Max Frey (painter, 1874)
Max Frey (born April 16, 1874 in Mühlburg near Karlsruhe , † March 11, 1944 in Bad Harzburg ; full name: Max Adolf Peter Frey ) was a German landscape and figure painter, graphic artist and illustrator .
From 1907 Frey was initially a teacher and from 1910 professor at the Dresden Academy of Applied Arts . His artistic work of the 1920s and 30s shows elements of Symbolism and New Objectivity with surrealistic echoes of Magical Realism .
Life
Max Frey was born in Mühlburg near Karlsruhe in 1874. His father was the businessman Heinrich Frey, his mother's name was Luise Frey. Max Frey lived in Karlsruhe until 1904. He first attended the arts and crafts school in Karlsruhe and then worked temporarily as a theater painter in Berlin and Mannheim . In 1893 and from 1895 to 1903 he was enrolled as a student at the Art Academy in Karlsruhe with Ferdinand Keller , Gustav Schönleber and Leopold von Kalckreuth .
Around 1899 Frey was a member of the Karlsruhe Art Cooperative and the General German Art Cooperative . There is also evidence of membership in the Karlsruhe Artists' Association founded on April 25, 1896 . From 1897 onwards, the Karlsruhe Artists' Union had its own art print shop, the Künstlerbund Karlsruhe (KKK) , in which, in addition to lithographs by the members of the Union, graphic advertising of all kinds for industry and trade was produced.
On May 24, 1904, Max Frey married Anna Luise Ottilie Fanni Ellstaetter in Karlsruhe, born in Karlsruhe on February 8, 1884, daughter of the factory owner Rudolf Ellstaetter and his wife Bertha. In this marriage, the birth of a daughter in 1920 is proven.
From 1904 to 1905 Max Frey lived as a painter in Frankfurt am Main . From 1906 he lived in Dresden. His workspace was at Eliasstrasse 34 (today Güntzstrasse), in the new building built by William Lossow and Hermann Viehweger from 1901 to 1908 , which from 1906 was used as the new headquarters of the Dresden Academy of Applied Arts . William Lossow also served as director of the Academy of Applied Arts from 1906.
In 1907 Max Frey received a teaching position at the Dresden Academy of Applied Arts. He led the newly opened class for "graphic arts and crafts" in the general schoolgirls department. Women have only been admitted to study at the “Royal School of Applied Arts in Dresden” since 1907. The first students in this newly created department were from 1907 to 1911 a. a. Margarete Wendt and Margarete Kühn , who founded the Wendt & Kühn company in 1915 . In 1910 Frey was appointed professor together with Erich Kleinhempel . In 1915 the general schoolgirls department was abolished under the new director Karl Groß and from then on pupils were taught together. Frey taught landscape painting, graphics and applied arts. His students included u. a. Willy Wolff , Margarete Kühn, Elisabeth Ahnert , Margarete Naumann , the graphic artist Kurt Hilscher and Dore Mönkemeyer-Corty , later as a dancer and choreographer has become known Gertrud Leistikow , Hans Grundig , Herbert Aschmann , Hans Theo Richter , Alfred Hesse , Werner Hofmann and Oscar Cahen .
In Dresden, Max Frey became a member of the Dresden Arts and Crafts Association and the Dresden Art Cooperative . Max Frey designed the poster for the 1st specialist exhibition of the Dresden Arts and Crafts Association in 1908. He was a founding member of the Grün-Weiß artist group that was established around 1910 . As a progressive group within the Dresden Art Cooperative, the Grün-Weiß group presented its works from October 29, 1910 in the Emil Richter Art Salon . Max Frey designed the poster for the exhibition. In February 1914, Max Frey exhibited at the Ernst Arnold gallery as a member of the Dresden artist group founded by Johann Walter-Kurau in 1913 . In 1926, Max Frey and Georg Siebert held a special exhibition at the Remmler Gallery in Leipzig . 29 works by Frey were shown. Max Frey was a member of the German Association of Artists .
From 1912 there is a report about a trip by Max Frey to Holland . A stay on the Baltic Sea island of Vilm is known for 1913 .
Max Frey was drafted into the First World War . Then he worked at the Dresden Academy of Applied Arts until at least 1934 . In August 1937 he moved to Bad Harzburg. His first marriage was divorced on December 24, 1938. On February 17, 1939, he married his former student Editha von Frobel in Braunschweig . On April 29, 1940, his son Volker was born. Max Frey spent the last years of his life with his family in Bad Harzburg, where he died on March 11, 1944. On March 17, 1944, an obituary for Max Frey was published in the Harzer Tageblatt . The burial took place on March 22, 1944 in Dresden on the Tolkewitz urn grove . Editha Frey died in 1956. Volker Frey died in 2012 in Helmstedt .
Artistic creation
Max Frey's work combines symbolist tendencies with elements of New Objectivity in the form of magical realism . The graphic works are influenced by Art Nouveau .
His early works are predominantly landscape paintings, whereby the focus was not simply on the realistic rendering of the landscape, but often on the further development of light effects with a romantic and sometimes fairytale character, e.g. B. in the paintings "The crossing Venezia-Chioggia" 1903, "Evening on the river" 1905, "Morning fog" 1911, "Flight to Egypt" 1911, "Der Allerhalter" 1912 and "Wolken" 1921.
In the 1920s and 1930s, Frey's work became increasingly symbolic and contained elements of magical realism. All kinds of fantastic aquatic and mythical creatures appear, e.g. B. in the paintings “Sea Depth” 1926, “Dreaming” 1930, “Wandering Birds”, “Water Bottom” 1931, “Animal and Human” 1931, “Flying Hunters” 1932 and “Down There ...” 1942. Frey created in In the 1920s, several pictures with exotic motifs: “In the Wonder Forest” in 1925, “The Princess' Hunt” in 1926, “Primeval Forest Princess” in 1928 and “Centaurin” in 1928. Lithographs and art prints were also made of these motifs .
classification
The graphic works show Max Frey as a representative of reform art influenced by Art Nouveau. In parallel to the work of the somewhat older Hans Thoma , the often grotesquely exaggerated, realistic, religious representations that appear in Max Frey's paintings in the mid-1930s are no longer convincing today. Frey's artistic contribution and the peculiarity of his work consist primarily in the combination of elements of symbolism and magical realism. Magical realism is the third current with surrealist echoes , alongside verism and classicism, within the new representational painting of the Weimar Republic with representatives such as Franz Radziwill , Franz Lenk , Ewald Schönberg or Franz Sedlacek .
The works from Frey's fantastic late phase were rarely presented in exhibitions of the time: the political environment of the 1930s and 1940s prevented an adequate reception . Frey's work was forgotten in the post-war period. Fantastic, surrealist and magical realism tendencies form a direction of New Objectivity that has received little attention to this day, but is nevertheless essential. Frey's work is based on the tradition of the fantastic and visionary art of the 19th century, which developed as a movement within Romanticism as an evasion from immediate reality into imaginary and mythical realms. The fantastic and visionary art of the 19th century includes works by Arnold Böcklin , William Blake and Gustave Moreau .
Exhibitions (selection)
Pictures by Max Frey were shown in numerous exhibitions until the end of the 1920s. Frey regularly took part in the joint exhibitions of the Dresden Art Cooperative:
- 1896: Karlsruhe, exhibition of the Kunstverein , shown: Autumn .
- 1898: Munich annual exhibition in the royal glass palace , shown: Spring night , oil. The mill , oil.
- 1899: Munich annual exhibition in the royal glass palace, shown: Rain is followed by sunshine , oil. Early spring , oil.
- 1899: German Art Exhibition Dresden, shown: At the bridge . Evening at the fair . Fair .
- 1900: Munich annual exhibition in the royal glass palace, shown: At the bridge , oil. Quiet angle , oil.
- 1901: Badischer Kunstverein , shown: dusk , early spring
- 1901: Great Berlin art exhibition , shown: An old nest . Winter day . Spring in the forest .
- 1902: Heidelberger Kunstverein , shown: Bach in winter . Early spring .
- 1902: Karlsruhe, jubilee art exhibition to celebrate the 50th anniversary of the reign of Grand Duke Friedrich von Baden , shown: View of Durlach .
- 1902: Düsseldorf, German National Art Exhibition , shown: At the bridge . An old nest .
- 1902: Munich annual exhibition in the royal glass palace, shown: Spring in the forest , oil. Spring day , oil. Ruin , oil. Durlach nursery , oil. Markdorf , oil.
- 1903: Munich annual exhibition in the royal glass palace, shown: Venezia-Chioggia crossing , oil. Marketplace in Besigheim , oil. View of Durlach , oil. Sunny day , tempera.
- 1904: Munich annual exhibition in the royal glass palace, shown: Church in Seefelden , oil. Überlingen , oil.
- 1904: Heidelberger Kunstverein, shown: Autumn day . Thunderstorm evening . Winter evening .
