Georg Pittrich

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George Washington Pittrich (born February 22, 1870 in Dresden , † March 17, 1934 in Nuremberg ) was a German composer and conductor .

Life

Pittrich attended the Conservatory for Music and Theater in Dresden from 1884 to 1890, whose curriculum included theoretical subjects and keyboard, string and wind instruments. In addition, the students were instructed in rhetoric and singing. The teaching program also included stage training. The conservatory was founded in 1856 as a private teaching institution and on its 25th anniversary in 1881 the King of Saxony awarded it the title “Royal Conservatory”. His teachers at the Conservatory were: Ferdinand Braunroht (* 1856; † 1913) for harmony, counterpoint and piano; Felix Draeseke (* 1835; † 1913) for form theory and higher composition; Adolf Hagen (* 1851; † 1926), for orchestral and composition theory and management skills as well as management practice; Emil Robert Höpner , Kreuz organist (* 1846; † 1903) from 1885 (retired in 1902) and teacher at the conservatory for piano since 1874 and for organ since November 1, 1885; Theodor Fürchtegott Kirchner (* 1823; † 1903) for score playing; Emil Naumann (1827–1888) for music history and Alfred Bertrand Roth (* 1855, † 1938) for piano as a specialty. Pittrich received an organ award donated by the Dresden City Council in 1888 after six months of organ lessons with Emil Höpner.

On the occasion of the 40th anniversary of the assumption of patronage over the Dresden Conservatory by the Saxon Crown Prince in 1898 in the presence of the now King Albert of Saxony at the festive event a. a. performed two songs composed by Pittrich: "Hope" and "You alone". During a concert by the conservatory in autumn 1888, Pittrich played the “Prelude and Fugue for Organ” in B minor by Johann Sebastian Bach and the “Sonata for Organ, for Four Hands” in D minor by on the organ of the Dresden Kreuzkirche Gustav Merkel together with his classmate Paul Claussnitzer from Niederschöna , who had also taken organ lessons with Höpner and also received his school-leaving certificate as an organist. In July 1890 Pittrich took part in a recital in Schandau . He played the “Sonata A flat major Op. 110, 1st movement ”by Beethoven and an“ Etude ”in C minor by Chopin as well as a work composed by himself, a Nocturne in F sharp major.

After his musical training, which he graduated with distinction, Pittrich got a job as a répétiteur at the Hofoper in Dresden in 1890 . At theater rehearsals he had to accompany the actors instead of the orchestra by playing the piano. Outside of his full-time work, the young pianist worked temporarily in 1892 as the director or conductor of the Dresden men's choir "Liedergruss" in "Meinhold's halls" with practice hours once a week.

He also held the position of music teacher at the Saxon Court from 1895 to 1898. George Washington Pittrich was temporarily a teacher of the then Crown Princess at the Saxon royal court, Luise .

Collaboration in the Tonkünstler Association

After completing his studies at the Dresden Conservatory in 1890, Pittrich joined the Tonkünstler-Verein zu Dresden , founded in 1854 as a pianist and composer , which also had external members. There he mainly got to know musical works that had not been rehearsed before, continued his education by making music together and presented his own compositions. The “Fantasy for Pianoforte and String Orchestra”, which he composed and was only available as a manuscript at the time, was performed by Pittrich for the first time in 1893 in a practice session of the association. Songs composed by him were performed in 1898 with his participation on the piano. Ernst Wachter (1872–1931) from the Royal Opera House in Dresden made himself available to the Tonkünstler-Verein as a singer . As Kapellmeister in Hamburg and Frankfurt am Main, Pittrich is named as an external member in the reports on the Tonkünstler-Verein, after he was listed as a répétiteur and composer in the membership directory of the Dresden artists in the reporting year 1897/98 .

Awards

Pittrich was awarded the school-leaving certificate as a pianist, composer and conductor on the decision of the teaching staff of the conservatory on March 16, 1890, after he had already received the certificate as organist the year before. As a composition student from the class of the conservatory teacher Felix Draeseke , he received a bonus from the Friedrich Pudor Foundation in the school year for the scores for the music of the B minor Mass by Johann Sebastian Bach and the music by Felix Mendelssohn Bartholdy for William Shakespeare's Midsummer Night 's Dream 1989/90. He received an “award certificate” for excellent performance as a piano player from Bertrand Roth's piano class .

