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{{Use mdy dates|date=April 2014}}
{{Use mdy dates|date=April 2014}}
{{Infobox artist
{{Infobox artist
| bgcolour = #6495ED
| name = Charles Jay Connick
| name = Charles Jay Connick
| image = Charles Connick.jpg
| image = Charles Connick.jpg
| imagesize = 180px
| image_size = 180px
| caption = Charles Connick at work circa 1945
| caption = Charles Connick at work circa 1945
| birth_name =
| birth_name =
| birth_date = {{birth date |1875|9|27|}}
| birth_date = {{birth date|1875|9|27|}}
| birth_place = [[Springboro, Pennsylvania|Springboro]], Pennsylvania
| birth_place = [[Springboro, Pennsylvania]]
| death_date = {{death date and age |1945|12|28|1875|9|27|}}
| death_date = {{death date and age|1945|12|28|1875|9|27|}}
| death_place =
| death_place =
| nationality = American
| nationality = American
| siblings = [[Louise Connick]], [[Grace Connick]], [[Coburn Ernest]] Connick
| known_for = [[Stained glass]], painting, writer
⚫
| training =
| field = [[Stained glass]], painting, writer
⚫
| training =
| movement = [[Gothic Revival]]
| movement = [[Gothic Revival]]
| works =
| notable_works =
| patrons =
| patrons =
⚫
| awards = Gold Medal at the [[Panama-Pacific International Exposition (1915)|Panama-Pacific International Exposition]]<ref name="men of mark">{{cite book | url=https://archive.org/details/athousandameric00unkngoog | title=A Thousand American Men of Mark To-day | year=1917 | publisher=American Men of Mark | location=Chicago, Illinois | pages=[https://archive.org/details/athousandameric00unkngoog/page/n76 72]–73 | access-date=November 12, 2009}}</ref>
| influenced by = [[Christopher Whall]]
| influenced =
⚫
| awards = Gold Medal at the [[Panama-Pacific International Exposition (1915)|Panama-Pacific International Exposition]]<ref name="men of mark">{{cite book | url=https://books.google.com/books?id=PN8MAAAAYAAJ&pg=PA72#v=onepage&q=&f=false | title=A Thousand American Men of Mark To-day | year=1917 | publisher=American Men of Mark | location=Chicago, Illinois | pages=72–73 | accessdate=November 12, 2009}}</ref>
}}
}}
'''Charles Jay Connick''' (1875–1945) was a prominent American painter, [[mural]]ist, and designer best known for his work in [[stained glass]] in the [[Gothic Revival]] style. Born in [[Springboro, Pennsylvania]], Connick eventually settled in the [[Boston]] area where he opened his studio in 1913. Connick's work is contained in many preeminent churches and chapels, including examples in Boston, Chicago, Detroit, New York City, [[Pittsburgh]], San Francisco, [[Seattle]], and Washington, D.C.<ref name="askart">{{cite web | url=http://www.askart.com/AskART/artists/biography.aspx?searchtype=BIO&artist=125580 | editor-first=Peter Hastings | editor-last=Falk | title=Who Was Who in American Art | accessdate=November 12, 2009}}</ref> He also authored the book ''Adventures in Light and Color'' in 1937. Connick's studio continued to operate, and remained a leading producer of stained glass, until 1986.
'''Charles Jay Connick''' (1875–1945) was a prominent American painter, [[mural]]ist, and designer best known for his work in [[stained glass]] in the [[Gothic Revival]] style. Born in [[Springboro, Pennsylvania]], Connick eventually settled in the [[Boston]] area where he opened his studio in 1913. Connick's work is contained in many preeminent churches and chapels, including examples in Boston, Chicago, Detroit, New York City, [[Pittsburgh]], San Francisco, [[Seattle]], and Washington, D.C.<ref name="askart">{{cite web | url=http://www.askart.com/AskART/artists/biography.aspx?searchtype=BIO&artist=125580 | editor-first=Peter Hastings | editor-last=Falk | title=Who Was Who in American Art | access-date=November 12, 2009}}</ref> He also authored the book ''Adventures in Light and Color'' in 1937. Connick's studio continued to operate, and remained a leading producer of stained glass, until 1986.


==Life==
==Life==
[[File:Facade of Saint Patrick's by David Shankbone.jpg|250px|thumb|right|Exterior of Connick's rose window at [[St. Patrick's Cathedral, New York]]]]
[[File:Facade of Saint Patrick's by David Shankbone.jpg|250px|thumb|right|Exterior of Connick's rose window at [[St. Patrick's Cathedral, New York]]]]
Born in Springboro in [[Crawford County, Pennsylvania]] on September 27, 1875, Connick moved with his family to Pittsburgh when he was eight years old. Bullied by city children who made fun of his countrified attire, Connick would stay indoors during [[Recess (break)|recess]] and draw with [[crayon]]s, and thereby developed an interest in drawing and color at a young age.<ref name="trib-review">{{cite news | url=http://www.pittsburghlive.com/x/pittsburghtrib/focus/s_599003.html | title=Pittsburgh stained-glass artist's work beautifies region | first=Sandra Fischione | last=Donovan | newspaper=Pittsburgh Tribune-Review | date=November 23, 2008 | accessdate=November 12, 2009 | archive-url=https://archive.is/20120913080101/http://www.pittsburghlive.com/x/pittsburghtrib/focus/s_599003.html# | archive-date=September 13, 2012 | dead-url=yes | df=mdy-all }}</ref> When obligated to leave high school when his father was disabled, he became an illustrator on the staff of the ''[[Pittsburgh Press]]''.<ref>{{cite book | last=Tannler | first=Albert M. | title=Charles J. Connick: His Education and His Windows in and Near Pittsburgh'' | publisher=Pittsburgh History & Landmarks Foundation | date=December 2008 | ISBN=0-9788284-3-7 }}</ref>
Born in Springboro in [[Crawford County, Pennsylvania]], on September 27, 1875, Connick moved with his family to Pittsburgh when he was eight years old. Bullied by city children who made fun of his countrified attire, Connick would stay indoors during [[Recess (break)|recess]] and draw with [[crayon]]s, and thereby developed an interest in drawing and color at a young age.<ref name="trib-review">{{cite news | url=http://www.pittsburghlive.com/x/pittsburghtrib/focus/s_599003.html | title=Pittsburgh stained-glass artist's work beautifies region | first=Sandra Fischione | last=Donovan | newspaper=Pittsburgh Tribune-Review | date=November 23, 2008 | access-date=November 12, 2009 | archive-url=https://archive.today/20120913080101/http://www.pittsburghlive.com/x/pittsburghtrib/focus/s_599003.html# | archive-date=September 13, 2012 | url-status=dead | df=mdy-all }}</ref> When obligated to leave high school when his father was disabled, he became an illustrator on the staff of the ''[[Pittsburgh Press]]''.<ref>{{cite book | last=Tannler | first=Albert M. | title=Charles J. Connick: His Education and His Windows in and Near Pittsburgh | publisher=Pittsburgh History & Landmarks Foundation | date=December 2008 | isbn=978-0-9788284-3-1 }}</ref>