- 1904: Vienna, 31st annual exhibition in the Künstlerhaus , shown: Marktplatz in Besigheim , oil.
- 1905: Vienna, 32nd annual exhibition in the Künstlerhaus, shown: Spring day , oil.
- 1905: Jena, Thuringian Exhibition Association of Fine Artists, shown: Roofs in the rain , watercolor. Evening at Kaiserplatz .
- 1906: Cologne, German art exhibition shown: In January , oil.
- 1906: Karlsruhe, anniversary exhibition, shown: In the spring , oil. Flood , oil.
- 1906: Leipziger Kunstverein .
- 1906: Heidelberger Kunstverein , shown 10 oil paintings.
- 1907: Frankfurt am Main, Schneider's art salon.
- 1907: Württembergischer Kunstverein Stuttgart .
- 1908: Dresden, Emil Richter Art Salon .
- 1909: Dresden, first art exhibition in the Künstlerhaus, shown: Source . In the twilight .
- 1910: Baden-Baden, German art exhibition, shown: summer day . Early spring .
- 1910: Exhibition of the Grün-Weiß group in Dresden, shown: Dächer (Amsterdam) . Windmill . Willows in early spring . Sunny autumn morning . Roses and riders . Fair . Capuchins .
- 1911: Large watercolor exhibition in Dresden, shown: suburban garden in the snow
- 1911: Kunstverein Hamburg , collective exhibition of the Dresden local association of the General German Art Cooperative
- 1911: Art exhibition Dresdner Kunstgenossenschaft, shown: summer day .
- 1911: Karlsruhe, Badischer Kunstverein, on the 60th birthday of Prof. Schönleber, shown: The flight to Egypt . From Lekkerkerk . Windmill . Evening after the rain .
- 1911: Great Berlin Art Exhibition, shown: The Flight into Egypt .
- 1912: Dresden, large art exhibition, shown: evening after the rain (windmill) , oil. Windmill , woodcut. Escape to Egypt , oil. Sunday morning (bridge) , oil. The holy man , oil.
- 1913: Large watercolor exhibition in Dresden, shown: From Lekkerkerk .
- 1914: Dresden artist group 1913. Exhibition of paintings, graphics, drawings and plastic works, Galerie Ernst Arnold, Schloßstraße 34, Dresden. shown: Siegfried . Rest on the run . Retirement . Gerokstrasse in winter . Gerokstrasse in spring . Easter harbor . Shipyard on the Elbe . Summer day . Trees in the meadow . Evening at Schillerplatz . Ogre market . At the ogre .
- 1914: Aachen, Museum Association , traveling exhibition of the Dresden Art Cooperative.
- 1914: Great Berlin art exhibition, shown: Spring morning , watercolor. The blue flag , watercolor. In the fog , watercolor.
- 1915: Baden-Baden, German art exhibition.
- 1916: 2nd exhibition of Dresden artists who are in the army, Galerie Ernst Arnold, Schloßstraße 34, Dresden.
- 1916: Art exhibition Dresdner Kunstgenossenschaft, shown: effort , oil.
- 1918: Dresden, Max Sinz art dealer .
- 1918: Exhibition at the Commetersche Kunsthandlung , Hamburg. Paintings by Fritz Friedrichs , Friedrich Schaper , Max Frey, Georg M. Meinzolt (1863–1948), Paul Horst-Schulze and graphics by Emil Nolde .
- 1920: Art exhibition Dresdner Kunstgenossenschaft, shown: Spring morning . Spring magic . Clouds .
- 1921: Chemnitz, Gerstenberger Gallery
- 1921: Art exhibition Dresdner Kunstgenossenschaft, shown: Over fields , oil. Work break , oil. Clouds , oil.
- 1922: Art exhibition Dresdner Kunstgenossenschaft, shown: Brief rest .
- 1922: Dresden, Max Sinz art dealer, Prager Strasse 38.
- 1923: Art exhibition Dresdner Kunstgenossenschaft, shown: April weather , oil.
- 1923: Karlsruhe: Great German Art Exhibition for Free and Applied Arts, shown: Spring Magic .
- 1925: Art exhibition Dresdner Kunstgenossenschaft, shown: Wunderwald .
- 1926: Dresden, Max Sinz art dealer, Prager Straße 38, shown a. a .: love happiness . Love spring . Papagena . Cupid in the park . Paradise . The hunt .
- 1926: Leipzig, "Special exhibition by Prof. Max Frey", Galerie Remmler, shown: A song . I congratulate . Cupid . Congratulations . Princess Hunt . Evening in the park . Faust and Earth Spirit . At the market . Homeward . Soap bubbles . Spring creams . Sun . On the run . A couple of people . Papageno . Before the town . Outlook . Mary's dream . The fisherman . Out into the open . Noon . Kidnapping . Morning . The country doctor . Long, long ago . Approaching thunderstorm . On the run . The wonder forest . Centaurine .
- 1927: Art exhibition in Dresden Art Cooperative, shown: People do not fight in vain against stupidity , oil. A couple of people , oil. Madonna , oil. Dream landscape , oil.
- 1928: Art exhibition Dresdner Kunstgenossenschaft, shown: Jungle Princess .
- 1933: The art shown to the people, Dresden: Princess . Harp . Madonna . Fairy tale . Knight Georg . Madonna in the mountains . Becoming and passing away . Worry man . Poseidon . The big fish . Escape .
- 1942: Braunschweig art exhibition in the Herzog Anton Ulrich Museum , shown: The Shepherd , oil. On the mountainside , oil. Summer , oil.
- 1943: Winter art exhibition in the Goslar Museum (City Museum), shown: paintings and watercolors.
- 1943: Braunschweig art exhibition in the Herzog-Anton-Ulrich-Museum, shown: But down there , oil.
Awards
- Prize winners in the competition for an advertising poster from the city of Heidelberg for the historical costume festivals that took place from June 30th to July 5th, 1913 in the Heidelberg castle courtyard on the three-hundredth anniversary of the marriage of Elisabeth Stuart with Friedrich V of the Palatinate . From the award-winning posters and postcards and were Exlibris made.
- Prize winner in the competition of the Dresden Art Cooperative for the art exhibition poster 1921.
Works
Paintings by Max Frey can be found in the Neue Meister gallery at the Dresden State Art Collections . A self-portrait showing Max Frey as Till Eulenspiegel is in the possession of the Till Eulenspiegel Museum Schöppenstedt . The painting “Dreaming” is owned by the Jack Daulton Collection in Los Altos Hills . In the Dresden Kupferstich-Kabinett and in the Wolfsonian Florida International University there is a copy of the poster for the anniversary exhibition for arts and crafts in Karlsruhe 1906, which was produced in the art print shop Künstlerbund Karlsruhe . The poster for the municipal Vierortbad in Karlsruhe and a drawing with the same motif are in the possession of the Karlsruhe City Archives .
Around 1908 the Wurzener Teppich- und Velours-Fabriken A. G. produced a Smyrna carpet based on a design by Max Frey. Max Frey designed illustrations for the magazine Jugend , for the weekly for black and white art and poetry Licht und Schatten and for books. He designed graphics for postcards and posters.
Max Frey is sometimes mistakenly named as the illustrator of the book “The Most Beautiful Tales from Thousand and One Nights”. The book was first published in 1947 by Carl Ueberreuter Verlag in Vienna. The color plates are signed “MF 46” and come from Max Frey from Vienna (1902–1955) and not from Max Frey from Dresden (1874–1944).
