Annette Murschetz
Annette Murschetz (born July 11, 1967 in Munich ) is a German-Austrian stage designer and illustrator who currently lives in Vienna.
Life
The daughter of the illustrator and children's book author Luis Murschetz , who grew up in Munich , has German and Austrian citizenship. She studied at the Academy of Fine Arts in Vienna with the set designer Erich Wonder . She received her diploma in 1991. From 1987 to 1992 she also worked as a Wonders assistant.
Annette Murschetz designed her first own stage sets in 1992 for the Schauspielhaus Graz (“The Maids” and Marc Günther's production of “ Duke Theodor von Gothland ”). Since then she has been working as a freelancer at the most famous theaters and opera houses in German-speaking countries as well as in Amsterdam, Barcelona, Brussels and Edinburgh. She repeatedly works with directors such as Alfred Kirchner , Jürgen Flimm or Martin Kušej , but also with conductors such as Simon Rattle and Nikolaus Harnoncourt , who not least appreciates the acoustic usefulness of her stage sets for operas.
Annette Murschetz has been working regularly with the director Andrea Breth since 2000 , with whom she has designed numerous productions at the Wiener Burg - such as the Akademietheater - as well as festival productions (for the Styriarte Graz and the Essen RuhrTriennale ).
From 1996 to 1999 Annette Murschetz took on a teaching position in Erich Wonder's master class at the Vienna Academy of Fine Arts .
Since 2019 she has been Professor of Stage Design at the University of Art in Graz.
In addition to her stage work, Annette Murschetz illustrates books for Diogenes , Hanser , Sanssouci and Heyne publishers .
About the work of Annette Murschetz
“A dream ship has landed in the Burgtheater. A small, narrow, dark boat. High above, it hangs as if on the tip of a frozen wave that gently swings to the ground as a narrow, thin ridge, as if Annette Murschetz's stage design divides the world into spheres. Behind the ridge day, wakefulness, reality. Before him night, sleep, dream. Exactly on the dump the boat, the contours of which also look like the imprint of a large mouth that fell from heaven could have kissed the earth. "( Gerhard Stadelmaier , FAZ , April 30, 2001, on" Käthchen von Heilbronn ")
"Annette Murschetz's stage design creates atmosphere, literally gives the characters space for depth." ( Ulrich Weinzierl , Die Welt , December 23, 2002 on " Emilia Galotti ")
“To describe what Andrea Breth and her colleague Annette Murschetz. . . to charge for a single moment, one would have to be called Flaubert. Every detail has its meaning without being important as a symbol; the sum results in a compact density. "(Barbara Villiger Heilig, Neue Zürcher Zeitung , November 29, 2004 on" The cat on the hot tin roof ")
Important work
- 1997 " The Nose " by Dmitri Schostakowitsch - Leipzig Opera , directed by Alfred Kirchner , conductor Michail Jurowski
- 1997 " Harrys Kopf " by Tankred Dorst - Thalia Theater (Hamburg) , directed by Jürgen Flimm
- 1999 “ Manon Lescaut ” by Giacomo Puccini - Oper Frankfurt , directed by Alfred Kirchner, conductor Paolo Carignani
- 2000 "Die See" by Edward Bond - Akademietheater (Vienna) , directed by Andrea Breth
- 2001 " Käthchen von Heilbronn " by Heinrich von Kleist - Burgtheater (Vienna), directed by Andrea Breth
- 2001 and 2008 “ Tristan und Isolde ” by Richard Wagner - Amsterdam Opera, directed by Alfred Kirchner, conductor Simon Rattle
- 2001 “ Maria Stuart ” by Friedrich Schiller - Burgtheater Vienna, directed by Andrea Breth
- 2002 " Emilia Galotti ", by Gotthold Ephraim Lessing - Akademietheater (Vienna), directed by Andrea Breth
