We'll talk about love later
| Movie | |
|---|---|
| Original title | We'll talk about love later |
| Country of production | Germany |
| original language | German |
| Publishing year | 1953 |
| length | 97 minutes |
| Age rating | FSK 18 |
| Rod | |
| Director | Karl Anton |
| script | Karl Anton Werner P. Zibaso |
| production | Willie Hoffmann-Andersen |
| music | Willy Schmidt-Gentner |
| camera | Georg Krause |
| cut | Martha Dübber |
| occupation | |
and Paul Heidemann , Olga Limburg , Else Reval , Arno Paulsen , Ewald Wenck , Ingeborg Wellmann , Kurt Pratsch-Kaufmann , Paul Westermeier , Käthe Haack , Wolfgang Condrus , Reinhard Kolldehoff | |
We'll talk about love later is a German feature film from 1953 by Karl Anton with Gustav Fröhlich , Maria Holst , Liselotte Pulver and Willy Fritsch in the leading roles. The story is based on a serial novel published in “ Constanze ”.
action
The beautician Angela Bell, a well-off middle-aged woman, and the respected fashion doctor Prof. Christian Hollmann would like to get married, but there is a catch: Hollmann is still married to his somewhat annoying wife Margot. Angela has to get under the hood as soon as possible, because as a foreigner she will lose her work permit if she does not become a German citizen soon. Then the couple got the idea of marrying Angela to the German bachelor Jonny Pitter, a writer - a fictitious marriage without dishonorable consequences, of course. What neither Angela nor Prof. Hollmann suspect: Jonny has been in love with Angela for some time. He makes a good face for the bad game and accepts the immoral offer. Jonny has already come up with a clever tactic: “Get married first, we'll talk about love later”, and he is sure that Angela will also love (for him). He is said to be right: The two become a happy couple, and the fashion doctor stays with his wife.
Production notes
About love we talk later was made in the winter of 1952/53 in Berlin-Tempelhof (studio) and in the city of Berlin (exterior shots) and was premiered on March 5, 1953 in Essen. The Berlin premiere took place ten days later.
Helmuth Volmer took over the production management. Gabriel Pellon and Hans-Jürgen Kiebach designed the film structures. Bruno Balz wrote the music texts. The large RIAS dance orchestra plays.
Reviews
In the mirror it was said: “The" Constanze "novel with the same title, which is about a fictitious marriage, resulted - under Karl Anton's direction - filmed: a mixture of almost comedic dialogues, mediocre, mediocre revue numbers and action-promoting misunderstandings, furthermore: measured amateur roles for them Old masters Gustav Fröhlich and Willy Fritsch and an explosive dancer role for the "funny boy", Liselotte Pulver, overall: passable entertainment. "
The lexicon of the international film judges: "A comedy with little ideas, which is far below the original version of the material, an illustrated novel."
Individual evidence
- ↑ Review in: Der Spiegel from March 25, 1953
- ↑ We'll talk about love later. In: Lexicon of International Films . Film service , accessed March 4, 2020 .