Hilde Holger
Hilde Boman-Behram (born October 18, 1905 in Vienna , Austria-Hungary , † September 24, 2001 in London - Camden ), née Sofer, known by her stage name Hilde Holger , was an expressionist dancer, dance teacher and choreographer whose pioneering work in the integrated dance converted to modern dance .
family
Holger came from a liberal Jewish family. She was born in Vienna in 1905 as the daughter of Alfred Sofer and Elise Sofer, née Schreiber. Her father, who wrote poetry , died in 1908. Hilde Holger's grandfather was a shoemaker for the Austrian court .
After Austria was annexed to the National Socialist German Reich in 1938 , Holger fled Vienna in 1939. Since she was denied entry in Great Britain , she went to India . In Bombay she met the well-known homeopath and art lover Dr. Ardeshir Kavasji Boman-Behram (also known as Dr. Adi Boman for short), whom she married in 1940. Holger's mother, stepfather, her sister and 14 other family members died in the Holocaust .
Hilde Holger was the mother of two children. Her daughter Primavera Boman-Behram, born in 1946, later became a dancer, choreographer, sculptor and jewelry designer in New York . In 1948 the family moved to Great Britain. The son Darius Boman-Behram was born with Down syndrome in 1949 and inspired Hilde Holger to work with the mentally handicapped .
Career
Hilde Holger started dancing at the age of six. Since she was still too young for an academy at the time, she started show dancing. Ten years later she toured across Europe with the “Bodenwieser Ballet Group” founded by Gertrud Bodenwieser . They were admirers of the work of Isadora Duncan and Ruth St. Denis . Gertrud Bodenwieser was her teacher and also a friend. At the age of 18, Hilde Holger made her debut as a solo dancer in Vienna. Later she founded her dance group , the "Hilde Holger Tanzgruppe", and also a children's dance group.
In 1926 Holger discovered her passion for teaching and opened her own dance school , "The New School for Movement Arts" in the Palais Ratibor in Vienna.
By the entry of German troops on 12 March 1938 in Austria and the adopted law on the reunification of Austria with the German Reich , the dictatorship of the Nazi regime under Adolf Hitler was replaced what it Holger as a Jewish act prohibited and work. In 1939, however, with the help of her friend Charles Petrach, she managed to leave the country. She decided to flee to India, as this is the country with the greatest attraction for artists from the western population, as she herself said.
India gave her the opportunity to incorporate new influences into her work, especially the hand movements. In classical Indian dances around 300 different hand movements are used to express life and nature in all their diversity. In 1941 Holger opened a new dance school in Bombay, to which she accepted all races , religions and nationalities . There she taught her students that it is not enough to learn the movements if the mind is not also trained. As in Vienna, Holger became part of the art community. She made friends with the world-famous Indian dancer Ram Gopal, who also taught in her dance school. In 1948 the family left India because of the first Indo-Pakistani war and the violence it caused between Hindus and Muslims to move to England .
After only a few months in England, Holger and her new group were already performing in parks and theaters again. Here, too, she opened a new dance school, "The Hilde Holger School of Contemporary Dance" and remained true to her style of teaching that body and mind must form a unit in order to be a good dancer. Holger celebrated her breakthrough in London in 1951 with the premiere of "Under the Seas", inspired by the composition of Camille Saint-Saëns . Her work was very much influenced by the cities and countries in which she performed and taught. In 1972 she performed a play called "Man against flood" in honor of the Chinese Communist Party member Rewi Alley . In the performance there were dancers who built a human wall against floods. "Rock Paintings" (1975) referred to the artistic and cultural influence of London, while "Apsaras" (1983) was the exploration of her experiences in India. In the summer of 1983 she went back to India, where she was for the last time in 1948. There she worked as a choreographer for a large dance group directed by Sachin Shankars.
Holger was particularly proud of her work with the mentally handicapped. She created a form of dance therapy from which children who, like their son Darius, have Down syndrome, should benefit. Holger became the first female choreographer to perform with young adults with severe learning disabilities in 1968. The piece was called "Towards the Light", with music by Edvard Grieg in Sadler's Wells .