Graphic work (selection)
Poster for the municipal Vierortbad in Karlsruhe, around 1900
Postcard, court theater in Karlsruhe, around 1900
Postcard, Friedrichsplatz Karlsruhe, around 1900
Postcard / autograph to Felix Pfeifer (front), 1920
Postcard / autograph to Felix Pfeifer (back), 1920
Paintings (selection)
year | image | title | size | material | Remarks |
---|---|---|---|---|---|
1896 approx. | autumn | 1896 Exhibition of the Kunstverein Karlsruhe. | |||
1898 approx. | The mill | oil | 1898 Munich annual exhibition. Signed lower right. | ||
1898 approx. | Spring night | oil | 1898 Munich annual exhibition. | ||
1899 approx. | Rain is followed by sunshine | oil | 1899 Munich annual exhibition. | ||
1899 approx. | Early spring | oil | 1899 Munich annual exhibition. 1901 Badischer Kunstverein. 1902 Heidelberger Kunstverein. | ||
1899 approx. | At the bridge | oil | 1899 German Art Exhibition Dresden, 1900 Munich Annual Exhibition, 1902 German National Art Exhibition Düsseldorf. | ||
1899 approx. | Evening at the fair | 1899 German art exhibition in Dresden. | |||
1899 approx. | Fair | 1899 German art exhibition in Dresden. | |||
1900 | Quiet angle | 74 cm × 64 cm | Oil on canvas | Signed and dated lower right. 1900 Munich annual exhibition. Fantasy landscape with high, steep cliffs, flock of sheep by a body of water, a shepherd blowing a shawm on a ledge. | |
1900 approx. | Walkers in the woods | 38.5 cm × 31 cm | Oil on cardboard | Signed. | |
1901 | Title unknown | 95 cm × 74 cm | Oil on canvas | Signed and dated lower right. | |
1901 approx. | dusk | 1901 Badischer Kunstverein. Rainy street with reflecting gas lamps. | |||
1901 approx. | An old nest | 1901 Great Berlin Art Exhibition, 1902 German National Art Exhibition Düsseldorf. | |||
1901 approx. | Winter day | 1901 Great Berlin art exhibition. | |||
1901 approx. | Bach in winter | 1902 Heidelberger Kunstverein. | |||
1901 approx. | Winter landscape | 41 cm × 29 cm | Oil on cardboard | Signed lower right. Not titled. | |
1901 approx. | Spring in the forest | oil | 1901 Great Berlin Art Exhibition, 1902 Munich Annual Exhibition. | ||
1901 | Winter on the Alb | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1901 | Moonlight in Dillsberg | Listed in the catalog raisonné 1901–1915. | |||
1902 | View of Durlach | 1902 anniversary exhibition in Karlsruhe, 1903 Munich annual exhibition. Listed in the catalog raisonné 1901–1915. | |||
1902 | Durlach nursery | oil | 1902 Munich annual exhibition. Listed in the catalog raisonné 1901–1915. | ||
1902 | spring day | oil | 1902 Munich annual exhibition, 1905 annual exhibition in the Künstlerhaus Vienna. Listed in the catalog raisonné 1901–1915. | ||
1902 approx. | ruin | oil | 1902 Munich annual exhibition. Listed in the catalog raisonné 1901–1915 as the ruins of the Hohkönigsburg . | ||
1902 approx. | Markdorf | oil | 1902 Munich annual exhibition. | ||
1902 | Winter evening (swimming school alley ) | 1904 Heidelberger Kunstverein. Listed in the catalog raisonné 1901–1915. | |||
1903 | Last rays | Listed in the catalog raisonné 1901–1915. | |||
1903 | Evening at the lake | Listed in the catalog raisonné 1901–1915. | |||
1903 | Church in Seefelden | oil | 1904 Munich annual exhibition. Listed in the catalog raisonné 1901–1915. | ||
1903 | Rock landscape | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1903 approx. | The Venezia-Chioggia crossing | 29.2 cm x 40 cm | Watercolor on cardboard | Signed lower right. Label on the back: “The crossing Venezia – Chioggia”. 1903 Munich annual exhibition. | |
1903 approx. | Market square in Besigheim | oil | 1903 Munich annual exhibition, 1904 annual exhibition in the Künstlerhaus Vienna. | ||
1903 approx. | Sunny day | tempera | 1903 Munich annual exhibition. | ||
1904 approx. | Autumn day | 1904 Heidelberger Kunstverein. | |||
1904 approx. | Thunderstorm evening | 1904 Heidelberger Kunstverein. | |||
1904 approx. | Überlingen | oil | 1904 Munich annual exhibition. | ||
1904 | Siegmaringen | Listed in the catalog raisonné 1901–1915. | |||
1904 | Lovers | Listed in the catalog raisonné 1901–1915. | |||
1905 approx. | Frankfurt / evening on the river | 71.5 cm × 101 cm | Oil on canvas | Signed lower left. On the reverse titled "Frankfurt", exhibition label of the Thuringian Exhibition Association of Visual Artists in Weimar. | |
1905 approx. | The Schirn in Frankfurt am Main | 106 cm × 76 cm | canvas | Signed. At that time the Schirn was the center of the densely populated old town in Frankfurt. | |
1905 approx. | Roofs in the rain | watercolor | 1905 Thuringian Exhibition Association of Fine Artists in Jena. | ||
1905 approx. | Evening at Kaiserplatz | 1905 Thuringian Exhibition Association of Fine Artists in Jena. | |||
1905 | Spring morning | Listed in the catalog raisonné 1901–1915. | |||
1905 | The witch | Listed in the catalog raisonné 1901–1915. | |||
1905 | The man in the seven mile boots | Listed in the catalog raisonné 1901–1915. | |||
1906 | In January | oil | 1906 German art exhibition in Cologne. Listed in the catalog raisonné 1901–1915. | ||
1906 approx. | In the spring | oil | 1906 anniversary exhibition in Karlsruhe. | ||
1906 | Flood | oil | 1906 anniversary exhibition in Karlsruhe. Listed in the catalog raisonné 1901–1915. | ||
1906 | Rainbow | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1907 | After the thunderstorm | Listed in the catalog raisonné 1901–1915. | |||
1907 | At the lake ( Meersburg ) | Listed in the catalog raisonné 1901–1915. | |||
1908 | Fair in Dresden | Listed in the catalog raisonné 1901–1915. | |||
1908 | Moonlit night in Wetzlar | Listed in the catalog raisonné 1901–1915. | |||
1908 approx. | Wetzlar in the snow | 59.1 x 79.1 cm | Brush drawing | ||
1908 | Morning mist on the Elbe | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1908 | Prayer of the knight | tempera | Listed in the catalog raisonné 1901–1915. | ||
1909 | Early spring | 1910 German art exhibition in Baden-Baden. Listed in the catalog raisonné 1901–1915. | |||
1909 | source | 1909 First art exhibition in the Künstlerhaus in Dresden. Listed in the catalog raisonné 1901–1915. | |||
1909 | In twilight (city hall renovation in Dresden ) | 1909 First art exhibition in the Künstlerhaus in Dresden. Listed in the catalog raisonné 1901–1915. | |||
1909 | Sunny autumn morning ( Reinhardtsdorf ) | 1910 Exhibition of the Grün-Weiß group in Dresden. Listed in the catalog raisonné 1901–1915. | |||
1910 approx. | Roofs ( amsterdam ) | 1910 Exhibition of the Grün-Weiß group in Dresden. | |||
1910 | Willows in early spring | 1910 Exhibition of the Grün-Weiß group in Dresden. Listed and marked in red in the catalog raisonné 1901–1915. | |||
1910 approx. | Roses and riders | 1910 Exhibition of the Grün-Weiß group in Dresden. | |||
1910 | Fair (suspension railway) | 1910 Exhibition of the Grün-Weiß group in Dresden. Listed and marked in red in the catalog raisonné 1901–1915. | |||
1910 approx. | Capuchin | 1910 Exhibition of the Grün-Weiß group in Dresden. | |||
1910 approx. | Windmill | Woodcut | 1910 exhibition of the Grün-Weiß group in Dresden, 1911 Badischer Kunstverein and 1912 great Dresden art exhibition. | ||
1910 approx. | Summer day | 1910 German art exhibition in Baden-Baden, 1911 Dresden art exhibition. 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1911 approx. | House in the snow | ||||
1911 | Escape to Egypt | oil | 1911 Exhibition of the Badischer Kunstverein in Karlsruhe, 1911 Great Berlin Art Exhibition, 1912 Great Dresden Art Exhibition. Listed and marked in red in the catalog raisonné 1901–1915. | ||
1911 approx. | From Lekkerkerk | 1911 Exhibition of the Badischer Kunstverein in Karlsruhe, 1913 Large watercolor exhibition in Dresden. | |||
1911 | Evening after the rain (windmill) | oil | 1911 Exhibition by the Badischer Kunstverein in Karlsruhe, 1912 at the Great Dresden Art Exhibition. Listed in the catalog raisonné 1901–1915. | ||
1911 approx. | Suburban garden in the snow | watercolor | 1911 Large watercolor exhibition in Dresden. | ||
1911 | At the piano | Listed in the catalog raisonné 1901–1915. | |||
1911 approx. | Morning mist | 77 cm × 71 cm | Oil on plywood | Signed lower right. On the reverse titled with the addition Dresden and noted "11". | |
1912 | The all holder | 75 cm × 101.5 cm | Oil on canvas | 1912 Great Dresden Art Exhibition. Signed lower left. Listed and marked in red in the catalog raisonné 1901–1915. | |
1912 | Sunday morning (bridge) | oil | 1912 Great Dresden Art Exhibition. Listed and marked in red in the catalog raisonné 1901–1915. | ||
1912 | In the fog | watercolor | 1914 Great Berlin art exhibition. Listed and marked in red in the catalog raisonné 1901–1915. | ||
1912 | Scheweninger bathing carts | Travel sketch | Trip to Holland 1912. | ||
1913 approx. | Rock bridge | 70.5 cm × 70.5 cm | Oil on plywood | Signed lower left. Titled and annotated "13" on the reverse. | |
1913 approx. | The mail car | 48.1 cm x 56 cm | Color lithograph | Signed in lead lower right "Max Frey" and again lower right in the image. Also inscribed in lead on the lower left "Vorstellungedruck". | |
1913 | The mail car | tempera | Listed and marked in red in the catalog raisonné 1901–1915. | ||
1913 | Gossipers | tempera | Listed in the catalog raisonné 1901–1915. | ||
1913 | shipyard | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1913 approx. | Shipyard on the Elbe | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1913 approx. | Easter harbor | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. Easter harbor ( Chorzelin ) was a seaside resort on the island of Wolin. | |||