In 1894, the composer and répétiteur at the court theater was awarded the Royal Saxon Order of Merit, the Albrechtskreuz . It was the year in which the opera Marga, composed by Pittrich, was performed in Dresden at the beginning of February and "achieved a complete success".

accident

Pittrich was bitten by a poisonous snake on the Baltic Sea near Lohmen on Rügen in August 1894 . As a result, the hand and arm swelled dangerously up to the armpit. He had to travel to Greifswald , “where a university professor could counteract blood poisoning,” reported the German-language American newspaper “Indiana Tribüne” from Saxony on August 23 about the “Correpetitor der Königl. Hofoper Georg Pittrich ”in Dresden . "Much would not have been missing and the young artist would have come to an early end", wrote the Dresden writer and editor Roeder about the accident of the then member of the "Royal Musical Band" and young composer Pittrich. Philipp Ernst Roeder (* 1862; † 1897) also mentioned in the biographical sketch that it was the bite of an adder on the island of Rügen, which the Greifswald University Clinic successfully treated.

A year earlier, Pittrich was introduced to the newspaper readers of "Indiana Tribüne" as a "young composer" in connection with the announcement of his one-act opera "Mara", which was performed as the "first novelty in the Dresden Court Opera". The news from Dresden highlighted the first-class cast, e.g. B. with the chamber singer Therese Müller (* 1850; † 1930), called Malten .

On the piano, Pittrich accompanied Dresden singers in external appearances, for example the Royal Saxon Court Opera singer Maria Bossenberger (1872-1919) on March 29, 1898 when she performed songs in Leipzig as part of the Liszt Association concerts.

Kapellmeister at several German theaters

Subsequent to his musical activity as a répétiteur at the Dresden Court Theater, Pittrich became a conductor at various German theaters, including in Hamburg (from 1898), Frankfurt / Main (from 1901), in Dresden at the Central Theater (from 1904). The Berlin journalist Leo Heller (1876–1941) reported that Pittrich first stood at the conductor's desk in Berlin in 1911, when the operetta The Forbidden Kiss was performed in the old Komische Oper . In the “Central Theater” in Dresden in the spring of 1912 the “farewell benefit” took place in favor of the “long-time beloved Kapellmeister”, who “went to Berlin as a conductor”.

During his time as 1st Kapellmeister at the winter garden and composer, Pittrich lived in the former rural community of Zehlendorf at the gates of the capital.

From 1914 Pittrich worked in Nuremberg. There he was Kapellmeister at the city ​​theater from 1922 . He also worked as a role-study teacher at the Nuremberg Conservatory. In Nuremberg, Pittrich called himself George Washington , as he was already in Dresden's official address book.

With his baptismal name "George Washington" Pittrich became known as a composer in the USA as well as in England. The Nuremberg population register 1928 shows “G. Pittrich ”as Kapellmeister as well as conductor, in particular he was active at that time as“ choir conductor ”at the old city theater there. Pittrich's birthday coincided with that of the first American President George Washington on February 22nd and so it came about that his father Carl Gottlob, later Gottlieb, Pittrich (* 1831; † 1908), who was "employed by the American club" at the time, gave him gave the president's name as a first name.

Create

The composer earned his first fee with the commissioned work to create a piece of music for Schiller's " The Maiden of Orleans ". The 21-year-old practiced his composition with the court orchestra and conducted the orchestra himself when the drama premiered in Dresden in 1891. The composer dedicated two of his songs to the royal Saxon chamber singer Clementine von Schuch-Proska (1850–1932), the “Wiegendlied” and the song “Mägdlein, nimm dich mind”, which appeared in autumn 1891 and “immediately became popular”.

Pittrich wrote music for operas and plays. For example, under the name Georg Pittrich, he composed the music for the plot for the play “Das Märchen vom Glück”, whereby the right to perform and the sheet music were obtained from the author Adele Osterloh through the agency of E. Pierson's publishing house in Dresden and Leipzig . The music critic and writer Friedrich Adolf Geißler (* 1868, † 1931) assessed Pittrich as a "highly talented and energetic Kapellmeister" and referred to his "musically excellent" preparation for the performance of Franz Lehar's operetta "The Man with the Three Women" in the " Central Theater “Dresden.

