Georg Reinbeck

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Georg Reinbeck, ivory miniature by Mariette Zöppritz born. Hartmann.

Georg Reinbeck , from 1837 von Reinbeck (born October 11, 1766 in Berlin , † January 1, 1849 in Stuttgart ) was a German writer, Germanist and educator.

In 1791 he moved from Berlin to St. Petersburg , where he worked as a teacher until 1805 and participated in the development of the German theater. In 1808 he settled in Stuttgart and worked there as a professor of German language, literature and aesthetics at the grammar school. He and his wife Emilie Reinbeck ran the Hartmann-Reinbecksche Haus as a nationally important center of cultural life in Stuttgart.

Georg Reinbeck worked for the “ Morgenblatt für educated stands ” and other cultural magazines. He left behind an extensive oeuvre of dramas, stories, travelogues, German language textbooks and treatises on theater and literary theory. During his lifetime he became known throughout Germany for his literary work and his tireless commitment to erecting the first Schiller monument. After his death he was soon forgotten as a writer of the classical period and school.

Life

Berlin (until 1782)

Joachimsthalsches Gymnasium, 1757.

Georg Gottlieb Sigismund Reinbeck was born on October 11, 1766 in Berlin as the sixth of seven children (he had five sisters and one older brother). His father was Otto Sigmund Reinbeck (1727–1805), a deacon at the Petrikirche in Cölln on the Spree. His mother was Margarethe Louise Holtorf, the daughter of a doctor in Freienwalde . His paternal grandfather was the theologian and Royal Prussian Consistorial Councilor Johann Gustav Reinbeck , whose biography he published in 1842.

He attended the Joachimsthalsche Gymnasium in Berlin under the rector Johann Heinrich Ludwig Meierotto and the professor of philosophy and fine sciences Johann Jakob Engel . His love for literature and theater was aroused in his childhood. As a teenager he began to perform small theater scenes with his peers.

Danzig (1782–1786)

In his memoirs, Georg Reinbeck only reports fragmentarily and in vague hints about the time between leaving school and 1791. He left his parents' house and lived for four years in Danzig "in a very well-educated English home". Here he spent “the happiest time of my life”, even if he was troubled by “mistakes”, “carelessness” and the “strength of youth”. Visiting performances by the Schuchische Theatertruppe in autumn 1784 "kept my inclination for the stage nourished and was kindled by a tender inclination of my heart to full flame", an allusion to the celebrated singer, pianist and composer Minna, who was only two years older Brandes (1765–1788), whom he adored, and from whom he received “some innocent favors behind the curtains”.

St. Petersburg (1791–1805)

Petri School in St. Petersburg, around 1910.
Kremlin in Moscow, frontispiece in Georg Reinbeck's “Fleeting Remarks”, 1806.

After four years, around 1788 unspecified "circumstances" led him to St. Petersburg. On the trip he met Anna Maria Helena von Pallandt (1762-1816). The woman, who was born in Danzig, had been to visit her hometown, but lived in St. Petersburg. On the trip and during Georg Reinbeck's stay in St. Petersburg for several months, they got closer. In 1788 he married Helena von Pallandt, who was four years his senior and had “a not inconsiderable independent fortune”. Back in Germany, luck did not smile at him, as he put it, neither professionally nor in business, and his wife had lost two thirds of her wealth as a result of the Turkish war .

In their precarious position, they returned to St. Petersburg in June 1791. The couple spent the next fourteen years until 1805 in the Russian capital. The collection of outstanding debts and the wife's remaining assets allowed them to earn a living for the time being. Georg Reinbeck found a job as a tutor for Sergei Semjonowitsch Uvarow and his brother, which he lost again after a year because the family moved away. Thereupon he passed the teaching examination in 1794 before the examination committee of the German " Petrischule ", and when Johann Leonhardi died in the same year, his position as senior teacher of aesthetics and the German and English language was assigned to him. In 1804 he also took over German lessons at the imperial page corps. For the Petri School, he wrote a German language lesson, which was reprinted several times in Germany until 1820.