1913 approx. | Evening on the Schillerplatz | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1913 approx. | Ogre market | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1913 approx. | At the ogre | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1913 approx. | Trees in the meadow | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1913 approx. | Gerokstrasse in spring | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1913 | Gerokstrasse in autumn | Listed in the catalog raisonné 1901–1915. | |||
1914 approx. | Gerokstrasse in winter | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. | |||
1914 | Salzgasse (Dresden) in the snow | 36.5 cm × 38.5 cm | Oil on canvas | Signed and dated lower left. Listed under 1913 in the catalog raisonné 1901–1915. | |
1914 | Salzgasse (Dresden) in the rain | 33 cm × 44.5 cm | Oil on canvas | Signed and dated lower left. Inscribed in lead on the lower right of the stretcher "The picture hung in the Atelier M. Frey in Güntzstrasse 34 2nd floor next to Prof. Baranowsky". Listed and marked in red under 1913 in the catalog raisonné 1901–1915. | |
1914 | Title unknown | Signed and dated lower left. | |||
1914 | Rest on the run | 79.5 cm × 79 cm | Oil on canvas | Signed lower left. Inscribed and titled on the reverse. 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. Listed in the catalog raisonné 1901–1915. | |
1914 | Retirement | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. Listed and marked in red in the catalog raisonné 1901–1915. | |||
1914 | Siegfried | 1914 Exhibition "Dresdner Künstlergruppe 1913", Galerie Ernst Arnold. Listed and marked in red in the catalog raisonné 1901–1915. | |||
1914 approx. | Spring morning | 38.5 cm × 36 cm | Gouache on cardboard | 1914 Great Berlin art exhibition. Signed lower left. | |
1914 approx. | The blue flag | watercolor | 1914 Great Berlin art exhibition. | ||
1915 | Tired | Listed in the catalog raisonné 1901–1915. | |||
1915 | Rest | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1915 | Holy Family | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1915 | Järmannshütten | Listed and marked in red in the catalog raisonné 1901–1915. | |||
1916 approx. | Trouble | oil | 1916 Dresden art exhibition. | ||
1919 approx. | On the garden wall | 45 cm × 62.5 cm | Oil on canvas | Signed lower right. Titled on the stretcher. Reverse label from Galerie Commeter, Hamburg. | |
On the wall | 70.5 cm × 70.5 cm | oil | Signed lower right. Inscribed and titled on the reverse. Addition "Dresden". | ||
On the hike | 19 cm × 20 cm | Oil on plywood | Signed lower right. Titled on the reverse. | ||
Out into the open | 70 cm × 70 cm | Oil on plywood | Signed lower left. Inscribed and titled on the reverse. Addition "Dresden". | ||
Voices of spring | 71 cm × 71 cm | oil | Signed lower left. Titling on the back. | ||
1920 approx. | The piper | ||||
1920 approx. | Tomorrow I have to leave here / French horn player | 70 cm × 70 cm | Oil on plywood | Signed lower left. On the reverse titled “Tomorrow I have to go from here”. | |
Easter morning | 70 cm × 70 cm | Oil on plywood | Signed lower right. Titled and inscribed with the addition "Dresden" on the reverse. Stamp of the art dealer Heinrich Kalide, Berlin W 8 Friedrichstrasse 173. | ||
Poplars in spring | 38.7 cm x 36.2 cm | Signed lower left. Reverse remains of a label from the Great Berlin Art Exhibition. | |||
1921 approx. | Clouds | oil | 1921 Dresden art exhibition. | ||
1921 approx. | Over fields | oil | 1921 Dresden art exhibition. | ||
1921 approx. | Work break | 70.5 cm × 70.5 cm | Oil on plywood | 1921 Dresden art exhibition. Inscribed and titled on the reverse. Addition "Dresden". | |
1922 approx. | Short rest | 1922 Dresden art exhibition. | |||
1922 approx. | Untitled | 70 cm × 70 cm | Signed lower left. Marked “22” on the back. | ||
1923 approx. | April weather | oil | 1923 Dresden art exhibition. | ||
1925 approx. | Wunderwald / In the Wunderwald / The Wunderwald | 70 cm × 70 cm | Oil on cardboard | 1925 Dresden art exhibition. 1926 Special exhibition Galerie Remmler. Signed lower left. | |
1926 approx. | Love happiness | 1926 Max Sinz art dealer in Dresden. | |||
1926 approx. | Love spring | 1926 Max Sinz art dealer in Dresden. | |||
1926 approx. | I congratulate | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Congratulations | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Evening in the park | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Faust and Earth Spirit | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | On the market | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Homeward | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Soap bubbles | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Sun | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Before the town | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | outlook | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | The fisherman | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Out into the open | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Noon | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | tomorrow | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | The country doctor | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Long, long ago | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Approaching thunderstorm | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Cupid | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Cupid in the park | 1926 Max Sinz art dealer in Dresden. | |||
1926 approx. | paradise | 70.5 cm × 70.5 cm | Oil on plywood | Signed lower right. Titling on the back. Ev. identical to the work exhibited under the same title in the Max Sinz art dealer in Dresden in 1926. | |
1926 approx. | On the run | 1926 Special exhibition Galerie Remmler (two different pictures with identical titles). | |||
1926 approx. | On the run | 1926 Special exhibition Galerie Remmler (two different pictures with identical titles). | |||
1926 approx. | A song | 1926 Special exhibition Galerie Remmler. Signed lower left. | |||
1926 approx. | Papageno | 1926 Special exhibition Galerie Remmler. | |||
1926 approx. | Papagena | 70 × 70 cm | Oil on plywood | 1926 Max Sinz art dealer in Dresden. Titled on the reverse. | |
1926 approx. | hunt | 83 cm × 82 cm | Oil on canvas | 1926 Max Sinz art dealer in Dresden. Signed lower right. Titled on the reverse with the addition "Dresden". | |
1926 approx. | A couple of people | 70 cm × 70 cm | oil | 1926 Special exhibition Galerie Remmler. 1927 Dresden art exhibition. Signed lower right. Titled on the reverse. | |
1926 approx. | Spring creams | 88 cm × 76 cm | Oil on canvas | 1926 Special exhibition Galerie Remmler. Titling on the back. | |
1926 approx. | Mary's dream | 70 cm × 70 cm | Oil on plywood | 1926 Special exhibition Galerie Remmler. Signed lower right. Titled on the reverse, label from Galerie Remmler & Co. Leipzig: No. 5742. | |
1926 approx. | Kidnapping (the Desdemona ) | 70 cm × 70 cm | Oil on plywood | 1926 Special exhibition Galerie Remmler. Signed lower right. On the reverse titled “Entführung”, label from Galerie Remmler & Co. Leipzig: No. 5746. | |
1926 approx. | Centaurine | 70 cm × 70 cm | Oil on plywood | 1926 Special exhibition Galerie Remmler. Signed lower left. Titled on the reverse, label from Galerie Remmler & Co. Leipzig. | |
1926 approx. | Princess Hunt | 39 cm × 39 cm | Oil on cardboard | 1926 Special exhibition Galerie Remmler. Targeted lower right. On the reverse titled "Hunt of the Princess". Princess in a litter on the back of an elephant. | |
1926 approx. | Sea depth | 70 cm × 70 cm | Oil on plywood | Signed lower left. Titled and annotated "26" on the reverse. | |
1927 approx. | People do not struggle with stupidity in vain | 70 cm × 70 cm | Oil on plywood | 1927 Dresden art exhibition. Signed lower left. Titled on the reverse. | |
Untitled | 70 cm × 70 cm | Oil on plywood | Signed lower right. | ||
Diana | 70 cm × 70 cm | Oil on plywood | Signed lower left. | ||
Diana on the hunt | 71 cm × 70 cm | Oil on plywood | Signed lower left. Titled on the reverse. | ||
1927 approx. | Madonna | oil | 1927 Dresden art exhibition. | ||
1927 approx. | Dream landscape | oil | 1927 Dresden art exhibition. | ||
1927 approx. | Wonder forest | 51.5 cm × 38 cm | lithograph | Lower left in the plate MF signed by hand and donation note Paul Groß, dated “Febr (uar) 1928” lower right. Titled and exhibition label on the reverse: “ Annual show of German work Dresden 1927”. | |
1928 approx. | Wonder forest | watercolor | Signed lower left (here the original is an art print from 1928). | ||
1928 approx. | Jungle princess | 1928 Dresden art exhibition. Princess sitting on the ground in front of elephant. | |||
1930 | Birth of Pieta | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
1930 | Dreaming | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. | |
1930 | Title unknown | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. | |
1930 | Title unknown | 70 cm × 70 cm | Oil on plywood | Signed and dated upper left. | |
1930 | Daughter of Poseidon | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1931 | Poseidon and daughter | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse on an old label '90. Poseidon et al. Daughter". | |
1931 | The princess | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1931 | Water bottom | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1931 | Water fairy and prince | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1931 | Winter night's dream | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
Sleigh ride | 40 cm × 70 cm | Oil on plywood | Signed lower left. | ||
1931 | Mary in the arbor | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the verso on the label. | |
1931 | Spring awakens | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1931 | Title unknown | 70.5 cm × 70.5 cm | Oil on plywood | Signed and dated lower left. | |