Previously, the music critic Geissler attested to the conductor Pittrich that he “has proven himself as a sensitive, confident and spirited conductor” and referred to the first performances of “ The Dollar Princess ” by Leo Fall and Heinrich Berté's operetta “Der kleine Chevalier” in Dresden in 1907 through the central theater. The successful compositions from Pittrich's time in Dresden included u. a. the music for the Christmas fairy tale “The Mouse Queen” or “How the Forest Came into the City”, for which FA Geißler wrote the text. The play had its 25th performance on January 4, 1906 in the Central Theater in Dresden. The music critic Ludwig Hartmann (1836–1910) praised Pittrich as a “talented conductor ” who “worked out discipline and delicacy” from the original variety orchestra of the Dresden Central Theater and referred to the quality of conducting Leo Falls ( 1873–1925) Operetta “ Der fidele Bauer ” in 1909.

Portrait

A portrait of the composer Georg Pittrich was published in the official journal of the German stage association "Bühne und Welt" in 1899/1900. There he is characterized by Goby Eberhardt as "a young, talented musician whose opera Marga found great acclaim in Dresden ". As a young musician, Georg Pittrich - dressed in tails and a white shirt with a black bow tie, supported with his left hand on a chest of drawers and touching the vest with his right hand on the pocket watch chain - was portrayed by the Royal Saxon and Royal Prussian courts -Photographer Wilhelm Höffert . A half-length portrait of this motif was published in 1896 in the biographical-critical sketches of the Dresden court theater.

Court purveyor Höffert advertised with the coats of arms of the Saxon and Prussian rulers as well as that of the Prince of Wales on the cabinet photo.

A hip picture of Pittrich, photographed in 1902 by court photographer Arthur Marx in Frankfurt am Main, has been in the collection of the local city and university library since 2003. At that time, Pittrich was the (2nd) conductor of the united city theaters in Frankfurt am Main, especially from 1901 at the opera house. The contemporary theater memorial printed a portrait photo of him and it named the Kapellmeister with his first and last name "Georg Pittrich", while he was entered in the address book for 1902 with the name "Pittrich George W.". The portrait in the “Theater Memorial” shows Pittrich with a mustache in a dark suit, standing in front of a round table, while he is leaning on a book lying there with his right hand. In May 1901, when Pittrich was still working as Kapellmeister in Hamburg , he had a copy of the original by the soprano Bianca Bianchi , actually widowed Pollini († 1897), née Bertha Schwarz, (* 1855 † 1947) on the occasion of her departure from the stage with a handwritten dedication on the back.

legacy

Pittrich died in Nuremberg at the age of 64 . As early as 1931 he was listed in his last position as "director of drama music" and no longer as "choir director" as in 1930 at the "United Municipal Theaters of Nuremberg-Fürth". His apartment was at Campestrasse 4 in the “Sankt Johannis” district of Nuremberg.

The Nuremberg musicologist Wilhelm Dupont (* 1905; † 1992) recorded the works of the composer Pittrich between 1890 and 1908 in a directory.

In an obituary by the “Genossenschaft Deutscher Bühnen-Members” for the dead from March 1934, the editor at Pittrich emphasized that his music, especially the composition for “Princess Turandot” made in Nuremberg, which was the second largest in 1923 City of Bavaria was premiered, "many friends" acquired.

The eldest son of George Washington Pittrich and his wife Else, née König, the actor Fritz Pittrich (* 1904), worked as stage manager and actor at the “Städtische Bühnen Nürnberg” when G. Pittrich no longer worked there as chief conductor and bandmaster.

Concert timpani with hand-hammered copper kettles in kettle sizes according to the Pittrich-Dresden tradition go back to an invention of his father Carl (also Karl) Pittrich when he was the orchestra servant of the court orchestra in Dresden in 1881. Pittrich has been developing a construction since 1872 with which the skin tension of the timpani is regulated by pedaling and not by a crank.

The association STRASSE DER MUSIK, founded in Halle (Saale) in 2009 , included Georg Pittrich on the list of Central German composer anniversaries ... for 2020 on the occasion of his 150th birthday .

