Carola Dertnig

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Carola Dertnig (born July 20, 1963 in Innsbruck ) is an Austrian artist and professor . Her work includes performance , video art , visual arts and photography .

life and work

Carola Dertnig spent part of her childhood in Seefeld in Tyrol and later moved to Vienna , where her mother ran an artist's bar. She studied from 1986 to 1991 at the University of Applied Arts in Vienna and in 1990 at the École des Beaux Arts in Paris . After graduating in 1992, she lived temporarily in New York and took part in the Independent Study Program of the Whitney Museum of American Art in 1997/98 . Afterwards she taught performance art in the conceptual art department of the Academy of Fine Arts Vienna until 2004 . From 2005 to 2006 she was visiting professor at the University of Applied Arts Vienna and since 2006 has headed the Performative Arts department at the Academy of Fine Arts Vienna. In 2008 she was visiting professor at the California Institute of the Arts . She researched the history of performance in Vienna (exhibitions in the Kunsthalle Exnergasse at WUK in 2002 and in the MUMOK in 2003, publication: Let's twist again , 2006) and the relationship between art and art research.

The focus of her works is the performance, whereby the levels of texts, images, live actions and videos are intertwined and “what is ostensibly known is confronted with neglected backsides and counter-designs”. She is usually an actor herself in her videos, in which everyday situations are exaggerated into the absurd. The central aspects of her work include “critical feminist perspectives and an explicit interest in the politicization of gender ”. “Communication that affects topics such as identity, the self and its position in society, gender issues or their clichés” is formative. These "complex topics are not verbally pilloried, but [...] with artistic means and often with a disarming wink".

From May 2001, as part of the World Views program funded by the Lower Manhattan Cultural Council , she and other artists had a studio on the 91st floor of the World Trade Center , which was destroyed in the terrorist attacks on September 11th . She had kept the works … but buildings can'talk… ( watercolors ) and a room with a view in the financial district (video), in which she discussed the history and use of the Twin Towers , in her private apartment, so that they could be shown in the exhibition of the program in December 2001.

With her fictional character Lora Sana , a “Viennese actionist who has been displaced for over three decades ”, she recalls the hidden importance of female performers and artists in the context of Viennese actionism and focuses in particular on the role of female “ models ”, with which “the image of women in and of the art-historical discourse on Viennese actionism ”is critically questioned.

In the Seefeld trilogy (2006) she deals with “those processes that are set in motion by tourism and that are crossed by contradicting collective and private utopias”. Love Age focuses on the contrast between private dreams and the task of the private in favor of holiday guests, Playcastle the utopia and the failure of an artificially created pleasure and consumer world and Haus Jenewein the destruction of a villa designed by the architect Siegfried Mazagg in the style of modernism for an apartment house built in the Tyrolean hut style.

When she was invited by the City of Vienna in 2011 to set up a temporary memorial for the homosexual victims and persecuted persons of the Nazi regime on Morzinplatz , she planted a flower bed with the words " TOO LATE" in the direction of the former Gestapo control center in the Hotel Metropol .

In 2012 she was the first participant in the Teddy Kollek Scholar / Artist in Residence program in Jerusalem .

She acted as a juror for the Art Critics Award and the Vienna International Photo Awards and is Vice President of the Vienna Secession . In 2008 she was the first winner of the Teresa Bulgarini Prize for Contemporary Art, and in 2013 she was the first female performance artist to be awarded the Austrian Art Prize for Fine Arts .

Solo exhibitions (selection)

  • 2012 Again Audience , Galerie Andreas Huber, Vienna
  • 2009 CCS- Bard College (cur. By Wendy Vogel), New York
  • 2008 The estate of the architect Anna Lülja Praun , Galerie Andreas Huber, Vienna
  • 2006 Gallery in the Taxispalais, Innsbruck
  • 2005 Andreas Huber Gallery, Vienna
  • 2004 Equivok , Secession, Vienna
  • 2003 Strangers - Action Rooms 6 , Salzburger Kunstverein
  • 2000 Flyby-Productions, Special Project Space , PS1 Center for Contemporary Art, Long Island (with Pia Moos, Lori Reinauer and the children from PS1)
  • 1999 Dancing with Remotes , Galerie T19, Vienna
  • 1997 Dancing with Remote - Part 1 , Project Room, Artists Space, New York
  • 1995 I don't want to know your name , Brasilica, Vienna
  • 1993 housewives , gallery in Andechshof, Innsbruck

Performances and videos (selection)