His commitment to building a professional German theater was not crowned with success, also because of constant quarrels with the theater director. In St. Petersburg he created his first plays, including the farce "Herr von Hopfenkeim", which was also performed under Goethe at the Weimar Court Theater .

After 14 years in St. Petersburg, Georg Reinbeck decided to return to Germany for health reasons. The couple left St. Petersburg at the beginning of June 1805, stayed in Moscow for six weeks and at the end of July traveled via Warsaw and Breslau to Dresden, where they settled for a year. In 1806 Georg Reinbeck published a report on this trip under the title "Fleeting remarks on a journey from St. Petersburg via Moskva, Grodno, Warsaw, Breslau to Germany in 1805", a vivid description of the country and people in Russia.

Dresden, Weimar, Heidelberg, Mannheim (1805–1808)

The Reinbecks lived in Dresden for a year until the summer of 1806, then in Tharandt and Leipzig until they came to Weimar at the end of September 1806 , where they stayed until April 1807. They then went to Heidelberg and in October to Mannheim , where they stayed until April 1808. From 1805 to 1808 Georg Reinbeck worked as a book author and from 1807 as a freelancer for the “ Morgenblatt für educated stands ”.

Weimar

In Weimar he got to know personally Goethe, whom he admired most among all German poets. At Johanna Schopenhauer's evening parties , in which Goethe occasionally also took part, he also met other representatives of Weimar intellectual life. After the defeat of Jena and Auerstedt , the Reinbecks experienced the looting of the French in Weimar, but got away unscathed.

Heidelberg

After his stay in Heidelberg in the summer of 1807, Georg Reinbeck published 12 letters about Heidelberg in the Morgenblatt at the end of the year under the title “Fragments from a journey through Germany”, which he published in 1808 as a book. The content of the letters was mostly harmless, apart from the completely baseless and unobjective verdict about Caroline Rudolphi's "female educational institute", which was based on misogynist prejudices. The letters led to an exaggerated and defamatory reaction from 18 Heidelberg professors. They declared

“All those hostile, malicious insinuations that are contained therein against several local institutes, for either malicious or senseless, in any case completely unfounded slander ...; they also declare the publisher and the editors of this sheet to be the guardians of the defamation. "

The Heidelberg professors' declaration caused a sensation across Germany, and Georg Reinbeck and the morning newspaper publisher Johann Friedrich Cotta , who was also attacked , defended themselves with counter-declarations. The Heidelberg Romantics immortalized Georg Reinbeck in 1808 in their " Zeitung für Einsiedler " as a monkey beef ram, the house servant of the Horribiliscribifax (= Heinrich Voss ).

Stuttgart (1808-1849)

Morning paper

In May 1808 Georg Reinbeck was appointed by Johann Friedrich Cotta as co-editor of the " Morgenblatt für educated Estates " (the other editor was the poet Friedrich Haug ). The Reinbeck couple moved to Stuttgart and finally settled there.

Georg Reinbeck's contributions in the Morgenblatt, insofar as they were identified by name, consisted mainly of preprints from his own works and considerations on the theory of the stage; it can also be assumed that he was also active as a reviewer. After working for three years, he resigned from the Morgenblatt in 1811.

Before and after his work for the Morgenblatt he also wrote for other magazines. In St. Petersburg he delivered news and reviews about the St. Petersburg theater for the Riga magazine "Nordic Archive". From 1812 until at least 1833 Reinbeck worked as a reviewer for the Allgemeine Literaturzeitung in Halle. In 1812 he provided excerpts from his own operas “Die Karthagerin” and “David” and a few articles on opera theory for the “ Zeitung for the Elegant World ”, in which he postulated the equivalence of text and music.

professor

Portrait, Georg von Reinbeck, 1807, plaster medallion by Heinrich Max Imhof .