At the age of 19, Connick became apprenticed in the production of stained glass windows at the shop of Rudy Brothers in Pittsburgh, where he stayed through 1899. He left for work in Boston for two years, returning to Pittsburgh in 1903 and worked for a number of stained-glass companies both in Pittsburgh and New York.<ref name="men of mark"/><ref name="trib-review"/> Connick also studied drawing and painting in night classes and went to England and France to study ancient and modern stained glass, including those in the [[Chartres Cathedral]], in which he examined the effect of light and optics that had been employed in the 12th and 13th centuries, but which he perceived to be neglected since.<ref name="trib-review"/><ref name="detroit">{{cite book | url=https://books.google.com/books?id=SiUsbJk-1KMC&lpg=PA150&ots=SMdwegoLme&dq=charles%20jay%20connick%20was%20born&pg=PA150#v=onepage&q=charles%20jay%20connick%20was%20born&f=false | title=Discovering stained glass in Detroit | last1=Tutag | first1=Nola Huse | year=1987 | page=150 | publisher=Wayne State University Press | ISBN=0-8143-1875-4 | accessdate=November 12, 2009}}</ref> Connick was also influenced by English [[Arts and Crafts Movement]] stained glass artist [[Christopher Whall]].<ref>{{cite book | archiveurl=https://web.archive.org/web/20080512043943/http://www.morrissociety.org/newsltrs/newsltr-july01.html| url=http://www.morrissociety.org/newsltrs/newsltr-july01.html | first=Peter | last=Cormack | title=The Stained Glass Work of Christopher Whall 1849–1924 | publisher= Boston Public Library and the Charles J. Connick Stained Glass Foundation | archivedate=May 12, 2008| year=1999 | ISBN=0-89073-091-1}}</ref>
At the age of 19, Connick became apprenticed in the production of stained glass windows at the shop of Rudy Brothers in Pittsburgh, where he stayed through 1899. He left for work in Boston for two years, returning to Pittsburgh in 1903 and worked for a number of stained-glass companies both in Pittsburgh and New York.<ref name="men of mark"/><ref name="trib-review"/> Connick also studied drawing and painting in night classes and went to England and France to study ancient and modern stained glass, including those in the [[Chartres Cathedral]], in which he examined the effect of light and optics that had been employed in the 12th and 13th centuries, but which he perceived to be neglected since.<ref name="trib-review"/><ref name="detroit">{{cite book | url=https://archive.org/details/discoveringstain0000tuta | url-access=registration | quote=charles jay connick was born. | title=Discovering stained glass in Detroit | last1=Tutag | first1=Nola Huse | year=1987 | page=[https://archive.org/details/discoveringstain0000tuta/page/150 150] | publisher=Wayne State University Press | isbn=0-8143-1875-4 | access-date=November 12, 2009}}</ref> Connick was also influenced by English [[Arts and Crafts Movement]] stained glass artist [[Christopher Whall]].<ref>{{cite book | url=https://archive.org/details/stainedglasswork00corm | first=Peter | last=Cormack | title=The Stained Glass Work of Christopher Whall 1849–1924 | publisher=Boston Public Library and the Charles J. Connick Stained Glass Foundation | year=1999 | isbn=0-89073-091-1 | url-access=registration }}</ref>


Connick's first major work, the First Baptist Church in Pittsburgh, was completed in 1912.<ref>{{cite web | url=http://kdka.com/kdcountry/Stained.glass.windows.2.1016788.html | title=KD Country: Stained Glass Windows | publisher=KDKA | date=May 22, 2009 | accessdate=November 12, 2009 }}{{dead link|date=August 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Connick settled in Boston where he opened his stained glass studio at Nine Harcourt Street, [[Back Bay, Boston]] in 1913.<ref name="studio">{{cite web | url=http://www.cjconnick.org/history.php | title=History of the Connick Studio | publisher=The Charles J. Connick Stained Glass Foundation Ltd. | accessdate=November 12, 2009 | archive-url=https://web.archive.org/web/20080725113701/http://www.cjconnick.org/history.php | archive-date=July 25, 2008 | dead-url=yes | df=mdy-all }}</ref> From there until his death, Connick designed and produced many notable stained glass windows including the [[rose window]]s of the Cathedrals of [[St. Patrick's Cathedral, New York|St. Patrick]] and [[Cathedral Church of Saint John the Divine|St. John the Divine]] in New York City, and windows in the [[Princeton University Chapel]], the [[American Church in Paris]], and in the [[Calvary Episcopal Church (Pittsburgh)|Calvary Episcopal]] and [[Cathedral of Hope (Pittsburgh)|East Liberty Presbyterian]] churches in Pittsburgh. One of his largest works is in the [[Heinz Memorial Chapel]] at the [[University of Pittsburgh]]. Heinz Chapel has the distinction of having all of its 23 windows ({{convert|4000|sqft|m2}}) designed by Connick, including its 73-foot (22 m) tall transept windows which are among the tallest such windows in the world.<ref>{{cite journal | url=http://www.popcitymedia.com/features/heinzchapel.aspx | title=Heinz Chapel Unveiled | first=Barbara Diven | last=Machamer | date=May 31, 2006 | journal=[[Pop City]] | publisher=Issue Media Group | location=Pittsburgh, Pennsylvania | accessdate=November 12, 2009 | archive-url=https://web.archive.org/web/20171010155848/http://www.popcitymedia.com/features/heinzchapel.aspx# | archive-date=October 10, 2017 | dead-url=yes | df=mdy-all }}</ref>
Connick's first major work, All Saints Church in [[Brookline, Massachusetts]], was completed in 1910.<ref>{{cite web | url=http://kdka.com/kdcountry/Stained.glass.windows.2.1016788.html | title=KD Country: Stained Glass Windows | publisher=KDKA | date=May 22, 2009 | access-date=November 12, 2009 }}{{dead link|date=August 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Connick settled in Boston where he opened his stained glass studio at Nine Harcourt Street, [[Back Bay, Boston]], in 1913.<ref name="studio">{{cite web | url=http://www.cjconnick.org/history.php | title=History of the Connick Studio | publisher=The Charles J. Connick Stained Glass Foundation Ltd. | access-date=November 12, 2009 | archive-url=https://web.archive.org/web/20080725113701/http://www.cjconnick.org/history.php | archive-date=July 25, 2008 | url-status=dead | df=mdy-all }}</ref> From there until his death, Connick designed and produced many notable stained glass windows including the [[rose window]]s of the Cathedrals of [[St. Patrick's Cathedral, New York|St. Patrick]] and [[Cathedral Church of Saint John the Divine|St. John the Divine]] in New York City, and windows in the [[Princeton University Chapel]], the [[American Church in Paris]], and in the [[Calvary Episcopal Church (Pittsburgh)|Calvary Episcopal]] and [[Cathedral of Hope (Pittsburgh)|East Liberty Presbyterian]] churches in Pittsburgh. One of his largest works is in the [[Heinz Memorial Chapel]] at the [[University of Pittsburgh]]. Heinz Chapel has the distinction of having all of its 23 windows ({{convert|4000|sqft|m2}}) designed by Connick, including its 73-foot (22 m) tall transept windows which are among the tallest such windows in the world.<ref>{{cite journal | url=http://www.popcitymedia.com/features/heinzchapel.aspx | title=Heinz Chapel Unveiled | first=Barbara Diven | last=Machamer | date=May 31, 2006 | journal=[[Pop City]] | publisher=Issue Media Group | location=Pittsburgh, Pennsylvania | access-date=November 12, 2009 | archive-url=https://web.archive.org/web/20171010155848/http://www.popcitymedia.com/features/heinzchapel.aspx# | archive-date=October 10, 2017 | url-status=dead | df=mdy-all }}</ref>


Connick also authored the book ''Adventures in Light and Color'', modestly subtitled ''An Introduction to the Stained Glass Craft'', as well as a series for [[Random House]] titled ''International Studio'' (1923–24).<ref name="askart" />
Connick also authored the book ''Adventures in Light and Color'', modestly subtitled ''An Introduction to the Stained Glass Craft'', as well as a series for [[Random House]] titled ''International Studio'' (1923–24).<ref name="askart" />


His work involved close collaborations not only with architects but also with other artists, including the poet [[Robert Frost]], with whom Connick had an ongoing friendship.<ref>{{Cite book|last=Connick|first=Charles J|title=Adventures in Light and Color|publisher=Random House|year=1937|location=New York, NY|pages=92}}</ref> For one of a pair of windows for the [[Newtonville Historic District|Newtonville]] Branch Library, in [[Newton, Massachusetts]], Connick included in the glass the opening line of Frost's poem "[[Mending Wall]]" . Frost was present at the dedication of the building in 1939 to read this poem.<ref>{{Cite web|last=MIT Libraries|title=Design for Stained Glass Window Inspired by Robert Frost Poem "Mending Wall". Charles J. Connick Stained Glass Foundation Collection|url=https://dome.mit.edu/handle/1721.3/79471|url-status=live|access-date=January 5, 2022|website=MIT Dome|archive-url=https://web.archive.org/web/20150912203115/http://dome.mit.edu/handle/1721.3/79471 |archive-date=September 12, 2015 }}</ref> The second window was inspired by [[Emily Dickinson]]'s poem "There is no frigate like a book." The pair of Connick windows, which are in a more personalized [[Arts and Crafts movement|Arts and Crafts]] style rather than his more known ecclesiastical designs, contribute to the significance of the Newtonville Library which is part of the [[Newtonville Historic District]].
⚫
Connick was active in, among other societies, the [[Boston Art Club]], [[The Boston Architectural College|Boston Architectural Club]], [[National Society of Mural Painters|The Mural Painters]], and the [[Copley Society of Art]].<ref name="men of mark" /> Connick adopted the [[Pegasus]] as his symbol and designed it in stained glass which was carved on his gravestone.<ref name="detroit"/>