  • 2013 ... an exile ...
  • 2013 Tacheles Speech, "unrest of form. Imagining the political subject" , Secession, Vienna
  • 2012 Again audience, "Realness Respect" , Media Tower Graz
  • 2010 Dance Report, Accumulation and other Things .., “Performing Memory” , Symposium, Kunstraum NÖ, Vienna
  • 2010 ... a car ...
  • 2009 Dégueulasse, "Breathless" (cur. By Adam Budak), Markthalle Landstrasse, Vienna
  • 2009 Dancereport_LA Report, “twice upon a time” , Silverman Gallery, San Francisco
  • 2007 stroller 1
  • 2005 Lora Sana, radical local , Tanzquartier Wien
  • 2002 a room with a view in the financial district , futuregarden, Vienna
  • 2002 Room with a view in the financial district , basis wien
  • 2001 Dancing in the Factory , Salon Lady Chutney, Vienna
  • 2001 revolving door
  • 2001 European Cleaning Lady is interested in your Dust , Studio 1, New York
  • 1997 byketrouble
  • 1994 A German Roach, an American Roach and a Silverfish , Kunstraum Wien in the MuseumsQuartier

Fonts

  • with Felicitas Thun-Hohenstein ( Ed .): Performing the Sentence. Research and Teaching in Performative Fine Arts , Sternberg Press Berlin 2014, ISBN 978-3-95679-053-9
  • Lora Sana, actionist, 62 , in: Gender Performances: Knowledge and Gender in Music, Theater, Film , pp. 153–156 (Volume 2 of Mdw Gender-Wissen, University of Music and Performing Arts Vienna), Ed .: Andrea Ellmeier , Doris Ingrisch, Claudia Walkensteiner-Preschl, Böhlau Verlag Vienna, 2011, ISBN 3205786513 ( Google book preview )
  • Perform Perform Perform , Schlebrügge Verlag Vienna 2011, ISBN 978-3-902833-02-0
  • with Stefanie Seibold (Ed.): Let's twist again: what you can't think, you should dance. Performance in Vienna from 1960 to today: a psychogeographical sketch , DEA Buch- und Kunstverlag Gumpoldskirchen 2006, ISBN 3-901867-16-3
  • … But buildings can'talk… , Triton Verlag Vienna 2002, ISBN 3-85486-148-6

Awards

literature

  • Carola Platzek: Carola Dertnig , in: Art Prize 2013 ¨ , Federal Ministry for Education, Art and Culture - Art Section, Vienna 2013.
  • Wendy Vogel: Lora Sana: I was there and not there , MA - Thesis at the Center for Curatorial Studies, Bard College , New York 2009
  • Patricia Grzonka: Carola Dertnig - Skeptical stories , in: Parnass 4/2007, pp. 82–86 ( PDF, 1 MB )
  • Felicitas Thun: There and not there , in: Texts on Art No. 62, June 2006.
  • Silvia Eiblmayr (Ed.): Carola Dertnig - Afterimages of a non-simultaneous present. (Exhibition catalog) Skarabæus, Innsbruck 2006, ISBN 978-3-7082-3209-6 .
  • Patricia Grzonka: Carola Dertnig (exhibition catalog with CD supplement ), Wiener Secession, Vienna 2004, ISBN 978-3-901926-67-9 .