In the spring of 1811 Georg Reinbeck was appointed by King Friedrich to the royal Württemberg court advisor and professor of German language, literature and aesthetics at the upper secondary school in Stuttgart. Before he took up his post in October 1811, he took his wife on a three-month trip to Vienna, about which he reported a quarter of a century later in his “Reise-Chats”. In addition to teaching at the grammar school from 1811 to 1841, he was also a teacher at the Königin-Katharina-Stift from 1818 to 1827 . Since there were no German textbooks for the upper classes of the grammar school that corresponded to his pedagogical intentions, he himself published a four-volume “Handbuch der Sprachwissenschaft, with a special focus on the German language” between 1817 and 1828. His aim was to give the teaching of the German language the due recognition alongside the classical languages.

The opinion about Georg Reinbeck as a teacher was divided. While the quality of his teaching was not in doubt, his personal idiosyncrasies aroused the ridicule of students. The literary scholar Rudolf Krauss characterized him in 1897 as "a well-known and respected personality, of course often ridiculed because of his vanity and other weaknesses that he knew about the city."

Grave of the Hartmann and Reinbeck families in the Hoppenlauf cemetery.

Retirement

Georg Reinbeck retired at the end of 1841. He devoted the last eight years of his life to his literary activity. He died on the New Year of 1849 of dropsy of the breast at the age of 82 in Stuttgart. His father-in-law August von Hartmann , with whom he had lived together in the Hartmann-Reinbeck house, died a few months later on April 4, 1849. Georg Reinbeck and his wife Emilie as well as August von Hartmann, his wife Mariette and their unmarried daughter Julie are on the Hoppenlauffriedhof in Stuttgart is buried in a family grave.

Marriages

Helena Reinbeck

After leaving the Joachimsthal Gymnasium , Georg Reinbeck left his parents' house and moved to Danzig. After four years, unspecified "circumstances" led him to St. Petersburg. On the trip he met Anna Maria Helena von Pallandt (1762-1816). The woman, who was born in Danzig, had been to visit her hometown, but lived in St. Petersburg and was therefore referred to as a "Russian" baroness. On the trip and during Georg Reinbeck's stay in St. Petersburg for several months, they got closer.

In 1788 he married Helena von Pallandt, who was four years his senior and had “a not inconsiderable independent fortune”. Back in Germany, luck did not smile at him, as he put it, neither professionally nor in business, and his wife had lost two thirds of her wealth as a result of the Turkish war . In 1791 the couple decided to return to St. Petersburg, where they lived for 14 years. In 1805 they went back to Germany, this time forever.

From October 1806 the couple stayed in Weimar, where they survived the looting of the French after the defeat of Jena and Auerstedt unscathed. They took part in one of Johanna Schopenhauer's famous evening parties , at which Goethe was also present with his newlywed wife. Georg Reinbeck noted in his "Reise-Chatters": "I now introduced him to my wife, with whom he had a very friendly conversation." In his chronicle of the evening parties, Stephan Schütze gave a nice anecdote of the boldness and fearlessness of Professor Reinbeck Best. At one of the soireés, Goethe performed a long Scottish ballad, and the ladies had to speak the recurring sentence in chorus,

“But when the same words were repeated for the second and third time, Frau Professor Reinbeck was overcome with an involuntary laugh; Goethe paused, let the book drop and beamed at them all with the fiery eyes of a thundering Jupiter: 'Then I won't read!' he said very briefly. "
Tomb of Helena Reinbeck.

When the couple was in Heidelberg in the spring and summer, Georg Reinbeck was branded a slanderer in an inglorious argument with the Heidelberg professors. Heinrich Voss , the son of the famous Homer translator, described the situation to Goethe in a letter and let himself be carried away with a caustic criticism of "Madame Reinbeck":

“Basically, Madame Reinbeck is the author of those strange letters. She believes herself - perhaps not entirely wrongly - offended by many local families and is now avenging herself by her husband's pen. It is a terrible woman! "

As an individual testimony, this derogatory remark hardly allows any conclusions to be drawn about Helena Reinbeck's person. We do not have any further information about their performance and acceptance in society, since the wives of the men were mostly ignored in the reporting, unless they were famous themselves, such as Therese Huber or Reinbeck's second wife Emilie Reinbeck.

