Friedrich Reinecke (photographer)

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"Photogr. Institut F. Reinecke ”,
reverse of a Carte de Visite with references to awards and the address Neuer Weg 3 , printed by Julius Knoevenagel's lithographic institute

Friedrich Reinecke (also: Samuel Traugott Friedrich Reinecke ; born February 25, 1837 in Berlin ; † August 11, 1904 in Hanover ) was a German photographer .

Life

family

Samuel Traugott Friedrich Reinecke was born in 1837 as the son of the Berlin businessman and owner of a Capwein wholesaler, Johann Samuel Gottlieb Carl Reinecke, which was then located at Leipziger Strasse 104 in Berlin. His mother was Wilhelmine Beyerhaus. Reinecke was baptized in Berlin on March 26, 1837, a good four weeks after his birth.

Also in the Prussian capital, he married his wife Marie Elisabeth Friederike Ida in the Invalids Church (born August 14, 1840 in Berlin, baptized September 17, 1840 in the Invalids Church in Berlin, † February 4, 1912 in Hanover). In Hanover , the couple became parents of several children, including

  • Wilhelmine Friederike Louise Elisabeth Helene (* August 8, 1861 in Hanover, baptized on September 25, 1861 in the Gartenkirche , married on February 28, 1889 to the drugstore owner Hugo Ilgner, who came from Neustadt , then in West Prussia († April 30, 1935 ), died in Heilig-Geist-Stift ). Their son Fritz Reinecke († May 20, 1943 in Hanover) became an officer at sea.
  • Ernst Karl Friedrich Reinecke (born April 20, 1864 in Hanover), businessman and from 1897 owner of the rubber goods company Ernst Reinecke , who lived at Neuer Weg 3 in Hanover until 1904 .

In the year of Reinecke's death, the Hanoverian address book for 1904 included the address of Neuerweg 3 for the photographer, as well as the businessman and owner of the company of the same name, Ernst Reinecke, who traded under the same address and was entered in the commercial register at the Hanover District Court . This is said to have moved out of the building in 1904. The Hanover address book for the following year 1905 only lists the photographer's widow in the building on the corner of - then - Friedrichstrasse on the connecting path to Leinstrasse, who lived in the main building at number 3 on both floors, as well as the one who lived at number 3a Widow Ilgner.

Career

Woman in traditional costume with baby in christening gown in Bad Pyrmont ;
colored Carte de Visite , around 1878
Contemporary studio shot by Reinecke of an elderly lady in the fashion of the 1870s

Friedrich Reinecke's family had already settled in the royal seat of the Kingdom of Hanover in the early 1860s . In the year following the year of his daughter Helene's baptism, the address book of the royal capital and residence city of Hanover for the first time recorded the head of the household and the same address of his company as "photogr. Institute ”at the address Neuerweg 2a . He was the immediate neighbor of the first established photographer in the history of the city of Hanover , Friedrich Wunder , who lived in “Haus Billet No. 3 ”had set up his own photographic studio on Neuer Weg and was able to increase his prosperity with the emerging Carte de Visite photography.

Also from the year 1861, the year of Friedrich Reinecke's branch on Neuer Weg, some of the oldest known exterior photographs, the city ​​views , date back to the documentary photographs of the inauguration of the Ernst August monument . A review of all known photographs with Hanover motifs from the 19th century by the photography historian Ludwig Hoerner showed that Friedrich Reinecke in particular - and above all Georg Alpers among the competitors - acted as strong competitors to Friedrich Wunder.

On April 25, 1862, Friedrich Reinecke became the new owner of the property at Neuer Weg 3.

From the 1860s on, Reinecke took part in various exhibitions and was honored with various medals. He was awarded the Medal of Merit for his architectural photographs shown at the World Exhibition in Vienna in 1873, in particular his “interiors” were mentioned in the official report in 1874.

