Caravan Pictures: Difference between revisions
wow |
|||
(39 intermediate revisions by 24 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|American film production company}} |
|||
⚫ | |||
{{pp-sock|small=yes}} |
|||
⚫ | |||
{{refimprove|date=July 2021}} |
|||
| logo = Caravan Pictures (logo).png |
|||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
| logo = Caravan_Pictures_Logo_in_Vector.svg |
|||
⚫ | |||
⚫ | |||
Roger Birnbaum Productions |
|||
⚫ | |||
Barber/Birnbaum Productions |
|||
⚫ | |||
Birnbaum/Barber Productions |
|||
⚫ | |||
Roth Films |
|||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
| hq_location_city = [[Santa Monica]], [[California]] |
|||
⚫ | |||
| hq_location_country = [[United States]] |
|||
| location = [[Santa Monica]], California, United States<ref name=vty0/><ref name=lat/> |
|||
| industry = Entertainment |
| industry = Entertainment |
||
| key_people = Roger Birnbaum (chairman, CEO)<br>[[Jonathan Glickman]] (president) |
| key_people = Roger Birnbaum (chairman, CEO)<br>[[Jonathan Glickman]] (president) |
||
| products = [[Film]]s |
| products = [[Film]]s |
||
| num_employees = 7 |
| num_employees = 7 |
||
| num_employees_year = 1997 |
| num_employees_year = 1997 |
||
| parent = [[Walt Disney Studios (division)|The Walt Disney Studios]] |
|||
| parent = [[Buena Vista Distribution]]<ref name=vty0/> |
|||
| footnotes = <ref name=os/><ref name=vty0/><ref name=vty/> |
|||
}} |
}} |
||
'''Caravan Pictures, Inc.''' was an American film production company at [[Walt Disney Studios (division)|Walt Disney Studios]], formed by [[Roger Birnbaum]] and [[Joe Roth]]. Caravan's films were distributed by [[Walt Disney Studios Motion Pictures|Buena Vista Pictures Distribution]]. |
'''Caravan Pictures, Inc.''' was an American film production company at [[Walt Disney Studios (division)|Walt Disney Studios]], formed by [[Roger Birnbaum]] and [[Joe Roth]]. Caravan's films were distributed by [[Walt Disney Studios Motion Pictures|Buena Vista Pictures Distribution]]. |
||
While Disney would sign directors and talent to two- and three-picture deals, Caravan would work with talent based on the project being produced and not lock them into agreements. The production company's slate strategy was to commit to screenwriters as directors, put bankable actors in predictable roles and low-budget movies with like |
While Disney would sign directors and talent to two- and three-picture deals, Caravan would work with talent based on the project being produced and not lock them into agreements. The production company's slate strategy was to commit to screenwriters as directors, put bankable actors in predictable roles, and low-budget movies with like breakthrough talent. The unit had greenlight authority up to $30 million with the expectation of producing 5 to 7 films a year and did not have salary caps. They also did not have its own full business and legal affairs departments,<ref name="vty0" /> and executives did not have titles until 1997.<ref name=vty/> |
||
==History== |
==History== |
||
Caravan Pictures was founded by [[Roger Birnbaum]] and [[Joe Roth]] as a production company at [[Walt Disney Studios (division)|Disney]] in 1992 to fill the Disney Studios' then-yearly 50 to 60 production and distribution slots. Caravan was given a five-year, 25-picture agreement with greenlight authority up to $30 million and an overhead budget of $3 million, and was expected to produce 5 to 7 films per year originally. After just releasing its first picture, ''[[The Three Musketeers (1993 film)|The Three Musketeers]]'', on Christmas 1993, Caravan expected to release 10 films in 1994 |
