Miriam Cahn
Small family |
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Miriam Cahn , 2012 |
Pastel chalk on paper |
84 × 70 cm |
Museum of Modern Art, Warsaw
Link to the picture |
Miriam Cahn (born July 21, 1949 in Basel ) is a Swiss artist .
Life
Miriam Cahn is the daughter of the numismatist and art dealer Herbert A. Cahn and attended the graphics class at the Kunstgewerbeschule in Basel from 1968 to 1973 (today: Basel School of Design ). In 1978/1979 she was awarded a studio grant in Paris by the city of Basel .
In 1982 Cahn was invited to documenta 7 . However, she broke off her participation because the curator Rudi Fuchs , contrary to the agreement, wanted to hang works by another artist with her pictures. She received an invitation to participate in the Venice Biennale in 1984. This was followed in 1985 by a DAAD scholarship for a one-year work stay in Berlin , where she stayed until 1989. In 2017 her work was shown at documenta 14 .
She lives and works in Basel and Maloja .
plant
Miriam Cahn is a figurative painter whose work stood out mainly with charcoal and pencil drawings, pastel drawings, room installations and performances . She became well known in 1979/1980 with an illegal art campaign in which she made wall drawings along a motorway bridge near Basel. This led to a lawsuit. Many years later, the city tried to make amends for the conviction by even offering to make the walls as it imagined.
In the early periods of her work, she preferred to carry out her large-format works on the floor in order to use her whole body to give up spatial distance and the associated mental distance. During this phase, monumental chalk and charcoal drawings with symbolic representations of people, animals and plants were created. In a further step she went over to making series of drawings with her eyes closed.
In the winter of 1979/1980 Miriam Cahn received media attention when she drew with charcoal on the concrete pillars of the Basel north bypass in nightly art actions . The case was tried in court.
atomic bomb (bleeding work) |
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Miriam Cahn , 1999 |
Watercolor on paper |
145 × 200 cm |
Museum of Modern Art , Frankfurt am Main
Link to the picture |
Miriam Cahn was shaped by the peace and women's movement , in which she was also actively involved. Her topics often revolve around the role of women or war and its representation in the mass media . In the 1990s she dealt with the Gulf War and the War in the Balkans in two cycles .
working girl / unclear |
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Miriam Cahn , 1999 |
Oil on canvas |
97.6 × 55.5 cm |
Museum of Modern Art , Frankfurt am Main
Link to the picture |
reception
Miriam Cahn's work oscillates between extreme poles of human emotions. Her main themes in terms of content and style are “the vulnerability of the body and the attraction of lust and violence”. In Cahn's view, morality “has no place in art anyway”. The topic of flight has been present in Miriam Cahn's pictures since the Yugoslav wars, and the current refugee crisis is reflected in her latest series . Till Briegleb saw Miriam Cahn's work “in the rank of colleagues like Maria Lassnig or Marlene Dumas ”. It complements their artistic positions on figurative painting "with a dark love of instinct", a rediscovery of their work is urgently required.
Collections
Cahn's work is housed in numerous public art collections, including the Museum of Modern Art in New York, the Tate Modern in London, the Museo Reina Sofía in Madrid, the Kunstmuseum Basel , the Städtische Galerie im Lenbachhaus in Munich and the Museum für Modern art in Warsaw.
Solo exhibitions
- 1982 documenta 7 , Kassel
- 1983 Classic love - the all-selfish woman , Kunsthalle Basel
- 1984 Women, women's spaces, État de Guerre, Das Wilde Lieben , Biennale di Venezia , Venice
- 1985-86 Strategic locations , Kunstmuseum Bonn , Kunsthalle Baden-Baden , DAAD Gallery , Berlin
- 1987 Center Culturel Suisse, Paris (FR)
- 1988 Reading in Dust , female months, Kunstverein Hannover , Haus am Waldsee , Berlin, Gemeente Museum, Arnhem (NL)
- 1990 Relatives , Cornerhouse, Manchester (UK)
- 1995 Physical , Obala Art Center, Sarajevo (YU)
- 1996 Environment - What I'm Looking At , Bonner Kunstverein
- 1998 Academy of Fine Arts Berlin
