European archive of voices

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The European Archives of votes (ger .: European Archive of Voices ) is a project that the association "work on Europe" was initiated. In the archive personal and contemporary memories of personalities from over 30 European countries are collected. The aim is to make stories accessible to the generation that rebuilt Europe after 1945. In this project, Europe refers not only to the countries of the European Union , but to countries that belong geographically and historically to Europe. The project has no political goal.

background

After a history of constant European wars, the desire for a united Europe developed in the first half of the 20th century. Stefan Zweig postulated around 1930 that an emotional bond with Europe could only be achieved by dealing with the common history. There are fewer and fewer eyewitnesses who witnessed the process of European unification after the Second World War.

"The question of Europe, how it is now, how it could be, [...] cannot be asked without a look at the past and what has happened."

- Nora Bossong : Deutschlandfunk Kultur

In Eastern Europe, the rule of Russia followed after the National Socialist regime. Because of this historical difference, the culture of remembrance took different paths in East and West. The historians' dispute of 1986/87 over the role of the Holocaust brought up further differences. Curator Aleida Assmann wrote "The divided memory of Europe and the concept of dialogic remembering". The project would like to reflect this memory dialogue.

Nowadays the European idea is being questioned from various sides, as can be seen, for example, with “Brexit” . The results of the 2019 European elections show differences between South and North, between East and West. It is important to find a uniform level. In general, Europe is spoken of from the perspective of individual countries. Culture is able to cross national borders, which is why Europe should not be understood in this project economically or politically, but in terms of culture and history . Through personal stories, Europe is experienced on a small scale in order to gain access to the large scale. Experience a united Europe told.

history

The initiator is the German association “Arbeit an Europa”, consisting of writers, journalists and scientists. The project is part of the German Digital Library . The EU had refused financial support. The project is supported by the Gerda Henkel Foundation and the Alfried Krupp von Bohlen und Halbach Foundation . At the beginning, the project name was Archive of Voices . Not only did this title lack the European aspect, there was also a risk of confusion with a project of the same name from 2012, which published historical shellac recordings.

The project's kick-off event with 45 interviewers took place in January 2020. Interviews are to be held by the end of 2020. In autumn 2020, the interviews with a written English translation will be published on a website in order to make them available to the public free of charge. At the same time as the German Presidency of the Council of the European Union from July 1, 2020, the European Archive of Memories is supported by the Federal Foreign Office as one of six cultural projects. Publications and events are planned in several European cities. The Goethe-Institut is responsible for the planning and implementation .

target

The project aims to provide a glimpse of Europe with the help of contemporary witnesses. The memories of people who consciously experienced the initial phase of the European Union are preserved. The interviewees talk about the past and future of the continent as part of their life story. The interviews should work out what importance Europe had in the individual life stories and what we can learn from them for the future of Europe. The shared memories are intended to act as European education for future generations.

"The decisive goal is that we, as a younger generation, can in the end really say something different about Europe than just what the politicians mean, what the EU is."

- Simon Strauss : Deutschlandfunk Kultur

method

The project is being implemented by volunteers from “Arbeit an Europa eV”. The international interviewer team consists of 50 women and men between the ages of 20 and 40. The interviewers speak to the eyewitnesses in their mother tongue and in their respective home countries. Interviewees and interviewers come from over 30 countries that belong geographically and historically to Europe: Albania , Belgium , Bosnia-Herzegovina , Bulgaria , Denmark , Germany , Estonia , Finland , France , Georgia , Greece , Great Britain , Ireland , Iceland , Italy , Croatia , Latvia , Lithuania , Luxembourg , Moldova , Netherlands , Norway , Austria , Poland , Portugal , Romania , Russia , Sweden , Serbia , Slovakia , Slovenia , Spain , Czech Republic , Ukraine , Hungary

“Europe has no natural borders. […] The essence of Europe is made up of common values ​​despite all its differences. "

- Contemporary witness Adriano Moreira (* 1922) : Berliner Zeitung

Advice and quality assurance are provided by a board of trustees consisting of Aleida Assmann , Heinz Bude , Peter Raue , Michael Krüger , Juliane von Herz , André Schmitz and Angelo Bolaffi . Together with the sociologist Heinz Bude, a questionnaire was developed as a guide to ensure that the conversations can be compared. One question, for example, is: “How did you feel when you looked into the future as a young person?” Bude also trained the interviewers for their task.

“The main difficulty is getting the connection between personal stories and collective concerns. [...] I hope that you will succeed, that in the end the question of Europe is always a question of personal involvement in Europe. "

- Heinz Bude : Deutschlandfunk Kultur

The conversations are recorded with a uniform recording technology.

Contemporary witnesses

People who were born in the first half of the 20th century are interviewed. Specifically, the focus was initially on birth cohorts before 1940, which was later expanded to include all cohorts before 1945. Some of the interviewees still experienced war, oppression and flight.

The interview partners are proposed by interviewers from their country and selected by a jury. The aim of the project is to let a wide range of people have their say. The interviewees are predominantly journalists, politicians, artists, intellectuals, scientists, diplomats and religious people. Other criteria include ethnicity , gender or social origin. When making the selection, it is also important that the persons concerned are not questioned several times on European issues.