Caravan Pictures was founded by [[Roger Birnbaum]] and [[Joe Roth]] as a production company at [[Walt Disney Studios (division)|Disney]] in 1992 to fill the Disney Studios' then-yearly 50 to 60 production and distribution slots. Caravan was given a five-year, 25-picture agreement with greenlight authority up to $30 million and an overhead budget of $3 million, and was expected to produce 5 to 7 films per year originally. After just releasing its first picture, ''[[The Three Musketeers (1993 film)|The Three Musketeers]]'', on Christmas 1993, Caravan expected to release 10 films in 1994, which could accelerate the end of the deal in 2 1/2 years instead of 5 years.<ref name="vty0">{{cite news|last=Frook|first=John Evan|title=Roth, Birnbaum flex muscles at Caravan|url=https://variety.com/1994/film/news/roth-birnbaum-flex-muscles-at-caravan-117880/|access-date=March 19, 2015|work=Variety|date=January 30, 1994}}</ref> They were able to get the adaptation of ''[[Angie (1994 film)|Angie, I Says]]'' that was in turnaround at Fox, where they have previously worked.<ref>{{cite news |last=Eller |first=Claudia |title=Madonna faxes Roth her wrath |url=https://variety.com/1992/film/news/madonna-faxes-roth-her-wrath-102048/ |access-date=September 6, 2017 |work=Variety |date=December 14, 1992}}</ref> In 1993, [[Jonathan Glickman]], who came from the [[University of Southern California|USC]]'s [[Peter Stark]] Program, joined Caravan as an intern.<ref name="vty">{{cite news|last=Cox|first=Dan|date=September 18, 1997|title=Glickman new prexy at Caravan|work=Variety|url=https://variety.com/1997/film/news/glickman-new-prexy-at-caravan-1116674347/|access-date=September 6, 2017}}</ref> |
||
When three out of the next four films flopped at the box office, Roth promised to cover ''[[I Love Trouble (1994 film)|I Love Trouble]]'' cost overruns pegged at $15 million if it did poorly. It eventually flopped as well.<ref name="thr">{{cite news| |
When three out of the next four films flopped at the box office, Roth promised to cover ''[[I Love Trouble (1994 film)|I Love Trouble]]'' cost overruns pegged at $15 million if it did poorly. It eventually flopped as well.<ref name="thr">{{cite news|last=Masters|first=Kim|title=Joe Roth's 'Third Act': From 'Gigli' to Billion-Dollar Producer and Pro Soccer Superstar|url=http://www.hollywoodreporter.com/news/joe-roths-third-act-gigli-655374|access-date=September 6, 2017|work=The Hollywood Reporter|date=November 14, 2013|language=en}}</ref> |
||
Roth moved on to be Disney studio chief on August 24, 1994, leaving Birnbaum in charge.<ref name=os>{{cite news|title=Seasoned Performer Takes Lead Studio Role|url=http://articles.orlandosentinel.com/1994-08-28/business/9408260442_1_joe-roth-caravan-pictures-morgan-creek| |
Roth moved on to be Disney studio chief on August 24, 1994, leaving Birnbaum in charge.<ref name=os>{{cite news|title=Seasoned Performer Takes Lead Studio Role|url=http://articles.orlandosentinel.com/1994-08-28/business/9408260442_1_joe-roth-caravan-pictures-morgan-creek|access-date=19 February 2013|newspaper=Orlando Sentinel|date=August 28, 1994|agency=Los Angeles Times}}</ref> Disney CEO Michael Eisner was so set on replacing [[Jeffrey Katzenberg]] as Disney studio chief with Roth that he forgave the cost overrun debt and paid Roth $40 million of fees for 21 unproduced films under the deal.<ref name="thr" /> |
||
Caravan was restructured in September 1998 to expand production in quantity and |
Caravan was restructured in September 1998 to expand production in quantity and television films. Glickman was promoted to president of Caravan at that time, which led Birnbaum to start giving out titles to executives.<ref name=vty/> |
||
In August 1998, Birnbaum left Caravan to co-found [[Spyglass Entertainment]] (with [[Gary Barber]], former vice chairman and COO of [[Morgan Creek Productions]]) at Roth's prompting, in which Disney took an equity stake and signed a five-year distribution agreement. With Disney cutting its yearly production output, Roth recommended forming a self-financing production firm similar to [[Regency Enterprises|New Regency Productions]]. After Caravan's remaining three films were released, the company went inactive. Caravan's slate of movie projects and an initial financial advance of $10 million to $20 million against future overages were also contributed by Disney.<ref> |
