Witness wanted

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Movie
German title Witness wanted
Original title Phantom Lady
Country of production United States
original language English
Publishing year 1944
length 87 minutes
Age rating FSK 16
Rod
Director Robert Siodmak
script Bernard C. Schoenfeld
production Joan Harrison
music Hans J. Salter
camera Woody Bredell
cut Arthur Hilton
occupation

You, Man (AKA Phantom Lady ) in is black and white twisted American film noir of Robert Siodmak from the year 1944 . It was based on the novel Phantom Lady by William Irish, a pseudonym of Cornell Woolrich .

action

After an argument with his wife Marcela, Scott Henderson starts a conversation with an unknown woman in a bar. Henderson offers her to accompany him to a revue event , for which he has two tickets. She agrees on the condition that the two of them do not talk about personal matters and then break up amicably. During the performance, the singer Estela excites herself over the eye-catching hat of the unknown visitor, which is exactly like hers. Then Henderson and the stranger go their separate ways, as agreed. He returns home where the police are waiting for him: Marcela was murdered in his absence. The suspicion falls on Henderson, who believes he has enough witnesses to exonerate him. However, Mac, the bartender at the place where he met the stranger, pretends to remember only Henderson, not his companion. Even the taxi driver who drove Henderson and the stranger to the event, singer Estela and Cliff, the drummer of their backing band, cannot remember the couple.

Henderson is convicted of murder and faces execution. His loyal secretary Kansas, convinced of the innocence of her boss, decides to investigate on her own, secretly supported by Inspector Burgess. Mac, the barman, dies in a traffic accident before he can explain the reason for his false statement. With Cliff, Kansas is more successful, he admits that his silence was bought with money. When Cliff finds out that Kansas is allied with the police and becomes intrusive, she hastily flees. Shortly afterwards, Cliff is murdered.

Henderson's best friend, the artist Jack Marlow, travels from South America to support him and Kansas in their research. Kansas finds out who made the hats for Estela and the stranger, and so she gets the address of Henderson's companion. It turns out her name is Ann Terry and has been under the care of psychiatrist Dr. Ellen Chase has to live, which explains her disappearance without a trace. Kansas meets with Marlow in his apartment and discovers her purse, which she left behind while escaping Cliff's apartment. Marlow admits he murdered Marcela because, despite their mutual affair, she refused to leave Henderson. After the fact, he drew suspicion on her husband. Before he can kill Kansas, Burgess arrives, Marlow evades arrest by suicide.

background

Witness Wanted was produced by Joan Harrison , a longtime associate of Alfred Hitchcock . The film marked the beginning of a series of film noirs that Robert Siodmak, a contract director with Universal Pictures since 1943 , shot for the studio . As a result, Christmas Vacation (1944), Avengers of the Underworld (1946) and Daring Alibi (1949) were created under his direction . Christmas Vacation and Avengers of the Underworld were photographed by Woody Bredell , Witness Wanted . Siodmak suggested that Bredell study the distribution of light and dark in Rembrandt's paintings for his work .

The film was shot from September 20 to October 28, 1943; the buildings were designed by John B. Goodman . Sought witness launched on 17 February 1944 at Loew's State Theater in New York and on 21 April 1950 in the cinemas of the Federal Republic of Germany .

synchronization

The German version of the film was made in Munich in 1950.

role actor Voice actor
Frank Marlow Franchot Tone Paul Klinger
Carol "Kansas" Richman Ella Raines Eleanor Noelle
Scott Henderson Alan Curtis Heinz Engelmann
Inspector Burgess Thomas Gomez Bum Kruger
Public prosecutor (voice) Milburn Stone Arnold Marquis

Reviews

“Unfortunately, Ms. Harrison and Mr. Siodmak forgot one essential thing - a plausible, realistic act. [...] The boredom is intensified by the monotonous pace. You'd almost think the director fell asleep a few times. [...] Some aptly effective backdrops form the background of this matter. But mindless effects are flimsy. And reason is what this film lacks. "

“Siodmak's crooked compositions and dramatic lighting could be mercilessly ticked off as genre standards, but his manipulation of the main subject of the film is masterful. His focus is on the tangible and psychological evidence - the 'records' - of the non-existence. "

- Paul Taylor, Time Out Film Guide.

“Exciting, psychologically coherent crime film, whose cleverly constructed novel was skilfully implemented. Surprising twists and turns and changes of perspective as well as some extremely suggestive sequences make the film one of the most attractive representatives of film noir. "

literature

  • William Irish [di Cornell Woolrich]: Phantom Lady. Translated by Günter Hehemann. Heyne, Munich 1962, DNB 452099161 [153 p .; First edition, further editions 1978, 1990 and ö.]
  • Paul Duncan, Jürgen Müller (Eds.): Film Noir, 100 All-Time Favorites . Taschen, Cologne 2014, ISBN 978-3-8365-4353-8 , pp. 110–117.

Web links

Individual evidence

  1. ^ Robert Siodmak: Between Berlin and Hollywood. Memories of a great film director. Published by Hans C. Blumenberg . Herbig, Munich 1980, ISBN 3-8004-0892-9 , p. 103.
  2. Robert Siodmak - author, director . In: CineGraph - Lexikon zum Deutschsprachigen Film , Lg. 14, F 12
  3. Alain Silver, Elizabeth Ward (Ed.): Film Noir. An Encyclopedic Reference to the American Style, Third Edition. Overlook / Duckworth, New York / Woodstock / London 1992, ISBN 0-87951-479-5 , pp. 225 f.
  4. a b Witness wanted. In: Lexicon of International Films . Film service , accessed June 3, 2019 .Template: LdiF / Maintenance / Access used 
  5. a b c d e f Witness wanted . In: Synchrondatenbank , accessed on June 3, 2019.
  6. a b c d Witness wanted (1944). In: synchronkartei.de. German synchronous index , accessed on June 3, 2019 .
  7. “But, unfortunately, Miss Harrison and Mr. Siodmak forgot one basic thing — they forgot to provide their picture with a plausible, realistic plot. [...] The tedium is also augmented by the monotonous pace which is generally set. You might almost think the director had gone to sleep there a couple of times. […] Some aptly sensational settings background the whole affair. But sensation is specious without reason. And reason is what this picture lacks. ”- Review by Bosley Crowther in the New York Times on February 18, 1944, accessed January 30, 2013.
  8. "Siodmak's angled compositions and dramatic lighting might be uncharitably ticked off as genre staples, but his manipulation of the film's key motif is masterly. He concentrates on the tangible and psychological evidence - the 'records' - of absence […] "- Time Out Film Guide, Seventh Edition 1999. Penguin, London 1998, p. 695.