Market Church (Hanover)

from Wikipedia, the free encyclopedia
View from Schmiedestrasse to the Marktkirche

The Evangelical Lutheran market church St. Georgii et Jacobi is the oldest of the three parish churches in the old town of Hanover (the other two are Aegidienkirche and Kreuzkirche ). The hall church with its 97 meter high tower is one of the landmarks of Hanover. The Marktkirche is the sermon church of the regional bishop of the Evangelical Lutheran Church of Hanover and the city superintendent of the city ​​church association of Hanover . It is the church of the council of the city of Hanover and the Lower Saxony state parliament .

history

The market church at the beginning of the 19th century;
Oil painting after Domenico Quaglio from 1832
View from the corner of Osterstraße to the Marktkirche at the beginning of the 20th century;
Stereoscopy number 9 from the Hanover series of the Neue Photographische Gesellschaft from 1907

The foundations of a previous Romanesque building , which was built around 1125 in the same place and was first mentioned in 1238 under the name of St. Georgii, were discovered during excavations in 1952. The first colored glazed windows were completed as early as 1340; The name ecclesia Sanctorum Jacobi et Georgii dates from 1342 . James , the patron saint of pilgrims and merchants (Spanish: Santiago), who was very popular in the Middle Ages, and Saint George , one of the 14 helpers and known as the legendary dragon slayer, are the namesake of the church. A call for donations to the citizens for the construction of the church has been handed down from 1344, and in 1347 the foundation of the tower began. Two years later permission was given to demolish the old church building (around which the new church was built). Around 1360 is considered the year of church consecration , and in 1368 the construction of the church tower was finally interrupted due to times of need and plague and the resulting lack of money. Originally planned to be steeper, the spire now has a roof turret in the form of a scaled-down image of the tower itself. The date of 1388 for the erection of the roof structure was confirmed dendrochronologically (felling dates 1385-1388).

After the 14th century, a small extension (which has now disappeared) was built on the north side of the church, which was used as a " Gerkamer " or sacristy . Adjacent to this to the west was the larger and somewhat younger former St. Anne's Chapel , also known as the Soden Chapel , in 1510 .

Between 1852 and 1855 the interior of the church was restored, repainted and furnished under the direction of Ludwig Droste , whereby the Duve altar disappeared without a trace. In two air raids on Hanover during the Second World War , the church was destroyed in July and October 1943 except for the outer walls and the columns. Most of the roof structure was retained, however. The reconstruction took place in 1946–1952 by Huta Hoch- und Tiefbau according to plans by the architect Dieter Oesterlen , whereby the brick inside was completely exposed.

description

Dimensions, material and shape

The market church on an emergency bill from 1921, designed by Emil-Werner Baule
  • Length of the church (including tower): 61.50 m
  • Overall width: 26.60 m
  • Eaves height: 19 m
  • Height of the tower: 97.26 m (with weathercock exactly 98 m)
  • Width of the central nave: 8 m, the side aisles 5.40 each.

The material is predominantly red brick. The base, cornices, west portal and wall corners of the tower are made of sandstone. The three-aisled hall with a length of five bays is closed in the much larger main choir with a 7/10 polygon, in the side apsides with a 5/10 polygon. The Wiesenkirche in Soest is named as a model for this , and the mighty west tower also follows the tradition of Westphalian models, while for the nave with its round pillars surrounded by service bundles, reference is made to St. Johannis in Lüneburg .
The Marktkirche is the southernmost example of the large North German brick Gothic buildings.

High altar

The high altar of the market church

The retable of the high altar was originally a double-winged altar . The altar, created around 1480, was moved to the Aegidienkirche in 1663 when the baroque altar ( donated by Johann Duve ) was installed . From there it came to the Welfenmuseum during the renovation of the Aegidienkirche in 1856, so it remained undestroyed during the war (except for the outer wing) and has been in the Marktkirche again since 1952.

With the wings open, the Passion of Jesus can be viewed in 21 scenes carved from linden wood, based on graphic models from Martin Schongauer . At the lower edge there are medallions of the heads of the prophets, the archfather Jakob with glasses (fourth from the left) stands out as a “cultural-historical curiosity” (U. Müller) . The outer sides of the painted inner wings (the outer wings are completely destroyed) show scenes from the life and martyrdom of the two church patrons Jakobus and Georg.

