Marco Coltellini
Marco Coltellini ( October 13, 1719 in Livorno - November 1777 in St. Petersburg ) was an Italian librettist , printer and tenor .
Biographical overview
Marco Coltellini was born after Carlo as the second son of Maria Maddalena and Angiolo Spigliantini. Carlo Coltellini later became a Capuchin , while Marco gave up the intention to become a priest after the minor ordinations and married. He became the father of four daughters, all of whom were active in the musical field: Celeste became a well-known mezzo-soprano, Annetta also became a singer, the two youngest sisters Costantina and Rosina devoted themselves to painting.
Coltellini had a wide range of cultural and literary interests, which were reflected in the writing of cantatas and melodramas in the late 1750s. In 1762 he was able to take over the most important printing company in Livorno, "Stamperia all 'Insegna della verità", and began to publish works of the Enlightenment (including by Francesco Algarotti and Cesare Becaria ). By the time Coltellini sold the print shop to his nephew Giovan Tommaso Masi in March 1770, he published 80 titles. Very interested in operas, he made the acquaintance of Metastasio , Gluck , Calzabigi and Durazzo . In 1763 he took up the position of the poet of the imperial theater (poeta dei cesarei teatri) in Vienna and wrote libretti for Gluck, Hasse and Salieri . For Mozart he revised Goldoni's La finta semplice . In his collaboration with Tommaso Traetta for his Ifigenia in Aulide , he prepared Gluck's opera reform . In 1768 he wrote the libretto to Dove è amore è gelosia for Giuseppe Scarlatti on the occasion of the wedding of Johann I , the eldest son of Prince Joseph Adam von Schwarzenberg , at Krumau Castle (today Český Krumlov ) . In the performance he sang the role of Patrizio himself. In 1772 Coltellini was dismissed from the position of the imperial court poet after annoying Maria Theresa with one of his satires . He accepted an offer at the court of the tsars and wrote libretti for Paisiello and Traetta in St. Petersburg . He died so surprisingly that rumors of a poisoning arose, especially since he had also angered the tsarina.
Libretti
- Dori alle ninfe dell'Arno , cantata ; Music: GB Brunetti, 1757
- Ifigenia in Tauride , music: Tommaso Traetta , Vienna 1758
- O Schönbrunn , 1763, music: Baldassare Galuppi , St. Petersburg 1768
- Venere placata , azione scenica; Music: Carlo Antonio Campioni , Livorno, 1760
- L'Almeria , music: Gian Francesco de Majo , Livorno, Teatro S. Sebastiano, 1761
- Componimento per musica , Lucca 1762
- Matatia , oratorio ; Music: Antonio Nenci, Florence, Ospizio del Meloni, 1764
- Alcide negli orti Esperidi , music: Gian Francesco de Majo, Vienna 1764
- Telemaco o sia L'isola di Circe (after Carlo Sigismondo Capece ), music: Christoph Willibald Gluck , Vienna 1765
- Dove è amor è gelosia , music: Giuseppe Scarlatti , 1768
- Amore e Psiche , music: Florian Leopold Gassmann , Vienna 1767 and Tommaso Traetta, St. Petersburg 1773 and Joseph Schuster , Naples, Teatro San Carlo , 1780
- Piramo e Tisbe , music: Johann Adolph Hasse , Vienna 1768 and Venanzio Rauzzini , Munich 1769
- La finta semplice (after Carlo Goldoni ), music: Wolfgang Amadeus Mozart , Salzburg 1769
- La contessina (after Goldoni), music: Gassmann, Mährisch-Neustadt 1770 and Marcello Bernardini , Rome 1773 and Niccolò Piccinni , Venice 1775
- Il filosofo innamorato (after Goldoni), music: Gassmann, Vienna 1771
- Armida , music: Antonio Salieri , Vienna 1771 and Vincenzo Righini , Vienna 1782; as: Armida e Rinaldo , music: Giuseppe Sarti , St. Petersburg 1786
- Antigona , music: Traetta, St. Petersburg 1772; as Creonte, music: Dmitri Bortnjanski , Venice 1775 and V. Campobasso , Milan 1789
- L'infedeltà delusa , music: Joseph Haydn , Esterházy 1773 and Michele Neri Bondi, Florence 1783
- Il conte Baccellone , music: Giacomo Rust , Venice 1774
- La finta giardiniera , music: Pasquale Anfossi , Rome 1774 and Mozart (in the presumed arrangement by Ranieri de 'Calzabigi ), Munich 1775
- Lucinda ed Armidoro , music: Giovanni Paisiello , St. Petersburg 1777
- Il tutore e la pupilla ovvero Amor vuol gioventù , Intermezzo ; Music: Giuseppe Moneta , Florence 1786
Coltellini is also suspected to be the author of the following libretti: Le nozze d'Amore and Il mondo della luna (adaptation of Goldoni's libretto Il mondo della luna ) with music by Paisiello, St. Petersburg 1783
literature
- Anna Maria Loreto Tozzi: Coltellini, Marco. In: Alberto M. Ghisalberti (Ed.): Dizionario Biografico degli Italiani (DBI). Volume 27: Collenuccio – Confortini. Istituto della Enciclopedia Italiana, Rome 1982.
