich Zelter (1758–1832)
- Dance and sacrificial song ( Come ape ingegnosa ) from Axur, re d'Ormus with some free changes for piano (1792)
-
Joseph Gelinek (1758-1825)
- 8 variations for piano on the trio Coppia si tenera from Palmira, regina di Persia op.8 (1796)
- Variations for piano on a march from Cesare in Farmacusa ( ca.1805 )
- Leonhard von Call (1768–1815)
- Variations for mandolin (or violin) and guitar on the duet Qui dove ride [recte: scherza ] l´aura from Axur, re d'Ormus op. 25
- Philipp Karl Hoffmann (1769–1843)
- 6 variations for piano on the trio Coppia si tenera from Palmira, regina di Persia op.8 (1798)
-
Ludwig van Beethoven (1770-1827)
- 10 variations for piano in B flat major on the duet La stessa, la stessissima from Falstaff ossia Le tre burle WoO 73 (1799)
-
Johann Baptist Cramer (1771-1858)
- Capriccio for piano on the Barcarole Ahi! povero Calpigi from Tarare
-
Joseph Wölfl (1773-1812)
- 9 variations for piano in B flat major on the duet La stessa, la stessissima from Falstaff ossia Le tre burle (1799)
- Mlle.Benaut (* 1778)
- Variations for Piano on a Theme by Salieri
-
Johann Nepomuk Hummel (1778-1837)
- Fantasy for piano in C minor S20 on themes by Salieri (overture to Axur, re d'Ormus ), Haydn ( symphony "with the bang" ) and Mozart (various numbers from Die Zauberflöte ) (1799)
-
Friedrich Kalkbrenner (1785–1849)
- Introduction and rondino for piano on the Barcarole Ahi! povero Calpigi from Tarare op.78 ( ca.1826 )
-
Ignaz Moscheles (1794–1870)
- Impromptu martial for piano in G major over a march from Palmira, regina di Persia op.65 (ca.1825)
Web links
- Salieri's catalog of works (not complete) optionally sorted by year of creation, title and genre