1931 | The wonder | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1931 | Red bird | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1931 approx. | Migratory birds | 70 cm × 70 cm | Oil on plywood | Signed lower right. Titled on the reverse. | |
1931 | Animal and human | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1932 | Flying hunters | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1932 | Untitled | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. | |
1932 | In the cave | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1932 | The saint and the dragon | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1932 | Knight Georg | 70 cm × 70 cm | Oil on plywood | 1933 Dresden art exhibition. Signed and dated lower right. Titled on the reverse. | |
1932 approx. | Untitled | 50 cm × 50 cm | Oil on plywood | ||
1932 | harp | 70 cm × 70 cm | Oil on plywood | 1933 Dresden art exhibition. Signed and dated lower right. Titled on the reverse. | |
1932 | dream | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
1933 | The great shadow | 70 cm × 70 cm | Oil on plywood | Signed and dated upper left. Titled on the reverse. | |
1933 | Dragon - Virgin - Knight | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1933 | Madonna in the thorn bush | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titling on the back. | |
1933 | Escape in the mountains | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
1933 | The three kings | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
1933 | Escape | 70 cm × 70 cm | Oil on plywood | 1933 Dresden art exhibition. Signed and dated lower right. Titling on the back. | |
1933 | Escape in winter | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
1933 | On the run | 50 cm × 50 cm | Oil on plywood | Signed and dated lower left. Titling on the back. | |
1933 approx. | The worry man | 1933 Dresden art exhibition. | |||
1933 approx. | Poseidon | 1933 Dresden art exhibition. | |||
1930s approx. | Even as Till Eulenspiegel | 70 cm × 70 cm | Oil on plywood | Signed lower left. Titled on the reverse. Self-Portrait. Owned by the Till Eulenspiegel Museum Schöppenstedt | |
1934 | Further! Up! | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. Self-portrait at the age of 60. | |
1934 | Light giver | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
Parcival | 70 cm × 70 cm | Oil on plywood | Signed lower right. Titled on the reverse, label of the art exhibition Gerstenberger Chemnitz. | ||
1934 | The winner | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1934 | Spring song | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1934 | Escape over the mountains | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
Title unknown | 15.5 cm x 15.5 cm | watercolor | Signed lower right. | ||
1934 | Madonna with the rabbits | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
1935 | The angel | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titling on the back. | |
1935 | Escape with angel | 71 cm × 71 cm | Oil on plywood | Signed and dated lower right. Titling on the back. | |
1935 | Adorant | 70 cm × 70 cm | Oil on plywood | Signed lower left. Titled on the reverse. | |
1935 | Between heaven and earth | 71 cm × 71 cm | Oil on plywood | Signed and dated lower left. Title on the reverse with additional title “The angel shows the way” . | |
1935 | Mary under willow | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titling on the back. | |
1935 | Madonna | Signed and dated lower left (here the original is shown in a print from the 1950s). | |||
1935 approx. | Holy Night | ||||
1936 | Saint Martin | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. | |
1936 | Maria rides under the canopy | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titling on the back. | |
1936 | Herald of Spring | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Indistinctly titled on the label on the reverse. | |
1938 | At that time [balloon flight] | 71 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled "Annodazumal" on the reverse. Woman standing in balloon basket, man balancing on the edge. | |
1938 | Balloon flight | 70 cm × 70 cm | Oil on plywood | Signed lower right. Dated. Man and woman standing in balloon basket. Flying crane on the left. | |
1938 | Plow and spade | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1938 | construction | 69 cm × 69 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1938 approx. | Mother and children | 70 cm × 70 cm | Oil on plywood | Signed lower right. Titled on the reverse. | |
1938 | Untitled | 70 cm × 70 cm | Oil on plywood | Signed and dated lower right. Title "In the jungle" painted over on the reverse. | |
1939 | Keeper of happiness | 70 cm × 70 cm | Oil on plywood | Signed lower left. Marked on the reverse “39”. | |
1939 | Untitled | 25 cm × 35 cm | Oil on plywood | Signed and dated lower right. | |
1940 | The eye sees the sky open | 35 cm × 35 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
Title unknown | 50 cm × 50 cm | Oil on plywood | Signed lower left. | ||
1940 | Family happiness | 35 cm × 35 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1941 | The old Bad Harzburg | 25 cm × 31 cm | watercolor | Signed and dated lower right. Label on the reverse: “From The University Glasgow. The old Bad Harzburg seen from the north. " | |
1942 approx. | The shepherd | oil | 1942 Braunschweig art exhibition. | ||
1942 approx. | On the mountainside | oil | 1942 Braunschweig art exhibition. | ||
1942 approx. | summer | oil | 1942 Braunschweig art exhibition. | ||
1942 | The Pearl | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1942 | But down there ... | 32 cm × 31 cm | Oil on plywood | 1943 Braunschweig art exhibition. Signed and dated lower left. Titled on the reverse. | |
1942 | Luna | 35 cm × 35 cm | Oil on plywood | Signed and dated lower right. Titled on the reverse. | |
1943 | peace | 35 cm × 35 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1944 | Burgenland | 70 cm × 70 cm | Oil on plywood | Signed and dated lower left. Titled on the reverse. | |
1944 | Untitled | 35 cm × 35 cm | Oil on plywood | Signed and dated lower left. | |
1937-44 approx. | Untitled | 35 cm × 35 cm | Oil on plywood | Attributed to. North of Bad Harzburg: View from the "Horn" to the north side of the Butterberg in front of the Harz Mountains , behind it the first Harz Mountains east of Harzburg | |
Untitled | 35 cm × 35 cm | Oil on plywood | Attributed to. | ||
Ascending Icarus | 70 cm × 70 cm | Oil on plywood | Unsigned. | ||
Happy dreams | 38.7 cm x 36.2 cm | Titled and inscribed "Max Frey" on the reverse. | |||
old man | 15.8 × 14.8 (25) | Linoleum cut | Multi-colored, 25 copies. Listed in the catalog raisonné 1901–1915. | ||
1906–1915 approx. | At the ditch in the Gruna | 23.0 × 32.5 (21 × 30.5) (25) | Linoleum cut | Multi-colored, 25 copies. Listed in the catalog raisonné 1901–1915. Gruna is a district of Dresden and belongs to Blasewitz. | |
angler | 12.5 × 22 (11.5 × 21) (10) | Linoleum cut | Multi-colored, 10 copies. Listed in the catalog raisonné 1901–1915. | ||
From Tivoli | 27 × 20.5 (26 × 19) (15) | Linoleum cut | Multi-colored, 15 copies. Listed in the catalog raisonné 1901–1915. | ||
1911 approx. | Woman with a goose / goose woman | 23.5 × 17 (20) | Linoleum cut | Multi-colored, 20 copies. Listed in the catalog raisonné 1901–1915. | |
Laundry day | 17 × 20 (15) | Linoleum cut | Multi-colored, 15 copies. Listed in the catalog raisonné 1901–1915. | ||
Windmill | 27 × 29 (30) | Linoleum cut | Multicolored, 30 copies. Listed in the catalog raisonné 1901–1915. | ||
Winter day in Schlettstadt | 23.5 × 30.5 (30) | Linoleum cut | Multicolored, 30 copies. Listed in the catalog raisonné 1901–1915. | ||
Quiet angle | Linoleum cut | Tricolor. Listed in the catalog raisonné 1901–1915. | |||
Putto with flowers | Linoleum cut | Tricolor. Listed in the catalog raisonné 1901–1915. | |||
carnival | 14 × 19.5 (12 × 16) (15) | Cliché print | Tricolor, 15 copies. Listed in the catalog raisonné 1901–1915. | ||
The well-wisher | 16.0 × 14 (12.5 × 12.5) (10) | Cliché print | Monochrome, 10 copies. Listed in the catalog raisonné 1901–1915. | ||
Servant Rupprecht | 23 × 21.5 (15) | Cliché print | Tricolor, 15 copies. Listed in the catalog raisonné 1901–1915. | ||
Mask with putto | 14 × 19.5 (12 × 12) (10) | Cliché print | Two-tone, 10 copies. Listed in the catalog raisonné 1901–1915. | ||
Dancer with mask | 23 × 21 (17 × 17) (10) | Cliché print | Tricolor, 10 copies. Listed in the catalog raisonné 1901–1915. | ||
Winter day | etching | Listed in the catalog raisonné 1901–1915. | |||
Holy Family | 24 × 28 (18 × 20) (15) | etching | Multi-colored, 15 copies. Listed in the catalog raisonné 1901–1915. | ||
Flute player | 15 × 25 (12.5 × 21) (10) | etching | Multi-colored, 10 copies. Listed in the catalog raisonné 1901–1915. | ||
Santa Claus | 15.5 × 12 (11.5 × 9.5) (15) | etching | Multi-colored, 15 copies. Listed in the catalog raisonné 1901–1915. |
Remarks
- ↑ In October 1906, three positions were advertised for the general schoolgirls department, which was newly established in January 1907 in the new building of the Royal School of Applied Arts : “For the schoolgirls department of the Kgl. Kunstgewerbeschule we are looking for teachers for female handicrafts, the painting department (practice for ceramic painting is desired) and arts and crafts design. ”See: Decorative art. Supplement . Xth year, October 1st. Bruckmann, Munich 1906, p. VII . Were hired Erich Kleinhempel for general arts and crafts, Max Frey for the graphic arts class and Margaret Young for the textile trade class. Johannes Türk taught life drawing in all three classes.
