Art dealership Max Sinz

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The Max Sinz art dealer was founded in Dresden in 1896 . In addition to the Arnold Gallery and the Emil Richter Art Salon , which presented the latest trends in international art at the turn of the century, it was a rather conservative art dealership in the cultural life of Dresden at the time.

history

Lichtenberg art dealer

In April 1891, Theodor Lichtenberg opened a branch of his art dealer in Wroclaw on Ferdinandstrasse in Dresden . In autumn 1892 the Lichtenberg'sche Kunstsalon in Dresden moved into new premises with improved lighting conditions in the new Viktoriahaus building . The opening exhibition took place on October 6th with works by Andreas Achenbach , Oscar Achenbach , Leopold von Kalckreuth and Paul Friedrich Meyerheim , among others . In April 1893 Ferdinand Morawe became the owner of the art shop.

An exhibition of works by the then young Edvard Munch took place in the Kunstsalon Lichtenberg in 1893 , only a short time after the first Munch exhibition in Germany, which opened in Berlin on November 5, 1892. The exhibition in Berlin aroused violent protests and was closed prematurely after a week. The dispute over the exhibition in Berlin led to the foundation of the Berlin Secession . From November 4th to December 1st, 1894, the first joint exhibition of the Dresden Artistic Association was shown in the Lichtenberg Art Salon . The Dresden Association of Visual Artists was the first of the Dresden secession movements . 119 works by 35 members were presented.

Brand of Th. Lichtenberg Nachf. Max Sinz Dresden

Art dealership Max Sinz

On July 1, 1896, the previous employee and art dealer Max Sinz took over the Lichtenberg art dealership and relocated it under the name of Th. Lichtenberg's successor Max Sinz to Moszinskystrasse 1 at the corner of Prager Strasse . In September 1917 the art dealer moved under the name “Kunsthandlung Max Sinz” to the building opposite at Prager Strasse 38. a. enlarged with two skylight halls, several side light rooms and a graphic cabinet.

In 1934 Max Sinz took over the premises of the recently closed Galerie Arnold on Schloßstraße . In addition to the at Modern orienting Dresden art acts as the Gallery Arnold, who Kunstsalon Emil Richter, Galerie Neue Kunst Fides or the Gallery Young Art of Josef Sandel , the art dealer Max Sinz was, together with the art dealers Paul Rusch and Friedrich ax to more conservatively oriented galleries in Dresden.

On November 1, 1934, the art dealership was converted into the legal form of a general partnership . The owners were Max Sinz, Dr. Max Sinz and Heinrich Sinz registered. The art dealer Max Sinz was "officially closed" on Easter 1943. In 1945 the former art dealer was destroyed in the bombing raid on Dresden.

Exhibitions (selection)

literature

  • Arts and crafts . In: Alexander Bertelsson and Wolfgang Jess (eds.): Dresden art book 1927. Yearbook for the promotion of art care . Published by Wolfgang Jess, Dresden 1927, p. 149-152 .
  • Christel Wünsch: Carl Bantzer and the Goppelner Circle . In: Stadtmuseum Dresden (Ed.): Dresdner Geschichtsbuch . tape 8 . Altenburg printing house, 2002, p. 143-162 .
  • Maria Petrasch: Otto Altenkirch 1875–1945, life and work. Book accompanying the exhibition Otto Altenkirch 1875–1945 in Schloss Nossen, September 3 to November 13, 2005 . State palaces, castles and gardens of Saxony, Nossen Castle / Altzella Monastery Park, Nossen 2005, ISBN 3-00-016284-4 , p. 78 .

Web links

Remarks

  1. The Paul Rusch art dealership was located in the villa built by Hermann August Richter at Sidonienstraße  27 and dealt mainly with romantic and Biedermeier art . For sale were u. a. Works by Philipp Otto Runge , Caspar David Friedrich , Georg Friedrich Kersting , Ernst Ferdinand Oehme , Johan Christian Clausen Dahl , Ludwig Richter and Eduard Leonhardi . See: arts and crafts, arts and crafts . In: Alexander Bertelsson and Wolfgang Jess (eds.): Dresden art book 1927. Yearbook for the promotion of art care . Published by Wolfgang Jess, Dresden 1927, p. 149 .
  2. Friedrich Gottlieb Ludwig Axt (1851–1925) founded a bookshop in Dresden in 1877. In 1882 the bookstore was expanded and supplemented with an art shop. In 1925 Rudolf Axt (* 1880, Dresden) took over the Friedrich Axt art dealer. According to the 1943/44 address book, the Friedrich Axt art dealer was located at Reitbahnstraße 25 in Dresden. Mainly “paintings by the first masters”, especially from the 19th century, were traded. See also information on the Friedrich Axt art dealership in the provenance documentation ( memento from March 14, 2017 in the Internet Archive ) for the park landscape image by Rudolf Höckner ( Federal Office for Central Services and Unresolved Property Issues , 2009, accessed on March 13, 2017).

Individual evidence

  1. Mixed messages . In: Art Chronicle. Weekly for arts and crafts . New episode. 2nd year, no. 30 . Seemann, Leipzig June 25, 1891, p. 522 ( digitized version ).
  2. Mixed messages . In: Art Chronicle. Weekly for arts and crafts . New episode. III. Year, no. 26 . Seemann, Leipzig May 26, 1892, p. 457 ( digitized version ).
  3. ^ Correspondence from Dresden . In: Art Chronicle. Weekly for arts and crafts . New episode. IV. Year, no. 5 . Seemann, Leipzig November 17, 1892, p. 67 ( digitized version ).
  4. Morawe, Ferdinand. Entry in the DNB . Retrieved February 19, 2016 .
  5. ^ Erhard Frommhold : Art trade in Dresden - A tradition of modernity . In: Dresdner Geschichtsverein (Hrsg.): Dresdner Hefte . 15th year, issue 49, 1/97, 1997, p. 63 ( digitized version ).
  6. ^ Theodor Lichtenberg successor (Ferdinand Morawe) (Dresden). Entry in the DNB . Retrieved February 19, 2016 .
  7. ^ Sinz, Max. Entry in the DNB . Retrieved February 19, 2016 .
  8. a b Werner J. Schweiger : Art dealer Max Sinz. Berlinische Galerie , online collection. 2005, accessed on May 19, 2019 (entry for the planned publication “Lexicon of the Modern Art Trade in German-speaking Countries 1905–1937”).
  9. Werner J. Schweiger : Friedrich Axt. Berlinische Galerie , online collection. 2005, accessed on June 1, 2019 (entry for the planned publication “Lexicon of the Modern Art Trade in German-speaking Countries 1905–1937”).
  10. ^ Daniela Wilmes: Competition for the modern. On the history of the art trade in Cologne after 1945 . Akademie-Verlag, Berlin 2012, ISBN 978-3-05-005197-0 , pp. 76 ( limited preview in Google Book search).