There were no children from the marriage with Georg Reinbeck. After 28 years of marriage, Helena Reinbeck died on October 19, 1816 at the age of 54. She was buried in the Hoppenlauffriedhof in Stuttgart (see Hoppenlaufriedhof, list of graves ). The grave inscription is badly weathered, but was largely reconstructed from an older photo.

Emilie Reinbeck

Emilie Reinbeck.

After the death of his first wife, Georg Reinbeck married the landscape painter Emilie Hartmann, 28 years his junior, a daughter of the Württemberg state councilor August Hartmann , who was only two years older than his son-in-law. The marriage remained childless and was problematic due to the large age difference. From 1832 Emilie Reinbeck found a certain balance in her friendship with the poet Nikolaus Lenau , to whom she was a motherly friend. When he went insane in 1844 and had to be admitted to an asylum, Emilie Reinbeck fell into disrepair and died two years later.

Hartmann-Reinbeck's house

→ Main article: Hartmann-Reinbeck's house .

Hartmann-Reinbecksches Haus, Friedrichstrasse 14, Stuttgart, street side, around 1890.

In 1826 Georg Reinbeck had a “large, beautiful house” built at 14 Friedrichstrasse. The building had three floors and seven window axes. The bright, simple facade with beautiful folding shutters and the flat hipped roof with mansards and protruding eaves gave the house a slightly southern flair.

The residents of the house were the Reinbeck couple, Emilie Reinbeck's parents August and Mariette von Hartmann and their daughters Julie and Mariette. The Hartmanns lived on the ground floor and the Reinbecks “the comfortable rooms on the first floor. They were furnished comfortably yet elegantly; Carpets, flowers and pictures were in abundance. "

The house at Friedrichstrasse 14 was named the Hartmann-Reinbecksche Haus after its residents, as was the house at Postplatz, which the Hartmann and Reinbeck families had shared with them. The house was a popular place to go for literary notables and culturally obsessed bourgeois dignitaries. Jean Paul's visits in 1819 are particularly memorable. The best-known among the long-term friends of the Reinbeck was Nikolaus Lenau , who lived with them again and again from 1833 until he was admitted to a mental institution in 1844 because of mental derangement.

Schiller Monument

Letter from the Schiller Club to Bertel Thorvaldsen dated January 30, 1830.

→ Main article: Schiller Monument (Stuttgart 1839) .

Georg Reinbeck was an important member of the cultural and social life in Stuttgart. From 1810 he belonged to the Stuttgart Museum Society, in 1811 he was appointed court counselor and professor at the secondary school, and in 1822 he was a co-founder of the Stuttgart reading club. When the Stuttgarter Liederkranz was founded in 1824, it was one of the 80 founding members. In 1826 the Liederkranz founded the Stuttgarter Schillerverein, an "Association for the Schiller's Monument in Stuttgart", in which Georg Reinbeck played a leading role.

Donations were collected for the planned Schiller Monument at the annual Schiller Festival. When the willingness to donate waned, Albert Schott , chairman of the Liederkranz and the Schiller Club, resigned as chairman of the Schiller Club in 1834. Georg Reinbeck was elected as his successor, "and under this tirelessly busy chairman new life came into the matter". The planned Schiller Monument became a national concern through Germany-wide donation campaigns, which were also reflected in the press, and the volume of donations rose rapidly. The famous Bertel Thorvaldsen in Rome was won over as the creator of the Schiller statue for the monument . After the inauguration of the Schiller Monument in 1839, Georg Reinbeck was granted honorary citizenship of the city for his outstanding services to the monument .