In August 1998, Birnbaum left Caravan to co-found [[Spyglass Entertainment]] (with [[Gary Barber]], former vice chairman and COO of [[Morgan Creek Productions]]) at Roth's prompting, in which Disney took an equity stake and signed a five-year distribution agreement. With Disney cutting its yearly production output, Roth recommended forming a self-financing production firm similar to [[Regency Enterprises|New Regency Productions]]. After Caravan's remaining three films were released, the company went inactive. The final production credited to Caravan is the 1999 Disney film ''[[Inspector Gadget (film)|Inspector Gadget]]''; on a rather ironic note, if not a brief moment of foreshadowing, the Caravan logo at the end of the film shows the man walking as usual before sprouting a propeller from his hat ''á la'' Gadget and flying away offscreen, never to be seen again. Caravan's slate of movie projects and an initial financial advance of $10 million to $20 million against future overages were also contributed by Disney.<ref>{{Cite web|last=Eller|first=Clauida|date=1998-08-21|title=Spyglass Offers Disney Lower-Risk Deals|url=https://www.latimes.com/archives/la-xpm-1998-aug-21-fi-15109-story.html|access-date=2015-03-18|website=Los Angeles Times|language=en-US}}</ref> |
||
==List of notable Caravan Pictures films== |
==List of notable Caravan Pictures films== |
||
Line 42: | Line 43: | ||
!Release Date |
!Release Date |
||
!Disney label released as |
!Disney label released as |
||
!Notes |
|||
!Budget |
!Budget |
||
!Gross |
!Gross |
||
|- |
|- |
||
|''[[The Three Musketeers (1993 film)|The Three Musketeers]]'' |
|''[[The Three Musketeers (1993 film)|The Three Musketeers]]''<ref name=vty0/> |
||
|November 12, 1993 |
|November 12, 1993 |
||
|[[Walt Disney Pictures]] |
|[[Walt Disney Pictures]] |
||
|co-production with [[Jon Avnet|Avnet]]-[[Jordan Kerner|Kerner]] Productions; first film |
|||
|$17 million |
|$17 million |
||
|$53,898,845 |
|$53,898,845 |
||
Line 54: | Line 57: | ||
|March 4, 1994 |
|March 4, 1994 |
||
|[[Hollywood Pictures]] |
|[[Hollywood Pictures]] |
||
|co-production with Morra-[[Larry Brezner|Brezner]]-Steinberg-[[Stephen Tenenbaum|Tenenbaum]] Productions |
|||
|$26 million |
|$26 million |
||
|$9,398,308 |
|$9,398,308 |
||
Line 60: | Line 64: | ||
|June 29, 1994 |
|June 29, 1994 |
||
|[[Touchstone Pictures]] |
|[[Touchstone Pictures]] |
||
|co-production with [[Nancy Meyers]]/[[Charles Shyer]] Productions |
|||
|$45 million |
|$45 million |
||
|$61,947,267 |
|$61,947,267 |
||
Line 65: | Line 70: | ||
|''[[Angels in the Outfield (1994 film)|Angels in the Outfield]]''<ref name="thr" /> |
|''[[Angels in the Outfield (1994 film)|Angels in the Outfield]]''<ref name="thr" /> |
||
|July 15, 1994 |
|July 15, 1994 |
||
|Walt Disney Pictures |
|[[Walt Disney Pictures]] |
||
⚫ | |||
|$24 million |
|$24 million |
||
|$50,236,831 |
|$50,236,831 |
||
Line 71: | Line 77: | ||
|''[[A Low Down Dirty Shame]]'' |
|''[[A Low Down Dirty Shame]]'' |
||
|November 23, 1994 |
|November 23, 1994 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
| |
|||
|$10 million |
|$10 million |
||
|$29,392,418 |
|$29,392,418 |
||
Line 77: | Line 84: | ||
|''[[Houseguest]]'' |
|''[[Houseguest]]'' |
||
|January 6, 1995 |
|January 6, 1995 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
| |
|||
|$10.5 million |
|$10.5 million |
||
|$26,325,256 |
|$26,325,256 |
||
Line 83: | Line 91: | ||
|''[[The Jerky Boys: The Movie]]'' |
|''[[The Jerky Boys: The Movie]]'' |
||
|February 3, 1995 |
|February 3, 1995 |
||
|Touchstone Pictures |
|[[Touchstone Pictures]] |
||
| |
|||
|$8 million |
|$8 million |
||
|$7,555,256 |
|$7,555,256 |
||
Line 89: | Line 98: | ||
|''[[Heavyweights]]'' |
|''[[Heavyweights]]'' |
||
