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{{Short description|Character in Romeo and Juliet}}
'''Mercutio''' is a character in [[William Shakespeare]]'s famous [[tragedy]], [[Romeo and Juliet]]. He is a relative of [[Prince Escalus]] (also known as The Prince), and is a good friend of the [[Montagues]], or, specifically, the son of Montague, [[Romeo]]. Mercutio is apt to make long, drawn out speeches ([[Queen Mab]] is the most well known), and is generally thought to be a free spirit.
{{EngvarB|date=September 2017}}
{{Use dmy dates|date=September 2017}}
{{Infobox character
| name = Mercutio
| series = [[Romeo and Juliet]]
| image = Death_of_Mercutio.png
| caption = ''Romeo and Juliet Act III Scene I The Death of Romeo's Friend, Mercutio.'' [[Edwin Austin Abbey]], 1904
| creator = [[William Shakespeare]]
| based_on =
| portrayer =
| alias =
| affiliation = [[Romeo]]<br/>[[Benvolio]]<br/>[[Juliet]]
| family = Valentine (brother)<br/>[[Prince Escalus]] (uncle)<br/>[[Count Paris]]
}}


'''Mercutio''' ({{IPAc-en|m|ər|ˈ|k|juː|ʃ|i|oʊ|}} {{respell|mər|KEW|shee-oh}},<ref>{{cite book |title= Merriam-Webster's Encyclopedia of Literature|url= https://archive.org/details/merriamwebsters00merr|url-access= registration|year= 1995|publisher= Merriam Webster, Incorporated|location= Springfield, Massachusetts|isbn= 978-0-87779-042-6|page= [https://archive.org/details/merriamwebsters00merr/page/753 753]}} (The pronunciation ''mər-ˈkyü-shē-ō'' was transcribed to IPA per [[Pronunciation respelling for English]].)</ref> {{Lang-it|Mercuzio}}) is a fictional character in [[William Shakespeare]]'s 1597 [[tragedy]], ''[[Romeo and Juliet]]''. He is a close friend to [[Romeo Montague|Romeo]] and a blood relative to [[Prince Escalus]] and [[Count Paris]]. As such, Mercutio is one of the named characters in the play with the ability to mingle around those of both houses. The invitation to [[Lord Capulet]]'s party states that he has a brother named Valentine.
==Death==
Mercutio dies when [[Romeo]] attempts to stop his bejoking sword-fight with [[Tybalt]]. He dies, but not before cursing both the houses of [[Montagues]] and [[Capulet]] (of which [[Tybalt]] is a member, being [[Juliet]]'s cousin). His death is tragic, in that his friends thought that he was only pretending to be wounded. His line describing his wound, "'Tis not deep as a well, nor wide as a church door, but 'tis enough, 'twill serve," has become famous. In revenge Romeo slays Tybalt and is "exiled hence" from [[Verona]], the [[Italy|Italian]] [[city state]] wherein the story takes place.


Though often fun-loving and witty, the latter demonstrated in his [[Queen Mab]] speech in the first act, Mercutio's sense of humour can at times be facetious or even coarse, much to his friends' annoyance. He is also moody and given to sudden outbursts of temper, one of which sets a key plot development in motion.
It's worth noting that Mercutio's name may possibly be from the word "mercurial", meaning, "having an unpredictable and fast-changing mood" (from the metal, Mercury, which easily changes from liquid to solid, and itself from Mercury, the fastest-moving planet), a fairly accurate description of Mercutio's personality.


==See also==
==Role in the play==
One of Romeo's closest friends, Mercutio entreats Romeo to forget about his unrequited love for a girl named [[Rosaline]] and come with him to a masquerade ball at [[Lord Capulet]]'s estate, through use of his [[Queen Mab]] speech. There, Mercutio and his friends become the life of the party, but Romeo is drawn to Capulet's daughter, [[Juliet Capulet|Juliet]]. He finds himself in love, and immediately forgets about Rosaline. When Mercutio sees Romeo the next day, he is glad to see that his friend is his old self again, and he encourages Romeo, all the while making bawdy jokes at the expense of Juliet's [[Nurse (Romeo and Juliet)|Nurse]].
* [[Romeo and Juliet]]


