Joan Lingard

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Joan Amelia Lingard (born April 23, 1932 in Edinburgh ) is a Scottish novel and children's and young adult writer . She grew up in Belfast and now lives in Edinburgh. She won several book prizes in the 1980s to 2000s, including the Scottish Arts Council Award in 1994 and 1998. In 2015, her late work, the youth book Trouble on Cable Street , was shortlisted for the Little Rebels Awards .

Life

Joan Lingard was born in 1932 in the Scottish capital Edinburgh, on the Royal Mile of the old town. However, she spent her childhood and youth in Belfast, Northern Ireland . There she went to the Bloomfield Collegiate School. She was attracted to books at an early age and so, at the age of eleven, with the desire to be a writer in her head, she herself wrote an Enid Blyton- inspired adventure book, which she prepared like a real one with illustrations, cover, blurb and serial number . Her mother died when she was 16 years old. She left school and was teaching children in a shabby building in Belfast due to a blatant teacher shortage in the early 1950s. Two years later, she and her father made the decision to move back to Scotland. After returning to her hometown of Edinburgh, she initially worked as a librarian in the public library . She then completed a teacher training course at the Moray House College of Education in the neighborhood where she was born . From 1953 to 1961 she taught at a village school in Midlothian .

At the same time she worked on a manuscript for a novel , the final version of which she sent to various publishers. Hodder & Stoughton accepted it, so that Joan Lingard did not embark on a career as a writer until 1963, at the age of 30, with an adult novel entitled Liam's Daughter . Five more novels were published in quick succession until she made her debut in 1970 with a book for young people . She received the impetus for this from an author friend. She thought her already designed adult characters to and it arose from the young protagonist in The Twelfth Day of July (dt .: The twelfth July ). This book opened an unusually successful and fruitful creative phase as a children's and youth author. It forms the first volume in the five-part Kevin and Sadie series about two Northern Irish teenagers who develop and maintain relationships in an aggressive environment divided by different religions . Lingard's intention was to motivate young people not to blindly accept the prejudices of their parents. The book was 16 years later by the young spectators of ZDF telecast students express the " price of bookworms excellent" and now sold over a million copies. A little later the even more successful sequel in 1972, received Across the Barricades (dt .: About the barricades ), the prestigious Buxtehude Bull . Since these honors were bestowed in Germany, i.e. abroad, numerous honors have also followed in the United Kingdom . Her admission as "MBE" in the Order of the British Empire 1998 for her contribution to youth literature should be emphasized.

Out of the situation of having to come up with new ideas for the Kevin and Sadie series, she wrote - in a somewhat unencumbered manner - books for the Maggie series, which came in four volumes. The protagonist lives in a working-class family in Glasgow . Contrary to Sadie, she does not cling to traditions , but explores how far she can go in terms of violating conventions and self-fulfillment , whereby the most important thing for her is simply the desire for higher education .

Edinburgh, on the other hand, is the setting for youth novels such as Rags and Riches (German: gravel and clothes ) and Glad Rags (German: motley clothes ), which addressed a new topic in 1988 and 1990 respectively. In Spain , where Lingard spends a few months each year, the adult novels A Secret Place (1998), Tell the Moon to Come Out (2003) and Encarnita's Journey (2005) are set, while The Kiss (2002) is set in Paris . The latter two contain strong references to an art genre, here to literature , there to the visual arts . Already Liam's Daughter had parts of Northern Ireland and France as the venue. In addition to the stories with a Northern Irish background, other works by Lingard take up the experiences of her husband, who, as a child , had to flee with his parents from Latvia via Germany to Canada after the Soviet attack in 1944 .

Her grandparents' experiences can also be found in The Eleventh Orphan and in the sequel The Chancery Lane Conspiracy , and those of their father at sea in After You've Gone . Trouble on Cable Street is loosely based on the father's childhood. An inglorious incident, in which she herself participated as a student, namely making the life of her German teacher, who was wrongly suspected of espionage, to hell, she developed into the youthful novel The File on Fraulein Berg (1980). Finally, she also processed the life episode of her then 15-year-old daughter, who had come into conflict with the law in the anti-nuclear movement ( The Guilty Party ). She also devoted herself to animal welfare in three books: in The Egg Thieves (2002) the birds and other animals in the Tilly books Tilly and the Wild Goats (2005) and Tilly and the Badgers (2006).

Until the end of the day, Lingard wrote her manuscripts by hand first, noted changes in the margins, and then retyped everything. In total, she realized over 70 book projects, almost 20 of them for adults and over 50 for children and young people. There is also a 16-part children's radio drama series based in Belfast, conceived and implemented for the BBC in 1995 . In the UK she often read in schools and in Germany many of her works are used in English classes.