|February 17, 1995 |
|February 17, 1995 |
||
|Walt Disney Pictures |
|[[Walt Disney Pictures]] |
||
| |
|||
| |
| |
||
|$17,689,177 |
|$17,689,177 |
||
Line 95: | Line 105: | ||
|''[[Tall Tale (film)|Tall Tale]]'' |
|''[[Tall Tale (film)|Tall Tale]]'' |
||
|March 24, 1995 |
|March 24, 1995 |
||
|Walt Disney Pictures |
|[[Walt Disney Pictures]] |
||
| |
|||
|$32 million |
|$32 million |
||
|$11,047,627 |
|$11,047,627 |
||
Line 101: | Line 112: | ||
|''[[While You Were Sleeping (film)|While You Were Sleeping]]''<ref name=vty/> |
|''[[While You Were Sleeping (film)|While You Were Sleeping]]''<ref name=vty/> |
||
|April 21, 1995 |
|April 21, 1995 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
| rowspan="2" |co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] |
|||
|$17 million |
|$17 million |
||
|$182,057,016 |
|$182,057,016 |
||
Line 107: | Line 119: | ||
|''[[The Big Green]]'' |
|''[[The Big Green]]'' |
||
|September 29, 1995 |
|September 29, 1995 |
||
|Walt Disney Pictures |
|[[Walt Disney Pictures]] |
||
|$12 million |
|$12 million |
||
|$17,725,500 |
|$17,725,500 |
||
Line 113: | Line 125: | ||
|''[[Dead Presidents]]''<ref name=vty/> |
|''[[Dead Presidents]]''<ref name=vty/> |
||
|October 4, 1995 |
|October 4, 1995 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Hughes brothers|Underworld Entertainment]] |
|||
|$10 million |
|$10 million |
||
|$24,147,179 |
|$24,147,179 |
||
|- |
|- |
||
|''[[Powder (film)|Powder]]''<ref name=vty/> |
|''[[Powder (1995 film)|Powder]]''<ref name=vty/> |
||
|October 27, 1995 |
|October 27, 1995 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Daniel Grodnik|Daniel Grodnik Productions]] and [[Roger Birnbaum|Roger Birnbaum Productions]] |
|||
|$9.5 million |
|$9.5 million |
||
|$30,862,156 |
|$30,862,156 |
||
Line 125: | Line 139: | ||
|''[[Before and After (film)|Before and After]]'' |
|''[[Before and After (film)|Before and After]]'' |
||
|February 23, 1996 |
|February 23, 1996 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Barbet Schroeder|Schroeder]]/Hoffman Productions |
|||
|$35 million |
|$35 million |
||
|$8,797,839 |
|$8,797,839 |
||
Line 131: | Line 146: | ||
|''[[Celtic Pride]]'' |
|''[[Celtic Pride]]'' |
||
|April 19, 1996 |
|April 19, 1996 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
| rowspan="4" |co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] |
|||
| |
| |
||
|$9,255,027 |
|$9,255,027 |
||
|- |
|- |
||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
|- |
|||
|''[[The Rich Man's Wife]]'' |
|''[[The Rich Man's Wife]]'' |
||
|September 13, 1996 |
|September 13, 1996 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
| |
| |
||
|$8,543,587 |
|$8,543,587 |
||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
|- |
|- |
||
|''[[Metro (1997 film)|Metro]]'' |
|''[[Metro (1997 film)|Metro]]'' |
||
|January 17, 1997 |
|January 17, 1997 |
||
|Touchstone Pictures |
|[[Touchstone Pictures]] |
||
|$55 million |
|$55 million |
||
|$31,987,563 |
|$31,987,563 |
||
Line 156: | Line 171: | ||
|''[[Grosse Pointe Blank]]''<ref name=vty/> |
|''[[Grosse Pointe Blank]]''<ref name=vty/> |
||
|April 11, 1997 |
|April 11, 1997 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Roger Birnbaum|Roger Birnbaum Productions]], Roth/[[Susan Arnold|Arnold]] Productions and New Crime Entertainment |
|||
|$15 million |
|$15 million |
||
|$28,084,357 |
|$28,084,357 |
||
Line 162: | Line 178: | ||
|''[[Gone Fishin' (film)|Gone Fishin']]'' |
|''[[Gone Fishin' (film)|Gone Fishin']]'' |
||
|May 30, 1997 |
|May 30, 1997 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] |
|||
|$53 million |
|$53 million |
||
|$19,736,932 |
|$19,736,932 |
||
Line 168: | Line 185: | ||
|''[[G.I. Jane]]''<ref name=vty/> |
|''[[G.I. Jane]]''<ref name=vty/> |
||
|August 22, 1997 |
|August 22, 1997 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Scott Free Productions]], [[Largo Entertainment]], [[Roger Birnbaum|Roger Birnbaum Productions]] and [[Demi Moore|Moving Pictures]] |