The family name Pittrich is the Upper German form of the name Bittrich , Middle High German: büterich and means something like "a bulbous drinking vessel", but was also used as a mocking name for the "well-obese".

Works (selection)

  • What you want . Three songs for voice and piano; Opus 4
  • Music for the plot of the blonde Kathrein . A fairy tale game based on Andersen by Richard Voss
  • Song Hope , for a singing voice with pianoforte; Opus 18
  • Coronation March from The Maid of Orleans
  • Sleep, my son, sleep soon . Lullaby for voice and piano
  • Cone Brothers March
  • Serenade for small orchestra , Opus 21, composed around 1899
  • Music for the fairy tale of luck , play in four acts, poetry: Adele Osterloh
  • Music for Marga , opera in one act, performed in Dresden in 1894 under Ernst von Schuch
  • Three songs for male choir, Opus 35: "Always moving, always moving; I feel like spring; You dear golden sunshine
  • Trumpeter serenade for Bb trumpet ( cornet ) with piano, opus. 37
  • I have on my hike . Wanderlied for male voice and piano; Opus 38
  • Barcarole , Opus 41, work for violin with piano accompaniment, first published in 1901,
  • Abendlied , Opus 42, German local message published around 1902
  • Unlucky and Lachtaube . Dance fairy tales based on texts by Karl Scheidemantel
  • Evening song for string orchestra. Opus 42
  • Alexander March for piano. Opus 60
  • Central Theater March for piano; Date of origin 1905
  • Music for the Christmas fairy tale The Mouse Queen around 1905/06
  • Music for: The Star of Bethlehem . A German Christmas and nativity play in four pictures by FA Geißler around 1908
  • Husarenfieber , march for orchestra or piano, composed in 1908
  • Beethoven: I invite you to a serious celebration
  • Music for Princess Turandot . Subtitle: "Schaurette after Carlo Gozzi " by Waldfried Burggraf, who composed it in 1923 under the pseudonym Friedrich Forster .
  • Music for the ballet Pechvogel and Laughing Dove: pantomime dance fairy tale by Karl Scheidemantel (1859–1923)

