Dieter Goltzsche

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Dieter Goltzsche, 2014

Dieter Goltzsche (born December 28, 1934 in Dresden ) is a German painter , draftsman and graphic artist . From 1992 to 2000 he was professor for painting and graphics at the Berlin-Weißensee School of Art .

Life

Dieter Goltzsche grew up in Dresden. After attending elementary school, from 1950 to 1952 he learned the trade of textile pattern maker and patroneur . From 1952 to 1957 he studied at the Dresden Academy of Fine Arts with professors Hans Theo Richter and Max Schwimmer . Goltzsche was noticed early on due to his above-average artistic talent, which prompted Max Schwimmer to appoint him to his master class at the German Academy of the Arts in Berlin in 1958 . Goltzsche was to remain swimmer's only master student. As a result of disputes between the Central Committee of the SED and the academy, which related to formalism allegations against the academy members, Goltzsche's master class came to an end in 1959. Since then, the artist has lived freelance in Berlin and settled in 1960, first in Köpenick and later in Friedrichshagen .

plant

Dieter Goltzsche is a passionate observer. The reason for images has always been provided by the obvious: the human figure, the interior as well as the city and landscape. At first, drawing was his preferred medium. His prints began between 1955 and 1957 with etchings and lithography, some linoleum and woodcuts were added. In 1964 his oeuvre was expanded to include offset lithography, which he was the first artist to introduce into the GDR's graphic arts. The prints are thematically dedicated to the landscape and the urban milieu, there are portraits, many genre papers carefully observed. In the 1960s Goltzsche built one of the most extensive graphic works of his generation. In 1964 he began watercolor painting, which has since become one of his most important fields of work, followed by tempera painting and pastel in the 1970s. Perhaps inspired by his teacher Max Schwimmer, Goltzsche also dealt with literature from an early age. In addition to numerous free sheets on literature, he produced literature-related drawings and graphic works, which the artist published in more than 60 illustrated books. Goltzsche devotes himself to drawing with ongoing interest. Initially committed to the object, compositional questions alone, questions of line, surface and space increasingly became the object of constant discussion, with reality or the experience of it always remaining the starting point. Analogously to this, the artist also intensified the tendency towards two-dimensional compositions in watercolor and tempera painting, whereby the properties and materiality of the color itself meet him especially with the latter. However, abstraction and the figurative are balanced, as are sensual experiences and spiritual penetration.

Friendships

Artist friendships linked and connected Dieter Goltzsche with Werner Wittig and Max Uhlig , with Manfred Böttcher , Harald Metzkes and Werner Stötzer , with Lothar Böhme , Hans Vent , Wolfgang Leber and Klaus Roenspieß since his student days in Dresden and his master class in Berlin . Since 1963 he had been friends with Charlotte E. Pauly and in 1964/65 he met Herbert Tucholski .

Study trips

Study trips took the artist to northern Italy in 1956, to Bulgaria in 1968, to Leningrad in 1981, to Milan and Tuscany in 1981, to South Tyrol, Venice and Verona in 1988, to Israel in 1990, to Rome in 1991, and since 1993 several more trips to London followed. Paris and France as well as Switzerland.

Works by the artist can be found in numerous museums and private collections in Germany and abroad.

Awards and memberships

Important students

Exhibitions (selection)

Portfolio editions

  • 1991: Elefantenträume (with ten lithographs and a text by Karl Mickel . 9th print of the Berlin graphic press)

Book illustrations

Literature (selection)

