Eva-Ingeborg Scholz

from Wikipedia, the free encyclopedia

Eva-Ingeborg Scholz (born February 16, 1928 in Berlin ) is a German actress .

Life

Scholz attended the Max Reinhardt School of Dramatic by Hilde Körber and played from 1947 to 1950 at Castle Park Theater and the Renaissance Theater . From 1950 to 1953 she was at the Comedy Berlin is committed , then it belonged to the ensemble of the Munich Kammerspiele . She played in 1947 at the Renaissance Theater Sally in Druten's Das Lied der Taube and later at the Kammerspiele Rose in The Tattooed Rose by Tennessee Williams and a role in Colombe by Jean Anouilh .

She made her film debut in 1948 as a lively and unsentimental young artist in 1-2-3 Corona in the title role and quickly became a busy film actress, but mostly in subordinate roles. In the three-part war film 08/15 she played the lover of the soldier portrayed by Joachim Fuchsberger , and the BDM girl Pützchen in the adaptation of Des Teufels General . Since the beginning of the sixties she could be seen on television, where she became a very popular serial actress.

Eva-Ingeborg Scholz also worked as a voice actress and voiced the title character of the cartoon Cinderella and the sister of Alice in Alice in Wonderland . She was temporarily married to the screenwriter Georg Hurdalek and the actor Wilfried Seyferth and lives and works in Graefelfing near Munich.

Awards

Filmography (selection)

literature

  • Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 7: R - T. Robert Ryan - Lily Tomlin. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 158.

Web links

Individual evidence

  1. Eva-Ingeborg Scholz. In: filmportal.de . German Film Institute , accessed April 1, 2016 .
  2. Kürschner's biographical theater manual , edited by Herbert A. Frenzel and Hans Joachim Moser, Walter de Gruyter & Co., Berlin 1956, p. 665