- 2002 “Tristan und Isolde” by Richard Wagner - Liceu (Barcelona), directed by Alfred Kirchner, conductor Bertrand de Billy
- 2003 “Viva la Mamma” by Gaetano Donizetti - Sächsische Staatsoper Dresden , directed by Alfred Kirchner, conductor Massimo Zanetti
- 2003 “ What you want ” by William Shakespeare - Burgtheater (Vienna), directed by Roland Koch
- 2003 “ The Grand Duchess of Gerolstein ” by Jacques Offenbach - Styriarte Graz and Zurich Opera House (2004), directed by Jürgen Flimm , conductor Nikolaus Harnoncourt
- 2004 " The Cat on a Hot Tin Roof " by Tennessee Williams - Burgtheater Vienna, directed by Andrea Breth
- 2005 “ Minna von Barnhelm ” by Gotthold Ephraim Lessing - Burgtheater (Vienna), directed by Andrea Breth
- 2005 “ Carmen ” by Georges Bizet - Styriarte Graz, directed by Andrea Breth, conductor Nikolaus Harnoncourt
- 2005 “ L'incoronazione di Poppea ” by Claudio Monteverdi - Zurich Opera House , director Jürgen Flimm , conductor Nikolaus Harnoncourt
- 2006 “ To the beautiful view ” by Ödön von Horváth - Deutsches Schauspielhaus Hamburg , directed by Martin Kušej
- 2008 “Motortown” by Simon Stephens - Akademietheater (Vienna), directed by Andrea Breth
- 2008 " The Rake's Progress " by Igor Stravinsky - Theater an der Wien and Zurich Opera House (2009), directed by Martin Kusej, conductors Nikolaus Harnoncourt (Vienna), Thomas Adès (Zurich)
- 2009 “ The Broken Jug ” by Heinrich von Kleist - RuhrTriennale Essen, directed by Andrea Breth
- 2010 “ Katja Kabanowa ” by Leoš Janáček - Théâtre Royal de la Monnaie (Brussels), directed by Andrea Breth
- 2010 “Peggy Pickit” by Roland Schimmelpfennig - Deutsches Theater Berlin , Bregenz Festival and Cuvilliestheater Munich, directed by Martin Kusej
- 2012 “ The bitter tears of Petra von Kant ” by Rainer Werner Fassbinder - Marstall-Theater Munich, directed by Martin Kusej
- 2012 " Hedda Gabler " by Henrik Ibsen - Residenztheater Munich , directed by Martin Kusej
- 2013 “ Der Rosenkavalier ” by Richard Strauss - Vlaamse Opera Antwerp, directed by Christoph Waltz
- 2013 “ John Gabriel Borkmann ” by Henrik Ibsen - Schauspiel Frankfurt , directed by Andrea Breth
- 2014 “In Agonie” by Miroslav Krleža - Residenztheater Munich , directed by Martin Kusej
- 2014 “ Der Hausmeister ” by Harold Pinter - Residenztheater Munich , directed by Andrea Breth
- 2014 “ Idomeneo ” by Wolfgang Amadeus Mozart - Royal Opera House Covent Garden London, directed by Martin Kusej, conducted by Marc Minkowski
- 2015 " Hunting scenes from Lower Bavaria " by Martin Sperr - Münchner Kammerspiele , directed by Martin Kusej
- 2015 “Ich Ich Ich” by Eugène Labiche - co-production Ruhrfestspiele Recklinghausen / Residenztheater Munich, directed by Martin Kušej
- 2015 " Entführung aus dem Serail " by Wolfgang Amadeus Mozart - Festival d`Aix en Provence, directed by Martin Kusej, conducted by Jeremie Rhorer
- 2016 “Luci Mie Traditrici” by Salvatore Sciarrino - co-production Berlin State Opera / Teatro Comunale di Bologna, directed by Jürgen Flimm, conducted by David Coleman
- 2016 “ Iwanow ” by Anton Chekhov - Residenztheater Munich , directed by Martin Kušej
Awards
- 1991: With the diploma the prize for special artistic achievements of the Federal Ministry for Science and Art.
- 2003: Hein Heckroth Stage Design Award (sponsorship award)
- 2013: Nestroy Theater Prize for the best set 2013 ("In Agonie" at the Residenztheater Munich).
Individual evidence
- ↑ Laudation in ZEIT on the 70th by L. Murschetz
- ↑ https://www.kug.ac.at/studium-weiterbildung/studium/studienrichtungen/buehnengestaltung.html
personal data | |
---|---|
SURNAME | Murschetz, Annette |
BRIEF DESCRIPTION | German set designer |
DATE OF BIRTH | July 11, 1967 |
PLACE OF BIRTH | Munich |