Youth book characteristics

Lingard's main field is youth literature . There are adolescents in their books who have to define themselves in the field of tension between social, societal and political forces. Often they are helpless in the face of conflicts, but in dealing with these conditions they manage to confidently assume an individual position. Many of Lingard's fictions combine the past and the present because the characters hold tight to their roots and family history. This is not surprising when you consider that members of your own family (and Lingard himself) had a life path linked to historical events.

In the first work The Twelfth Day of July , she is only concerned with the mentioned aspect of developing one's own opinion. She avoids taking political and social sides by ensuring a balanced group of people, namely four young people on both sides, a pair of siblings each with a boy and a girl as closest confidante and followers. The Ricorso website. A Knowledge of Irish Literature leads an English review of where in Lingard's Kevin-and-Sadie - pentalogy still a tendency for the unionist Protestants is identified. The German reviewer Birgit Dankert pointed out that breaking down the Northern Ireland conflict on two groups of young people, without any involvement in the IRA with their bomb terror, could be interpreted as a trivialization. Criticism was heard at all, the books in this series left questions unanswered, but Cecilia Gordon says in her description in the reference work Twentieth-Century Children's Writers that this is precisely what conveys to young readers that life is always made up of new imponderables and struggles. Are not to overlook the parallels of the initial situation by Kevin and Sadie for Romeo and Juliet - archetype , although the end of the two contemporary lovers is relatively happy.

Cecilia Gordon sums up with regard to the ingredients of personality development, love experience and historical impact, Lingard does not write banal love stories, but draws her readership under her spell with up-close history and at the same time makes them receptive to recognizing the origin of bigotry and prejudice.

In Joan Lingard's last coming-of-age novel Trouble on Cable Street , two contradicting views collide again, this time political regarding the Spanish Civil War and this time within a family: In London in the 1930s, a brother of Isabella decides to volunteer for the International Brigades to Spain while her other brother is toying with joining the fascist movement . In the end it was not enough for the Little Rebels Award, but Lingard made it onto the shortlist again at the end of her career.

Quote

“I am particularly interested in characters caught up in social change, with all its attendant problems and stresses; Also in the relationship within families, and which part of their inheritance young people retain, and which part reject, or attempt to. "

“I am particularly interested in characters who are involved in social change, with all the problems and burdens associated with it, including in family relationships, and which aspects of their traditional heritage young people accept and which they reject or try to do. "

- Joan Lingard : Twentieth-Century Children's Writers

Works

Published in German

Original title (selection)

Awards

Web links

Individual evidence

  1. a b c d e f g h i j Cecilia Gordon: Lingard, Joan (Amelia) . In: DL Kirkpatrick (Ed.): Twentieth-Century Children's Writers . With a Preface by Naomi Lewis. The Macmillan Press Ltd., London / Basingstoke 1978, ISBN 978-0-333-23414-3 , pp. 779-781 .
  2. a b Eight Little Rebels Have Been Shortlisted! Trouble on Cable Street by Joan Lingard. In: littlerebels.org. The Alliance of Radical Booksellers (ARB), April 8, 2015, accessed March 2, 2019 .
  3. ^ A b c Harriet Mallinson: Stories with a message make the Little Rebels book award shortlist. Picture books featuring knitting schoolboys and bird catchers, along with teen reads about fascism, are in the running for the Little Rebels children's book award for stories imbued with social justice. In: theguardian.com . April 9, 2015, accessed March 2, 2019 .
  4. a b c d Joan Lingard: Joan Lingard. In: scottishpen.org. Scottish PEN, accessed March 2, 2019 .
  5. a b c d e f g h Joan Lingard [Great Britain]. Biography. In: literaturfestival.com. Peter Weiss Foundation for Art and Politics V. , accessed on March 2, 2019 .
  6. a b c d e f g Valerie Bierman: Authorgraph No. 60 - Joan Lingard. In: booksforkeeps.co.uk. 1990, accessed on March 2, 2019 .
  7. a b c d e Elizabeth O'Reilly: Joan Lingard. Critical Perspective. In: britishcouncil.org. 2010, accessed on March 2, 2019 .
  8. a b Elizabeth O'Reilly: Joan Lingard. Biography. In: britishcouncil.org. 2010, accessed on March 2, 2019 .
  9. a b Tommy Moore: Joan Lingard. The Linen Hall Library marks the 40th anniversary of Joan Lingard's The Twelfth Day of July with an exhibition of her work. In: culturenorthernireland.org. David Lewis, 2009, accessed March 2, 2019 .
  10. a b Joan Lingard. Life, Works, Criticism, Commentary, Quotations, References, Notes. In: ricorso.net. Bruce Stewart, accessed March 2, 2019 .
  11. Birgit Dankert: Lingard, Joan. The twelfth of July […] In: Purchasing center for libraries (ed.): Ekz-Informationsdienst . No. 24/85 , August 1985 (here in slip form, in booklet form see: BA ( meetings, annotations ) 8/85).