Life's work
Hilde Holger has made a lasting impression on three generations of choreographers and dancers. As a teacher, she always insisted on the highest standards and never shied away from taking risks, despite everything, her students loved her. She accepted anyone into her dance schools who was open and free of prejudice , as she also taught students with intellectual disabilities. Her work with people with Down syndrome and intellectual disabilities was continued by one of her students, Wolfgang Stange. Stange founded the AMICI dance theater group in 1980 with mentally and physically disabled people and professionals. He said that Holger taught him to see the value of honesty on stage. In honor of his mentor , he performed dance pieces by Holger, including at the Odeon Theater in Vienna. The ballet master of the Vienna State Ballet was so enthusiastic about this performance that a few years later he presented performances with young people with severe learning disabilities in the Vienna Opera House. These performances were received with great acclaim.
In her final weeks, Holger held dance lessons in her basement studio in Camden Town , London , where she lived and worked for more than fifty years. Her students included Liz Aggiss, Jane Asher , Primavera Boman, Carol Brown, Carl Campbell, Sophie Constanti, Jeff Henry, Ivan Illich , Luke Jennings, Thomas Kampe, Claudia Kappenberg, Cecilia Keen Abdeen, Lindsay Kemp , Juliet Miangay-Cooper, Royston Maldoom OBE , Anna Niman, David Niman, Litz Pisk, Kristina Rihanoff, Kelvin Rotardier, Feroza Seervai, Rebecca Skelton, Marion Stein, Sheila Styles, Jacqueline Waltz and Vally Wieselthier .
archive
After Holger's death in 2001, her daughter Primavera began a journey to discover the truth about her mother's life as a famous dancer. She began collecting archives to document her mother's life and career from the remaining physical legacy. The archive is not on permanent display, although there have been numerous exhibits that have included many of Holger's artifacts.
MoveABOUT
In 2010, six of Holger's students, Boman, Campbell, Kampe, Maldoom, Stange & Waltz, met for a series of lectures and dance workshops at Interchange Studios in the old town hall of Hampstead, north London, to commemorate Holger's pioneering work in inclusive Dance, entitled MoveABOUT: Transformation through movement. Each former student led an inclusive dance workshop to celebrate their very own style, which Holger helped promote in them. These workshops introduced their work to another generation of dancers and interested individuals in their groundbreaking methods and beliefs about the power of dance, which in their own lives crossed many borders, cultures and religions.
choreography
year | performance | music | Meeting place | Others | |
---|---|---|---|---|---|
1923 | Bouree | Johann Sebastian Bach | Vienna Secession | ||
1923 | A soap bubble | Claude Debussy | Vienna Secession | ||
1923 | Trout | Franz Schubert | Vienna Secession | ||
1923 | Humorous | Max Reger | Vienna Secession | ||
1923 | Le Martyre de Saint Sebastien | Claude Debussy | Vienna Secession | ||
1923 | Rider in the storm | Siegfried Frederick Nadel | Vienna Secession | ||
1923 | Sarabande | Johann Sebastian Bach | Vienna Secession | ||
1923 | Trout | ||||
1923 | Bird as prophet | Franz Schubert | Vienna Secession | ||
1926 | Funeral March for a Canary | Lord Berners | |||
1926 | Mechanical Ballet | ||||
1929 | Chaconne & Variations | George Frideric Handel | |||