In his correspondence with Bertel Thorvaldsen , Georg Reinbeck advocated the transfer of casts and models by the famous artist, which were accepted into the Stuttgart art collection. For these efforts, King Wilhelm , an admirer and collector of the artist, awarded him the Knight's Cross of the Order of the Württemberg Crown in 1837, which was associated with elevation to the personal nobility.

plant

In addition to his job, Georg Reinbeck developed “a fruitful, busy literary hustle and bustle”. In his work "Outline of the History of German Poetry and its Literature" in 1829 he summarized his previous literary production in a nutshell:

"Georg Reinbeck composed 1. odes and songs, 2. short stories and stories, 3. tragedies, comedies and antics, 4. fables."

He also wrote travelogues, opera libretti, specialist essays and literary reviews. The novel was the only genre of literature to which he made no contributions.

Drama Collection, 1817.

play

Georg Reinbeck wrote 27 dramatic works, mostly based on foreign dramatic or literary models, of which he included 16 in the complete edition of his dramas from 1817 to 1822. According to Bernhard Gerlach, “The dramas have a multitude of well-drawn characters, but they lack the vital nerve of the drama: the rapidly progressing plot. The judgments of the literary historians about Reinbeck as a playwright are not favorable either. ”Although most of the dramas were performed, they were not granted a resounding and lasting success, even if two of his dramas were performed under Goethe at the Weimar court theater . In the complete edition of his dramas Reinbeck also included six theoretical treatises on the theater.

stories

Collection of short stories, 1841.

Georg Reinbeck's novellas and stories were published in six edited volumes, some of them in magazines. One of the anthologies contained a treatise on the theory of the novella. Bernhard Gerlach judges Reinbeck's narrative work:

“They [the novellas] flowed out of his pen in an astonishing quantity, light and agile. It is not without pleasure to read some of these pretty stories, but having to read them all over and over again is a torture. Why? Because they do not have a large subject, because all novels deal with the same subject, because the form of presentation is the same in all of them! "
“He wrote short stories for the German house, for the female sex, as he put it on: 'for the tender psyche', for 'tender souls'. Hence the almost complete lack of morally bad characters in his stories. The heroes are almost all virtuous heroes. Only in a few stories has he dared to let vice and badness appear. "

The literary historians took no notice of Reinbeck's novellas, with the exception of Heinrich Kurz , who qualified them as “solid but cumbersome”. In a review in the literary journal of the “Pope of Critics” Wolfgang Menzel from 1830, it was said that Reinbeck was “a popular narrator years ago”.

Poetry

Georg Reinbeck's lyrical work consists of a few dozen poems. They can be found scattered in the “ Morning Gazette for Educated Estates ”, in his short stories and stories, in his “Map Almanac” and in his “Handbuch der Sprachwissenschaft”. A detailed overview of Georg Reinbeck's poems can be found in #Gerlach 1910 , pp. 73–74.

List of works (selection)

  • Georg Reinbeck: Fleeting remarks on a trip from St. Petersburg via Moskwa, Grodno, Warsaw, Breslau to Germany in 1805. In letters from G. Reinbeck, 2 volumes. Leipzig 1806, Volume 1 , Volume 2 .
  • Georg Reinbeck: Heidelberg and its surroundings in the summer of 1807 in letters from G. Reinbeck. In addition to a strange contribution to the process of publicity against their opponents, and a supplement. Tübingen: Cotta, 1808, online .
  • Georg Reinbeck: Handbuch der Sprachwissenschaft, with special regard to the German language: for use in the upper classes of grammar schools and high schools, 4 volumes. Duisburg: Baedeker, 1817–1828.
  • Georg Reinbeck: All dramatic works by Georg Reinbeck. In addition to contributions to the theory of German drama poetry and knowledge of the current standpoint of the German stage. Volumes 1 and 2: Heidelberg 1817, 1818, Volumes 3–6: Koblenz 1818–1822.
    • My Dramatic Resume, Volume 1, Pages IX-XCII.
  • Georg Reinbeck: Orestes. Heroic opera in three sections. In addition to a foreword about the German opera to the educated of the female sex , in: Berlinischer Taschen-Kalender auf das Gemein-Jahr 1822 , pp. 133–214 online
  • Georg Reinbeck: Georg Reinbeck. In: Adolph Diesterweg (editor): The pedagogical Germany of the present. Or: Collection of autobiographies from now living German educators and teachers. Berlin 1835, pages 223-251.
  • Georg Reinbeck: Travel chats about excursions [Volume 1:] to Vienna (1811), Salzburg and the Salzkammergut in Upper Austria (1834), [Volume 2:] Weimar (1806), to the Würtembergische Alb (1824) and to the pre-cantons of Switzerland and the Rigi (1818). Stuttgart: Brodhag'sche Buchhandlung, 1837, Volume 1 , Volume 2 .

