Let's do it in love

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Movie
German title Let's do it in love
Original title Let's make love
Country of production United States
original language English
Publishing year 1960
length 109 minutes
Age rating FSK 12
Rod
Director George Cukor
script Norman Krasna ,
Hal Kanter ,
Arthur Miller
production Jerry Woods
music Lionel Newman
camera Daniel L. Fapp
cut David Bretherton
occupation
synchronization

Let's Do It In Love is an American comedy film from 1960 .

action

The opening credits of the film begin with the introduction of the seven generations of Cléments who built up the colossal fortune of the family. The billionaire Jean-Marc Clément is eighth in this series, he was never married and has no successor. Employees tell him that an off-Broadway musical is being rehearsed that is supposed to make fun of him and, in particular, of his propensity for female conquest. He decides to go to a sample in order to be able to form his own judgment. In the process, he met Ramona, the troupe's star dancer. He is hired because of his striking resemblance to the billionaire who is to be ridiculed. Since he wants to get to know Ramona better, he plays the game.

Ramona's affection seems to belong to the other star of the musical troupe, Tony. Clements' attempt to tell a joke in front of the entire ensemble fails terribly, everyone in the room speaks the well-known punchline. Clement's goal is to continue to win the affection of Ramona without revealing his true identity and wealth. Since Clément is well aware of his lack of talent, but money does not matter to him, he hires Milton Berle , Bing Crosby and Gene Kelly (all three in their own roles) to teach him tricks and tricks in their craft. He doesn't shy away from buying a "new joke" for a thousand dollars either. Due to the continuing failure with Ramona, Clement closes the musical stage. He confesses to Ramona that he is actually Jean-Marc Clement, which she does not believe and advises him to go to a psychiatrist.

Outraged by the closure of the musical stage, Ramona and her colleagues visit Clement's high-rise office building. There Ramona meets Clement, whom she met as a supporting actor on the musical stage. Gradually it dawns on her that his claim to really be Jean-Marc-Clement is not a joke, but possibly the truth. They kiss in the elevator. The question of whether Ramona is really in love with Jean-Marc, or is only enchanted by his wealth, is left to the viewer's discretion.

background

synchronization

In the German dubbed version , Marilyn Monroe was spoken by her standard German voice , Margot Leonard .

role actor Voice actor
Alexander Coffman Tony Randall Herbert Stass
Amanda Dell Marilyn Monroe Margot Leonard
Bing Crosby Bing Crosby Paul Klinger
Gene Kelly Gene Kelly Gerd Martienzen
Milton Berle Milton Berle Klaus Miedel
Jean-Marc Clement / Alexandre Dumas Yves Montand Paul Edwin Roth
Tony Danton Frankie Vaughn Gert Günther Hoffmann

Reviews

“This lively musical comedy by George Cukor was the Hollywood debut of the French actor Yves Montand. But actually the customary love story is only entertaining because of the brilliant cast. At that time, the affair between the Monroe and Montand filled the pages of the scandal papers. "

- Prism Online

“Marilyn Monroe gets some of the loudest laughs of her life in Let's Make Love ... It's a boisterous, silly and really refreshing joke ... Marilyn actually compares herself to Mary Martin and sings' My heart belongs in her first scene to daddy '. In the performance I attended there was applause from the audience. "

- Alton Cook : New York World-Telegram and Sun

“Musical comedy, weak in the script, but mostly skillful, clean and enjoyable in the staging. Suitable for adult lovers of the genre. "

Awards

  • Oscar nomination for best film music for Lionel Newman and Earle H. Hagen
  • Nomination for the British Film Academy Award for best film (George Cukor) and for best foreign actor (Yves Montand)

Web links

Individual evidence

  1. Donald Spoto: Marilyn Monroe. The biography. Munich 1994, ISBN 3-453-08276-1 , p. 398 ff.
  2. Evangelischer Presseverband München, Review No. 783/1960