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TE amo Yoandry.{{otheruses1|the poetic notion}}
THIS SUCKS TE amo Yoandry.{{otheruses1|the poetic notion}}


In [[literature]], a '''kenning''' is a magic [[poetry|poetic]] [[phrase]], a [[figure of speech]], substituted for the usual name of a person or thing. Kennings work in much the same way as [[epithet]]s and verbal formulae, and were commonly inserted into Old English poetic lines.
In [[literature]], a '''kenning''' is a magic [[poetry|poetic]] [[phrase]], a [[figure of speech]], substituted for the usual name of a person or thing. Kennings work in much the same way as [[epithet]]s and verbal formulae, and were commonly inserted into Old English poetic lines.
THIS SUCKS

In its simplest form, it comprises two terms, one of which (the 'base word'), is made to relate to the other to convey a meaning neither has alone. For example the [[sea]] in [[Old English language|Old English]] could be called ''seġl-rād'' 'sail-road', ''swan-rād'' 'swan-road', ''bæþ-weġ'' 'bath-way' or ''hwæl-weġ'' 'whale-way'. In line 10 of the epic ''[[Beowulf]]'', the sea is called the ''hronrāde'' or 'whale-road'.
In its simplest form, it comprises two terms, one of which (the 'base word'), is made to relate to the other to convey a meaning neither has alone. For example the [[sea]] in [[Old English language|Old English]] could be called ''seġl-rād'' 'sail-road', ''swan-rād'' 'swan-road', ''bæþ-weġ'' 'bath-way' or ''hwæl-weġ'' 'whale-way'. In line 10 of the epic ''[[Beowulf]]'', the sea is called the ''hronrāde'' or 'whale-road'.

Revision as of 12:39, 19 September 2007

THIS SUCKS TE amo Yoandry.

In literature, a kenning is a magic poetic phrase, a figure of speech, substituted for the usual name of a person or thing. Kennings work in much the same way as epithets and verbal formulae, and were commonly inserted into Old English poetic lines.

THIS SUCKS

In its simplest form, it comprises two terms, one of which (the 'base word'), is made to relate to the other to convey a meaning neither has alone. For example the sea in Old English could be called seġl-rād 'sail-road', swan-rād 'swan-road', bæþ-weġ 'bath-way' or hwæl-weġ 'whale-way'. In line 10 of the epic Beowulf, the sea is called the hronrāde or 'whale-road'.

The word is derived from the Old Norse phrase kenna eitt við, "to express a thing in terms of another", and is prevalent throughout Norse, Anglo-Saxon literature and Celtic literature. Kennings are especially associated with the practice of alliterative verse, where they tend to become traditional fixed formulas. The skalds made such extensive use of kennings that these have come to be regarded as an essential nature of 'skaldic verse'.

A good knowledge of mythology was necessary in order to understand the kennings, which is one of the reasons why Snorri Sturluson composed the Younger Edda as a work of reference for aspiring poets. Here is an example of how important this knowledge was. It was composed by the Norwegian skald Eyvind Finnson (d. ca 990), and he compares the greed of king Harald Gråfell to the generosity of his predecessor Haakon the Good:

Bárum Ullr, of alla
ímunlauks, á hauka
fjöllum Fyrisvalla
fræ Hákonar ævi;
nú hefr fólkstríðir Fróða
fáglýjaðra þýja
meldr í móður holdi
mellu dolgs of folginn


Simply based on meaning, i.e. without kennings, the passage runs: "Accursed King Harald! We carried gold in our arms during all of Hakon's life; now the enemy of the people has hidden gold in the earth."

Compare this to the actual prose translation: "Ullr, the onion of war! We carried the seeds of the Fyrisvellir on the mountains of the hawks during all of Hakon's life; now the enemy of the people has hidden the flour of Fróði's hapless slaves in the flesh of the mother of the enemy of the giantesses."


Onion of war is a kenning for "sword" and names for gods were often used as base word in kennings for men and women. Ullr, the onion of war means "warrior" and refers to king Harald. The seeds of the Fyrisvellir means "gold" and refers to Hrólf Kraki's saga and it was the stolen gold that Hrólf's men spread on the wolds (vellir) south of Gamla Uppsala fleeing the Swedish king Adils in order to make the king's men dismount and collect the gold. The mountains of the hawks is based on the knowledge that royalty often had tame falcons and hawks that they carried on their arms, and means "arms". In the second part the flour of Fróði's hapless slaves means "gold" and in order to understand the kenning, we need to know Grottisöng and the legend of the Danish king Fróði. In Sweden, he bought the giantesses Fenja and Menja whom he had grind a mill that produced gold as if it were flour. The two giantesses were hapless because Fróði never let them rest and in revenge they finally produced bad luck and war until the mill broke down and Fróði's hall burnt. The flesh of the mother of the enemy of the giantesses refers to the Earth (Jörd), as she was the mother of Thor, the enemy of the Jotuns.

A list of kennings may be consulted for reference purposes.

A notable peculiarity of kennings is the possibility of constructing complicated kenning strings by means of consecutive substitution. For example, those who are keen in kenning readily know that slaughter dew worm dance is battle, since slaughter dew is blood, blood worm is sword, and sword dance is battle.

Another kind of wordplay is based on the inversion of kennings. For example, if sword dance is battle and spear-din is another kenning for battle, then sword may easily become "spear-din dancer".

The root "ken" is still used in Scandinavian (känna), in German (kennen), in Dutch (kennen) and in Afrikaans (ken), whereas its English use is restricted to Scots and the North of England. In northern Britain it is used in describing what a person knows about something or what they see, especially when seafaring. For instance, if somebody queries the happenings of the North Sea, of a lighthouse resident, the watcher would say he is kenning this or that — "D'ye ken what a kenning is?". The root was applied to the "k" rune, pronounced similarly.

See also

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