Real Live: Difference between revisions
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| Name = Real Live |
| Name = Real Live |
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| Type = live |
| Type = live |
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'''''Real Live''''' is a [[live album]] documenting [[Bob Dylan]]'s 1984 tour of [[Europe]], released at the end of that same year by [[Columbia Records]]. Most of the concert was recorded at [[Wembley Stadium]] on 7 July, but "[[License to Kill (Bob Dylan song)|License to Kill]]" and "[[Tombstone Blues]]" come from [[St James' Park]], [[Newcastle upon Tyne|Newcastle]] on 5 July, and "[[I and I (song)|I and I]]" and "[[Girl from the North Country]]" were recorded at [[Slane Castle]], [[Ireland]] on 8 July.{{ |
'''''Real Live''''' is a [[live album]] documenting [[Bob Dylan]]'s 1984 tour of [[Europe]], released at the end of that same year by [[Columbia Records]]. Most of the concert was recorded at [[Wembley Stadium]] on 7 July, but "[[License to Kill (Bob Dylan song)|License to Kill]]" and "[[Tombstone Blues]]" come from [[St James' Park]], [[Newcastle upon Tyne|Newcastle]] on 5 July, and "[[I and I (song)|I and I]]" and "[[Girl from the North Country]]" were recorded at [[Slane Castle]], [[Ireland]] on 8 July.{{Citation needed|date=June 2009}} |
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Produced by [[Glyn Johns]], it features [[Mick Taylor]] (formerly of the [[Rolling Stones]]) on lead guitar, [[Ian McLagan]] (formerly of the [[The Faces|Faces]]) on keyboards, and a guest appearance from [[Carlos Santana]]. The performances on ''Real Live'' were recorded in support of his successful ''[[Infidels]]'' album. While ''Infidels'' was hailed as a "return to musical form" (as described by [[Kurt Loder]] in ''[[Rolling Stone]]'' magazine), critical reception for ''Real Live'' was generally mixed. |
Produced by [[Glyn Johns]], it features [[Mick Taylor]] (formerly of the [[Rolling Stones]]) on lead guitar, [[Ian McLagan]] (formerly of the [[The Faces|Faces]]) on keyboards, and a guest appearance from [[Carlos Santana]]. The performances on ''Real Live'' were recorded in support of his successful ''[[Infidels]]'' album. While ''Infidels'' was hailed as a "return to musical form" (as described by [[Kurt Loder]] in ''[[Rolling Stone]]'' magazine), critical reception for ''Real Live'' was generally mixed. |
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In his review for ''[[Rolling Stone]]'', Loder writes, "Although cynics may find that Dylan's trademark wheeze is verging on self-parody by this point, his singing is truly spirited throughout. The band he assembled for the tour generally serves him well, if without inspiration...Dylanologists will savor the heavily revised, third-person lyrics for 'Tangled Up in Blue' (although they scuttle the original song's compelling intimacy), and some fans may get a giggle out of the rhythm riff – lifted from [[Ray Charles]]' 'I Believe to My Soul' – that graces 'Ballad of a Thin Man.' But 'Highway 61 Revisited' and 'Tombstone Blues' suffer from formless arrangements, and the band simply can't replicate the reggae groove called for on 'I and I'...If [Dylan's] rag-and-roll approach to rock is dated, that's essentially a cosmetic problem. One continues to hope that he'll someday assemble a full-time band he really believes in...a band that will enable him to reassert his brilliance in the modern rock marketplace." |
In his review for ''[[Rolling Stone]]'', Loder writes, "Although cynics may find that Dylan's trademark wheeze is verging on self-parody by this point, his singing is truly spirited throughout. The band he assembled for the tour generally serves him well, if without inspiration...Dylanologists will savor the heavily revised, third-person lyrics for 'Tangled Up in Blue' (although they scuttle the original song's compelling intimacy), and some fans may get a giggle out of the rhythm riff – lifted from [[Ray Charles]]' 'I Believe to My Soul' – that graces 'Ballad of a Thin Man.' But 'Highway 61 Revisited' and 'Tombstone Blues' suffer from formless arrangements, and the band simply can't replicate the reggae groove called for on 'I and I'...If [Dylan's] rag-and-roll approach to rock is dated, that's essentially a cosmetic problem. One continues to hope that he'll someday assemble a full-time band he really believes in...a band that will enable him to reassert his brilliance in the modern rock marketplace." |