  • Sigrid Walther (Ed.): Dieter Goltzsche. Catalog raisonné of the lithographs 1997–2016. With a text by Dieter Goltzsche. Dresden 2016
  • Sigrid Walther, Gisbert Porstmann (Eds.): Dieter Goltzsche. Blue peach. Exhibition cat. Städtische Galerie Dresden , with contributions by Eugen Blume, Katrin Arrieta, Michael Lüthy and Gisbert Porstmann. Dresden 2016, ISBN 978-3-95498-200-4
  • Sigrid Walther (Ed.): Dieter Goltzsche. Drawings. With a contribution by Werner Schade . Berlin 2014
  • Kathleen Krenzlin (Ed.): Dieter Goltzsche. Foil. Workbook 6. With a contribution by Eugen Blume and a conversation between Michael Lüthy and Dieter Goltzsche, Galerie Parterre Berlin, Berlin 2014
  • Sigrid Walther: Dieter Goltzsche. Catalog raisonné of the screen prints 1966–2013. Berlin 2013
  • Katrin Arrieta, Anna-Carola Krause (ed., Contributions): Hide the cow. Works on paper by Dieter Goltzsche. Exhibition catalog Kunstmuseum Ahrenshoop , 2014
  • Galerie Pankow, Ed .: Dieter Goltzsche. Color and ink. Exhibition cat., With a contribution by Katrin Arrieta, Berlin 2012
  • Goltzsche. Exhibition cat. Guardini Galerie, with a contribution by Matthias Flügge, Berlin 2009.
  • Mülhaupt, Freya (Ed.): Dieter Goltzsche. Works on paper 2000–2009. Exhibition cat. Berlinische Galerie - State Museum for Modern Art, Photography and Architecture, with a contribution by Freya Mühlhaupt, Berlin 2009.
  • Dieter Goltzsche: "But in the end the form itself becomes an experience." Images and texts, Ed. Akademie der Künste Berlin , with contributions by Robert Kudielka and Gudrun Schmidt, Berlin 2006.
  • Flügge, Matthias and Bernd Heise (eds.): Dieter Goltzsche. Painting and drawings. Exhibition cat. Leonhardi-Museum Dresden, with contributions by Matthias Flügge, Wolfgang Holler and Sigrid Walther, Berlin 2004.
  • SD sour beer. The draftsman and painter, the engraver and tailor. [About the work of Dieter Goltzsche.] = Artist. Critical lexicon of contemporary art. Issue 60, issue 27. Munich 2002. ISSN | 0934-173
  • Gudrun Schmidt: Dieter Goltzsche. Catalog raisonné of the etchings, woodcuts, linocuts 1953–1977. Berlin 1977
  • Gudrun Schmidt: Dieter Goltzsche. Catalog raisonné of the etchings, woodcuts and linocuts 1977–2000. Berlin 2001
  • Gudrun Schmidt: Dieter Goltzsche. Series: Maler und Werk, Dresden 1988
  • Dieter Goltzsche. Hannah Höch Prize 1998. Exhibition cat. Neuer Berliner Kunstverein , with a foreword by Alexander Tolnay and a contribution by Werner Schade, Berlin 1998.
  • Scharnhorst, Anke: Dieter Goltzsche. Catalog raisonné of the lithographs 1954–1996, arr. by Anke Scharnhorst, with contributions by Werner Schade and Karin Thomas, Berlin 1996.
  • From an isolated country - five illustrators and one illustrator from the former GDR. Gerhard Altenbourg , Carlfriedrich Claus , Dieter Goltzsche, Peter Graf, Sabine Grzimek , Claus Weidensdorfer . Exhibition cat. Kunstmuseum Basel , Staatliche Graphische Sammlung, and Neue Pinakothek Munich, with a contribution by Werner Schade , Basel 1992
  • Galerie Mitte, Ed .: Dieter Goltzsche. Etchings. Exhibition cat., With a contribution by Werner Schade, Berlin 1991
  • State museums in Berlin : Dieter Goltzsche. Works of the draftsman. Exhibition in the Kupferstichkabinett (catalog). Contributions by Werner Schade, Wieland Förster and Helmut Hirsch, Berlin 1982
  • Anke Scharnhorst:  Goltzsche, Dieter . In: Who was who in the GDR? 5th edition. Volume 1. Ch. Links, Berlin 2010, ISBN 978-3-86153-561-4 .

Web links

Individual evidence

  1. Walther, Sigrid: Biography, in: Flügge, Matthias and Bernd Heise (eds.): Dieter Goltzsche. Painting and drawings. Exhibition cat. Leonhardi Museum Dresden, with contributions by Matthias Flügge, Wolfgang Holler and Sigrid Walther, Berlin 2004, pp. 128–167.
  2. Ibid., Pp. 128–167; "The magic of the book and the reader as a heroine", in FAZ May 4, 2016.
  3. ^ Lothar Lang: Painting and Graphics in the GDR. Publishing house Philipp Reclam jun. Leipzig, 1983; S. 188/189 (largely quoted verbatim)
  4. Städtische Galerie Dresden - art collection exhibition: Dieter Goltzsche. Blue peach. Works on paper. January 20 - May 22, 2016
    Information about the exhibition Dieter Goltzsche. Blue peach. Works on paper . Artist's curriculum vitae, catalog ; "The magic of the book and the reader as a heroine", in FAZ May 4, 2016
  5. http://www.galerie-berliner-graphikpresse.de/berliner-graphikpresse/mappenwerke