⚫
Connick was active in, among other societies, the [[Boston Art Club]], [[The Boston Architectural College|Boston Architectural Club]], [[National Society of Mural Painters|The Mural Painters]], and the [[Copley Society of Art]].<ref name="men of mark" /> Connick adopted the [[Pegasus]] as his symbol and designed it in stained glass which was carved on his gravestone.<ref name="detroit" />
⚫
Charles Jay Connick died on December 28, 1945. At his death, ''The New York Times'' reported that Dr. Connick was "considered the world's greatest contemporary craftsman in stained glass." (''The New York Times'', Saturday, December 29, 1945, p.&nbsp;13.)

⚫
Charles Jay Connick died on December 28, 1945. At his death, ''The New York Times'' reported that Dr. Connick was "considered the world's greatest contemporary craftsman in stained glass." (''The New York Times'', Saturday, December 29, 1945, p.&nbsp;13.)


==Style==
==Style==
[[File:HeinzNorthTranseptWindows.JPG|thumb|250px|right|Connick's 73-foot (22 m) tall transept windows of [[Heinz Memorial Chapel]] at the [[University of Pittsburgh]] are among the tallest in the world]]
[[File:HeinzNorthTranseptWindows.JPG|thumb|250px|right|Connick's 73-foot (22 m) tall transept windows of [[Heinz Memorial Chapel]] at the [[University of Pittsburgh]] are among the tallest in the world]]
Connick preferred to use clear "antique" glass, similar to that of the [[Middle Ages]] and praised this type of glass as "colored radiance, with the lustre, intensity, and baffling vibrant quality of dancing lights." He employed a technique of "staggered" solder-joints in his leading and bars, which English stained-glass historian Peter Cormack says gives the windows their "syncopated or 'swinging' character."<ref name="trib-review"/> His style incorporated a strong interest in symbolism as well. Connick expressed the opinion that the first job of stained glass was to serve the architectural effect, and he believed that his greatest contribution to glasswork was "rescuing it from the abysmal depth of opalescent picture windows" of the sort popularized by [[Louis Comfort Tiffany]] and [[John La Farge]].<ref>{{cite web | url=http://www.morsemuseum.org/collection/louis_comfort_tiffany.html | title=Louis Comfort Tiffany | publisher=The Charles Hosmer Morse Museum of American Art | location=Winter Park, FL | accessdate=June 28, 2011}}</ref> Although firmly committed to a regenerated handicraft tradition, Connick welcomed innovation and experimentation in design and technique among his co-workers at his studio.<ref>{{cite web | url=http://www.cjconnick.org/sgtour2009.php | title=Singing Windows | publisher=The Charles J. Connick Stained Glass Foundation | accessdate=November 12, 2009}}</ref>
Connick preferred to use clear "antique" glass, similar to that of the [[Middle Ages]] and praised this type of glass as "colored radiance, with the lustre, intensity, and baffling vibrant quality of dancing lights." He employed a technique of "staggered" solder-joints in his leading and bars, which English stained-glass historian Peter Cormack says gives the windows their "syncopated or 'swinging' character."<ref name="trib-review"/> His style incorporated a strong interest in symbolism as well. Connick expressed the opinion that the first job of stained glass was to serve the architectural effect, and he believed that his greatest contribution to glasswork was "rescuing it from the abysmal depth of opalescent picture windows" of the sort popularized by [[Louis Comfort Tiffany]] and [[John La Farge]].<ref>{{cite web | url=http://www.morsemuseum.org/collection/louis_comfort_tiffany.html | title=Louis Comfort Tiffany | publisher=The Charles Hosmer Morse Museum of American Art | location=Winter Park, FL | access-date=June 28, 2011}}</ref> Although firmly committed to a regenerated handicraft tradition, Connick welcomed innovation and experimentation in design and technique among his co-workers at his studio.<ref>{{cite web | url=http://www.cjconnick.org/sgtour2009.php | title=Singing Windows | publisher=The Charles J. Connick Stained Glass Foundation | access-date=November 12, 2009}}</ref>


==Studio==
==Studio==
In many respects, Connick's Boston studio was the arts and crafts ideal in that the art was produced by a community of committed craftsmen. At its height in the 1930s, forty to fifty men and women worked at the studio, which, as Connick wrote in his will, was "only incidentally a business."<ref>{{cite web | url=http://www.cjconnick.org/history.php | title=History of the Connick Studio | publisher=The Charles J. Connick Stained Glass Foundation, Ltd. | date=April 2011 | accessdate=June 28, 2011 | archive-url=https://web.archive.org/web/20110725175531/http://www.cjconnick.org/history.php | archive-date=July 25, 2011 | dead-url=yes | df=mdy-all }}</ref> A reporter visiting his studio in 1931 remarked on the atmosphere of mutual respect that was present there saying "Attitude to his co-designers [is] that of one artist to another...He [Connick] originates, supervises. They elaborate."<ref>{{cite web | url=http://www.cjconnick.org/exhibition.html | title=Join in Our Adventure in Light and Color: Connick Exhibition Being Organized | publisher=The Charles J. Connick Stained Glass Foundation | accessdate=June 28, 2011 | archive-url=https://web.archive.org/web/20111008191551/http://www.cjconnick.org/exhibition.html | archive-date=October 8, 2011 | dead-url=yes | df=mdy-all }}</ref> Connick left his studio and business to the craftsmen which became a [[cooperative]] after his death. For 41 years the studio continued to receive commissions and design windows in the Connick tradition. The studio closed its workshop in 1986 because the workers were aging and the modern high-rises of [[Copley Square]] threatened the light source essential to their work. The final commissioned window the studio produced was placed in All Saints Parish of [[Brookline, Massachusetts]].<ref name="movie">{{cite video | people=John Bishop (Producer/Director) | title=The Last Window (1988) | medium=DVD | publisher=Media Generation | date=2005}}</ref><ref>{{cite web | url=http://allsaintsparish.info/windows/Windows/Pepper.html | title=The Henry Pepper Memorial Window | publisher=All Saints Parish | accessdate=January 19, 2010}}</ref> Shortly after closing, the studio donated its collection of records, working drawings and related materials to the [[Boston Public Library]].<ref name="studio" /> Throughout its history, the Charles J. Connick Associates Studio produced some 15,000 windows in more than 5,000 churches and public buildings.<ref name="movie"/>
In many respects, Connick's Boston studio was the arts and crafts ideal in that the art was produced by a community of committed craftsmen. At its height in the 1930s, forty to fifty men and women worked at the studio, which, as Connick wrote in his will, was "only incidentally a business."<ref>{{cite web | url=http://www.cjconnick.org/history.php | title=History of the Connick Studio | publisher=The Charles J. Connick Stained Glass Foundation, Ltd. | date=April 2011 | access-date=June 28, 2011 | archive-url=https://web.archive.org/web/20110725175531/http://www.cjconnick.org/history.php | archive-date=July 25, 2011 | url-status=dead | df=mdy-all }}</ref> A reporter visiting his studio in 1931 remarked on the atmosphere of mutual respect that was present there saying "Attitude to his co-designers [is] that of one artist to another...He [Connick] originates, supervises. They elaborate."<ref>{{cite web | url=http://www.cjconnick.org/exhibition.html | title=Join in Our Adventure in Light and Color: Connick Exhibition Being Organized | publisher=The Charles J. Connick Stained Glass Foundation | access-date=June 28, 2011 | archive-url=https://web.archive.org/web/20111008191551/http://www.cjconnick.org/exhibition.html | archive-date=October 8, 2011 | url-status=dead | df=mdy-all }}</ref> Connick left his studio and business to the craftsmen which became a [[cooperative]] after his death. For 41 years the studio continued to receive commissions and design windows in the Connick tradition. The studio closed its workshop in 1986 because the workers were aging and the modern high-rises of [[Copley Square]] threatened the light source essential to their work. The final commissioned window the studio produced was placed in All Saints Parish of [[Brookline, Massachusetts]].<ref name="movie">{{cite video | people=John Bishop (Producer/Director) | title=The Last Window (1988) | medium=DVD | publisher=Media Generation | date=2005}}</ref><ref>{{cite web | url=http://allsaintsparish.info/windows/Windows/Pepper.html | title=The Henry Pepper Memorial Window | publisher=All Saints Parish | access-date=January 19, 2010 | archive-url=https://web.archive.org/web/20101026042528/http://allsaintsparish.info/windows/Windows/Pepper.html | archive-date=October 26, 2010 | url-status=dead }}</ref> Shortly after closing, the studio donated its collection of records, working drawings and related materials to the [[Boston Public Library]].<ref name="studio" /> Throughout its history, the Charles J. Connick Associates Studio produced some 15,000 windows in more than 5,000 churches and public buildings.<ref name="movie"/>
{{Clear}}
{{Clear}}