|||
|$50 million |
|$50 million |
||
|$97,169,156 |
|$97,169,156 |
||
|- |
|- |
||
|''[[RocketMan]]''<ref name=vty/> |
|''[[RocketMan (1997 film)|RocketMan]]''<ref name=vty/> |
||
|October 10, 1997 |
|October 10, 1997 |
||
|Walt Disney Pictures |
|[[Walt Disney Pictures]] |
||
|co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] and Gold/Miller Management |
|||
|$16 million |
|$16 million |
||
|$15,448,043 |
|$15,448,043 |
||
Line 180: | Line 199: | ||
|''[[Washington Square (film)|Washington Square]]''<ref name=vty/> |
|''[[Washington Square (film)|Washington Square]]''<ref name=vty/> |
||
|October 17, 1997 |
|October 17, 1997 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] and Alchemy Filmworks |
|||
|$15 million |
|$15 million |
||
|$1,851,761 |
|$1,851,761 |
||
Line 186: | Line 206: | ||
|''[[Six Days, Seven Nights]]''<ref name=vty/> |
|''[[Six Days, Seven Nights]]''<ref name=vty/> |
||
|June 12, 1998 |
|June 12, 1998 |
||
|Touchstone Pictures |
|[[Touchstone Pictures]] |
||
|co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] and [[Ivan Reitman|Northern Lights Entertainment]] |
|||
|$70 million |
|$70 million |
||
|$164,839,294 |
|$164,839,294 |
||
Line 192: | Line 213: | ||
|''[[Simon Birch]]''<ref name=vty/> |
|''[[Simon Birch]]''<ref name=vty/> |
||
|September 11, 1998 |
|September 11, 1998 |
||
|Hollywood Pictures |
|[[Hollywood Pictures]] |
||
|co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] and [[Laurence Mark|Laurence Mark Productions]] |
|||
|$30 million |
|$30 million |
||
|$18,252,684 |
|$18,252,684 |
||
Line 198: | Line 220: | ||
|''[[Holy Man]]''<ref name=vty/> |
|''[[Holy Man]]''<ref name=vty/> |
||
|October 9, 1998 |
|October 9, 1998 |
||
|Touchstone Pictures |
|[[Touchstone Pictures]] |
||
|co-production with [[Roger Birnbaum|Roger Birnbaum Productions]] |
|||
|$60 million |
|$60 million |
||
|$12,069,719 |
|$12,069,719 |
||
Line 204: | Line 227: | ||
|''[[Inspector Gadget (film)|Inspector Gadget]]'' |
|''[[Inspector Gadget (film)|Inspector Gadget]]'' |
||
|July 23, 1999 |
|July 23, 1999 |
||
|Walt Disney Pictures |
|[[Walt Disney Pictures]] |
||
|co-production with [[Jon Avnet|Avnet]]/[[Jordan Kerner|Kerner]] Productions, [[Roger Birnbaum|Roger Birnbaum Productions]] and [[DIC Entertainment|DiC Entertainment]]; final film |
|||
|$90 million |
|$90 million |
||
|$134,403,112 |
|$134,403,112 |
||
Line 210: | Line 234: | ||
==References== |
==References== |
||
{{Reflist}} |
|||
<references /> |
|||
==External links== |
|||
* {{imdb company|id=0072626|company=Caravan Pictures}} |
|||
{{Walt Disney Studios}} |
{{Walt Disney Studios}} |
||
{{Authority control}} |
|||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
[[Category:1992 establishments in California]] |
[[Category:1992 establishments in California]] |
||
[[Category:1999 disestablishments in California]] |
[[Category:1999 disestablishments in California]] |
||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
[[Category:Disney production studios]] |
[[Category:Disney production studios]] |
||
⚫ | |||
⚫ | |||
[[Category:Mass media companies disestablished in 1999]] |
|||
⚫ | |||
⚫ |
Latest revision as of 03:36, 12 January 2024
This article needs additional citations for verification. (July 2021) |
Company type | Subsidiary |
---|---|
Industry | Entertainment |
Founded | November 17, 1992 |
Founders | Roger Birnbaum Joe Roth |
Defunct | 1999 |
Fate | Closed |
Successor | Spyglass Entertainment |
Headquarters | , |
Key people | Roger Birnbaum (chairman, CEO) Jonathan Glickman (president) |
Products | Films |
Number of employees | 7 (1997) |
Parent | The Walt Disney Studios |
Footnotes / references [1][2][3] |
Caravan Pictures, Inc. was an American film production company at Walt Disney Studios, formed by Roger Birnbaum and Joe Roth. Caravan's films were distributed by Buena Vista Pictures Distribution.