After Romeo receives a death threat from Juliet's cousin [[Tybalt]], Mercutio expects Romeo to engage Tybalt in a duel. However, Romeo refuses to fight Tybalt, because Romeo now considers Tybalt to be kin due to his secret marriage to Juliet. Mercutio is incensed at his friend's "calm, dishonorable, vile submission", and decides to fight Tybalt himself, referring to his own sword as his "fiddlestick." Romeo attempts to intervene. By stepping between the dueling men, however, he inadvertently hinders Mercutio, allowing Tybalt to inflict a fatal blow. Before he dies, Mercutio curses both the Montagues and Capulets, crying several times, "A plague o' both your houses!" (Act III, Sc. 1, often quoted as "A pox on both your houses"). He makes one final [[pun]] before he dies: "Ask for me to-morrow, and you shall find me a [[grave (burial)|grave]] man.".<ref>{{Cite web|title=No Fear Shakespeare: Romeo and Juliet: Act 3 Scene 1|url=https://www.sparknotes.com/nofear/shakespeare/romeojuliet/page_136/|access-date=2021-12-06|website=SparkNotes|language=en}}</ref> A grief-stricken and enraged Romeo kills Tybalt, resulting in his banishment from [[Verona]] and beginning the tragic turn of events that make up the rest of the play.
*[http://stinkcheattorture.blogspot.com/ Italo Calvino as Mercutio]


== Name origins ==
[[Category:Shakespearean characters]]
The name Mercutio was present in Shakespeare's sources for ''Romeo and Juliet'', though his character was not well developed and he was presented as a romantic rival for Juliet.<ref name = "star crossed">{{cite journal |last=Draper |first=John W. |year=1939 |title=Shakespeare's 'Star-Crossed Lovers' |journal=The Review of English Studies |volume=15 |issue=57 |pages=16–34 |doi=10.1093/res/os-XV.57.16 |jstor=509718 }}</ref> The name is first used in [[Luigi Da Porto]]'s 1530 ''Giulietta e Romeo''. Da Porto briefly introduces a character named Marcuccio Guertio, a noble youth "with very cold hands, in July as in January", who makes Giulietta Cappelletti appreciate the warm hands of Romeo Montecchi.<ref>{{cite book|first=William|last=Shakespeare|author-link=William Shakespeare|editor-first=Harold|editor-last=Bloom|editor-link=Harold Bloom|chapter-url=https://books.google.com/books?id=aa0IZ1bLB3cC&pg=PA15|chapter=Romeo and Juliet|publisher=Chelsea House Publishers|location=New York City|date=2005|orig-year=1597|isbn=9781438114767|page=15}}</ref><ref>{{cite book|first=Geoffrey|last=Bullough|url=https://books.google.com/books?id=XP3Km9d_JuYC&pg=PA270|title=Narrative and Dramatic Sources of Shakespeare: Early Comedies, Poems, Romeo and Juliet|publisher=[[Columbia University Press]]|location=New York City|date=1957|isbn=9780231088916|page=270}}</ref>


==Mercutio's death==
Earlier versions of the story described a different chain of events leading to Tybalt's death, omitting Mercutio completely. [[Arthur Brooke (poet)|Arthur Brooke]]'s ''[[The Tragical History of Romeus and Juliet]]'' and [[William Painter (author)|William Painter]]'s 1567 versions of the story both left the entire episode solely to Romeo and Tybalt. In both stories, Tybalt attacks the pacifist Romeo with such force that Romeo is forced to take up the sword to defend himself. He is then banished rather than executed because the killing was provoked. In 1672, English poet [[John Dryden]] wrote, "Shakespeare show'd the best of his skill in his Mercutio, and he said himself, that he was forced to murder him in the third Act, to being killed by him."<ref>{{cite book |title = Shakespearean Criticism
|last1 = Scott
|first1 = Mark W.
|last2 = Schoenbaum
|first2 = S.
|year = 1987
|volume = 5
|page = [https://archive.org/details/volume5shakespea00mark/page/415 415]
|publisher = Gale Research Inc.
|location = Detroit
|isbn = 0-8103-6129-9
|url-access = registration
|url = https://archive.org/details/volume5shakespea00mark/page/415
}}</ref>