==Foundation==
==Foundation==
The Charles J. Connick Stained Glass Foundation, Ltd., was formed after the studio closed in 1986. Its mission is to "promote the true understanding of the glorious medium of color and light and to preserve and perpetuate the Connick tradition of stained glass."<ref>{{cite web | url=http://www.cjconnick.org/ | title=The Charles J. Connick Stained Glass Foundation, Ltd | accessdate=January 21, 2010}}</ref> In December 2008, the foundation donated materials to the [[Massachusetts Institute of Technology]]'s Rotch Library of Architecture and Planning to form the Charles J. Connick Stained Glass Foundation Collection. This collection contains photographs, slides, stained glass windows and designs, paintings, and documents related to both the foundation and the studio. MIT is currently processing the collection.<ref>{{cite web | url=http://info-libraries.mit.edu/rotch/collections/ | title=MIT Rotch Library – Architecture and Planning: Collections | publisher=Massachusetts Institute of Technology | accessdate=January 21, 2010}}</ref>
The Charles J. Connick Stained Glass Foundation, Ltd., was formed after the studio closed in 1986. Its mission is to "promote the true understanding of the glorious medium of color and light and to preserve and perpetuate the Connick tradition of stained glass."<ref>{{cite web | url=http://www.cjconnick.org/ | title=The Charles J. Connick Stained Glass Foundation, Ltd | access-date=January 21, 2010}}</ref> In December 2008, the foundation donated materials to the [[Massachusetts Institute of Technology]]'s Rotch Library of Architecture and Planning to form the Charles J. Connick Stained Glass Foundation Collection. This collection contains photographs, slides, stained glass windows and designs, paintings, and documents related to both the foundation and the studio. MIT has processed the collection and made it available digitally.<ref>{{cite web | url=http://info-libraries.mit.edu/rotch/collections/ | title=MIT Rotch Library – Architecture and Planning: Collections | publisher=Massachusetts Institute of Technology | access-date=January 21, 2010}}</ref><ref>{{Cite web|last=Connick|first=Charles Jay|title=Charles J Connick Stained Glass Foundation Collection|url=https://dome.mit.edu/handle/1721.3/74802|url-status=live|access-date=January 5, 2022|website=MIT Libraries Dome|archive-url=https://web.archive.org/web/20120604100642/http://dome.mit.edu/handle/1721.3/74802 |archive-date=June 4, 2012 }}</ref>