Web links

Individual evidence

  1. Carola Dertnig on artfacts.net, accessed on May 20, 2014 (English).
  2. Teachers , Institute for Fine Arts - Performative Art on the website of the Academy of Fine Arts Vienna , accessed on May 20, 2014.
  3. Carola Dertnig receives the Prize for Contemporary Art of the State of Tyrol on the website of the Academy of Fine Arts Vienna on September 28, 2009, accessed on May 19, 2014.
  4. Let's twist again ( Memento of the original from May 23, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Exhibition from September 19 - October 19, 2002 on the WUK website, accessed on May 20, 2014.  @1@ 2Template: Webachiv / IABot / www.wuk.at
  5. Patricia Grzonka: Mothers of Invention - where is Performance coming from?  ( Page no longer available , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice. , Interview with Carola Dertnig and Stefanie Seibold, in: Kunstbulletin 1/2 2004, accessed on May 23, 2014.@1@ 2Template: Dead Link / www.kunstbulletin.ch  
  6. Austrian Art Prize 2013 goes to Carola Dertnig on the website of the Academy of Fine Arts Vienna on November 26, 2013, accessed on May 19, 2014.
  7. Teresa Bulgarini Prize for Carola Dertnig , APA report on derstandard.at of June 18, 2008, accessed on May 19, 2014.
  8. a b A room with a view in the financial disrict ( Memento of the original dated May 24, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on arte.tv May 5, 2003, accessed May 19, 2014.  @1@ 2Template: Webachiv / IABot / www.arte.tv
  9. ^ Troubling Research. Performing Knowledge in the Arts ( Memento of the original dated May 24, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on the website of the Academy of Fine Arts Vienna , accessed on May 19, 2014.  @1@ 2Template: Webachiv / IABot / www.akbild.ac.at
  10. Carola Dertnig on the website of the Andreas Huber Gallery (PDF, 83 kB).
  11. a b Tyrolean State Art Prize goes to Carola Dertnig on the website of the Academy of Fine Arts Vienna on May 4, 2009, accessed on May 20, 2014.
  12. a b Barry Davis: Seeing art in the mundane , Jerusalem Post, January 22, 2012, accessed May 20, 2014.
  13. a b c Barbara Holub, Paul Rajakovics: Again Audience , in: dérive - magazine for urban research, issue 50.
  14. … but buildings can'talk…, A room with a view in the financial district ( Memento of the original dated May 23, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on the website of the Galerie im Taxispalais, accessed on May 23, 2014.  @1@ 2Template: Webachiv / IABot / www.galerieimtaxispalais.at
  15. a b c Carola Dertnig: February 4 - March 19, 2006 ( Memento of the original from May 23, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on the website of the Galerie im Taxispalais, accessed on May 20, 2014.  @1@ 2Template: Webachiv / IABot / www.galerieimtaxispalais.at
  16. Holland Cotter: Art Review: The Studios Were Lost, But the Artists Get Their Day , New York Times, December 3, 2001, accessed May 23, 2014.
  17. Jacqueline Rugo: Irritating Art History , article on the exhibition “Matrix - Gender | Conditions | Revisionen “on kunstmarkt.com on May 28, 2008, accessed on May 23, 2014.
  18. Ivona Jelcic: With Humpty Dumpty on the hunt for the phantom , Tiroler Tageszeitung from February 13, 2013, accessed on March 3, 2020.
  19. Seefeld Trilogy ( Memento of the original from May 23, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on the website of the Galerie im Taxispalais, accessed on May 23, 2014.  @1@ 2Template: Webachiv / IABot / www.galerieimtaxispalais.at
  20. Carola Platzek: Carola Dertnig , in: Art Prize 2013 , pp. 16–20, Federal Ministry for Education, Art and Culture - Art Section (PDF, 4.3 MB).
  21. Teddy Kollek Scholar / Artist in Residence Program ( Memento of the original from July 5, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on the website of the Austrian Foreign Ministry . @1@ 2Template: Webachiv / IABot / www.bmeia.gv.at
  22. Winner 2012 on thevipawards.com, accessed on May 19, 2014.
  23. Association of Visual Artists Vienna Secession ( Memento of the original from May 29, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. at secession.at, accessed on May 19, 2014.  @1@ 2Template: Webachiv / IABot / www.secession.at
  24. Prize winners - 2008: Carola Dertnig on the website of the Teresa Bulgarini Prize, accessed on May 20, 2014.
  25. ^ Minister of Culture Dr. Claudia Schmied announces the winners of the Austrian Art Prize 2013 , press release of the Federal Ministry for Education, Art and Culture from November 26, 2013.
  26. Anne Katrin Fessler: Countercurrent, no standstill , derstandard.at of March 28, 2012, accessed on May 20, 2014.
  27. Lora Sana: I Was There and Not There, CCS Bard Galleries March 8, 2009 - April 5, 2009 on the Bard College website , accessed May 23, 2014.
  28. Carola Dertnig: Equivok ( Memento of the original from February 9, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. from May 1 to May 20 June 2004, on the website of the Vienna Secession, accessed on May 20, 2014.  @1@ 2Template: Webachiv / IABot / www.secession.at
  29. Carola Dertnig: Strangers on the website of the Salzburger Kunstverein, accessed on May 20, 2014.
  30. Lora Sana & Document of Document on ecoledumagasin.com, accessed on May 20, 2014 (English).
  31. Prize for contemporary art and sponsorship prize for contemporary art ( Memento of the original from July 31, 2014 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on tirol.gv.at (PDF, 16 kB)  @1@ 2Template: Webachiv / IABot / www.tirol.gv.at