Contemporary witnesses of the European Archive of Voices (sortable)
country Surname vintage job
Albania Maks Velo 1935 Artist and political activist
Belgium Mark Eyskens 1933 Politician
Bosnia Jovan Divjak 1937 general
Bulgaria Axinia Dzurova 1942 Philologist and art historian
Denmark Bodil Nyboe Andersen 1940 Economist and

former National Bank Director

Denmark Niels Barfoed 1931 Intellectual
Germany Christian Meier 1929 Ancient historian
Estonia Talvi Märja 1935 Psychologist and educationalist
Finland Caj Bremer 1929 photographer
Finland Leena Orvilahti 1935 translator
France Jean-Claude Carrière 1931 Screenwriter
Georgia Besik Kharanauli 1939 Writer and poet
Georgia Eldar Shengelaia 1933 Film producer and politician
Greece Vassilis Vassilikos 1934 Writer and diplomat
Great Britain Mary Goudie 1946 politician
Ireland Mícheál Ó Muircheartaigh 1930 Sports commentator
Iceland Vigdís Finnbogadóttir 1930 Politician and former President
Italy Bartolomeo concern 1929 Journalist and anti- mafia activist
Italy Biancamaria Frabotta 1946 poetess
Italy Elsa Montessori 1931 photographer
Kosovo Rexhep Qosja 1936 writer
Croatia Irena Vrkljan 1930 Writer
Latvia Ausma Ziedone-Kantāne 1941 politician
Lithuania Irena Veisaitė 1928 Theater scholar
Luxembourg Erna Hennicot-Schoepges 1941 politician
Netherlands Cees Nooteboom 1933 writer
Netherlands Neelie Kroes 1941 politician
North Macedonia Dimitar Belchev 1946 Electrical engineer and diplomat
Norway Karin Krog 1937 Jazz singer
Austria Hanna Molden 1941 Writer
Poland Henryk Wujec 1940 Politician
Portugal Adriano Moreira 1922 Politician
Romania Nora Iuga 1931 Writer
Russia Lyudmila Ulitskaya 1943 Writer
Sweden Sven-Eric Liedman 1939 Historian of ideas
Switzerland Cornelio Sommaruga 1932 Diplomat and former President of the

International Committee of the Red Cross

Serbia Dragoslav Mihailovic 1930 writer
Slovakia Egon Gal 1940 sociologist
Slovakia Eva Mosnakova 1929 Holocaust survivor and contemporary witness
Spain Lidia Falcon 1935 Writer and politician
Spain Rosa Regàs 1933 Writer, publisher, former director of

National Library

Czech Republic Alena Wagnerová 1936 Publicist and Sociologist
Ukraine Oleh Pantschuk 1932 Chemist
Hungary Iván Szelényi 1938 sociologist
Hungary Vera Szekeres Varsa 1933 Philologist
Vatican city Walter Brandmüller 1929 cardinal
Belarus Stanislau Shushkevich 1934 Physicist and former

president

Cyprus Kyriakos Charalambides 1940 Writer and former director

of the Culture Department of the Cypriot Radio

Web links

Individual evidence

  1. a b c d e f g h i Charlotte von Bernstorff: What holds this continent together. The European Archive of Voices. In: deutschlandfunkkultur.de. Deutschlandfunk Kultur, June 24, 2020, accessed on June 26, 2020 .
  2. a b c d e f g h i j k l European Archive of Voices. In: archiveofvoices.eu. Arbeit an Europa eV, 2020, accessed on June 27, 2020 (English).
  3. ^ European Archive of Voices. In: Arbeitaneuropa.com. Arbeit an Europa eV, 2020, accessed on July 10, 2020 (English).
  4. a b c d Stefan Meetschen: Simon Strauss: Religion will again become a stronger authority. The Daily Mail - Catholic Newspaper for Politics, Society and Culture, February 27, 2019, accessed on July 8, 2020 .
  5. a b c d e f g h i j Charlotte von Bernstorff: A collective memory for Europe. The European Archive of Voices. In: deutschlandfunkkultur.de. Deutschlandfunk Kultur, November 20, 2019, accessed on June 26, 2020 .
  6. a b c d e f g h i j k l Arbeit an Europa eV (Ed.): Project presentation “European Archive of Voices” . Oberuckersee 2020.
  7. Bernd Rill, et al ao Aleida Assmann: National memory in Germany and Poland . Europe's divided memory and the concept of dialogic remembering. Ed .: Hanns Seidel Foundation eV Munich 2011, ISBN 978-3-88795-381-2 , p. 18 ( hss.de [PDF]).
  8. a b c Livia Gerster: Don't start with the economy, but with culture . Thinking about Europe differently: an initiative collects the voices of older contemporary witnesses who care about the unity of the continent. This is how an archive of ideas should be created. In: Michael Maier (Ed.): Berliner Zeitung . Daily newspaper. No. 119 . Berliner Verlag, May 24, 2019, ISSN  0947-174X , p. 4 .
  9. a b c et al. Simon Strauss: Frankfurt Book Fair; News and Information . Simon Strauss: Working on Europe. tape 46 , 2019, p. 16, 17 (English).
  10. ^ Friedemann Brenneis: The archive of the voices. In: deutschlandfunk.de. Deutschlandfunk, April 25, 2013, accessed on July 1, 2020 .
  11. Charlotte von Bernstorff: A collective memory for Europe. The European Archive of Voices. In: deutschlandfunkkultur.de. Deutschlandfunk Kultur, November 20, 2019, accessed on June 26, 2020 (Word order slightly changed for better understanding. Original: "That is the decisive goal that we can really tell something different in the end than a younger generation about Europe than just that what the politicians mean, what the EU is. ").
  12. ^ European Archive of Voices. In: archiveofvoices.eu. Arbeit an Europa eV, 2020, accessed on June 27, 2020 (English).
  13. Questionnaire. (PDF) European Archive of Voices - A Project by Arbeit an Europa eV In: archiveofvoices.eu. Arbeit an Europa eV, 2020, accessed on June 27, 2020 (English).