1929 | English sheep dance | Percy Aldridge Grainger | |||
1929 | Hebrew dance solo | Alexander Moiseevich Veprik | |||
1929 | Life change | Karel Boleslav Jirák | |||
1929 | march | Sergei Sergeyevich Prokofiev | |||
1929 | The Martyrdom of Saint Sebastien | Claude Debussy | |||
1929 | mother Earth | Heinz Graupner | |||
1929 | Sarabande and Bourree | Johann Sebastian Bach | |||
1929 | Dance according to Romanian motifs | Béla Bartók | |||
1931 | Javanese impression | Heinz Graupner | |||
1933 | Kabbalistic dance | Vittorio Rieti | |||
1936 | Ahasver | Marcel Rubin | Adult Education Center, Vienna | ||
1936 | Barbara song | Kurt Weill | Adult Education Center, Vienna | ||
1936 | Angel of the Annunciation | georg Friedrich Handel | Adult Education Center, Vienna | ||
1937 | Flemish picture floor | after Breughel | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Golem | Friedrich Wilckens | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Mystical circle | Rudolph Reti | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Oriental dance | Graupner | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | Passacaglia | georg Friedrich Handel | Volksbildungshaus, Stöbergasse, Vienna | ||
1937 | tango | Ralph Benatzky | Volksbildungshaus, Stöbergasse, Vienna | ||
1948 | Annunciation | ||||
1948 | Emperor's new clothes | Wolfgang Amadeus Mozart | |||
1948 | Pavane | Maurice Ravel | |||
1948 | Russian Fairy Tales | Alexander Porfirjewitsch Borodin , Modest Petrovich Mussorgsky | |||
1948 | Selfish Giant | ||||
1948 | Tales and Legends in Modern Ballet | ||||
1948 | Viennese Waltz | Johann Strauss II | |||
1952 | Dance with Cymbals on the Indian Ocean | ||||
1952 | Dance with Tambourines | Fritz Dietrich | |||
1952 | nocturne | Heinz Graupner | |||
1952 | Slavic dance | Antonín Dvořák | |||
1954 | Aztec Cult (Sacrifice) | ||||
1954 | Barbar the Elephant | ||||
1954 | Old Vienna | ||||
1954 | Orchid | ||||
1954 | Rhythm of the East | ||||
1954 | Selfish Giant | ||||
1954 | Tibetan Prayer Songs | ||||
1955 | Angels | ||||
1955 | Dance Etudes | ||||
1955 | Galliarde-Siciliano | Ottorino Respighi | |||
1955 | Hoops | Georges Bizet | |||
1955 | jazz | Heinz Graupner | |||
1955 | Men & Horses | John S. Beckett | |||
1955 | Toccata | Pietro Domenico paradise | |||
1955 | Under the Sea | Camille Saint-Saëns | Sadler's Wells | ||
1955 | Valse Caprice | Aram Khachaturian | |||
1956 | Etude | ||||
1956 | Prelude | Johann Sebastian Bach | |||
1956 | Theme and Variations | George Frideric Handel | |||
1957 | Allegro Vivaci | Johann Sebastian Bach | |||
1957 | Bird | ||||
1957 | Café Dansant | George Gershwin | |||
1957 | Egypt | ||||
1957 | The Hunter and the Geese | ||||
1957 | Madonna | ||||
1957 | March | Lev Knipper | |||
1957 | Nativity | George Frideric Handel , Franz Schubert , Johann Sebastian Bach | |||
1957 | Sale | Johann Strauss II | |||
1957 | The Toyshop | Aram Khachaturian | |||
1957 | Stranger | Aaron Copland | |||
1957 | Witches Kitchen and Walpurgis Night | Paul Dukas | |||
1958 | Dance divertissement | ||||
1958 | Dance for four women | Joaquín Turina | |||
1958 | Dance with Bells | John S. Beckett | |||
1958 | Ritual Fire Dance | Manuel de Falla | |||
1958 | Song of the Earth | Antonín Dvořák | |||
1960 | Allegro | Arcangelo Corelli | |||
1960 | Dawn of Life | ||||
1960 | The Farmer's Curst Wife | Peter Warlock | |||
1960 | Frankie and Johannie | Peter Warlock | |||
1960 | Imaginary Invalid | Gioachino Rossini | |||
1960 | Secret Annexe | ||||