While Disney would sign directors and talent to two- and three-picture deals, Caravan would work with talent based on the project being produced and not lock them into agreements. The production company's slate strategy was to commit to screenwriters as directors, put bankable actors in predictable roles, and low-budget movies with like breakthrough talent. The unit had greenlight authority up to $30 million with the expectation of producing 5 to 7 films a year and did not have salary caps. They also did not have its own full business and legal affairs departments,[2] and executives did not have titles until 1997.[3]
History
Caravan Pictures was founded by Roger Birnbaum and Joe Roth as a production company at Disney in 1992 to fill the Disney Studios' then-yearly 50 to 60 production and distribution slots. Caravan was given a five-year, 25-picture agreement with greenlight authority up to $30 million and an overhead budget of $3 million, and was expected to produce 5 to 7 films per year originally. After just releasing its first picture, The Three Musketeers, on Christmas 1993, Caravan expected to release 10 films in 1994, which could accelerate the end of the deal in 2 1/2 years instead of 5 years.[2] They were able to get the adaptation of Angie, I Says that was in turnaround at Fox, where they have previously worked.[4] In 1993, Jonathan Glickman, who came from the USC's Peter Stark Program, joined Caravan as an intern.[3]
When three out of the next four films flopped at the box office, Roth promised to cover I Love Trouble cost overruns pegged at $15 million if it did poorly. It eventually flopped as well.[5]
Roth moved on to be Disney studio chief on August 24, 1994, leaving Birnbaum in charge.[1] Disney CEO Michael Eisner was so set on replacing Jeffrey Katzenberg as Disney studio chief with Roth that he forgave the cost overrun debt and paid Roth $40 million of fees for 21 unproduced films under the deal.[5]
Caravan was restructured in September 1998 to expand production in quantity and television films. Glickman was promoted to president of Caravan at that time, which led Birnbaum to start giving out titles to executives.[3]
In August 1998, Birnbaum left Caravan to co-found Spyglass Entertainment (with Gary Barber, former vice chairman and COO of Morgan Creek Productions) at Roth's prompting, in which Disney took an equity stake and signed a five-year distribution agreement. With Disney cutting its yearly production output, Roth recommended forming a self-financing production firm similar to New Regency Productions. After Caravan's remaining three films were released, the company went inactive. The final production credited to Caravan is the 1999 Disney film Inspector Gadget; on a rather ironic note, if not a brief moment of foreshadowing, the Caravan logo at the end of the film shows the man walking as usual before sprouting a propeller from his hat á la Gadget and flying away offscreen, never to be seen again. Caravan's slate of movie projects and an initial financial advance of $10 million to $20 million against future overages were also contributed by Disney.[6]
List of notable Caravan Pictures films
Title | Release Date | Disney label released as | Notes | Budget | Gross |
---|---|---|---|---|---|
The Three Musketeers[2] | November 12, 1993 | Walt Disney Pictures | co-production with Avnet-Kerner Productions; first film | $17 million | $53,898,845 |
Angie[1] | March 4, 1994 | Hollywood Pictures | co-production with Morra-Brezner-Steinberg-Tenenbaum Productions | $26 million | $9,398,308 |
I Love Trouble[5] | June 29, 1994 | Touchstone Pictures | co-production with Nancy Meyers/Charles Shyer Productions | $45 million | $61,947,267 |
Angels in the Outfield[5] | July 15, 1994 | Walt Disney Pictures | $24 million | $50,236,831 | |
A Low Down Dirty Shame | November 23, 1994 | Hollywood Pictures | $10 million | $29,392,418 | |
Houseguest | January 6, 1995 | Hollywood Pictures | $10.5 million | $26,325,256 | |
The Jerky Boys: The Movie | February 3, 1995 | Touchstone Pictures | $8 million | $7,555,256 | |