Digression

Carl Maria von Weber

“Romance of Laura” by Georg Reinbeck, setting: Carl Maria von Weber.

Some of Reinbeck's poems were set to music, including by Carl Maria von Weber , who lived in Stuttgart from 1809 to 1810 and there met Georg Reinbeck. He set three of his poems to music, including the "Romance to Laura" from the novella "Giovanni Altieri". The music writer Friedrich Wilhelm Jähns commented on this setting in 1871: "The pathetically spread poem is partly to blame for the insignificance and elongation of the composition."

Wilhelm Hauff

In 1897 the literary magazine “ Euphorion ” published the article “G. Reinbeck as a role model for W. Hauff ”. In it, the author points out the similarity between the opening scene in Georg Reinbeck's novella “Schwärmerei und Liebe” (1807) and a scene in Wilhelm Hauff's story “Die Bettlerin vom Pont des Arts” (1826). On a cold night on a lonely street, on the way home after a pleasant evening, a man meets a poor young woman of noble standing, whom he escorts protectively home. This exhausts the similarities between the two stories, and Hauff's supposed role model turns out to be an unproven assumption.

Memberships

  • 1807: Masonic lodge Carl zur Eintracht in Mannheim.
  • 1808–1828: Monday meeting with Eberhard Friedrich Georgii.
  • 1808: Thursday meeting with Johann Heinrich Dannecker in the "Danneckerei".
  • 1810: Stuttgart Museum Society, 1839–1840: Board of Directors.
  • 1821: Frankfurt scholars' association for the German language.
  • 1822: Co-founder of the Stuttgart Reading Club.
  • 1824: Stuttgarter Liederkranz .
  • 1827: Co-founder of the Stuttgart Art Association.
  • 1834: Co-founder and board member of the Stuttgart Schiller Association "Association for the erection of the Schiller Memorial in Stuttgart".

Honors

  • 1810: Award of an honorary doctorate by the Philosophical Faculty of the University of Halle.
  • 1811: Royal Württemberg Councilor and professor of German language, literature and aesthetics.
  • 1837: Knight of the Order of the Württemberg Crown and elevation to the personal nobility .
  • 1839: The city of Stuttgart was granted honorary citizenship “in recognition of his services to the establishment of the Schiller Monument”.
  • 1945: Reinbeckstrasse in Stuttgart-Rohr is named after Georg Reinbeck.

literature

Life

  • Conversations Lexicon / New Series: in two volumes. First section of the second volume or the main work, twelfth volume, first half: K – R. Leipzig 1825, pages 622-624, online .
  • Hermann Fischer:  Reinbeck, Georg (v.) . In: Allgemeine Deutsche Biographie (ADB). Volume 28, Duncker & Humblot, Leipzig 1889, p. 1 f.
  • Georg Gottlieb Sigismund Reinbeck. In: Bernhard Gerlach: The literary significance of the Hartmann-Reinbeckschen house in Stuttgart, 1779 - 1849. Münster 1910, page 28-106.
  • Dr. Georg von Reinbeck. In: Neuer Nekrolog der Deutschen , Volume 27, 1849, Weimar 1851, pages 47–49, online .
  • Waltraud Pfäfflin; Friedrich Pfäfflin: The graves of the poets on the Stuttgart Hoppenlau cemetery. With an essay by Udo Dickenberger. Stuttgart 2015. - Georg Reinbeck: Pages 186–187, Emilie Reinbeck: Pages 193–200, Anna Maria Helena von Reinbeck: Page 300.