1960 | West Indian Spiritual | ||||
1961 | Dance for Two | Germaine Tailleferre | |||
1961 | Egypt | ||||
1961 | The House of Bernarda Alba (The Sisters) | Joaquín Turina | written by Federico Lorca | ||
1961 | Metamorphoses | ovid | |||
1961 | Pierrot | Johann Sebastian Bach | |||
1963 | Dance for Men | ||||
1963 | Dream | Friedrich Wilckens | |||
1963 | Lady Isobel and the Elf Knight | Peter Warlock | |||
1963 | Narcissus (The Image) | Heinz Graupner | |||
1965 | Ballad of the Hanged (Villons Epitaph) | ||||
1965 | Cain's Morning | ||||
1965 | Canticle of the Sun | Johann Pachelbel | |||
1965 | Creation of Adam & Eve | Olivier Messiaen | |||
1965 | Nightwalkers | Olivier Messiaen | |||
1965 | Saint Francis and his sermon to the birds | ||||
1968 | Angelic Prelude - Inspirations | Giuseppe Torelli | |||
1968 | Salome | Philip Croot | |||
1968 | Towards the light | Edvard Grieg | Sadler's Wells | ||
1968 | The Wise & Foolish Virgins | Philip Croot | |||
1970 | The Scarecrow | ||||
1971 | Snowchild | ||||
1972 | Bamboo | Aram Khachaturian | Commonwealth Institute, London | ||
1972 | bauhaus | Erik Satie | Commonwealth Institute, London | ||
1972 | Embrace | Erik Satie | Commonwealth Institute, London | ||
1972 | Flight | Commonwealth Institute, London | |||
1972 | Hieronymus Bosch | Roger Cutts | Commonwealth Institute, London | ||
1972 | Honoré Daumier | Commonwealth Institute, London | |||
1972 | The Hypopatic Doctor | Gioachino Rossini , Franz Schubert | Commonwealth Institute, London | ||
1972 | Inspirations | Sergei Rachmaninoff , Claude Debussy | Commonwealth Institute, London | ||
1972 | Man against Flood | Yin Chengzong | Commonwealth Institute, London | based on the book by Rewi Alley | |
1972 | Prelude | ||||
1972 | Renaissance, Scene on Earth, Scene on Heaven | Mompou, Gordon Langford , Banchieri | Commonwealth Institute, London | ||
1972 | Shiva and the Grasshopper | Gordon Langford | Commonwealth Institute, London | based on the poem by Kipling | |
1972 | suspension | Maurice Ravel | Commonwealth Institute, London | ||
1972 | Tranquility | Alan Hovhaness | Commonwealth Institute, London | ||
1972 | Tribal Nocturne | Béla Bartók | Commonwealth Institute, London | ||
1974 | Archaic | ||||
1974 | Bamboo | Aram Khachaturian | |||
1974 | Egypt | Giuseppe Verdi | |||
1974 | Hieronymus Bosch | Roger Cutts | |||
1974 | The Hunter and the Hunted | ||||
1974 | Paul Klee Spring Awakening | Béla Bartók | |||
1974 | Renaissance | Federico Mompou | |||
1974 | Spring Awakening | ||||
1975 | Inspirations | Sergei Rachmaninov , Claude Debussy | Hampstead Theater, London | ||
1975 | Mobiles | Alfredo Casella | Hampstead Theater, London | ||
1975 | Paul Klee Spring Awakening | Béla Bartók | Hampstead Theater, London | ||
1975 | Rock paintings | Roger Cutts | Hampstead Theater, London | ||
1975 | Toulouse Lautrec | Erik Satie | Hampstead Theater, London | ||
1976 | The Park | ||||
1977 | Prelude and Chorale | César Franck | |||
1977 | Sacred and Profane Dance | ||||
1979 | African poetry | ||||
1979 | Apsaras | ||||
1979 | Homage to Barbara Hepworth | Heitor Villa-Lobos | |||
1979 | Prelude | Giuseppe Torelli | |||
1979 | Tower of Mothers | Carl Orff | |||
1979 | Traditional ballet | choreographed by Oskar Schlemmer | |||
1979 | We are dancing | Johann Sebastian Bach | |||
1983 | The Bow and Arrow | David Sutton-Anderson | Hampstead Theater, London | ||
1983 | Fishes | David Sutton-Anderson | Hampstead Theater, London | ||