- ↑ The lessons included weekly 24 hours in "practical tasks such as posters, book design , bookmarks , calendars, newspaper cliches , attempts in linoleum cut and stone drawings ( woodcut and etching ) with simultaneous pressure". See: Department 18. Royal School of Applied Arts in Dresden . In: IV. International Congress for Art Education, Drawing and Applied Arts. Dresden 1912. Guide through the exhibition. 4th to 25th August . Publishing house and printing house of the Wilhelm and Bertha von Baensch Foundation, Dresden 1912, p. 41 ( digitized version ).
- ↑ Max Frey is noted in the April 4, 1913 edition of the Dresden Latest News as secretary of the Kunstgewerbeverein. William Lossow was chairman of the arts and crafts association at that time . Deputy chairman was Karl Groß , one of the leading representatives of the modern reform movement.
- ↑ Photo by Editha Frey .
- ^ Illustration of the advertising stamp designed by Max Frey for Heidelberg , approx. 1913.
- ↑ a b c d e f g h i j k l m n o p q r Frey, Max: Correspondence with Josef August Beringer . Three letters 1912–1915. Ent .: Catalog raisonné 1901-1915 . In: Josef August Beringer's estate . Generallandesarchiv Karlsruhe ( evidence - work marked in red by Max Frey: "I consider the ones marked red to be the most successful.").
- ↑ The opera Doctor Faust by Ferruccio Busoni was premiered on May 21, 1925 in the Semperoper under the direction of Fritz Busch in Dresden: Chronicle of the Semperoper. 1925 Doctor Faust. Premiere. Radio treasures. Dresden and Leipzig great moments from opera and concert. Retrieved February 2, 2016 .
- ↑ a b Wolfgang Amadeus Mozart's Magic Flute was part of the standard repertoire of the Dresden Staatskapelle in the 1920s and was performed repeatedly. B. also on January 21, 1925 with Meta Seinemeyer in the role of Pamina. Dresden Opera Chronicle 1922–1933. Radio treasures. Dresden and Leipzig great moments from opera and concert. Retrieved February 2, 2016 .
- ^ The opera Otello by Giuseppe Verdi was performed on April 26, 1925 in the Semperoper under the direction of Fritz Busch with Meta Seinemeyer as Desdemona and Tino Pattiera as Othello in Dresden. A historical sound recording of the performance has been preserved: Chronicle of the Semperoper. 1925 Othello. Radio treasures. Dresden and Leipzig great moments from opera and concert. Retrieved February 2, 2016 .
- ^ The first version of the opera Die ägyptische Helena by Richard Strauss was premiered on June 6, 1928 in the Semperoper in Dresden. The picture may represent a scene from the opera.
- ↑ The picture "Dragons - Maiden - Knights" illustrates a scene from the verse epic " Der Rasende Roland " by Ludovico Ariosto . This motif has been dealt with several times in art history, for example by the French painter Jean-Auguste-Dominique Ingres in “ Roger liberates Angelika ” and by Arnold Böcklin in “Angelika, guarded by a dragon” (see conversion from 1873 and conversion from 1879 / 80 ).
- ↑ The book Im Ballon published in 1892 . Journeys of Captain Spelterini by Jakob Christoph Heer shows a cover illustration of the Lithographische Kunstanstalt Frey & Conrad Zurich similar to the picture “Annodazumal” (1938) by Max Frey, which shows Eduard Spelterini standing in a typical pose on the edge of the basket. Eduard Spelterini was known as an aviation pioneer and balloon captain even before the turn of the century and traveled around Europe with his balloon until the mid-1920s.
- ↑ “The eye sees the sky open” is a line of verse from the “ Song of the Bell ” by Friedrich Schiller , which was part of the canon of German literature at the time.
- ↑ The quote "But it's terrible down there" comes from Friedrich Schiller's ballad " Der Taucher ".
literature
- Holger Schlegel: The forgotten world of the painter Max Frey . In: Goslarsche Zeitung . Edition Bad Harzburg, Braunlage . Volume 231, 171, July 25th. Verlag Karl Krause, Goslar 2015, p. 18 ( goslarsche.de ).
- Birgit Dalbajewa (Ed.): New Objectivity in Dresden . Sandstein Verlag, Dresden 2011, ISBN 978-3-942422-57-4 , p. 70, 242, 290, 317 .
- Ulrich Bischoff , Dagmar Sommer (ed.): Galerie neue Meister Dresden: Illustrated inventory. State Art Collections Dresden. Illustrated catalog in two volumes . tape 2 . Verlag der Buchhandlung Walther König, Cologne 2010, ISBN 978-3-86560-737-9 , p. 106 .
- Museum of the University of Wrocław (ed.): Masterpieces of the European bookplate at the transition from the 19th to the 20th century in the collections of the University Library of Wrocław: exhibition catalog . Breslau 2006, p. 46-47 ( bibliotekacyfrowa.pl ).
- Gernot Klatte: Frey, Max . In: General Artist Lexicon . The visual artists of all times and peoples (AKL). Volume 44, Saur, Munich a. a. 2005, ISBN 3-598-22784-1 , p. 521.
- Hans. F. Schweers: Paintings in German museums: catalog of the exhibited and depot-stored works. 3. update and exp. Ed., München KG Saur 2002, Volume 1, p. 598.
- Christiane Friese: Poster Art 1880–1935 . Klett-Cotta, Stuttgart 1994, p. 8, 200 , fig. 170 .
- Leo Müllfahrt: Frey, Max . In: Small Lexicon of Karlsruhe Painter . Badenia, Karlsruhe 1987, ISBN 3-7617-0250-7 , pp. 157 .
- District Association of Visual Artists Karlsruhe: Around 1900: the old Karlsruhe Künstlerhaus: 19.3. – 26.4.1987, Künstlerhaus-Galerie . Karlsruhe 1987, p. 151, fig. 20, fig. 26 .
- Angela Hopf , Andreas Hopf (Ed.): Nude Exlibris . Mahnert-Lueg, Munich 1986, ISBN 3-922170-57-9 .
- Angela Hopf, Andreas Hopf (Eds.): Owls Ex Libris . Ullstein, Frankfurt 1980, ISBN 3-548-20110-5 .
- Joachim Busse: International manual of all painters and sculptors of the 19th century: Busse directory . Verlag Busse Art Documentation, Wiesbaden 1977, ISBN 3-9800062-0-4 , p. 435 .
- Emmanuel Bénézit : Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays . tape 4 . Gründ, Paris 1976, ISBN 2-7000-0152-4 , pp. 522 .
- Frey, Max . In: Hans Vollmer (Hrsg.): General Lexicon of Fine Artists of the XX. Century. tape 2 : E-J . EA Seemann, Leipzig 1955, p. 157 .
- The worry man . In: Velhagen & Klasings monthly books . Born in December 48. Velhagen & Klasing, Berlin 1933, p. 682-684 .
- Frey, Max Adolf Peter . In: Willy Oskar Dreßler (Hrsg.): Dressler's art manual . tape 2 . Verlag Carl Curtius, Berlin 1930, p. 272 .
- Hermann Alexander Müller , Hans Wolfgang Singer : Frey, Max Adolf Peter . In: General artist dictionary: life and works of the most famous visual artists . Volume 6, Second Addendum. Rütten & Luenning, Frankfurt am Main 1922, p. 101 ( Textarchiv - Internet Archive ).
- Hermann Alexander Müller, Hans Wolfgang Singer: Frey, Max . In: General artist dictionary: life and works of the most famous visual artists . 5th volume, addendum. Rütten & Luenning, Frankfurt am Main 1921, p. 97 ( Textarchiv - Internet Archive ).