The addition of Mercutio into the fray increases the tension, and Tybalt is seen as a slightly more peaceful character than in previous versions, as Mercutio is disgusted by the fact that Tybalt continues to search for a quarrel with Romeo, when Romeo is trying to bring peace between them. Mercutio hurls insults and taunts at Tybalt, and draws the sword first, in reaction to Tybalt's insults, which are directed to Romeo.
[[pl:Merkucjo]]

Mercutio's death in Act III, scene I is the pivotal point of the play, which up to this point is relatively light-hearted.<ref name="maxwell">[http://depts.loras.edu/eng/Maxwell-Lit.doc Maxwell, Jennifer. ''The Catalytic Function of Mercutio.''] {{webarchive|url=https://web.archive.org/web/20070928205046/http://depts.loras.edu/eng/Maxwell-Lit.doc |date=28 September 2007 }} (doc)</ref> Mercutio's death is sudden and makes death a dark reality for several characters, causing a [[domino effect]] that leads ultimately to the tragic [[climax (narrative)|climax]].

== Performers ==
A number of famous actors have played the role of Mercutio. A small sampling follows.
<!-- Please do not add anyone unless they are a famous actor. (This includes not adding yourself or a close friend, especially) -->

=== Stage ===
[[File:Welles-Mercutio-1933.jpg|thumb|upright|[[Orson Welles]] performed the role of Mercutio in repertory during the 36-week transcontinental tour of the [[Katharine Cornell]] company (1933–1934)]]
*In 1933–1934, [[Orson Welles]] played the role of Mercutio in the [[Katharine Cornell]] repertory company's [[Katharine Cornell#1933–1934 transcontinental repertory tour|seven-month transcontinental tour]] — his professional debut on the American stage.
*In 1935, [[Laurence Olivier]] and [[John Gielgud]] alternated the roles of Romeo and Mercutio in a London stage production directed by Gielgud.
*In 1945, [[Ralph Richardson]] made his [[Broadway theatre|Broadway]] debut as Mercutio opposite [[Maurice Evans (actor)|Maurice Evans]]’ Romeo and [[Katharine Cornell]]’s Juliet.
*In 1947, [[Paul Scofield]] played Mercutio in a production directed by [[Peter Brook]].
*In 1958, [[Alec McCowen]] enjoyed a major success as Mercutio in London.
*In 1976, [[Michael Pennington]] played the role opposite [[Ian McKellen]] and [[Francesca Annis]] in [[Trevor Nunn]]'s production for the [[Royal Shakespeare Company]].
*In 1992, [[Colm Feore]] played Mercutio in a production directed by [[Richard Monette]] at Canada's [[Stratford Festival]]. [[Antoni Cimolino]] played Romeo and [[Megan Follows]] was Juliet.
*In 2006, [[Benjamin Walker (actor)|Benjamin Walker]] portrayed Mercutio during the Williamstown Theater Festival with [[Emmy Rossum]] as Juliet and Greg Hildreth as Benvolio.
*In 2024, [[Ashley Byam]] portrayed Mercutio to critical acclaim in a new production at [[Shakespeare's Globe]] in London.