plant

  • Karl Goedeke : Outline of the history of German poetry from the sources, Volume 3. Dresden 1881, Page 58, 156–157, 879, online .
  • Karl Goedeke : Outline of the history of German poetry from the sources. Second completely revised edition, volume 6. Dresden 1898, pages 445–448, online . - With catalog raisonné.
  • Karl Goedeke : Outline of the history of German poetry from the sources. Second completely revised edition, volume 8. Dresden 1905, page 17, 701, online .
  • Karl Goedeke : Outline of the history of German poetry from the sources. Second completely revised edition, volume 11, half volume 1. Düsseldorf 1951, page 224, online .
  • Karl Goedeke : Outline of the history of German poetry from the sources. Second completely revised edition, volume 11, half volume 2. Düsseldorf 1953, page 81, online .
  • Rudolf Krauss : Swabian Literature History. 1. From the beginnings to the nineteenth century. Freiburg im Breisgau 1897, pages 338–341.
  • Ernst Müller: G. Reinbeck as a role model for W. Hauff. In: Euphorion , Volume 4, 1897, Pages 319–323, online .
  • Bernhard Zeller: Literary life in Stuttgart town houses around 1800. In: Christoph Jamme (editor); Otto Pöggeler (editor): “O princess of home! Glükliches Stutgard “: Politics, Culture and Society in the German Southwest around 1800. Stuttgart 1988, pages 77–97.

Auxiliary literature

  • The Schiller Festival. The Schiller Monument. In: Otto Elben : Memories from the history of the Stuttgarter Liederkranz: Festgabe for the 70th anniversary. Stuttgart 1894, pages 9-16.
  • Sylvia Heinje: On the history of the Stuttgart Schiller monument by Bertel Thorvaldsen. In: Gerhard Bott (editor): Bertel Thorvaldsen. Investigations into his work and the art of his time. Cologne 1977, pages 399-418.
  • Elise von Hohenhausen : Nikolaus Lenau and Emilie Reinbeck. A poet friendship. In: Westermanns illustrated German monthly books , Volume 34, April to September 1873, pages 206-214.
  • Friedrich Wilhelm Jähns: Carl Maria von Weber in his works. Berlin 1871, pages 84-86, 202, 443-444.
  • Karl Klöpping: Historic cemeteries of old Stuttgart, Volume 1: Sankt Jakobus to Hoppenlau; a contribution to the history of the city with a guide to the graves of the Hoppenlaufriedhof , Stuttgart 1991. - Grave of Anna Maria Helena von Reinbeck, illustration: page 299.
  • Stephan Schütze : The evening parties of Höfräthin Schopenhauer in Weimar 1806–1830 In: Weimar's album for the fourth secular celebration of the art of printing on June 24, 1840. Weimar 1840, pages 183–204, online .
  • Just Mathias Thiele : Thorwaldsen's life. Volume 2: Leipzig 1856, pages 221-231, 302-303, 318-321, 334, online .
  • Just Mathias Thiele : Thorwaldsen's life. Volume 3: Leipzig 1856, pages 87-91, 119-120, online .

