Dietmar Ullrich

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Dietmar Ullrich (3rd from left) among colleagues (1999)

Dietmar Ullrich (born July 22, 1940 in Breslau ) is a German painter . He is considered one of the main exponents of New Realism from the 1960s and was a founding member of the Zebra group .

biography

In 1960 Ullrich graduated from high school in Lemgo . From 1960 to 1965 he studied at the Hamburg University of Fine Arts . In 1965 he was a founding member of the Zebra group alongside Dieter Asmus , Peter Nagel and Nikolaus Störtenbecker . In the same year he made his artistic exams for teaching at secondary schools. From 1965 to 1966, Ullrich received a DAAD scholarship for London and Brighton. In 1967 he did a legal clerkship in Bremerhaven, in 1968 his second state examination as an art teacher. From 1970 Ullrich was, besides his artistic activity, an art teacher at the Johannes-Rist-Gymnasium in Wedel / Holstein. In 1971 he received a BDI grant and from 1980 to 1981 a Villa Massimo grant in Rome. From 1987 he held a professorship at the Hamburg University of Applied Sciences . Ullrich has been a member of the Free Academy of the Arts in Hamburg since 1995 . He is married to Karin Ullrich, from the marriage the son Niklas emerged. Dietmar Ullrich lives in Hamburg.

plant

When the four art students Dieter Asmus , Peter Nagel , Nikolaus Störtenbecker and Dietmar Ullrich met at the Hochschule für Bildende Künste in Hamburg from 1962 to 1965 , it was under the impression that their needs and their perception of art did not come from their teachers and Find fellow students represented. In the winter of 1964/65 they jointly wrote the ZEBRA Manifesto No. 1, which was titled "The NEW REALISM".

Photographs and drawings formed the basis for Ullrich's painting. The first paintings show portraits of children and groups with gymnasts or football players who are held in running movements or jumping. In these works, the application of paint is even thicker, the brushwork more often visible. From 1968 the figures are formed with plastic hardness, are sharply contoured and the colors are smoothly distributed. The representation appears cool, the picture elements are clearly arranged in terms of form. Natural elements such as fire or water and materials such as cardboard, curtains, pillows, balls or stones are added as subjects. Typical works of those years are free balloon from 1977, oil on canvas, 135 × 155 cm, which is owned by the Jaeschke Collection, or Strandleben from 1985/1986, oil on canvas, 140 × 210 cm, which is owned by the Kunstforum der Ostdeutsche Gallery is located in Regensburg. Lately the application of paint has become more pastose again, so that the objects depicted emerge from the surface in a relief-like manner.

Exhibitions (selection)

Working in public collections

literature

  • JP Kjaersgaard: ZEBRA Catalog No. 1, Copenhagen, 1968.
  • Rolf-Gunter Dienst : Catalog No. 2 of the ZEBRA Group, 1969.
  • Rolf-Gunter Dienst : German Art, a New Generation, DuMont Buchverlag , Cologne 1970.
  • Zebra folder N ° 2. Peter Nagel. Dieter Asmus. Dietmar Ullrich. Nikolaus Störtenbecker. Verlag Hanne Nagel, Kiel, no year.
  • Karin Thomas : Until today-style history of the art of the 20th century, DuMont Buchverlag , Cologne 1971.
  • New landscape. Duke Gallery. Nikolaus Störtenbecker. Dietmar Ullrich. Max Kaminski. Isa Ansorge. Rene Myra. Konrad Schulz u. a., Edition Herzog, Berlin 1971.
  • Wolfgang Becker: Catalog No. 3 of the ZEBRA Group, 1972.
  • 13. ZEBRA. Dieter Asmus, Peter Nagel, Nikolaus Störtenbecker, Dietmar Ullrich. New gallery, Aachen 1972.
  • Zebra group, exhibition catalog. Deutscher Ring , Hamburg, 1972.
  • Group of zebra. Dieter Asmus, Christa and Karlheinz Biederbick, Harro Jacob, Peter Nagel, Dietmar Ullrich. Hans Christians publishing house, Hamburg, no year.
  • Zebra group: Dieter Asmus, Christa and Karlheinz Biederbick , Harro Jacob , Peter Nagel, Dietmar Ullrich. Kunsthalle Bremen, Bremen 1978.
  • Artist talks : Michael Badura , Harald Duwe , Dietmar Ullrich, Ernst Volland . 1st edition. Apex Gallery, Göttingen 1980.
  • Dietmar Ullrich. Paintings, drawings, graphics, 1962–1982. Art Association Celle. With contributions by Jens Christian Jensen and Peter Engel , Celle 1982.
  • ZEBRA: 2005 - 4 decades of realism. VG Bild-Kunst, Bonn 2005.
  • ZEBRA: 2005: 4 decades of realism. City of Kiel 2005.
  • Trust in the picture. 20 years of Studio Jaeschke. Museum , Bayer Kulturabteilung, Stadtgalerie Kiel , 1990, pp. 106–109.
  • Helmut Jaeschke (Ed.): The “free balloon” by Dietmar Ullrich - A German image of meaning. In: Image trust. Studio Jaeschke. Outlook review, Museum , Bochum 2011, pp. 110–115.
  • Dietmar Ullrich. Down to business. Pictures 1985–2011 , ed. from medienhandwerk.com GmbH, Hohenwestedt 2011.
  • Markus Lörz: Synthetic Realisms. Construction and Invention in the New Objectivity. In: Awakening Realism. The new reality in the picture after '68, ed. from Städtische Museen Heilbronn , Kerber Verlag, Bielefeld 2012, ISBN 978-3-86678-686-8 , pp. 103-107.
  • Beate Reese: Dietmar Ullrich. In: City scene. Paintings, drawings, installations. From the classic modern to the present. Kunstmuseum Mülheim an der Ruhr , Mülheim 2013, ISBN 978-3-928135-56-6 , pp. 16, 17.

Web links

Individual evidence

  1. See: Dietmar Ullrich. Paintings, drawings, graphics, 1962–1982. Art Association Celle. With contributions by Jens Christian Jensen and Peter Engel, Celle 1982.
  2. See: Trust in the picture. 20 years of Studio Jaeschke. Museum Bochum, Bayer Kulturabteilung, Stadtgalerie Kiel, 1990, pp. 106–109.
  3. See: Dietmar Ullrich. Down to business. Pictures 1985–2011 , ed. from medienhandwerk.com GmbH, Hohenwestedt 2011.
  4. See: Jens Christian Jensen about Dietmar Ullrich, in: Dietmar Ullrich. Paintings, drawings, graphics, 1962–1982. Art Association, Celle. 1982.
  5. See: Dietmar Ullrich. Down to business. Pictures 1985–2011 , ed. from medienhandwerk.com GmbH, Hohenwestedt 2011.