- Novella letterarie di Firenze, IV (1773), column 835
- P. Napoli Signorelli: Storia critica de 'teatri antichi e moderni ; Napoli 1780, VI, p. 283
- S. Arteaga: Le rivoluzioni del teatro musicale italiano, I ; Bologna 1783, p. 246; II, ibid. 1785, p. 175
- J. de La Lande: Voyage en Italie, III ; Paris 1786, p. 231
- F. Pera: Ricordi e biography livornesi ; Livorno 1867, pp. 5, 26, 270, 354
- G. Chiappini: L'arte della stampa in Livorno ; Livorno 1904, pp. 61-78
- A. Bonaventure: Una celebre cantante livornese del '700. In: Mus. d'oggi, VI (1924). 9, p. 255
- A. Bonaventure: Musici livornesi ; Livorno 1930, p. 37
- A. Servolini: La tipografia a Livorno nei secc. XVII e XVIII. In: Gutenberg Jahrbuch, XVI (1941), p. 239
- Tutte le opere di P. Metastasio ; a cura di B. Brunelli, IV, Milano 1944, p. 188
- RA Mooser: Annales de la musique… en Russie… ; Genève 1951, II, pp. 144-47
- G. Natali: Il Settecento ; Milano 1964–1971, II, p. 162
- F. Mazzei: Memorie della vita ... ,; I , Milano 1970, pp. 34, 64, 131
- A. Lay: Un editore illuminista: G. Aubert nel carteggio con Beccaria e Verri. In: Mem. Dell'Accad. delle scienze di Torino, p. 4, XXVII (1973), 1-235
- C. Schmidl: Dizionario universale dei musicisti. P. 360
- Robert Eitner : Quellen-Lexikon, X, p. 414
- Enciclopedia dello Spettacolo, III, Sp. 1147
- Rodolfo Celletti: Coltellini, Marco. In: Friedrich Blume (Hrsg.): The music in past and present (MGG). First edition, Volume 15 (Supplement 1: Aachen - Dyson). Bärenreiter / Metzler, Kassel et al. 1973, DNB 550439609 , Sp. 1553–1555 (= Digital Library Volume 60, pp. 14498–14503).
- Daniel Brandenburg: Coltellini, Marco. In: Ludwig Finscher (Hrsg.): The music in past and present . Second edition, personal section, volume 4 (Camarella - Couture). Bärenreiter / Metzler, Kassel et al. 2000, ISBN 3-7618-1114-4 , Sp. 1415-1417 ( online edition , subscription required for full access)
- The New Grove Dictionary of Music and Musicians , 1st Ed. 1980, IV, p. 586.
- Susanna Corrieri: Marco Coltellini e la sua stamperia nella Toscana del settecento. In: Nuovi Studi Livornese, vol. I , 1993
Web links
- Italian libretto for Ifigenia in Tauride
- Italian / German Libretto for Piramo e Tisbe
- German libretto for: La finta Giardiniera in Mozart's setting , KV 196
personal data | |
---|---|
SURNAME | Coltellini, Marco |
BRIEF DESCRIPTION | Italian librettist, printer and tenor |
DATE OF BIRTH | October 13, 1719 |
PLACE OF BIRTH | Livorno |
DATE OF DEATH | November 1777 |
Place of death | St. Petersburg |