Web links

Individual evidence

  1. Lexis, W .: The universities for special subjects in the German Reich , Berlin 1904, p. 219, section: “Royal Conservatory for Music and Theater in Dresden”, p. 219, DNB 580947998 .
  2. Reports of the Royal. Dresden Conservatory for Music. Academic years 1884/85 to 1989/90. Dresden 1885-1890; Digitized SLUB Dresden
  3. ^ Hugo Riemanns Musik-Lexikon , 8th completely revised edition, Berlin / Leipzig 1916, p. 116, keyword: Braunroth, Ferdinand ; DNB 974801100
  4. ^ Inscription on the grave cross on the Old Annenfriedhof in Dresden; Grave Höpner
  5. Report of the Royal. Dresden Conservatory for Music, school year 1879/80, p. 4
  6. Report of the Royal. Dresden Conservatory for Music, school year 1885/86, p. 4
  7. Keyword: Pittrich, George Washington in "Grande Musica - A Digital Library for Music Lovers" (Engl.), Short biography: Pittrich, George Washington
  8. ^ "Georg Pittrich" in: Roeder, Ernst: The Dresden Court Theater of the Present. Biographical-critical sketches of the members . E. Person's Verlag, Dresden / Leipzig, 1896, pp. (271-280) 272
  9. The piano teacher . Music educational journal. Organ of the German music teacher associations and the Tonkünstler associations in Berlin, Cologne, Dresden, Hamburg and Stuttgart. Published by Prof. Emil Breslaur , No. 6 of March 15, 1898, XXI. Year, p. 78 column 1
  10. ^ New magazine for music from October 1, 1888; No. 42 p. 458
  11. Report of the Royal. Conservatoriums für Musik zu Dresden , 1888/89, p. 11 (Clausnitzer) or p. 12 (Pittrich) and p. 32 (both organ players).
  12. ^ New magazine for music , organ of the Allgemeine Deutsche Musikverein, 57th year (volume 86), Leipzig 1890, p. 413
  13. ^ "Georg Pittrich" in: Roeder, Ernst: The Dresden Court Theater of the Present. Biographical-critical sketches of the members . E. Person's Verlag, Dresden / Leipzig, 1896, pp. (271-280) 279
  14. ^ Address book Dresden 1892, Part 2, Section V, p. 148 column 2; Digitized SLUB Dresden
  15. ^ Hugo Riemanns Musik-Lexikon. 11th edition. Volume MZ, edited by Alfred Einstein , Max Hesses Verlag, Berlin 1929, p. 1398 f. Keyword: "Pittrich, George Washington"
  16. ^ Deutsches Bühnen-Jahrbuch , Volume 46, [Theater History Year and Address Book ]. Ed .: Cooperative of the German Stage Members, Berlin 1935: Obituary for Georg Pittrich, choir director, composer p. 57
  17. ^ Recording by G. Pittrich according to "Report on the Tonkünstler-Verein zu Dresden", Volume [37] 1890/91, p. 8
  18. ^ Reports on the Tonkünstler-Verein zu Dresden ; Digital copies SLUB Dresden
  19. Pittrich at the training event on February 27, 1893 according to the "Report on the Tonkünstler-Verein zu Dresden", Volume [43] 1896/97, p. 25
  20. ^ "Report on the Tonkünstler-Verein zu Dresden", Volume [44], 1897/98, p. 23; Digitized SLUB Dresden
  21. ^ "Report on the Tonkünstler-Verein zu Dresden", Volume [46], p. 45
  22. ^ "Report on the Tonkünstler-Verein zu Dresden", Volume [47] 1900/01, p. 49
  23. ^ "Report on the Tonkünstler-Verein zu Dresden", Volume [44], p. 48
  24. 19. Report of the Royal. Conservatory for Music in Dresden , 34th academic year 1889/90, Dresden 1890, p. 36
  25. 18. Report of the Royal. Conservatory for Music in Dresden , 33rd academic year 1889/90, Dresden 1889, p. 32
  26. 19. Report of the Royal. Conservatory for Music in Dresden , 34th academic year 1889/90, Dresden 1890, p. 40
  27. 19. Report of the Royal. Conservatory for Music in Dresden , 34th academic year 1889/90, Dresden 1890, p. 37
  28. Address book. Housing and business handbook of the Royal Capital and Residence City of Dresden for the year 1895. Edited with the support of the Royal Police Direction , Vol. 41, Dresden [1994], (printing started on 05.011.1894, finished 24.12.184); 1 Part II. Section p. 566 under “Pittrich, Gg. Washington"
  29. ^ "Georg Pittrich" in: Roeder, Ernst: The Dresden Court Theater of the Present. Biographical-critical sketches of the members . E. Person's Verlag, Dresden / Leipzig, 1896, pp. (271-280) 275