=== Film ===
*In 1936, [[John Barrymore]] portrayed Mercutio in [[George Cukor]]'s film ''[[Romeo and Juliet (1936 film)|Romeo and Juliet]]'' opposite [[Leslie Howard (actor)|Leslie Howard]] as Romeo.
*In 1961, [[Russ Tamblyn]] played the Mercutio character, Riff Lorton, in the film adaptation of ''[[West Side Story]]'', the musical modernised version of ''Romeo and Juliet''.
*In 1968, [[John McEnery]] portrayed Mercutio in [[Franco Zeffirelli]]'s film ''[[Romeo and Juliet (1968 film)|Romeo and Juliet]]''.
*In 1976, [[Robin Nedwell]] played Mercutio in the Thames Television production directed by Joan Kemp-Welch, with Christopher Neame as Romeo and Ann Hasson as Juliet.
*In 1978, [[Anthony Andrews]] played the role in the [[BBC Television Shakespeare]] production, the first in a series of adaptations of all Shakespeare's plays.
*In 1996, [[Harold Perrineau]] portrayed Mercutio in [[Baz Luhrmann]]'s modernised version, ''[[Romeo + Juliet|William Shakespeare's Romeo + Juliet]]''.
*In 1998, [[Ben Affleck]] portrayed actor [[Edward Alleyn]] in the [[romantic comedy]] ''[[Shakespeare in Love]]''. In the film, Alleyn serves as history's first Mercutio.
*In 2007, [[Tetsuya Kakihara]] and [[Christopher Bevins]] voice Mercutio in the [[anime]] series ''[[Romeo x Juliet]]''.
*In 2011, [[Hale Appleman]] portrayed Mercutio in [[Alan Brown (filmmaker)|Alan Brown]]'s ''[[Private Romeo]]'', a modern-day adaptation set at an all-male military academy.
*In 2013, [[Christian Cooke]] played Mercutio in the [[Romeo and Juliet (2013 film)|film adaptation]] directed by [[Carlo Carlei]], starring [[Douglas Booth]] as Romeo and [[Hailee Steinfeld]] as Juliet.

== See also ==
* [[List of Shakespearean characters|Complete list of Shakespearean characters]]

== References ==
{{Reflist}}

==External links==
{{Commons category}}
*[http://www.opensourceshakespeare.org/views/plays/characters/charlines.php?CharID=mercutio&WorkID=romeojuliet&cues=0&longlines=1 Complete listing of all of Mercutio's lines]
*[http://www.shakespeare-online.com/plays/characters/mercutiobio.html Mercutio Character Analysis] at Shakespeare Online

{{Romeo and Juliet}}
{{Authority control}}

[[Category:Literary characters introduced in 1597]]
[[Category:Fictional Italian people in literature]]
[[Category:Male Shakespearean characters]]
[[Category:Characters in Romeo and Juliet]]
[[Category:Fictional nobility]]
[[Category:Fictional swordfighters in literature]]
[[Category:Fictional murdered people]]

Latest revision as of 23:41, 8 April 2024

Mercutio
Romeo and Juliet character
Romeo and Juliet Act III Scene I The Death of Romeo's Friend, Mercutio. Edwin Austin Abbey, 1904
Created byWilliam Shakespeare
In-universe information
AffiliationRomeo
Benvolio
Juliet
FamilyValentine (brother)
Prince Escalus (uncle)
Count Paris

Mercutio (/mərˈkjuːʃi/ mər-KEW-shee-oh,[1] Italian: Mercuzio) is a fictional character in William Shakespeare's 1597 tragedy, Romeo and Juliet. He is a close friend to Romeo and a blood relative to Prince Escalus and Count Paris. As such, Mercutio is one of the named characters in the play with the ability to mingle around those of both houses. The invitation to Lord Capulet's party states that he has a brother named Valentine.

Though often fun-loving and witty, the latter demonstrated in his Queen Mab speech in the first act, Mercutio's sense of humour can at times be facetious or even coarse, much to his friends' annoyance. He is also moody and given to sudden outbursts of temper, one of which sets a key plot development in motion.

Role in the play[edit]

One of Romeo's closest friends, Mercutio entreats Romeo to forget about his unrequited love for a girl named Rosaline and come with him to a masquerade ball at Lord Capulet's estate, through use of his Queen Mab speech. There, Mercutio and his friends become the life of the party, but Romeo is drawn to Capulet's daughter, Juliet. He finds himself in love, and immediately forgets about Rosaline. When Mercutio sees Romeo the next day, he is glad to see that his friend is his old self again, and he encourages Romeo, all the while making bawdy jokes at the expense of Juliet's Nurse.