Heavyweights | February 17, 1995 | Walt Disney Pictures | $17,689,177 | ||
Tall Tale | March 24, 1995 | Walt Disney Pictures | $32 million | $11,047,627 | |
While You Were Sleeping[3] | April 21, 1995 | Hollywood Pictures | co-production with Roger Birnbaum Productions | $17 million | $182,057,016 |
The Big Green | September 29, 1995 | Walt Disney Pictures | $12 million | $17,725,500 | |
Dead Presidents[3] | October 4, 1995 | Hollywood Pictures | co-production with Underworld Entertainment | $10 million | $24,147,179 |
Powder[3] | October 27, 1995 | Hollywood Pictures | co-production with Daniel Grodnik Productions and Roger Birnbaum Productions | $9.5 million | $30,862,156 |
Before and After | February 23, 1996 | Hollywood Pictures | co-production with Schroeder/Hoffman Productions | $35 million | $8,797,839 |
Celtic Pride | April 19, 1996 | Hollywood Pictures | co-production with Roger Birnbaum Productions | $9,255,027 | |
First Kid | August 30, 1996 | Walt Disney Pictures | $5 million | $26,491,793 | |
The Rich Man's Wife | September 13, 1996 | Hollywood Pictures | $8,543,587 | ||
Metro | January 17, 1997 | Touchstone Pictures | $55 million | $31,987,563 | |
Grosse Pointe Blank[3] | April 11, 1997 | Hollywood Pictures | co-production with Roger Birnbaum Productions, Roth/Arnold Productions and New Crime Entertainment | $15 million | $28,084,357 |
Gone Fishin' | May 30, 1997 | Hollywood Pictures | co-production with Roger Birnbaum Productions | $53 million | $19,736,932 |
G.I. Jane[3] | August 22, 1997 | Hollywood Pictures | co-production with Scott Free Productions, Largo Entertainment, Roger Birnbaum Productions and Moving Pictures | $50 million | $97,169,156 |
RocketMan[3] | October 10, 1997 | Walt Disney Pictures | co-production with Roger Birnbaum Productions and Gold/Miller Management | $16 million | $15,448,043 |
Washington Square[3] | October 17, 1997 | Hollywood Pictures | co-production with Roger Birnbaum Productions and Alchemy Filmworks | $15 million | $1,851,761 |
Six Days, Seven Nights[3] | June 12, 1998 | Touchstone Pictures | co-production with Roger Birnbaum Productions and Northern Lights Entertainment | $70 million | $164,839,294 |
Simon Birch[3] | September 11, 1998 | Hollywood Pictures | co-production with Roger Birnbaum Productions and Laurence Mark Productions | $30 million | $18,252,684 |
Holy Man[3] | October 9, 1998 | Touchstone Pictures | co-production with Roger Birnbaum Productions | $60 million | $12,069,719 |
Inspector Gadget | July 23, 1999 | Walt Disney Pictures | co-production with Avnet/Kerner Productions, Roger Birnbaum Productions and DiC Entertainment; final film | $90 million | $134,403,112 |
References
- ^ a b c "Seasoned Performer Takes Lead Studio Role". Orlando Sentinel. Los Angeles Times. August 28, 1994. Retrieved 19 February 2013.
- ^ a b c d Frook, John Evan (January 30, 1994). "Roth, Birnbaum flex muscles at Caravan". Variety. Retrieved March 19, 2015.
- ^ a b c d e f g h i j k l m n Cox, Dan (September 18, 1997). "Glickman new prexy at Caravan". Variety. Retrieved September 6, 2017.
- ^ Eller, Claudia (December 14, 1992). "Madonna faxes Roth her wrath". Variety. Retrieved September 6, 2017.
- ^ a b c d Masters, Kim (November 14, 2013). "Joe Roth's 'Third Act': From 'Gigli' to Billion-Dollar Producer and Pro Soccer Superstar". The Hollywood Reporter. Retrieved September 6, 2017.
- ^ Eller, Clauida (1998-08-21). "Spyglass Offers Disney Lower-Risk Deals". Los Angeles Times. Retrieved 2015-03-18.
- 1992 establishments in California
- 1999 disestablishments in California
- American companies established in 1992
- American companies disestablished in 1999
- Companies based in Santa Monica, California
- Defunct American film studios
- Defunct companies based in Greater Los Angeles
- Disney production studios
- Entertainment companies based in California
- Film production companies of the United States
- Mass media companies disestablished in 1999
- Mass media companies established in 1992
- Walt Disney Studios (division)