  30. ^ Indiana Tribüne, place of publication Indianapolis, 17th volume of August 23, 1894, p. 2; German local message from Dresden
  31. ^ "Georg Pittrich" in: Roeder, Ernst: The Dresden Court Theater of the Present. Biographical-critical sketches of the members . E. Person's Verlag, Dresden / Leipzig, 1896, pp. (271-280) 280; Reprint 2010: ISBN 978-1-160-35945-0
  32. This is the one-act opera Marga : Title page: Marga. Opera in one act. Music by Georg Pittrich
  33. ^ Indiana Tribüne, Volume 17, No. 38, October 26, 1893, p. 2 Heading of the message: One writes from Dresden
  34. ^ Signals for the musical world , 1898; P. 386
  35. According to The Humorist. Zeitschrift für die Theater- und Kunstwelt , Vienna 1901, (p. 6), Pittrich conducted the newly rehearsed Tell by Rossini for the first time on Easter Monday 1901 in Frankfurt am Main; Frankfurter Theaterbrief from May 15, 1901
  36. The humorist. Zeitschrift für die Theater- und Kunstwelt , Vienna, No. 20 of July 10, 1911, p. 4; Report from Berlin
  37. The Humorist , XXXII. Volume, Vienna, April 1, 1912, No. 10, p. 7; Magazine for the theater and art world
  38. ^ Hugo Riemanns Musik-Lexikon , Eighth completely revised edition, Berlin / Leipzig 1916, p. 855, keyword: "Pittrich"; DNB 974801100
  39. ^ Berlin address book , edition 1913, part I, p. 2347 column 4; Burgrafenstrasse 15 and after moving to the Charlottenburger Str. 2
  40. Grieb, Manfred H. (Ed.): Nürnberger Künstlerlexikon : Fine artists, artisans, scholars, collectors, cultural workers and patrons from the 12th to the middle of the 20th century , Vol. 2, Biographical Articles H-Pe, p. 1153 , Keyword: “Pittrich, George Washington”; ISBN 978-3-11-091296-8
  41. For example in the year 1905; Digital copy of the SLUB Dresden
  42. ^ Elson, Arthur (1873–1940): The Book of Musical Knowledge , Boston / New York 1915, p. 245; [Gardners Books 2007; Reprint: Nabu Press 2010], WorldCat
  43. Nuremberg residents' register 1928 . Publishing house of the Franconian Courier (OE Rauhenzahner); W. Tümmels (print), Nuremberg
  44. The former (“adopted”) military musician lived with his family around 1870 at Victoriastraße 22 in Dresden; Address and business manual of the royal capital and residence city of Dresden, 1871, p. 234, column 2
  45. What is probably meant is the "American Emigrant Company".
  46. ^ "Georg Pittrich" in: Roeder, Ernst: The Dresden Court Theater of the Present. Biographical-critical sketches of the members . E. Person's Verlag, Dresden / Leipzig, 1896, pp. (271-280) 271
  47. ^ "Georg Pittrich" in: Roeder, Ernst: The Dresden Court Theater of the Present. Biographical-critical sketches of the members . E. Person's Verlag, Dresden / Leipzig, 1896, pp. (271-280) 273f.
  48. ↑ Title registration by Hofmeister, Friedrich: Musical-literary monthly report , volume: 1891, p. 378; Digital copy: Austrian National Library (ÖNB) ANNO book
  49. ^ "Georg Pittrich" in: Roeder, Ernst: "The Dresden Court Theater of the Present. Biographical-critical sketches of the members . E. Person's Verlag, Dresden / Leipzig, 1896, pp. (271–280) 274;
  50. ^ Contemporary advertisement from 1900 [p. 120]; Reprint, printed in Wrocław / Breslau: The fairy tale of happiness , Adamant Media Corporation, Elibron Classics; ISBN 0-543-77124-5
  51. In: "The Music". Ed .: Bernhard Schuster, Vol. XXVII (1907/08); Published by Schuster and Loeffler, Berlin / Leipzig 1907/1908, p. 244
  52. "The Music". Published by Schuster & Loeffler, Berlin, VII. Year, 1907/1908, issue 10, second February issue, p. 234
  53. Dresdner Journal, 1906, No. 1 of January 2 (afternoon edition), p. 6. Wikisource
  54. Dresdner Latest News , March 23, 1909, p. 1 "Kleines Feuilleton"
  55. This is Johann Jakob Eberhardt (1853–1926) musician and author
  56. Elsner, E. u. G. Elsner (Ed.): Stage and World , Volume II, 1st half-year October 1899 to March 1900, Berlin 1900, p. 396 and 400
  57. Figure "Georg Pittrich", in: Roeder, Ernst: The Dresden Court Theater of the Present. Biographical-critical sketches of the members. E. Person's publishing house, Dresden / Leipzig, 1896; Portrait board between pages 272 and 273