1983 | The Letter | Coleridge | Hampstead Theater, London | ||
1983 | The manikin | Coleridge | Hampstead Theater, London | ||
1983 | The Penguin Story | David Sutton-Anderson | Hampstead Theater, London | ||
1983 | Pick a back | Coleridge | Hampstead Theater, London | ||
1983 | Poems on a Boy's Painting | David Sutton-Anderson | Hampstead Theater, London | Poems by Ke Yan , pictures by Bu Di | |
1983 | Sea and Sand | Hampstead Theater, London | Poems from Rewi Alley | ||
1983 | Sea, Clouds, Sparkling Lighthouse, Flames | Hampstead Theater, London | |||
1983 | Umbrellas | Hampstead Theater, London | Poems by Ke Yan , pictures by Bu Di | ||
1983 | What is a poem | David Sutton-Anderson | Hampstead Theater, London | ||
1984 | The City | Marcel Rubin | Hampstead Theater, London | ||
1984 | Don Quixote | David Sutton-Anderson | Hampstead Theater, London | ||
1984 | ritual | David Sutton-Anderson | Hampstead Theater, London | ||
1984 | scherzo | Frédéric Chopin | |||
1988 | Children of the suburb | Franz Lehár | Hampstead Theater, London | ||
1988 | Childrens' Games | ||||
1988 | Death and the Maiden | Franz Schubert | Hampstead Theater, London | ||
1988 | Egon Schiele in Memoriam, The Dying Empire | Ostrich | Hampstead Theater, London | ||
1988 | The Family | Hugo Wolf | Hampstead Theater, London | ||
1988 | Flemish Picture Sheet | ||||
1988 | Flood players | ||||
1988 | Four Seasons | Antonio Vivaldi | Hampstead Theater, London | ||
1988 | Golem | Wilckens | |||
1988 | Hands | David Sutton-Anderson | Hampstead Theater, London | ||
1988 | The least is the most | Drums: David Sutton-Anderson | Hampstead Theater, London | ||
1988 | Mechanical Ballet | Ludwig Hirschfeld Mack | |||
1988 | Models | Franz Schubert , Arnold Schoenberg | Hampstead Theater, London | ||
1995 | Whales | ||||
2000 | Rhythms of the Unconscious Mind |
literature
- Aggiss, Liz and Billy Cowie: Anarchic Dance. Routledge, UK & US 2006, ISBN 9780415365178 .
- Akinleye, Adesola and Helen Kindred: In-the-between-ness, Decolonizing and Re-inhabiting Our Dancing. Im Narratives in Black-British dance. Middlesex University, London 2018, ISBN 9783319703138 .
- Amort, Andrea ed .: Everything is dancing; Cosmos of Viennese dance modernity. Hatje Cantz, Berlin - Stuttgart 2019/20, ISBN 978-3-7757-4567-3 . Exhibition in the Theater Museum Vienna.
- Amort, Andrea: Free Dance in Interwar Vienna, p. 117-142. In Deborah Holmes & Lisa Silverman: Interwar Vienna. Culture between Tradition and Modernity. Camden House, New York 2009, ISBN 9781571134202 .
- Amort, Andrea: Hanna Berger. Traces of a dancer in the resistance. Brandstätter, Vienna 2010, ISBN 978-3-85033-188-3 .
- Amort, Andrea: Dance in Exile. Exhibition in the Theater Museum Vienna.
- Amort, Andrea and Mimi Wunderer-Gosch: Austria Tanzt, History and the Present. Festspielhaus, Vienna, Koln, Weimar 2001, ISBN 3-205-99226-1 .
- Barbieri, Donatella and Melissa Trimingham: Costume in Performance - Materiality, Culture, and the Body. Bloomsbury Academic 2017, ISBN 978-1-4742-3687-4 .
- Benjamin, Adam: Making an Entrance. Routledge, UK 2001, ISBN 0415251435 .
- Botstein, Leon and Werner Hanak: Quasi una fantasia - Jews and the music city of wine (exhibition). Jewish Museum Vienna 2003, ISBN 3936000069 .
- Brandstatter, Christian: Antios - Anton Josef Trcka 1893-1940. Wine - Munich 1999.
- Bury, Dr. Stephen: Breaking the Rules. The Printed Face of the Avant Garde 1900-1937. The British Library 2007/8, ISBN 9780712309806 . Videos by Liz Aggiss, music by Billy Cowie.