==Locations of works==
==Locations of works==
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{{col-3}}
{{col-3}}
*[[California]]
*[[California]]
** [[Pasadena, California|Pasadena]]: Throop Unitarian Universalist Church<ref>{{cite web | url=http://www.throopuupasadena.org/stained-glass-windows-at-throop.html | title=Songs in Light | publisher=Throop Unitarian Universalist Church | location = Pasadena, CA | accessdate=April 7, 2016}}</ref>
** [[Pasadena, California|Pasadena]]: Throop Unitarian Universalist Church<ref>{{cite web | url=http://www.throopuupasadena.org/stained-glass-windows-at-throop.html | title=Songs in Light | publisher=Throop Unitarian Universalist Church | location = Pasadena, CA | access-date=April 7, 2016}}</ref>
**[[San Francisco]]:
**[[San Francisco]]:
***[[Grace Cathedral, San Francisco|Grace Cathedral]]<ref>{{cite web | url=http://www.gracecathedral.org/content/arts/glass/ | title=Gospel in Glass | publisher=Grace Cathedral | first=Michael | last=Lampen | year=2004 | accessdate=December 11, 2009 | archive-url=https://web.archive.org/web/20091120015226/http://www.gracecathedral.org/content/arts/glass/ | archive-date=November 20, 2009 | dead-url=yes | df=mdy-all }}</ref>
***[[Grace Cathedral, San Francisco|Grace Cathedral]]<ref>{{cite web | url=http://www.gracecathedral.org/content/arts/glass/ | title=Gospel in Glass | publisher=Grace Cathedral | first=Michael | last=Lampen | year=2004 | access-date=December 11, 2009 | archive-url=https://web.archive.org/web/20091120015226/http://www.gracecathedral.org/content/arts/glass/ | archive-date=November 20, 2009 | url-status=dead | df=mdy-all }}</ref>
***[[St. Dominic Church in San Francisco|St. Dominic's Catholic Church]]<ref>{{cite web | url=http://www.stdominics.org/art/art.asp | title=Parish Art & Architecture | publisher=St. Dominic's Catholic Church | accessdate=June 8, 2010}}</ref>
***[[St. Dominic Church in San Francisco|St. Dominic's Catholic Church]]<ref>{{cite web | url=http://www.stdominics.org/art/art.asp | title=Parish Art & Architecture | publisher=St. Dominic's Catholic Church | access-date=June 8, 2010}}</ref>
*[[Colorado]]
*[[Colorado]]
**[[Denver]]: [[Cathedral of St. John in the Wilderness, Denver|Cathedral of St. John in the Wilderness]]<ref>{{cite web | url=http://www.sjcathedral.org/internal/?page_id=16 | title=Saint John's Cathedral: History | publisher=Saint John's Episcopal Cathedral | location=Denver, CO | accessdate=November 19, 2009 | deadurl=yes | archiveurl=https://web.archive.org/web/20110720081210/http://www.sjcathedral.org/internal/?page_id=16 | archivedate=July 20, 2011 | df=mdy-all }}</ref>
**[[Denver]]: [[Cathedral of St. John in the Wilderness, Denver|Cathedral of St. John in the Wilderness]]<ref>{{cite web | url=http://www.sjcathedral.org/internal/?page_id=16 | title=Saint John's Cathedral: History | publisher=Saint John's Episcopal Cathedral | location=Denver, CO | access-date=November 19, 2009 | url-status=dead | archive-url=https://web.archive.org/web/20110720081210/http://www.sjcathedral.org/internal/?page_id=16 | archive-date=July 20, 2011 | df=mdy-all }}</ref>
*[[Connecticut]]
*[[Connecticut]]
**[[Hartford, Connecticut|Hartford]]: Asylum Hill Congregational Church
**[[Hartford, Connecticut|Hartford]]: Asylum Hill Congregational Church
*[[District of Columbia]]
*[[District of Columbia]]
**Washington, D.C.: St. Gabriel's Church<ref>{{cite journal | url=http://www.cjconnick.org/newsletters/Summer2008.pdf | title=Gabriel's Hope | first=Milda B. | last=Richardson | date=Summer 2008 | publisher=The Charles J. Connick Stained Glass Foundation | accessdate=November 12, 2009}}</ref>
**Washington, D.C.: St. Gabriel's Church<ref>{{cite journal | url=http://www.cjconnick.org/newsletters/Summer2008.pdf | title=Gabriel's Hope | first=Milda B. | last=Richardson | date=Summer 2008 | publisher=The Charles J. Connick Stained Glass Foundation | access-date=November 12, 2009}}</ref>
*[[Illinois]]
*[[Illinois]]
**Chicago: Fourth Presbyterian Church<ref>{{cite web | url=http://www.fourthchurch.org/about/architecture/sanctuary/east-window/index.html# | title=About Fourth Church: The Great West Window | publisher=Fourth Presbyterian Church | location=Chicago, IL | accessdate=November 19, 2009}}</ref>
**Chicago: Fourth Presbyterian Church<ref>{{cite web | url=http://www.fourthchurch.org/about/architecture/sanctuary/east-window/index.html# | title=About Fourth Church: The Great West Window | publisher=Fourth Presbyterian Church | location=Chicago, IL | access-date=November 19, 2009}}</ref>
**Evanston: Northwestern University Seabury Hall (2122 N Sheridan Rd.)
**Evanston: Northwestern University Seabury Hall (2122 N Sheridan Rd.)
**[[River Forest, Illinois|River Forest]]: Grace Lutheran Church<ref>[http://www.graceriverforest.org/pages/Grace_OurChurch_History Grace Lutheran Church] {{Webarchive|url=https://web.archive.org/web/20131029193713/http://www.graceriverforest.org/pages/Grace_OurChurch_History |date=October 29, 2013 }} (Rose window above chancel)</ref>
**[[River Forest, Illinois|River Forest]]: Grace Lutheran Church<ref>[http://www.graceriverforest.org/pages/Grace_OurChurch_History Grace Lutheran Church] {{Webarchive|url=https://web.archive.org/web/20131029193713/http://www.graceriverforest.org/pages/Grace_OurChurch_History |date=October 29, 2013 }} (Rose window above chancel)</ref>
*[[Iowa]]
*[[Iowa]]
**[[Des Moines, Iowa|Des Moines]]: [[St. Augustin Catholic Church (Des Moines, Iowa)|St. Augustin Catholic Church]]<ref name=Augustin>{{cite web|url=http://www.staugustin.org/about-us/history/|title=Parish History|publisher=St. Augustin Church|accessdate=2017-10-30|author=}} with {{NRHP url|id=13000068|photos=y|title=photo(s)}}</ref>
**[[Des Moines, Iowa|Des Moines]]: [[St. Augustin Catholic Church (Des Moines, Iowa)|St. Augustin Catholic Church]]<ref>{{cite web|url=http://www.staugustin.org/about-us/history/|title=Parish History|publisher=St. Augustin Church|access-date=2017-10-30|author=}} with {{NRHP url|id=13000068|photos=y|title=photo(s)}}</ref>
*[[Massachusetts]]
*[[Massachusetts]]
**[[Boston]]
**[[Boston]]
***Boston University Chapel, [[Boston University]]
***Boston University Chapel, [[Boston University]]
***[[Emmanuel Episcopal Church, Boston]]
***[[Emmanuel Episcopal Church, Boston]]
**[[Brookline, Massachusetts|Brookline]]: All Saints Parish<ref>{{cite web | url=http://allsaintsparish.info/windows/Windows/WindowHome.html | title=The Windows of All Saints Parish | accessdate=January 5, 2009}}</ref>
**[[Brookline, Massachusetts|Brookline]]: All Saints Parish<ref>{{cite web | url=http://allsaintsparish.info/windows/Windows/WindowHome.html | title=The Windows of All Saints Parish | access-date=January 5, 2009 | archive-url=https://web.archive.org/web/20080907183510/http://allsaintsparish.info/windows/Windows/WindowHome.html | archive-date=September 7, 2008 | url-status=dead }}</ref>
**[[Hyde Park, Massachusetts|Hyde Park]]: [[First Congregational Church of Hyde Park]]
**[[Hyde Park, Massachusetts|Hyde Park]]: [[First Congregational Church of Hyde Park]]
**[[Leominster, Massachusetts|Leominster]]:Saint Mark's Episcopal Church
**[[Leominster, Massachusetts|Leominster]]:Saint Mark's Episcopal Church
Line 82: Line 80:
**[[Milton, Massachusetts|Milton]]:[[Saint Michael's Episcopal Church]]
**[[Milton, Massachusetts|Milton]]:[[Saint Michael's Episcopal Church]]
**[[Nahant, Massachusetts|Nahant]]: [[Greenlawn Cemetery (Nahant, Massachusetts)|Greenlawn Cemetery]]
**[[Nahant, Massachusetts|Nahant]]: [[Greenlawn Cemetery (Nahant, Massachusetts)|Greenlawn Cemetery]]
**[[Newton, Massachusetts|Newton]]: First Church
**[[Newton, Massachusetts|Newton]]: First Church, Second Church, Parish of the Good Shepherd, Newtonville Library
**[[North Easton, Massachusetts|North Easton]]: Unity Church
**[[North Easton, Massachusetts|North Easton]]: Unity Church
**[[Waltham, Massachusetts|Waltham]]: [[Christ Episcopal Church (Waltham, Massachusetts)|Christ Church]]<ref name="Waltham">
**[[Waltham, Massachusetts|Waltham]]: [[Christ Episcopal Church (Waltham, Massachusetts)|Christ Church]]<ref>
{{cite book
{{cite book
| title=Waltham Rediscovered: An Ethnic History of Waltham, Massachusetts.
| title=Waltham Rediscovered: An Ethnic History of Waltham, Massachusetts.
Line 92: Line 90:
| year=1988
| year=1988
}}</ref>
}}</ref>
**[[Winthrop, Massachusetts|Winthrop]]:St. John's Episcopal Church, [[St. John's Episcopal Church (Winthrop, Massachusetts)|St. John's Episcopal Church]]
**[[Worcester, Massachusetts|Worcester]]: Dinand Library, [[College of the Holy Cross]]
**[[Worcester, Massachusetts|Worcester]]: Dinand Library, [[College of the Holy Cross]]
*[[Michigan]]
*[[Michigan]]
Line 100: Line 99:
***All Saint's Episcopal Church
***All Saint's Episcopal Church
***Saint Mary of Redford Church
***Saint Mary of Redford Church
***[[Woodlawn Cemetery (Detroit, Michigan)|Woodlawn Mausoleum]]
***[[Woodlawn Cemetery (Detroit)|Woodlawn Mausoleum]]
***YMCA Chapel
***YMCA Chapel
**Petoskey:
***Emmanuel Episcopal Church (Connick Studios, 1962)