At the general trade exhibition of the - now Prussian - province of Hanover , held in Hanover in 1878 , Reinecke appeared as an "official" photographer and was also represented with his own studio on the exhibition grounds. Since the reputation of photography, in particular due to the lack of a political representation of the professional group - the Photographic Society in Hanover from 1903 was only founded a quarter of a century later - the exhibiting photographers were only allocated remaining places after a waiting period on site, despite their advance payments and timely arrival. Reinecke vented his anger about this with his report in the Deutsche Photographen-Zeitung , which appeared in Weimar the following year . Also in 1879 he recommended himself with an advertisement in the Hanover weekly newspaper for trade and commerce, in particular for the photography of furniture, furnishings and "room furnishings in the Gothic style ."

Around 1878, for example, a photo by Reinecke on the history of the Hanover tram , showing Aegidientorplatz , which was still tranquil at the time, with two double-decker horse - drawn trams , was used as an illustration in the multi-volume standard work History of the City of Hanover published by Klaus Mlynek and Waldemar R. Röhrbein .

“Inside of the new synagogue in Hanover”; Wood engraving around 1890;
based on Reinecke's photo in a magazine
The photo for the stitch

At the end of the 1880s, "the Hanoverian photographer F. Reinecke" worked in Bad Pyrmont , where, for example, before 1887 he documented the Helenenquelle , which was animated by five women, as an arranged photograph of the spring, which at the time was still framed by artificially created rock walls and surrounded by a grotto as the center, albeit the - provided - photo was prettified by the participating people.

From 1897 onwards, Friedrich Reinecke, probably accidentally referred to as "the excellent old Franz Reinecke" after the Hanoverian flag factory , was using the "considerable means (and) in almost friendly devotion" approved by the municipal colleges from the art fund for the prehistorian and museum director Carl Schuchhardt Countless photographs for Schuchardt's work The Hanoverian Sculptors of the Renaissance . For documentation purposes, Reinecke photographed some of the objects carved in stone "in the earliest hour of the morning in order to get the relief in the correct oblique lighting."

Awards

According to a lapel of a Carte de Visite (CDV) Reineckes, probably from the 1880s , the photographer had taken part in various exhibitions where he was awarded medals for his work :

Other works (selection)

Around 1865 on behalf of King George V : Four photographs of Marienburg Castle ;
from the provenance of the Welfen , handwritten in pencil by / from Gmunden ; Estate of Ernst August von Cumberland
  • Reinecke's photo prints can be found in the Historisches Museum Hannover , among others , which have been reproduced thousands of times as " facsimiles " by the Archiv Verlag and published and commented on under the umbrella term Das Stadtbild Hannover by means of the loose-leaf collection Hannover Archive edited by Franz Rudolf Zankl . In the work you can find the sheets consecutively numbered with a leading S (“S” townscape)
    • around 1870: The Polytechnic School on Georgstrasse (S 81)
    • around 1875: Akazienstraße residential group (S 98)
    • around 1877: corner of Königstrasse Am Neuen Haus (S 3);
    • circa 1878: The Aegidientorplatz 100 years ago (S 23);
    • around 1880: View through Marktstrasse to the south (S 88);
    • 1886: Marktplatz at the corner of Schmiedestrasse (S 22);
    • 1900: View from the south through Köbelingerstraße to the Marktkirche (S 7; also as S 52 with different text);
    • 1901: Potthofstrasse (S 34);
    • 1902: Aegidienkirchhof / corner of Marktstraße (S 31)
    • View through Schuhstrasse
  • Reprints of Reinecke's work can be found, for example, under the title Beginenturm in the book Hanover published in 1910 by the court bookseller Adolf Kiepert and published in 1984 as a reprint by the Association for the Promotion of Tourism and the Office for Transport Promotion .

At the beginning of the 21st century, the museum in Pyrmont Castle acquired several early pyrmont photographs from around 1880 to 1885, including a photograph by Reinecke from the Helenenquelle.