- 1999 Centro d'Arte Contemporanea, Castello di Rivara (IT)
- 2002 Architectural dream, Center Pasqu'Art, Biel
- 2003 La Caita Foundation, Madrid
- 2004 War , New Museum Nuremberg
- 2006 Covered escape routes , Kirchner Museum Davos
- 2006 position 3; Miriam Cahn - covered escape routes , Museum of Contemporary Art , Basel
- 2015 physical - corporel , Aargauer Kunsthaus , Aarau
- 2016 Miriam Cahn - At eye level , Kunsthalle Kiel
- 2017 documenta 14 , Athens / Kassel
- 2019 I as human , Kunstmuseum Bern
- 2019 A closer look , Kunsthaus Bregenz
- 2019 I as a person. House of Art , Munich and Art Museum Bern
Group exhibitions (selection)
- 2011: 6 artists from Basel x 2 , Kunsthalle Basel
- 2018 : I'm a Believer. Pop Art and contemporary art from the Lenbachhaus and the KiCo Foundation , Städtische Galerie im Lenbachhaus and Kunstbau Munich
Awards
- 1998 Käthe Kollwitz Prize
- 2005 Meret Oppenheim Prize
- 2013 Basel Art Prize of the Art Credit Basel-Stadt (awarded for the first time, endowed with 25,000 francs)
Publications
- What is looking at me. Surroundings. Häusser, Darmstadt 1996 ISBN 978-3-89552-027-3
- Architectural dream. Hatje Cantz, Ostfildern 2002 ISBN 978-3-7757-1127-2
- Mare Nostrum. Contribution to Documenta 14 , Kassel 2015
- The angry letter. Hatje Cantz, Ostfildern 2019
literature
- Barbara Alms (Ed.): Unheimlich. Exhibition catalog Städtische Galerie Delmenhorst , House Coburg, Stuckenberg collection. HM Hauschild, Bremen 2003 ISBN 3-89757-214-1
- Kirchner Museum Davos (Ed.): Covered escape routes. Steidl, Göttingen 2006
- Till Briegleb : Naked Apostle Circle . In: Süddeutsche Zeitung, No. 68, March 22, 2016, p. 11
- Miriam Cahn, Anette Hüsch: miriam cahn - at eye level . In: Anette Hüsch (Ed.): Miriam cahn - At eye level . Catalog, exhibition Kunsthalle Kiel , 2016 ISBN 978-3-937208-48-0 (German, English)
- Angela Thomas Jankowski : One Woman Show. Miriam Cahn . In: Du (magazine) , 43, 4, 1983, pp. 68f.
- Interview by Herlinde Koelbl with Miriam Kahn: If you have a stink rage, then you give one a blow . From the series: That was my rescue , Zeit Magazin , February 1, 2018, p. 46
- "I reject the distance." The angry thinking, writing and creating of the Swiss artist. concrete , July 7, 2019, p. 52f., by Geraldine Spiekermann (on the exhibition at Haus der Kunst Munich, until the end of October 2019)
Filmography
- Miriam Cahn - without detours . Directed by Edith Jud, CH 2005
Web links
- Literature by and about Miriam Cahn in the catalog of the German National Library
- Website of Miriam Cahn
- Further exhibitions by Miriam Cahn
- Works by Miriam Cahn in the Kunstmuseum Basel
- Miriam Cahn on the Stampa Gallery website
- Elisabeth Grossmann: Cahn, Miriam. In: Sikart
Individual evidence
- ↑ Miriam Cahn. In: SIKART Lexicon on Art in Switzerland. Retrieved April 26, 2020 .
- ↑ a b c d e f g Till Briegleb: Naked Apostle Circle. Miriam Cahn's life theme is the vulnerability of the body. Works by the 66-year-old painter can be seen in Kiel. She should be a star at the next Documenta . In: Süddeutsche Zeitung . March 22, 2016, accessed July 21, 2018 .
- ^ Entry on Cahn, Miriam at the DAAD's Berlin artist program. Catalog for her exhibition in the DAAD gallery from March 15 to April 20, 1986, published by the DAAD, Berlin 1986.
- ↑ Ludmila Vachtova: Portrait - Miriam Cahn, artist. In NZZ Folio . 01/92 (accessed on September 27, 2012)
- ↑ Miriam Cahn. In: New Women's Movement 2.0. Retrieved May 15, 2020 .
- ↑ Annelise Zwez: Miriam Cahn: I always liked the cheeky and the wild ( Memento from July 14, 2002 in the web archive archive.today ). On: xcult.org , 2002.
- ^ Kunsthalle Kiel 2016 ( Memento from March 15, 2016 in the Internet Archive ), www.kunsthalle-kiel.de, accessed on March 26, 2016.
- ↑ Miriam Cahn first winner of the new Basel Art Prize . TagesWoche , October 7, 2013
- ^ Text Mare Nostrum by Miriam Cahn , www.documenta14.de, accessed on March 26, 2016.
- ↑ Contains: Armin Boehm , Miriam Cahn, Thomas Dillmann, Peter Doig , Marlene Dumas , Johannes Hüppi , Michael Kunze , Daniel Richter , Norbert Schwontkowski , Luc Tuymans
personal data | |
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SURNAME | Cahn, Miriam |
BRIEF DESCRIPTION | Swiss artist |
DATE OF BIRTH | July 21, 1949 |
PLACE OF BIRTH | Basel |