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==Track |
==Track listing== |
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All songs by Bob Dylan. |
All songs by Bob Dylan. |
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#"[[Highway 61 Revisited (song)|Highway 61 Revisited]]" – 5:07 |
#"[[Highway 61 Revisited (song)|Highway 61 Revisited]]" – 5:07 |
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# "[[Maggie's Farm]]" – 4:54 |
# "[[Maggie's Farm]]" – 4:54 |
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# "I & I" – 6:00 |
# "I & I" – 6:00 |
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[[Category:Bob Dylan live albums]] |
[[Category:Bob Dylan live albums]] |
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[[Category:Columbia Records live albums]] |
[[Category:Columbia Records live albums]] |
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[[Category:Live albums recorded at Wembley Stadium]] |
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[[es:Real Live]] |
[[es:Real Live]] |
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Revision as of 05:11, 22 December 2011
| Untitled | |
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| Review scores | |
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| Source | Rating |
| Allmusic |   [1] |
| Robert Christgau | B[2] |
| Rolling Stone | [3] |
Real Live is a live album documenting Bob Dylan's 1984 tour of Europe, released at the end of that same year by Columbia Records. Most of the concert was recorded at Wembley Stadium on 7 July, but "License to Kill" and "Tombstone Blues" come from St James' Park, Newcastle on 5 July, and "I and I" and "Girl from the North Country" were recorded at Slane Castle, Ireland on 8 July.[citation needed]
Produced by Glyn Johns, it features Mick Taylor (formerly of the Rolling Stones) on lead guitar, Ian McLagan (formerly of the Faces) on keyboards, and a guest appearance from Carlos Santana. The performances on Real Live were recorded in support of his successful Infidels album. While Infidels was hailed as a "return to musical form" (as described by Kurt Loder in Rolling Stone magazine), critical reception for Real Live was generally mixed.
Released in December to capitalize on the Christmas shopping season, Real Live still sold in disappointing numbers, reaching a then-career low of #115 in the US and #54 in the UK.
Reception
In his review for Rolling Stone, Loder writes, "Although cynics may find that Dylan's trademark wheeze is verging on self-parody by this point, his singing is truly spirited throughout. The band he assembled for the tour generally serves him well, if without inspiration...Dylanologists will savor the heavily revised, third-person lyrics for 'Tangled Up in Blue' (although they scuttle the original song's compelling intimacy), and some fans may get a giggle out of the rhythm riff – lifted from Ray Charles' 'I Believe to My Soul' – that graces 'Ballad of a Thin Man.' But 'Highway 61 Revisited' and 'Tombstone Blues' suffer from formless arrangements, and the band simply can't replicate the reggae groove called for on 'I and I'...If [Dylan's] rag-and-roll approach to rock is dated, that's essentially a cosmetic problem. One continues to hope that he'll someday assemble a full-time band he really believes in...a band that will enable him to reassert his brilliance in the modern rock marketplace."
Track listing
All songs by Bob Dylan.
- "Highway 61 Revisited" – 5:07
- "Maggie's Farm" – 4:54
- "I & I" – 6:00
- "License to Kill" – 3:26
- "It Ain't Me, Babe" – 5:17
- "Tangled Up in Blue" – 6:54
- "Masters of War" – 6:35
- "Ballad of a Thin Man" – 4:17
- "Girl from the North Country" – 4:25
- "Tombstone Blues" – 4:32
Personnel
- Colin Allen – drums
- Bob Dylan – guitar, harmonica, keyboards, vocals
- Glyn Johns – producer
- Ian McLagan – keyboards
- Carlos Santana – guitar on "Tombstone Blues"
- Greg Sutton – bass
- Mick Taylor – guitar
References
- ^ Erlewine, Stephen Thomas. Real Live at AllMusic
- ^ Christgau, Robert. "Robert Christgau: CG: Artist 169". robertchristgau.com. Retrieved 11 September 2011.
- ^ Loder, Kurt (1985-02-14). "Bob Dylan: Real Live : Music Reviews : Rolling Stone". web.archive.org. Archived from the original on 2007-10-01. Retrieved 11 September 2011.