- Joseph August Beringer : Frey, Max . In: Ulrich Thieme (Hrsg.): General Lexicon of Fine Artists from Antiquity to the Present . Founded by Ulrich Thieme and Felix Becker . tape 12 : Fiori-Fyt . EA Seemann, Leipzig 1916, p. 442 ( Textarchiv - Internet Archive ).
- Joseph August Beringer: Baden painting in the nineteenth century. Karlsruhe 1913, pp. 128-129.
- Max Frey: Correspondence with Josef August Beringer. Three letters 1912–1915. Ent .: Catalog raisonné 1901–1915 . In: Generallandesarchiv Karlsruhe (ed.): Nachlass Josef August Beringer . ( landesarchiv-bw.de ).
- Frey, Max Adolf Peter . In: Friedrich Jansa (ed.): German visual artists in words and pictures . Published by Friedrich Jansa, Leipzig 1912, p. 169 .
- Walter von Zur Westen: All sorts of bookplates . In: Ex libris, book art and applied graphics . 19th year, December 4th. Printed by O. Holten, Berlin 1909, p. 129 .
- Studio talk. In: The international studio. John Lane Company, New York 1903/1904, Volume 21, p. 174 ( digitized version ), ill. P. 172 ( digitized version )
Web links
- Gernot Klatte: Frey, Max Adolf Peter . In: Institute for Saxon History and Folklore (Ed.): Saxon Biography .
- Frey, Max. In: Malerlexikon. Insula Rugia eV, accessed on June 3, 2020 .
Individual evidence
- ^ Adolf von Oechelhäuser : History of the Grand Ducal Baden Academy of Fine Arts. Festschrift for the 50th anniversary of the foundation festival in 1904 . Braunsche Hofbuchdruckerei, Karlsruhe 1904, p. 160 .
- ↑ a b wladimir-aichelburg.at: Members of the Allgemeine Deutsche Kunstgenossenschaft in 1899 , accessed on December 25, 2013
- ↑ Festschrift for the celebration of the 25th anniversary of the Karlsruhe Association of Visual Artists . In: Around 1900: the old Karlsruhe Künstlerhaus: 19.3. – 26.4.1987, Künstlerhaus-Galerie . Karlsruhe 1987, p. 151 , fig. 20, fig. 26 .
- ↑ Frey, Max Adolf Peter . In: Willy Oskar Dreßler (Hrsg.): Dressler's art manual . tape 2 . Verlag Carl Curtius, Berlin 1930, p. 272 .
- ^ Frey, Max: M. (KBK). Karlsruhe, Friedensstr. 28 . In: Max Martersteig (Hrsg.): Yearbook of the fine arts . 1st year. German Yearbook Society, 1902, ISSN 0932-2337 , p. 93 , urn : nbn: de: gbv: wim2-g-3777794 (see also digital version of the 1903 edition).
- ^ Katja Förster: Art Print Artists Association Karlsruhe (KKK). Stadtwiki Karlsruhe , 2014, accessed on February 14, 2016 .
- ^ Supplementary, subsequent entry on the marriage certificate from 1904. Karlsruhe City Archives. Information from January 30, 2015.
- ↑ Frey, Max . In: Hans Vollmer (Hrsg.): General Lexicon of Fine Artists of the XX. Century. tape 2 : E-J . EA Seemann, Leipzig 1955, p. 157 .
-
^ Entry for Max Frey under "Frey, Max Ad. Pet. Painter, Teacher a. d. Kgl. Kunstgewerbeschule, Pestalozzistraße 13 “in the historical address book of Dresden 1908 ( slub-dresden.de );
In the books of 1910 and 1911, the address is Tauscherstraße 6. In the address book from 1911 the job title “Prof. a. d. Kgl. Kunstgewerbeschule ”, from 1912 to 1921 the place of residence was Dresden - Blasewitz . Gustav-Freytag-Straße 12 was registered in Dresden-Blasewitz from 1922 to 1936 and then Reycker Straße 28 in Dresden until 1937. - ^ University of Fine Arts Dresden (ed.): Dresden. From the royal art academy to the college of fine arts (1764–1989) . VEB Verlag der Kunst, Dresden 1990, p. 620 .
- ↑ a b Kunstgewerbeblatt. Leipzig 1908, vol. 19, p. 201 ( digi.ub.uni-heidelberg.de digitized version )
- ↑ a b Cordula Bischoff: The first women's class at the Royal Saxon School of Applied Arts in Dresden . In: Marion Welsch and Jürgen Vietig (eds.): Margarete Junge. Artist and teacher on the move to the modern age . Sandstein Verlag, Dresden 2016, ISBN 978-3-95498-218-9 , pp. 84-103 .
- ^ Die Kunst: Monthly Issue for Free and Applied Arts, Munich 1910, 13th year, Volume 22, p. 488 ( digitized version )
- ↑ Petra Klara Gamke: Karl Great. Tradition as innovation? Dresden reform art at the beginning of modernism . Deutscher Kunstverlag, Munich 2005, ISBN 3-422-06488-5 , p. 77 .
- ^ Jean-Claude Hilscher: Kurt Hilscher - advertising graphics and publishing work. 1925-1975 . Free University of Berlin , Department of History and Cultural Studies, Berlin 2009, p. 14 ( digitized dissertation).
- ^ Jacoba Adriana de Boer: Gertrud Leistikow en de modern, "Duitsche" dans. A biography (doctoral thesis) . FGw: Amsterdam School for Culture and History (ASCH), Amsterdam 2015, p. 28 ( digitized version ).
- ↑ Jaleen Grove: Oscar Cahén. Life and work . Art Canada Institute, Toronto 2015, ISBN 978-1-4871-0067-4 , pp. 4 ( digital copy [PDF]).
- ^ The Dresden Arts and Crafts Association . In: Dresdner Latest News . No. 89 , April 4, 1913, pp. 3 ( digitized version ).
- ^ A b Ruth Negendanck : The Ernst Arnold Gallery (1893–1951). Art trade and contemporary history . Publishing house and database for the humanities, Weimar 1998, ISBN 3-932124-37-5 , p. 137, 459 .
- ^ A b Dresden artist group 1913. Exhibition of paintings, graphics, drawings and plastic works. February 1 to February 21, 1914 . Galerie Ernst Arnold, Dresden 1914 ( digitized - exhibition catalog).
- ^ Special exhibition by Prof. Max Frey. Special exhibition by Georg Siebert. In: Galerie Remmler (Hrsg.): Catalog of the Christmas exhibition . Galerie Remmler, Leipzig 1926 (contains an illustration of a work by Max Frey on the title page and illustrations of three other works on page 3).
- ^ Full members of the German Association of Artists ( Memento from February 24, 2017 in the Internet Archive )
- ^ Journey of Prof. Frey to Holland . In: Reports of the State Academy for Applied Arts Dresden . Signature: 02/68, index number: 4981. HfBK Dresden Archive, Dresden 1912.
- ^ Insula Rugia eV: Frey, Max. Painter lexicon. Retrieved April 5, 2018 .
- ↑ Reinhard Piechocki : The painter islands Rügen, Vilm, Hiddensee. From Friedrich to Feininger . 2018, ISBN 978-3-9813568-4-7 , pp. 127 .
- ^ Martin Raack: An artist Bad Harzburg died. Commemorative sheet for Prof. Max Frey . In: Harzer Tageblatt . 17. March. Goslar 1944 ( digital copy - in the holdings of the Lower Saxony State Archives Wolfenbüttel : call number 91260 vol. 1).
- ↑ Max Frey obituary . In: Harzer Tageblatt . March 13th. Goslar 1944 ("Max Frey, painter and professor, † March 11, 44. Editha Frey, nee Frobel, Volker Frey. Burial in Dresden").
- ↑ Information from the municipal cemetery and funeral services of the state capital Dresden from July 7, 2015: "On March 22, 1944, Max Frey's urn was buried in the Tolkewitz urn grove in location 100 B 052".
- ↑ Birgit Dalbajewa (Ed.): New Objectivity in Dresden . Sandstein Verlag, Dresden 2011, ISBN 978-3-942422-57-4 , p. 109 .
- ^ Giuliano Briganti: Fantastic painting in the 19th century . Schuler Verlag, Herrsching 1988, ISBN 3-88199-433-5 , p. 7-12 .
- ^ Karlsruhe . In: German art: Central organ of German art and artist associations . 1st year, no. 3 . Berlin 1896, p. 32 .
- ^ Wilhelm Schäfer (ed.): The Rhineland . December. Bagel, Düsseldorf 1901, p. 78 ( digitized version ).
- ↑ From town and country. Exhibition in the art association . In: Heidelberger Zeitung . 44th year, No. 15, January 18, 1902, p. 1 ( digitized version ).
- ^ Heidelberger Kunstverein . In: Heidelberger Zeitung . 46th year, No. 25, January 30, 1904, pp. 1 ( digitized version ).