- Carter, Alexandra: Rethinking Dance History, A Reader. Routledge, US & UK 2004, ISBN 9780415287470 .
- Chowdhury, Indira: A Season to Dance, Hilde Holger (1905-2001). In the Kenneth X. Robbins: Jews and the Indian National Art Project. Publications, Research and Exhibitions. Niyogi books 2015, ISBN 9789383098545 .
- Colah, Zasha: Body Luggage. Catalog of the exhibition, Kunsthaus Graz 2016/7.
- Coleman, Roger: Design For The Future. DuMont, Koln 1997, ISBN 3770141873 .
- Corbett O'Malley, Elizabeth: Hilde Holger and the Embodiment of the In-Betweenness. Hollins University, Virginia, USA 2019.
- Douer, Alisa and Ursula Seeber: Women in Vienna. A photo book by Alisa Douer, with texts by Ursula Seeber. City Council, Vienna 2002, ISBN 3950097872 .
- Dunlop MacTavish, Shona: Gertrud Bodenwieser. Signs and traces, Vienna, Sydney 1992, ISBN 90-5755-035-0 .
- Faber, Dr. Monika: Dance of the hands. Tilly Losch and Hedy Pfundmayr in photographs 1920–1935. Photoinstitute Bonartes, Walter Moser, Vienna 2014, ISBN 3700318960 .
- Faber, Dr. Monika: Dance Photo, Approaches and Experiments 1880–1946. Austrian photo archive in the Museum of Modern Art; Museum of the 20th Century, Wine 1990/1.
- Franz, Dr. Margit: Exile meets avant-garde, Exiles Art Networks in Bombay. In Margit Franz & Heimo Halbrainer: Going East - Going South. Austrian Exile in Asia and Africa. Graz 2014, ISBN 3902542349 .
- Franz, Dr. Margit: German-speaking Medical Exile to British India 1933-1945, p. 71-72. Im Konrad Helmut & Benedik Stefan: Mapping Contemporary History II. Exemplary fields of research in 25 years on Contemporary History Studies at Graz University. Böhlau, Wein - Koln - Weimar 2010, ISBN 3205785185 .
- Franz, Dr. Margit and Karl Wimmler: Fritz Kolb, Life in the Retort. As an Austrian alpinist in Indian internment camps. At Gateway India. German-speaking exile in India between British. Colonial rule, Maharajas and Gandhi. Clio, Graz 2015, ISBN 3902542314 .
- Society, Kestener: Anton Josef Trcka, Edward Weston, Helmut Newton. Scalo, Zurich - Berlin - New York 1998. ISBN 3931141888 .
- Grunwald-Spier, Agnes: The Other Schindlers. The History Press, UK 2010, ISBN 0752457063
- Hammer blow, Peter: Kringel, Schlingel, Borgia. Turia and Kant, Wein 1997.
- Herrberg, Heike and Heidi Wagner: Wiener Melange - women between salon and coffee house. Ebersbach, Berlin 2014. 2nd Edition, ISBN 3869150939 .
- Herrberg, Heike and Heidi Wagner. Wiener Melange 1902, women between salon and coffee house. Edition Ebersbach, Berlin 2002, ISBN 978-3-86915-093-2 .
- Hirschbach, Danny & Rick Takvorian: Biography. The power of dance, Hilde Holger - Vienna, Bombay, London. Signs and traces, Bremen 1990, ISBN 3-924588-19-8 .
- Jordan, Stephanie: Striding Out. Dance Books Ltd., London 1992, ISBN 1-85273-032-3 .
- Kampe, Thomas: Between Three Worlds. Hilde Holger the choreographer (PDF), p. 20. Im Charmian Brinson & Richard Dove: German-speaking Exiles in the Performing Arts in Britain after 1933. Vol. 14. Rodopi, the Netherlands 2013, ISBN 9042036516 .
- Krejci, Harald and Patrick Werkner (curators): Wiener Kinetismus. A Dynamic show consisting of Cubist and Futurist paintings, and Vienna Kineticism - including a dance pose with Hilde Holger by Anton Josef Trcka. Belvedere, Vienna 2011.