{{col-3}}
{{col-3}}
Line 112: Line 113:
*[[Nebraska]]
*[[Nebraska]]
**[[Omaha, Nebraska|Omaha]]:
**[[Omaha, Nebraska|Omaha]]:
*** [[St. Cecilia Cathedral (Omaha)]]<ref>{{Cite web|url=https://stceciliacathedral.org/art/|title = Art}}</ref>
*** St. Margaret Mary Church<ref name="Charles J. Connick:">
*** [[St. Margaret Mary Church]]<ref>
{{cite book
{{cite book
| title=Work Order 2365: Designer and Worker in Stained and Leaded Glass
| title=Work Order 2365: Designer and Worker in Stained and Leaded Glass
Line 122: Line 124:
*** First Central Congregational Church<ref>{{Cite web|url=http://firstcentral.org/about-our-church/our-building/|title=Our Building|website=First Central Congregational Church|language=en-US|access-date=2019-01-21}}</ref>
*** First Central Congregational Church<ref>{{Cite web|url=http://firstcentral.org/about-our-church/our-building/|title=Our Building|website=First Central Congregational Church|language=en-US|access-date=2019-01-21}}</ref>
*[[New Hampshire]]
*[[New Hampshire]]
**[[Peterborough, New Hampshire|Peterborough]]: [[All Saints' Episcopal Church (Peterborough, New Hampshire)|All Saints' Episcopal Church]]<ref>{{cite journal | url=http://www.cjconnick.org/newsletters/June2002.html | title=Book Review: The Stained Glass of All Saints': All Saints' Parish Church, Peterborough, New Hampshire | first=Lance | last=Kasparian | journal=Connick WIndows | publisher=The Charles J. Connick Stained Glass Foundation | location=Newtonville, MA |date=June 2002 | accessdate=June 26, 2010}}</ref>
**[[Peterborough, New Hampshire|Peterborough]]: [[All Saints Episcopal Church (Peterborough, New Hampshire)|All Saints Episcopal Church]]<ref>{{cite journal | url=http://www.cjconnick.org/newsletters/June2002.html | title=Book Review: The Stained Glass of All Saints: All Saints Parish Church, Peterborough, New Hampshire | first=Lance | last=Kasparian | journal=Connick Windows | publisher=The Charles J. Connick Stained Glass Foundation | location=Newtonville, MA |date=June 2002 | access-date=June 26, 2010}}</ref>
*[[New Jersey]]
*[[New Jersey]]
**[[Montclair, New Jersey|Montclair]]: Union Congregational Church
**[[Montclair, New Jersey|Montclair]]: Union Congregational Church
**[[Princeton, New Jersey|Princeton]]: [[Princeton University Chapel]]
**[[Princeton, New Jersey|Princeton]]: [[Princeton University Chapel]]
*[[New Mexico]]
*[[New Mexico]]
**[[Albuquerque, New Mexico|Albuquerque]]: Cathedral Church of St. John<ref>{{cite web | url=http://www.stjohnsabq.org/History/Windows.htm | archiveurl=https://web.archive.org/web/20060908075106/http://www.stjohnsabq.org/History/Windows.htm | title=St. John's Cathedral History: Cathedral Windows – Overview | publisher=The Cathedral Church of St. John | location= Albuquerque, NM | archivedate=September 8, 2006 | accessdate=November 19, 2009}}</ref>
**[[Albuquerque, New Mexico|Albuquerque]]: Cathedral Church of St. John<ref>{{cite web | url=http://www.stjohnsabq.org/History/Windows.htm | archive-url=https://web.archive.org/web/20060908075106/http://www.stjohnsabq.org/History/Windows.htm | title=St. John's Cathedral History: Cathedral Windows – Overview | publisher=The Cathedral Church of St. John | location= Albuquerque, NM | archive-date=September 8, 2006 | access-date=November 19, 2009}}</ref>
*[[New York (state)|New York]]
*[[New York (state)|New York]]
**[[Buffalo, New York|Buffalo]]: Westminster Presbyterian Church<ref>{{cite web | url=http://www.westminster-bflo.org/church/architecture.htm | title=Westminster Architecture | publisher=Westminster Presbyterian Church | location=Buffalo, NY | accessdate=November 19, 2009 | archive-url=https://web.archive.org/web/20101026111356/http://www.westminster-bflo.org/church/architecture.htm | archive-date=October 26, 2010 | dead-url=yes | df=mdy-all }}</ref>
**[[Buffalo, New York|Buffalo]]: Westminster Presbyterian Church<ref>{{cite web | url=http://www.westminster-bflo.org/church/architecture.htm | title=Westminster Architecture | publisher=Westminster Presbyterian Church | location=Buffalo, NY | access-date=November 19, 2009 | archive-url=https://web.archive.org/web/20101026111356/http://www.westminster-bflo.org/church/architecture.htm | archive-date=October 26, 2010 | url-status=dead | df=mdy-all }}</ref>
**New York City ([[Manhattan]]):
**New York City ([[Manhattan]]):
***[[Cathedral of Saint John the Divine, New York|Cathedral of Saint John the Divine]], [[Morningside Heights, Manhattan|Morningside Heights]]
***[[Cathedral of Saint John the Divine, New York|Cathedral of Saint John the Divine]], [[Morningside Heights, Manhattan|Morningside Heights]]
***[[St. Patrick's Cathedral (Manhattan)|St. Patrick's Cathedral]], [[Midtown Manhattan|Midtown]]
***[[St. Patrick's Cathedral (Manhattan)|St. Patrick's Cathedral]], [[Midtown Manhattan|Midtown]]
***[[Church of St. Vincent Ferrer (New York)|Church of St. Vincent Ferrer]], [[Upper East Side]]
***[[Church of St. Vincent Ferrer (New York)|Church of St. Vincent Ferrer]], [[Upper East Side]]
*[[North Dakota]]
**[[Valley City, North Dakota|Valley City]]: Our Savior's Lutheran Church
*[[Ohio]]
*[[Ohio]]
**[[Cincinnati, Ohio|Cincinnati]]: Hyde Park Community United Methodist Church
**[[Columbus, Ohio|Columbus]]: First Congregational Church
**[[Columbus, Ohio|Columbus]]: First Congregational Church
**[[Gambier, Ohio|Gambier]]: Pierce Hall, [[Kenyon College]]
**[[Gambier, Ohio|Gambier]]: Pierce Hall, [[Kenyon College]]
Line 146: Line 151:
**[[Butler, Pennsylvania|Butler]]: St. Peter's Episcopal Church
**[[Butler, Pennsylvania|Butler]]: St. Peter's Episcopal Church
**[[Greensburg, Pennsylvania|Greensburg]]: First Presbyterian Church
**[[Greensburg, Pennsylvania|Greensburg]]: First Presbyterian Church
**[[Harrisburg, Pennsylvania|Harrisburg]]: Pine Street Presbyterian Church<ref>{{cite web | url=http://www.pinestreet.org/windowRestoration/militantchristianity.html | title=The Stained Glass Windows of Pine Street Presbyterian Church and Their Restoration: Militant Christianity | publisher=Pine Street Presbyterian Church | accessdate=November 12, 2009 | archive-url=https://web.archive.org/web/20100829054535/http://www.pinestreet.org/windowRestoration/militantchristianity.html | archive-date=August 29, 2010 | dead-url=yes | df=mdy-all }}</ref>
**[[Harrisburg, Pennsylvania|Harrisburg]]: Pine Street Presbyterian Church<ref>{{cite web | url=http://www.pinestreet.org/windowRestoration/militantchristianity.html | title=The Stained Glass Windows of Pine Street Presbyterian Church and Their Restoration: Militant Christianity | publisher=Pine Street Presbyterian Church | access-date=November 12, 2009 | archive-url=https://web.archive.org/web/20100829054535/http://www.pinestreet.org/windowRestoration/militantchristianity.html | archive-date=August 29, 2010 | url-status=dead | df=mdy-all }}</ref>
**[[Pittsburgh]]:<ref name="trib-review" />
**[[Pittsburgh]]:<ref name="trib-review" />
***[[Calvary Episcopal Church (Pittsburgh)|Calvary Episcopal Church]], [[East Liberty (Pittsburgh)|East Liberty]]
***[[Calvary Episcopal Church (Pittsburgh)|Calvary Episcopal Church]], [[East Liberty (Pittsburgh)|East Liberty]]
Line 156: Line 161:
****[[Stephen Foster Memorial]]
****[[Stephen Foster Memorial]]
***Gordon Chapel, [[Shadyside (Pittsburgh)|Shadyside]]
***Gordon Chapel, [[Shadyside (Pittsburgh)|Shadyside]]
***First Presbyterian Church of Edgewood, [[Edgewood, Allegheny County, Pennsylvania]]
**[[Swissvale, Pennsylvania|Swissvale]]: First Presbyterian Church
**[[Swissvale, Pennsylvania|Swissvale]]: First Presbyterian Church
*[[Tennessee]]
*[[Tennessee]]
**[[Chattanooga, Tennessee|Chattanooga]]: [[Grace Episcopal Church (Chattanooga, Tennessee)|Grace Episcopal Church]]
**[[Knoxville, Tennessee|Knoxville]]: St. James Episcopal Church
**[[Knoxville, Tennessee|Knoxville]]: St. James Episcopal Church
**[[Knoxville, Tennessee|Knoxville]]: [[Church Street Methodist Church (Knoxville, Tennessee)|Church Street United Methodist Church]]
**[[Knoxville, Tennessee|Knoxville]]: [[Church Street Methodist Church (Knoxville, Tennessee)|Church Street United Methodist Church]]
*[[Texas]]
*[[Texas]]
**[[Houston, Texas]]:
**[[Houston, Texas]]:
***Church of the Annunciation <ref name="cjconnick.org">http://www.cjconnick.org/installations</ref>
***Church of the Annunciation <ref name="cjconnick.org">{{Cite web|url=http://www.cjconnick.org/installations|title = Installations &#124; the Charles J. Connick Stained Glass Foundation}}</ref>
***St Anne's Catholic Church <ref name="cjconnick.org"/>
***St Anne's Catholic Church <ref name="cjconnick.org"/>
***Chapel of the Congregation of the Incarnate Word and Blessed Sacrament <ref name="cjconnick.org"/>
***Chapel of the Congregation of the Incarnate Word and Blessed Sacrament <ref name="cjconnick.org"/>
Line 168: Line 175:
***Palmer Chapel <ref name="cjconnick.org"/>
***Palmer Chapel <ref name="cjconnick.org"/>
**[[Sherman, Texas|Sherman]]: St. Stephen's Episcopal Church<ref name="cjconnick.org"/>
**[[Sherman, Texas|Sherman]]: St. Stephen's Episcopal Church<ref name="cjconnick.org"/>
**[[Waco, Texas|Waco]]: [[Armstrong Browning Library]], [[Baylor University]]<ref>{{cite web | url=http://www.baylor.edu/abl/index.php?id=49154 | title=Armstrong Browning Library: Martin Entrance Foyer | publisher=Baylor University | location=Waco, TX | accessdate=November 19, 2009}}</ref>
**[[Waco, Texas|Waco]]: [[Armstrong Browning Library]], [[Baylor University]]<ref>{{cite web | url=http://www.baylor.edu/abl/index.php?id=49154 | title=Armstrong Browning Library: Martin Entrance Foyer | publisher=Baylor University | location=Waco, TX | access-date=November 19, 2009}}</ref>
*[[Utah]]
*[[Utah]]
**[[Salt Lake City]]: [[St. Mark's Cathedral (Salt Lake City)|Cathedral Church of St. Mark]]
**[[Salt Lake City]]: [[St. Mark's Cathedral (Salt Lake City)|Cathedral Church of St. Mark]]
Line 189: Line 196:
==External links==
==External links==
*[http://www.cjconnick.org/ The Charles J. Connick Stained Glass Foundation]
*[http://www.cjconnick.org/ The Charles J. Connick Stained Glass Foundation]
*Massachusetts Historical Commission [https://mhc-macris.net/ MACRIS] Newtonville Branch Library, Newton, MA