- ↑ Jenaische Zeitung, 1905, No. 185 and No. 188. ( digitized version )
- ↑ August choir Becke: Chronicle of Heidelberg for 1906 . XIV. Year. Printed and published by F. Hörning, Heidelberg 1909, p. 83 ( digitized version ).
- ↑ From exhibitions and collections . In: Leopold Gehri (Ed.): Der Kunstfreund . 23rd year, no. 3/4 . Association for Church Art and Crafts in Tyrol and Vorarlberg, Innsbruck 1907, p. 74 ( digitized version ).
- ^ Ernst Stöckhardt: Stuttgart art report . In: Die Christliche Kunst: Monthly for all areas of Christian art and art history . 4th year, no. 3 . Bruckmann, Munich 1907, p. 97 in enclosure ( digitized version ).
- ^ Music and Art Notices . In: The Daily Record and the Dresden Daily . No. 798 , September 20, 1908, p. 3 (English, digitized version ).
- ^ Willy Doenges : Exhibitions - Dresden . In: Cicerone . 3rd year, 1911, p. 677-678 .
- ^ Great Art Exhibition Dresden, 1912 - Official catalog. Contain Ill. On the flight to Egypt
- ^ Hermann Schweitzer: Report on the activities of the museum association in 1914 . In: Aachener Kunstblätter . Book IX-X. Ruelle'sche Accidenzdruckerei and Lith. Anstalt, Aachen 1916, p. 106-110 .
- ^ Ruth Negendanck : The gallery Ernst Arnold (1893-1951). Art trade and contemporary history . Publishing house and database for the humanities, Weimar 1998, ISBN 3-932124-37-5 , p. 465 .
- ^ Art and Science . In: Dresdner Nachrichten . 62nd volume, no. 207 , July 28, 1918, p. 2 ( digitized version ).
- ↑ Art Chronicle and Art Market . 54th year, November 3rd, 1st. Seemann, Leipzig 1918, p. 63 .
- ^ Adolph Donath : exhibitions. Chemnitz . In: The Art Wanderer . April 1921, p. 323 ( digitized version ).
- ^ Art exhibitions - Dresden . In: Adolph Donath (Ed.): Der Kunstwanderer . 2nd October issue, 1922, p. 83 ( digitized version ).
- ^ Art exhibitions - Dresden . In: Adolph Donath (Ed.): Der Kunstwanderer . 1./2. July issue, 1926, p. 462 ( digitized version ).
- ^ A b Dresden Art Exhibition 1927: Brühlsche Terrasse, August 20 to early November, Dresden Art Cooperative. Exhibition catalog. Contain Ill. Against stupidity people do not fight in vain
- ^ A b Art Exhibition Dresden 1928: Painting, sculpture, graphics, architecture; from July 8th to mid-September, Künstlerhaus Dresden. Exhibition catalog. P. 13, Ill. Jungle princess p. 39
- ↑ a b Braunschweig Art Exhibition 1942: May 17 to June 14, 1942 in the Herzog-Anton-Ulrich-Museum in Braunschweig. Exhibition catalog. Contain Ill. To The Shepherd
- ↑ Martin Raack: Goslar's winter art exhibition . In: Harzer Tageblatt . November 27th. Goslar 1943 (announcement of the exhibition opening on November 28, 1943).
- ↑ Martin Raack: Goslar's art exhibition . In: Harzer Tageblatt . 6th of December. Goslar 1943 (list of the exhibiting artists and review of the exhibited works).
- ^ Chronicle of the City of Heidelberg for 1912 . 20th year. Heidelberg 1915, p. 202–203 ( uni-heidelberg.de ).
- ↑ Little news . In: Bayerischer Kunstgewerbe-Verein (Hrsg.): Arts and Crafts: Journal for arts and crafts since 1851 . 63rd year, no. 12 . Munich 1913, p. 385-386 ( uni-heidelberg.de ).
- ^ Christiane Friese: Poster Art 1880 - 1935 . Klett-Cotta, Stuttgart 1994, p. 200 .
- ^ Painting "Dreaming" by Max Frey , Jack Daulton Collection, accessed on March 23, 2015.
- ^ Max Frey: Poster: Jubilee exhibition for arts and crafts in 1906, Karlsruhe. Kupferstichkabinett Dresden. 1906, Retrieved May 19, 2019 .
- ^ Wolfsonian Florida International University: poster for the anniversary exhibition for arts and crafts in Karlsruhe, 1906. ( digitized version ).
- ↑ CW Schmidt: Modern female handicrafts and related textile arts: their essence and their meaning . Wilhelm Baensch, Dresden 1908, p. 195, fig . ( Digitized version ).
- ^ Youth: Münchner illustrated Wochenschrift für Kunst und Leben: Gräberfrühling , 1912, Jg. 17, H. 25, S. 712; Im Sommerhaus , 1912, vol. 17, no. 28, p. 802; Dreifuss , 1912, vol. 17, H. 44, p. 1300; Domino , 1913, vol. 18, no. 3, p. 66; Frankfurt am Main , 1913, vol. 18, no. 32, p. 926; Vignette , 1913, vol. 18, H. 42, p. 1230; Vignette , 1913, vol. 18, H. 42, p. 1234; Christmas , 1913, vol. 18, H. 52, p. 1572; Helmet off to prayer , 1914, vol. 19, H. 52, p. 1390
- ↑ In the weekly "Licht und Schatten" appeared u. a. the images listed here under works "House in the snow", "Scheweninger bathing carts" and "Gänsefrau".
- ↑ Dresdner Dichterbuch , ed. by Wilhelm Leonhardt, Dresden, Leonhardi 1911, p. 25, p. 60, p. 66
- ↑ The Pink Room. Venetian novel , Eufemia von Adlersfeld-Ballestrem , Dresden, Max Seyert, 1920, cover drawing.
- ↑ The blonde, the brown, the black. A travel novel from better days , Nanny Lambrecht , Dresden, Max Seyert, 1922, cover drawing.
- ↑ Maria Pischinger (ed.): The most beautiful stories from Thousand and One Nights . Ueberreuter, Vienna 1947.
- ↑ Gernot Klatte: Frey, Max . In: General Artist Lexicon . The visual artists of all times and peoples (AKL). Volume 44, Saur, Munich a. a. 2005, ISBN 3-598-22784-1 , p. 521.
- ^ Gernot Klatte: Frey, Max Adolf Peter . In: Institute for Saxon History and Folklore (Ed.): Saxon Biography .
- ↑ Decorative arts. Supplement . XI. Vintage, May 8. Bruckmann, Munich 1908, p. IV ("The amiable poster ... comes from the painter Frey, who recently became a teacher at the arts and crafts school").
- ^ The international studio . John Lane Company, New York 1903/1904, Volume 21, ill. P. 172 ( digitized )
- ↑ Franz Lehr: About the Munich annual exhibitions: the glass palace . In: The Art of Our Time: A Chronicle of Modern Art Life . 14th year, 2nd half volume. Verlag Franz Hanfstaengl, Munich 1903, p. 179-218, (Ill. P. 208) ( digitized version ).
- ^ Joseph August Beringer: Baden painting in the nineteenth century . Karlsruhe 1913, ill. On p. 186
- ↑ Hanns von Gumppenberg (ed.): Light and shadow: monthly for black and white art and poetry . 1st year, no. 19 , 1911, ISSN 0174-9358 (booklet unpaginated, ill. On p. 6).
- ^ Hans W. Singer: The great art exhibition in Dresden 1912 . In: The visual arts in the present and past. Dresden, 1912, pp. 735–775, illustrated in Kunstbeil.
- ^ Hans W. Singer: The great art exhibition in Dresden 1912 . In: The visual arts in the present and past. Dresden, 1912, pp. 735–775, ill. On p. 748
- ^ Hans W. Singer: The great art exhibition in Dresden 1912 . In: The visual arts in the present and past. Dresden, 1912, pp. 735–775, ill. On p. 735
- ↑ Hanns von Gumppenberg (ed.): Light and shadow: monthly for black and white art and poetry . 3rd year, no. 45 , 1913, ISSN 0174-9358 (issue unpaginated, ill. On p. 5).
- ^ Illustrated newspaper . No. 4330 . Leipzig 1928, p. 362 .
- ↑ The Worry Man . In: Velhagen & Klasings monthly books . Born in December 48. Berlin 1933, p. 682-684, contained Ill .
- ↑ Hanns von Gumppenberg (ed.): Light and shadow: monthly for black and white art and poetry . 1st year, no. 29 , 1911, ISSN 0174-9358 (issue unpaginated, ill. On p. 8).
personal data | |
---|---|
SURNAME | Frey, Max |
ALTERNATIVE NAMES | Frey, Max Adolf Peter (full name) |
BRIEF DESCRIPTION | German landscape and figure painter, graphic artist and illustrator |
DATE OF BIRTH | April 16, 1874 |
PLACE OF BIRTH | Mühlburg near Karlsruhe |
DATE OF DEATH | March 11, 1944 |
Place of death | Bad Harzburg |