- Maldoom, Royston and Jacalyn Carley: Dance for Your Life. My work, my story. S. Ficher, Frankfurt 2010, ISBN 9783100473905 .
- Mayerhöfer, Josef: DANCE 20th century In Vienna. Exhibition catalog of the Austrian Theater Museum, Vienna 1979. Im Jarmila Weißenböck & Andrea Amort: exhibition and catalog. Article no .: FD5-774
- Perret, René: Martin Imboden. A forgotten photographer. Bern Benteli Verlag, Switzerland 1996, ISBN 3716510408 .
- Riedl, Joachim: Vienna, City of Jews - The world of Aunt Jolesch (exhibition). Jewish Museum Vienna, Paul Zsolnay 2004, ISBN 3552053158 .
- Sawyers, Adam and Geanina Beres: Indepen-Dance, an oral history. Report on Inclusive Dance. Glasgow 2017.
- Paperback, Rowohlt: Jewish women in the 19th and 20th centuries Lexicon on life and work. Reinbek near Hamburg 1993, ISBN 9783499163449 .
- Toepfer, Karl: Empire of Ecstasy, Nudity and Movement in German Body Culture, 1910–1935. University of California Press 1997, ISBN 0-520-20663-0 .
- Unknown: Inclusive dance. Springer 2003.
- Vernon-Warren, Bettina & Charles Warren: Gertrud Bodenwieser and Vienna's Contribution to Expression Dance. Routledge 1992, ISBN 90-5755-035-0 .
- Waltz, Jacqueline: Creative and expressive Dance Movement Theory for older adults using the Holger Method - Who says it's all down hill from here ?. University of Hertfordshire 2003.
Web links
- Internet Archive of Jewish Women (English)
- Leslie Horvitz: The Hilde Holger Biography. at hildeholger.com
Individual evidence
- ↑ Hilde Holger. Central European Expressionist Dancer. (No longer available online.) Www.hildeholger.com, 2007, archived from the original on November 14, 2006 ; accessed on December 18, 2012 (English). Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice.
- ↑ Hilde Holger. Central European Expressionist Dancer. (No longer available online.) 50yearsindance.com/category/hilde-holger, 2011, archived from the original on February 12, 2016 ; accessed on February 12, 2016 . Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice.
- ^ Marina Sassenberg: Hilde Holger. Jewish Woman's Archive, accessed December 18, 2012 .
- ↑ Julia Pascal: Adi Boman. Scientist on an unresolved search for a cancer cure. In: The Guardian . March 8, 2000, accessed December 18, 2012 .
- ↑ a b Ardeshir Kavasji Boman Behram 1909-2000. sueyounghistories.com, December 22, 2008, accessed December 18, 2012 .
- ^ W. Lei: Man Against Flood. In: The Hong Kong New Evening Post. October 10, 1972 (Chinese)
- ↑ Julia Pascal: Hilde Holger. As a dancer and teacher she kept the spirit of German expressionism alive in London. The Guardian , September 26, 2001, accessed December 27, 2012 .
- ↑ Lindsay Kemp obituary . The Guardian. 2018.
- ↑ British choreographer and mime Lindsay Kemp dies . The Guardian. 2018.
- ↑ Gulliver, J .: Prim Boman-Behram and the pioneering dancer Hilde Holger - Old letters reveal her mother's true identity. In: The Camden New Journal. November 4, 2010
- ↑ Hilde Holger Centenary. hildeholger.com, July 5, 2019, accessed July 5, 2019 .
- ↑ MoveABOUT: Transformation through movement. Austrian Cultural Forum London, July 10, 2019, accessed on July 10, 2019 (English).
personal data | |
---|---|
SURNAME | Holger, Hilde |
ALTERNATIVE NAMES | Boman-Behram, Hilde (real name); Sofer, Hilde (maiden name) |
BRIEF DESCRIPTION | expressionist dancer, dance teacher and choreographer |
DATE OF BIRTH | October 18, 1905 |
PLACE OF BIRTH | Vienna |
DATE OF DEATH | September 24, 2001 |
Place of death | London - Camden |