Archives

Web links

Commons : Georg Reinbeck  - Collection of images, videos and audio files

Footnotes

  1. ↑ Mariette Zöppritz born Hartmann was a sister of Georg Reinbeck's wife, Emilie Reinbeck.
  2. ↑ # Gerlach 1910 , page 31.
  3. ↑ # Reinbeck-Dramen 1 , page XIV, # Conversations-Lexicon 1825 .
  4. ↑ #Gerlach 1910 , pages 32–33, #Reinbeck 1817 , pages XI-XV, #Reinbeck 1835 .
  5. ↑ According to #Reinbeck 1835 , page 238, he did not attend the top class (Suprema) of the grammar school.
  6. ↑ #Reinbeck 1817 , page XVII.
  7. ↑ #Reinbeck 1835 , page 238.
  8. ↑ #Reinbeck 1817 , page XVII-XIX, XXIV.
  9. ↑ # Reinbeck 1806 .
  10. ↑ #Reinbeck 1835 , page 238.
  11. ↑ #Reinbeck 1835 , page 238.
  12. ↑ #Reinbeck 1835 , page 238, 240.
  13. ↑ #Reinbeck 1835 , page 242-244.
  14. ↑ #Goedeke 2.06 , page 447, number 16.
  15. ↑ # Gerlach 1910 , pp. 33-35.
  16. ↑ # Reinbeck 1806 .
  17. ↑ # Reinbeck 1808 .
  18. ↑ #Reinbeck 1808 , pages 35-40, 167-174.
  19. ↑ #Reinbeck 1808 , page 130.
  20. ↑ #Reinbeck 1808 , pp. 134-181.
  21. ↑ # Gerlach 1910 , pp. 49–52.
  22. ^ Obergymnasium: Upper classes of the grammar school.
  23. ↑ # Reinbeck 1837.1 .
  24. ↑ #Reinbeck 1817 , Volume 1, Division 1, Page VI.
  25. ↑ # Gerlach 1910 , page 58.
  26. ↑ # Gerlach 1910 , pp. 59–60.
  27. ↑ # Krauss 1897 , pp. 338–339.
  28. ↑ # Gerlach 1910 , page 69.
  29. ↑ It is certain that Georg Reinbeck was in Gdansk in autumn 1784 when the Schuchische theater troupe and the singer Minna Brandes performed there.
  30. ↑ #Reinbeck 1835 , page 238.
  31. ↑ #Reinbeck 1835 , page 238.
  32. ↑ #Reinbeck 1837.2 , page 108.
  33. ↑ # Schütze 1840 , page 196.
  34. ↑ # Gerlach 1910 , pp. 48–49.
  35. ↑ This refers to the letters about Heidelberg that Georg Reinbeck first published in the “ Morgenblatt für educated Estates ” and then in his book #Reinbeck in 1808 .
  36. ↑ In his “Fleeting Remarks”, in which he describes his journey from St. Petersburg to Germany, Georg Reinbeck does not mention his wife at all, for example.
  37. ↑ #Family register .
  38. ↑ # Pfäfflin 2015 , page 300.
  39. ↑ #Hohenhausen 1873 , page 211.
  40. ↑ #Hohenhausen 1873 , page 211.
  41. ↑ #Elben 1894 , page 15.
  42. ↑ #Elben 1894 , #Heinje 1977 , #Gerlach 1910 , pp. 69–73. For further sources see: Schiller Monument (Stuttgart 1839) .
  43. ↑ #Thiele 1856.1 , pp. 319–321.
  44. ↑ #Fischer 1889 .
  45. ↑ #Zeller 1988 , page 90.
  46. ↑ # Gerlach 1910 , page 29, footnote 2.
  47. ↑ # Reinbeck Dramas .
  48. ↑ #Gerlach 1910 , pages 86-106, #Goedeke 2.06 , pages 447-448, number 22.
  49. ↑ # Gerlach 1910 , pp. 74-75.
  50. ↑ # Gerlach 1910 , pp. 75-77.
  51. ↑ # Gerlach 1910 , pp. 77, 85.
  52. ↑ # Gerlach 1910 , page 85.
  53. ↑ #Reinbeck 1810 ,
  54. ↑ Volume 3, Department 2, see #Goedeke 2.06 , page 447, number 16.
  55. ↑ # Jähns 1871 (quote on page 85), # Gerlach 1910 , page 84.
  56. ↑ # Müller 1897 , page 322, #Gerlach 1910 , page 85-86.
  57. ^ Stuttgart City Archives, newspaper clippings.
personal data
SURNAME Reinbeck, Georg
ALTERNATIVE NAMES Reinbeck, Georg von
BRIEF DESCRIPTION German writer, Germanist and educator
DATE OF BIRTH October 11, 1766
PLACE OF BIRTH Berlin
DATE OF DEATH January 1, 1849
Place of death Stuttgart