Web links

Commons : Friedrich Reinecke (photographer)  - Collection of images, videos and audio files

Individual evidence

  1. a b c Compare the address book, city and business manual of the royal residence city of Hanover and the city of Linden (ABH) from 1904, section I: Alphabetical directory of residents and trading companies , p. 1052; as a digitized version of the Gottfried Wilhelm Leibniz Library - Lower Saxony State Library
  2. a b c d e f g h German Gender Book , Vol. 192 (1986), p. 266; limited preview in Google Book search
  3. Compare the ABH for 1905, Department 1, Street and House Directory, p. 414; Digitized
  4. Compare the ABH for 1861, I. Department, address and housing gazette, alphabetical directory of residents, p. 243; Digitized
  5. a b ABH for 1862, Division I, p. 252; Digitized
  6. ^ A b c Ludwig Hoerner : Friedrich Karl Wunder (1815-1893), Hanover's first photographer. In: Hannoversche Geschichtsblätter , New Series Volume 39 (1985), Issue 2-4, pp. 261-295; here v. a. P. 271ff.
  7. a b Compare the reverse of a CDV Reineckes from the lithographic establishment of Julius Knoevenagel
  8. a b c Hermann Vogel (Ed.): List of the awards given to Germany at the Vienna World Exhibition , in ders .: Photographische Mitteilungen . Journal of the Association for the Promotion of Photography , Volume 10, Berlin: Verlag von Robert Oppenheim, 1874, pp. 125–128; here: p. 126; Digitized via Google books
  9. The architectural photography . In: Official report on the Vienna World Exhibition in 1873 , submitted by the Central Commission of the German Empire for the Vienna World Exhibition, Vol. 1, Braunschweig: Druck und Verlag von Friedrich Vieweg and Son, 1874, pp. 741f .; here: p. 742; Digitized via Google books
  10. ^ A b Ludwig Hoerner: The "Photographische Verein zu Hanover" 1888 to 1903 , in ders .: Photography and Photographers in Hanover and Hildesheim. Festschrift for the 150th birthday of photography. ed. by the Hanover and Hildesheim photographers' guilds , produced in the Bad Pyrmont vocational support organization in the training professions typesetting, repro photography, printing form production, planographic printing and bookbinding as part of retraining, 1989, OCLC 231858202 , pp. 11-27; here v. a. P. 12
  11. Ludwig Hoerner: Photographic Society of Hanover from 1903. In: Klaus Mlynek, Waldemar R. Röhrbein (ed.) U. a .: City Lexicon Hanover . From the beginning to the present. Schlütersche, Hannover 2009, ISBN 978-3-89993-662-9 , p. 186.
  12. ^ Friedrich Reinecke: Photographs , in Ferdinand Jugler (Red.): Hannoversches Wochenblatt für Handel und Gewerbe. Organ of the trade association for Hanover and the Hanover Chamber of Commerce , born in 1869, Hanover: Hofbuchdruckerei Gebrüder Jänecke, 1870, Sp. 179, 180; Digitized via Google books
  13. ^ Klaus Mlynek, Waldemar R. Röhrbein: History of the City of Hannoer , Vol. 2: From the beginning of the 19th century to the present , Hannover: Schlütersche Verlagsgesellschaft, 1994, ISBN 3-87706-364-0 , p. 371; limited preview in Google Book search
  14. a b Dieter Alfter: The Helenenquelle in Bad Pyrmont: From the grotto to the well temple / A princess gave her the name , article on the page of the daily newspaper Dewezet from August 11, 2014, last accessed on January 7, 2019
  15. ^ Carl Schuchhard: The determination of the masters , in which: The Hanoverian sculptors of the Renaissance. With 50 collotype plates and many text illustrations. Hahnsche Buchhandlung, Hanover 1909, pp. 5-8; here especially p. 5; Digitized via archive.org
  16. For details, see the table of contents from the Hannover Archive
  17. Compare the information in the Common Union Catalog (GVK)
  18. Hanover in words and pictures , ed. from the Association for the Promotion of Tourism in Hanover, 286 illustrations based on original paintings and original drawings by Dieckmann, Fiermann, Hammel, Hildebrand, Jordan, Ramberg, Schaper, Stöck and Ullbrich as well as based on original photographs, Hanover: Verlag von Adolf Kiepert , Court bookseller, 1910 (reprint, 4th edition, Hanover: Schlüter, 1990, ISBN 978-3-87706-321-7 ); passim