Video
Video
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[[Category:American muralists]]
[[Category:American muralists]]
[[Category:American stained glass artists and manufacturers]]
[[Category:American stained glass artists and manufacturers]]
[[Category:19th-century male artists]]
[[Category:19th-century American male artists]]
[[Category:20th-century American male artists]]

Revision as of 00:12, 4 March 2024

Charles Jay Connick
Charles Connick at work circa 1945
Born(1875-09-27)September 27, 1875
Springboro, Pennsylvania
DiedDecember 28, 1945(1945-12-28) (aged 70)
NationalityAmerican
Known forStained glass, painting, writer
MovementGothic Revival
AwardsGold Medal at the Panama-Pacific International Exposition[1]

Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913. Connick's work is contained in many preeminent churches and chapels, including examples in Boston, Chicago, Detroit, New York City, Pittsburgh, San Francisco, Seattle, and Washington, D.C.[2] He also authored the book Adventures in Light and Color in 1937. Connick's studio continued to operate, and remained a leading producer of stained glass, until 1986.

Life

Exterior of Connick's rose window at St. Patrick's Cathedral, New York

Born in Springboro in Crawford County, Pennsylvania, on September 27, 1875, Connick moved with his family to Pittsburgh when he was eight years old. Bullied by city children who made fun of his countrified attire, Connick would stay indoors during recess and draw with crayons, and thereby developed an interest in drawing and color at a young age.[3] When obligated to leave high school when his father was disabled, he became an illustrator on the staff of the Pittsburgh Press.[4]

At the age of 19, Connick became apprenticed in the production of stained glass windows at the shop of Rudy Brothers in Pittsburgh, where he stayed through 1899. He left for work in Boston for two years, returning to Pittsburgh in 1903 and worked for a number of stained-glass companies both in Pittsburgh and New York.[1][3] Connick also studied drawing and painting in night classes and went to England and France to study ancient and modern stained glass, including those in the Chartres Cathedral, in which he examined the effect of light and optics that had been employed in the 12th and 13th centuries, but which he perceived to be neglected since.[3][5] Connick was also influenced by English Arts and Crafts Movement stained glass artist Christopher Whall.[6]

Connick's first major work, All Saints Church in Brookline, Massachusetts, was completed in 1910.[7] Connick settled in Boston where he opened his stained glass studio at Nine Harcourt Street, Back Bay, Boston, in 1913.[8] From there until his death, Connick designed and produced many notable stained glass windows including the rose windows of the Cathedrals of St. Patrick and St. John the Divine in New York City, and windows in the Princeton University Chapel, the American Church in Paris, and in the Calvary Episcopal and East Liberty Presbyterian churches in Pittsburgh. One of his largest works is in the Heinz Memorial Chapel at the University of Pittsburgh. Heinz Chapel has the distinction of having all of its 23 windows (4,000 square feet (370 m2)) designed by Connick, including its 73-foot (22 m) tall transept windows which are among the tallest such windows in the world.[9]

Connick also authored the book Adventures in Light and Color, modestly subtitled An Introduction to the Stained Glass Craft, as well as a series for Random House titled International Studio (1923–24).[2]

His work involved close collaborations not only with architects but also with other artists, including the poet Robert Frost, with whom Connick had an ongoing friendship.[10] For one of a pair of windows for the Newtonville Branch Library, in Newton, Massachusetts, Connick included in the glass the opening line of Frost's poem "Mending Wall" . Frost was present at the dedication of the building in 1939 to read this poem.[11] The second window was inspired by Emily Dickinson's poem "There is no frigate like a book." The pair of Connick windows, which are in a more personalized Arts and Crafts style rather than his more known ecclesiastical designs, contribute to the significance of the Newtonville Library which is part of the Newtonville Historic District.

Connick was active in, among other societies, the Boston Art Club, Boston Architectural Club, The Mural Painters, and the Copley Society of Art.[1] Connick adopted the Pegasus as his symbol and designed it in stained glass which was carved on his gravestone.[5]

Charles Jay Connick died on December 28, 1945. At his death, The New York Times reported that Dr. Connick was "considered the world's greatest contemporary craftsman in stained glass." (The New York Times, Saturday, December 29, 1945, p. 13.)

Style

Connick's 73-foot (22 m) tall transept windows of Heinz Memorial Chapel at the University of Pittsburgh are among the tallest in the world

Connick preferred to use clear "antique" glass, similar to that of the Middle Ages and praised this type of glass as "colored radiance, with the lustre, intensity, and baffling vibrant quality of dancing lights." He employed a technique of "staggered" solder-joints in his leading and bars, which English stained-glass historian Peter Cormack says gives the windows their "syncopated or 'swinging' character."[3] His style incorporated a strong interest in symbolism as well. Connick expressed the opinion that the first job of stained glass was to serve the architectural effect, and he believed that his greatest contribution to glasswork was "rescuing it from the abysmal depth of opalescent picture windows" of the sort popularized by Louis Comfort Tiffany and John La Farge.[12] Although firmly committed to a regenerated handicraft tradition, Connick welcomed innovation and experimentation in design and technique among his co-workers at his studio.[13]

