Alfred Cornelius Howland

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Alfred Cornelius Howland , photo around 1860, Gebr. G. & A. Overbeck , Düsseldorf

Alfred Cornelius Howland (born February 12, 1838 in Walpole , Cheshire County , New Hampshire , † March 17, 1909 in Pasadena , California ) was an American genre , portrait and landscape painter .

Life

Howland grew up as one of five children of the architect Aaron Prentice (Prentiss) Howland (1801-1867), a descendant of the pilgrim father John Howland, and his wife Huldah, née Burke (1806-1886), in Walpole. In 1855 he completed his schooling at the Walpole Academy. In 1857 he worked as a steel engraver in Boston , from 1858 as a lithographer in New York City . At the same time he took lessons in the National Academy School until 1860 . In June 1860 he went to Düsseldorf , where he attended the Royal Prussian Art Academy until 1861 . There were Andreas Müller and Ludwig Heitland his teachers. In the years 1861/1862 he took private lessons with the Düsseldorf landscape painter Albert Flamm . Then he went to Paris and worked with the French landscape painter Émile Lambinet . He also met Jean-Baptiste Camille Corot , a representative of the Barbizon School , whose style of painting shaped him from then on.

In 1865 he returned to the United States and settled in Boston. He later moved to New York City, where he had a studio on West Fifty-seventh Street. In 1871 he married Clara Ward (1841-1913), the daughter of the respected New York businessman Oliver Delancey Ward. She gave birth to the son Winthrop (* 1873) and the daughter Alice (* 1878). He lived with his family at times in a summer house in Williamstown , Massachusetts . It was there in 1877 that the landscape painter Henry Siddons Mowbray was his pupil.

Howland was best known for his genre painting, which often shows subjects from New England . Examples of this are the paintings The Fourth of July Parade (around 1886), in which he depicts childhood memories of parades on the American Independence Day , and The Old Yale Fence (1889/1890), in which numerous athletes from Yale University are portrayed against the backdrop of the university campus . The picture The Fourth of July Parade was exhibited at the World's Columbian Exposition in Chicago in 1892/1893 . Howland's paintings were also shown at exhibitions in Paris and Munich.

Howland was elected an associate of the National Academy of Design in 1876 ​​and a full member in 1882. He was a member of the board of this academy from 1880 to 1884. He was also a member of the Century Club , the Salmagundi Club and the Artists' Fund Society . Howland was buried in the cemetery of his birthplace.

literature

  • Howland, Alfred C. In: Friedrich von Boetticher : Painters works of the nineteenth century. Contribution to art history . Volume I, Dresden 1895, p. 579.
  • Alfred Cornelius Howland . In: Lyman Horace Weeks (Ed.): Prominent families of New York . New York City 1897, p. 291.
  • George C. Groce, David H. Wallace: The New-York Historical Society's dictionary of artists in America 1564-1860 . Yale University Press, New Haven / Connecticut 1957, p. 330.
  • James F. Carr (adaptation): Mantle Fielding's dictionary of American painters, sculptors and engravers . Carr, New York City 1965, p. 177.
  • Alfred Cornelius Howland . In: David B. Dearinger (Ed.): Paintings and Sculpture in the Collection of the National Academy of Design . Volume 1: 1826-1925, Hudson Hills Press, Manchester / Vermont 2004, ISBN 1-55595-029-9 , pp. 285 f. ( Google Books ).

Web links

Commons : Alfred Cornelius Howland  - Collection of Images, Videos and Audio Files

Individual evidence

  1. Cf. No. 6112 in the finding aid 212.01.04 Student lists of the Art Academy Düsseldorf , website in the portal archive.nrw.de ( State Archive North Rhine-Westphalia )
  2. Bettina Baumgärtel , Sabine Schroyen, Lydia Immerheiser, Sabine Teichgröb: Directory of foreign artists. Nationality, residence and studies in Düsseldorf . In: Bettina Baumgärtel (Hrsg.): The Düsseldorf School of Painting and its international impact 1819–1918 . Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9 , Volume 1, p. 432
  3. ^ Doreen Bolger Burke: A Catalog of Works by Artists Born between 1846 and 1864 . In: Kathleen Luhrs (Ed.): American Paintings in the Metropolitan Museum of Art . The Metropolitan Museum of Art, New York City 1980, ISBN 0-87099-244-9 , Volume III, p. 326 ( Google Books )