After Romeo receives a death threat from Juliet's cousin Tybalt, Mercutio expects Romeo to engage Tybalt in a duel. However, Romeo refuses to fight Tybalt, because Romeo now considers Tybalt to be kin due to his secret marriage to Juliet. Mercutio is incensed at his friend's "calm, dishonorable, vile submission", and decides to fight Tybalt himself, referring to his own sword as his "fiddlestick." Romeo attempts to intervene. By stepping between the dueling men, however, he inadvertently hinders Mercutio, allowing Tybalt to inflict a fatal blow. Before he dies, Mercutio curses both the Montagues and Capulets, crying several times, "A plague o' both your houses!" (Act III, Sc. 1, often quoted as "A pox on both your houses"). He makes one final pun before he dies: "Ask for me to-morrow, and you shall find me a grave man.".[2] A grief-stricken and enraged Romeo kills Tybalt, resulting in his banishment from Verona and beginning the tragic turn of events that make up the rest of the play.

Name origins[edit]

The name Mercutio was present in Shakespeare's sources for Romeo and Juliet, though his character was not well developed and he was presented as a romantic rival for Juliet.[3] The name is first used in Luigi Da Porto's 1530 Giulietta e Romeo. Da Porto briefly introduces a character named Marcuccio Guertio, a noble youth "with very cold hands, in July as in January", who makes Giulietta Cappelletti appreciate the warm hands of Romeo Montecchi.[4][5]

Mercutio's death[edit]

Earlier versions of the story described a different chain of events leading to Tybalt's death, omitting Mercutio completely. Arthur Brooke's The Tragical History of Romeus and Juliet and William Painter's 1567 versions of the story both left the entire episode solely to Romeo and Tybalt. In both stories, Tybalt attacks the pacifist Romeo with such force that Romeo is forced to take up the sword to defend himself. He is then banished rather than executed because the killing was provoked. In 1672, English poet John Dryden wrote, "Shakespeare show'd the best of his skill in his Mercutio, and he said himself, that he was forced to murder him in the third Act, to being killed by him."[6]

The addition of Mercutio into the fray increases the tension, and Tybalt is seen as a slightly more peaceful character than in previous versions, as Mercutio is disgusted by the fact that Tybalt continues to search for a quarrel with Romeo, when Romeo is trying to bring peace between them. Mercutio hurls insults and taunts at Tybalt, and draws the sword first, in reaction to Tybalt's insults, which are directed to Romeo.

Mercutio's death in Act III, scene I is the pivotal point of the play, which up to this point is relatively light-hearted.[7] Mercutio's death is sudden and makes death a dark reality for several characters, causing a domino effect that leads ultimately to the tragic climax.

Performers[edit]

A number of famous actors have played the role of Mercutio. A small sampling follows.

Stage[edit]

Orson Welles performed the role of Mercutio in repertory during the 36-week transcontinental tour of the Katharine Cornell company (1933–1934)

Film[edit]

See also[edit]

References[edit]

  1. ^ Merriam-Webster's Encyclopedia of Literature. Springfield, Massachusetts: Merriam Webster, Incorporated. 1995. p. 753. ISBN 978-0-87779-042-6. (The pronunciation mər-ˈkyü-shē-ō was transcribed to IPA per Pronunciation respelling for English.)
  2. ^ "No Fear Shakespeare: Romeo and Juliet: Act 3 Scene 1". SparkNotes. Retrieved 6 December 2021.
  3. ^ Draper, John W. (1939). "Shakespeare's 'Star-Crossed Lovers'". The Review of English Studies. 15 (57): 16–34. doi:10.1093/res/os-XV.57.16. JSTOR 509718.
  4. ^ Shakespeare, William (2005) [1597]. "Romeo and Juliet". In Bloom, Harold (ed.). New York City: Chelsea House Publishers. p. 15. ISBN 9781438114767. {{cite book}}: Missing or empty |title= (help)
  5. ^ Bullough, Geoffrey (1957). Narrative and Dramatic Sources of Shakespeare: Early Comedies, Poems, Romeo and Juliet. New York City: Columbia University Press. p. 270. ISBN 9780231088916.
  6. ^ Scott, Mark W.; Schoenbaum, S. (1987). Shakespearean Criticism. Vol. 5. Detroit: Gale Research Inc. p. 415. ISBN 0-8103-6129-9.
  7. ^ Maxwell, Jennifer. The Catalytic Function of Mercutio. Archived 28 September 2007 at the Wayback Machine (doc)

External links[edit]