My night with Maud
Movie | |||
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German title | My night with Maud | ||
Original title | Ma nuit chez Maud | ||
Country of production | France | ||
original language | French | ||
Publishing year | 1969 | ||
length | 110 minutes | ||
Age rating | FSK 0 | ||
Rod | |||
Director | Eric Rohmer | ||
script | Eric Rohmer | ||
production |
Pierre Cottrell , Barbet Schroeder |
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music |
Jacques Maumont , Jean-Pierre Ruh |
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camera | Néstor Almendros | ||
cut | Cécile Decugis | ||
occupation | |||
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chronology | |||
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My night at Maud (Original title: Ma nuit chez Maud ) is a French feature film from 1969 and the third part of the series Six moral stories by Éric Rohmer (after the time the films were made, it was the fourth part).
The dialogue-rich film deals with the opposing viewpoints of a Catholic engineer and a liberal woman on topics of religion and love. The religious themes refer to the writings of Blaise Pascal and are inspired by a dispute that took place in 1965 between Louis Marin and the Dominican Dominique Dubarle .
action
The film takes place in Clermont-Ferrand a few days before Christmas . The young engineer Jean-Louis, who had recently returned from abroad, notices a beautiful young, blonde woman named Françoise while attending a Catholic service and decides that she should become his wife.
He meets his old friend Vidal again. The staunch communist invites him to dinner with his divorced friend Maud. You spend the evening long discussions about marriage, morals and religion.
After Vidal said goodbye and Jean-Louis stayed, albeit reluctantly, the discussion turns to the subjects of loyalty and seduction. Finally, the dark-haired, seductive Maud offers Jean-Louis to stay with her on a platonic basis. He accepts the offer, but unlike Maud, he remains fully clothed when he slips under her covers.
The next morning, Jean-Louis speaks to Françoise and the two get married. Five years later, Maud happens to meet again in Brittany . Françoise recognizes this and surprises Jean-Louis with the revelation that his wife was once her husband's hated lover. For his part, Jean-Louis confesses to Françoise that he came from Maud when he spoke to her. Both agree to remain silent about their past and go to the sea for a swim with their son.
background
The other films in the cycle are the short film Die Bäckerin von Monceau (1962) and the feature films The Career of Suzanne (1963), The Collector (1967), Claire's Knie (1970) and Love in the Afternoon (1972).
Reviews
"A distanced and subtly designed dialogue film from the cycle of 'moral stories' developed in a calm picture rhythm," said the lexicon of international films . It is about "[e] ine stimulating, at a high intellectual level settled discussion of morals and ethics in the relationships of people". The conclusion of the evangelical film observer was: “A brilliantly made film, especially in its cool, distant perspective, stimulating thoughts and discussions about the value of moral principles and various aspects of love. Recommended for adults. "
Awards
Cannes International Film Festival 1969
- nominated for the Golden Palm
- 1970 : nominated in the category Best Foreign Language Film
- 1971 : nominated in the category Best Original Screenplay for Eric Rohmer
National Society of Film Critics Award
- 1970: Best camera for Néstor Almendros
- 1971: Best script for Eric Rohmer
New York Film Critics Circle Award 1970
- Best script for Eric Rohmer
Association Française de la Critique de Cinéma 1970
- Prix Méliès (Best Film)
literature
- Éric Rohmer: My night with Maud. Six moral narratives, one film cycle. Fischer Taschenbuch, Frankfurt am Main 1987, ISBN 3-596-24466-8 .
Web links
- My Night at Maud's in the Internet Movie Database (English)
Individual evidence
- ↑ Release certificate for My Night at Maud . Voluntary self-regulation of the film industry , April 2006 (PDF; test number: 43 452 V / DVD / UMD).
- ↑ My night with Maud. In: Lexicon of International Films . Film service , accessed April 2, 2017 .
- ^ Protestant film observer , review No. 143/1970.