Studio

In many respects, Connick's Boston studio was the arts and crafts ideal in that the art was produced by a community of committed craftsmen. At its height in the 1930s, forty to fifty men and women worked at the studio, which, as Connick wrote in his will, was "only incidentally a business."[14] A reporter visiting his studio in 1931 remarked on the atmosphere of mutual respect that was present there saying "Attitude to his co-designers [is] that of one artist to another...He [Connick] originates, supervises. They elaborate."[15] Connick left his studio and business to the craftsmen which became a cooperative after his death. For 41 years the studio continued to receive commissions and design windows in the Connick tradition. The studio closed its workshop in 1986 because the workers were aging and the modern high-rises of Copley Square threatened the light source essential to their work. The final commissioned window the studio produced was placed in All Saints Parish of Brookline, Massachusetts.[16][17] Shortly after closing, the studio donated its collection of records, working drawings and related materials to the Boston Public Library.[8] Throughout its history, the Charles J. Connick Associates Studio produced some 15,000 windows in more than 5,000 churches and public buildings.[16]

Foundation

The Charles J. Connick Stained Glass Foundation, Ltd., was formed after the studio closed in 1986. Its mission is to "promote the true understanding of the glorious medium of color and light and to preserve and perpetuate the Connick tradition of stained glass."[18] In December 2008, the foundation donated materials to the Massachusetts Institute of Technology's Rotch Library of Architecture and Planning to form the Charles J. Connick Stained Glass Foundation Collection. This collection contains photographs, slides, stained glass windows and designs, paintings, and documents related to both the foundation and the studio. MIT has processed the collection and made it available digitally.[19][20]

Locations of works

The following is an incomplete list, sorted by location, of Connick stained glass works in the United States.

References

Heinz Chapel detail
Connick's windows in Heinz Chapel contain 391 identifiable figures, and equal number men and women, from religious as well as secular history, music, science, philosophy, poetry and literature, including this pirate.
  1. ^ a b c A Thousand American Men of Mark To-day. Chicago, Illinois: American Men of Mark. 1917. pp. 72–73. Retrieved November 12, 2009.
  2. ^ a b Falk, Peter Hastings (ed.). "Who Was Who in American Art". Retrieved November 12, 2009.
  3. ^ a b c d e Donovan, Sandra Fischione (November 23, 2008). "Pittsburgh stained-glass artist's work beautifies region". Pittsburgh Tribune-Review. Archived from the original on September 13, 2012. Retrieved November 12, 2009.
  4. ^ Tannler, Albert M. (December 2008). Charles J. Connick: His Education and His Windows in and Near Pittsburgh. Pittsburgh History & Landmarks Foundation. ISBN 978-0-9788284-3-1.
  5. ^ a b c Tutag, Nola Huse (1987). Discovering stained glass in Detroit. Wayne State University Press. p. 150. ISBN 0-8143-1875-4. Retrieved November 12, 2009. charles jay connick was born.
  6. ^ Cormack, Peter (1999). The Stained Glass Work of Christopher Whall 1849–1924. Boston Public Library and the Charles J. Connick Stained Glass Foundation. ISBN 0-89073-091-1.
  7. ^ "KD Country: Stained Glass Windows". KDKA. May 22, 2009. Retrieved November 12, 2009.[permanent dead link]
  8. ^ a b "History of the Connick Studio". The Charles J. Connick Stained Glass Foundation Ltd. Archived from the original on July 25, 2008. Retrieved November 12, 2009.
  9. ^ Machamer, Barbara Diven (May 31, 2006). "Heinz Chapel Unveiled". Pop City. Pittsburgh, Pennsylvania: Issue Media Group. Archived from the original on October 10, 2017. Retrieved November 12, 2009.
  10. ^ Connick, Charles J (1937). Adventures in Light and Color. New York, NY: Random House. p. 92.
  11. ^ MIT Libraries. "Design for Stained Glass Window Inspired by Robert Frost Poem "Mending Wall". Charles J. Connick Stained Glass Foundation Collection". MIT Dome. Archived from the original on September 12, 2015. Retrieved January 5, 2022.
  12. ^ "Louis Comfort Tiffany". Winter Park, FL: The Charles Hosmer Morse Museum of American Art. Retrieved June 28, 2011.
  13. ^ "Singing Windows". The Charles J. Connick Stained Glass Foundation. Retrieved November 12, 2009.
  14. ^ "History of the Connick Studio". The Charles J. Connick Stained Glass Foundation, Ltd. April 2011. Archived from the original on July 25, 2011. Retrieved June 28, 2011.
  15. ^ "Join in Our Adventure in Light and Color: Connick Exhibition Being Organized". The Charles J. Connick Stained Glass Foundation. Archived from the original on October 8, 2011. Retrieved June 28, 2011.
  16. ^ a b John Bishop (Producer/Director) (2005). The Last Window (1988) (DVD). Media Generation.
  17. ^ "The Henry Pepper Memorial Window". All Saints Parish. Archived from the original on October 26, 2010. Retrieved January 19, 2010.
  18. ^ "The Charles J. Connick Stained Glass Foundation, Ltd". Retrieved January 21, 2010.
  19. ^ "MIT Rotch Library – Architecture and Planning: Collections". Massachusetts Institute of Technology. Retrieved January 21, 2010.
  20. ^ Connick, Charles Jay. "Charles J Connick Stained Glass Foundation Collection". MIT Libraries Dome. Archived from the original on June 4, 2012. Retrieved January 5, 2022.
  21. ^ "Songs in Light". Pasadena, CA: Throop Unitarian Universalist Church. Retrieved April 7, 2016.
  22. ^ Lampen, Michael (2004). "Gospel in Glass". Grace Cathedral. Archived from the original on November 20, 2009. Retrieved December 11, 2009.
  23. ^ "Parish Art & Architecture". St. Dominic's Catholic Church. Retrieved June 8, 2010.
  24. ^ "Saint John's Cathedral: History". Denver, CO: Saint John's Episcopal Cathedral. Archived from the original on July 20, 2011. Retrieved November 19, 2009.
  25. ^ Richardson, Milda B. (Summer 2008). "Gabriel's Hope" (PDF). The Charles J. Connick Stained Glass Foundation. Retrieved November 12, 2009. {{cite journal}}: Cite journal requires |journal= (help)
  26. ^ "About Fourth Church: The Great West Window". Chicago, IL: Fourth Presbyterian Church. Retrieved November 19, 2009.
  27. ^ Grace Lutheran Church Archived October 29, 2013, at the Wayback Machine (Rose window above chancel)
  28. ^ "Parish History". St. Augustin Church. Retrieved October 30, 2017. with photo(s)
  29. ^ "The Windows of All Saints Parish". Archived from the original on September 7, 2008. Retrieved January 5, 2009.
  30. ^ Petersen, Kristen A. (1988). Waltham Rediscovered: An Ethnic History of Waltham, Massachusetts. Portsmouth, NH: Peter E. Randall Publisher.
  31. ^ "Art".
  32. ^ Connick, Charles J. (June 1, 1944). Work Order 2365: Designer and Worker in Stained and Leaded Glass. Nine Harcourt Street, Boston, Massachusetts: Charles J. Connick.
  33. ^ "Our Building". First Central Congregational Church. Retrieved January 21, 2019.
  34. ^ Kasparian, Lance (June 2002). "Book Review: The Stained Glass of All Saints: All Saints Parish Church, Peterborough, New Hampshire". Connick Windows. Newtonville, MA: The Charles J. Connick Stained Glass Foundation. Retrieved June 26, 2010.
  35. ^ "St. John's Cathedral History: Cathedral Windows – Overview". Albuquerque, NM: The Cathedral Church of St. John. Archived from the original on September 8, 2006. Retrieved November 19, 2009.
  36. ^ "Westminster Architecture". Buffalo, NY: Westminster Presbyterian Church. Archived from the original on October 26, 2010. Retrieved November 19, 2009.
  37. ^ "The Stained Glass Windows of Pine Street Presbyterian Church and Their Restoration: Militant Christianity". Pine Street Presbyterian Church. Archived from the original on August 29, 2010. Retrieved November 12, 2009.
  38. ^ a b c d e f "Installations | the Charles J. Connick Stained Glass Foundation".
  39. ^ "Armstrong Browning Library: Martin Entrance Foyer". Waco, TX: Baylor University. Retrieved November 19, 2009.

External links

Video

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