  58. ^ Collections of the City and University Library Frankfurt am Main; "Kniestück", signature of the original: S 36 / F09534
  59. ^ Collections of the University Library (UB) Frankfurt am Main; Postcard format
  60. ^ Mahlau's Frankfurter Adressbuch , 34th year (1902); P. 264 col. 2; Digitized: Collections of the Frankfurt University Library a. M.
  61. Signature of the original: S 36 / F05762
  62. Hartwig, Georg: Theater Memorial of the United City Theaters in Frankfurt a. M. , Leipzig 1902, p. 23 "Personnel Directory Opera"
  63. ^ Mahlau's Frankfurter Adressbuch , 34th year (1902); P. 312 col. 2; Digitized: Collections of the Frankfurt University Library a. M.
  64. Note under the picture: “Original by W. Höffert, Hofphotograph. Hamburg."
  65. Hamburger address book 1901; Digitized version of the SUB Hamburg
  66. Deutsches Bühnen-Jahrbuch, Vol. 41, Ed .: “Genossenschaft Deutscher Bühnen-Ancestiger” for 1930
  67. ^ Dupont, Wilhelm: Editions of the works of Nuremberg composers in the past and present , Nuremberg 1971; Pp. 247-251; DNB 730452980
  68. Deutsches Bühnen-Jahrbuch , Volume 46, 1935, Register p. 48, Column 2 [Theater History Year and Address Book ]. Ed .: Cooperative of German Stage Members
  69. Deutsches Bühnen-Jahrbuch , Volume 46, Ed .: “Genossenschaft Deutscher Bühnen-Anerbeiger”, 1935, p. 57
  70. Ulrich, Paul S .: Biographical Directory for Theater, Dance and Music , Volume 2, Berlin 1997, keywords: "Pittrich, Fritz" and "Pittrich, George Washington"; DNB 951318594
  71. For a while, the Pittrichs lived together in the Nürnberger Campestrasse; Deutsches Bühnen-Jahrbuch, vol. 45, publisher: “Genossenschaft Deutscher Bühnen-Belerbeiger” 1934, p. 32, Fritz Pittrich Campestr. 4 in Nuremberg.
  72. German Imperial Patent (DRP) No. 15199 from 1881
  73. ^ Address and business manual, Dresden 1881; Digital copy of the SLUB Dresden
  74. ^ Sachs, Curt : Real Lexicon of Musical Instruments, at the same time a polyglossary for the entire field of instruments . [Reprographic reprint of the Berlin 1913 edition] Hildesheim 1962, p. 294 Keyword: “Pedalpauke”; DNB 454248660
  75. STRASSE DER MUSIK EV, Hegelstr. 73, 06114 Halle (Saale); PDF
  76. ^ Bahlow, Hans: Deutsches Namenlexikon , p. 67 column 2; ISBN 3-8112-0294-4
  77. ^ W. Bock's Verlag, Dresden [1892]
  78. ^ Theater flyer, Weimar, Hoftheater, from December 6th, 1901-06, with persons involved in the plot; German digital library
  79. ^ W. Bocks Verlag [1896]
  80. Verlag von JG Seeling, Dresden [1896]
  81. Verlag von JG Seeling, Dresden [1897]
  82. Verlag von JG Seeling, Dresden [1898]
  83. ^ Opera poem: Arno Spies; Printing: Royal Court Book Printing Company of CC Meinhold & Sons, Dresden
  84. ^ Verlag Fritz Schuberth Jr., Leipzig [1900]
  85. ^ Verlag Schott, Mainz 1900; New edition for orchestra, Mainz 1904
  86. ^ (Music) Verlag Benjamin, Hamburg 1901
  87. Title page: The piece is also suitable for flute or oboe with piano accompaniment
  88. Musikverlag Fr. Kistner & CFW Siegel, Brühl
  89. ^ Verlag Schott, Mainz [1902]
  90. ^ Verlag Fr. Kistner, Leipzig [1903]
  91. ^ Verlag von Max Franz Aichwalder, Vienna [1904]
  92. ^ Opus 66 according to Dupont, Wilhelm: Editions of the works of Nuremberg composers in the past and present , Nuremberg 1971; P. 250
  93. ^ Geissler, Friedrich Adolf (1868–1931), [text book] Berlin: Verlag Bloch ; Hanover: Musikverlag Oertel; GVK title recording
  94. ^ Op. 82 according to Dupont, Wilhelm: Editions of the works of Nuremberg composers in the past and present , Nuremberg 1971; P. 251
  95. Sixth addendum to the special manual. An alphabetically arranged directory of all mixed potpourris (fantasies and quodlibets) melodramatic works (with piano accompaniment), works for the left hand and works for the accompaniment of children's instruments cover the period from August 1901 to February 1910, compiled and edited by Ernst Challier , Giessen 1910, melodramas p. 121 digitized
  96. ^ Publisher: Oesterheld & Co., Berlin 1925 [Ed. 1924]
  97. Manuscript opposite the stages; Mime dance fairy tale. GVK title recording