Others

Nave
  • The two brass baptismal fonts in the side choirs were probably made around 1500 in Hildesheim . The one resting on five lions in the right (southern) choir comes from the Aegidienkirche, which was destroyed in 1943.
  • The colored glazing in the three eastern windows of the main choir is particularly attractive. Of the 30 panes in the middle choir window, 20 with their martyr scenes date back to the 14th century (around 1370) and are among the most important in northern Germany. Others are moved here from different windows or come from the restorations of the 19th and 20th centuries. Two windows were created by the Alexander Linnemann and Otto Linnemann studio from Frankfurt.
  • In 1624 the button and weathercock on the church tower were so damaged by wind and weather that they had to be replaced. In 1702 the top of the tower was covered with copper and a new cock was put on, but it fell down again the following year. Only in 1705 was a new tap put on again.
  • During the reconstruction, the Bödeker Hall, the community hall, was created in the basement, which was named after Senior Hermann Wilhelm Bödeker , Market Church Pastor 1825–1875. The foundations of the church can also be seen here, which, as was discovered during the reconstruction, extend more than three meters in depth.

Organs

The first references to an organ in the market church can be found in sources for the year 1403; the instrument must have been on the side of the St. Anne's Chapel in the north aisle. The first organ on the west gallery of the Marktkirche was built in the years 1589–1594, started by the organ builders Henning Henke and Severin Krosche from Hildesheim, completed by the organ builder Andreas de Mare . Over the years this instrument has been expanded and rebuilt several times. a. by the organ builders Conrad Abt (Minden), Adolph Compenius and Friedrich Besser (Braunschweig). In 1733 the instrument was extensively repaired and enlarged by the court organ builder Christian Vater (Hanover).

The organist Ulfert Smidt at the large organ of the Marktkirche

The market church was rebuilt between 1852 and 1855; An intermediate vault with a new gallery was inserted in the tower hall. The organ builder Eduard Meyer (Hanover) installed a new instrument in a neo-Gothic case on this gallery. In the instrument, which had 46 registers, pipe substance from the previous instrument was reused. In 1893 the organ was rebuilt and expanded by the organ building company Furtwängler & Hammer, and in 1940/41 it was rebuilt in line with the organ movement. This instrument was largely destroyed during the Second World War and disposed of when the church was rebuilt in 1946.

Main organ

Today's large organ is on the back wall of the south aisle of the market church. It goes back to an instrument that was built in the years 1953–1954 by the organ builders Emil Hammer Orgelbau (Hanover) and Rudolf von Beckerath Orgelbau (Hamburg) with 61 stops on four manuals and pedal. The organ prospect designed by Dieter Oesterlen with its curved lines in the kidney-shaped design is a listed building. The first problems with the technical condition became apparent shortly after the inauguration; the instrument proved to be fragile and in need of repair, so that the first plans for a thorough overhaul began as early as the 1960s. In the 1970s the instrument was rebuilt by the organ building company Rensch (Lauffen / Neckar) ; Changes were not only made in the technical area, but the disposition was changed in the French-symphonic sense. In spite of this, the condition of the instrument continued to deteriorate, so that at the end of the 1990s planning began for the renovation and new construction.

In the years 2007 to 2009 the instrument was rebuilt technically and sonically by Orgelbau Goll (Lucerne) in the Oesterlen Prospect and reusing around 50% of the pipe material. Today it has 64 registers, including 39 registers, some or all of which are made from the pipe material of the previous organ. The playing actions are mechanical. The instrument has a double (mechanical and electrical) stop action .

I Rückpositiv C – a 3
1. Principal 08th' H
2. Reed flute 08th' H
3. Quintadena 08th'
4th Praestant 04 ′ H
5. recorder 04 ′
6th Nasat 02 2 ⁄ 3  ′0
7th Octave 02 ′ H
8th. Forest flute 02 ′
9. Fifth 01 1 ⁄ 3  ′ H
10. Sifflet 01'
11. Sharp IV 01'
12. Sesquialtera II 02 2 ⁄ 3  ′0 H
13. Dulcian 16 ′
14th Cromorne 08th'
Tremulant
II main work C – a 3
15th Principal 16 ′ H
16. Praestant 08th' H
17th Drone 08th' H
18th Viola da gamba 08th'
19th Double flute 08th'
20th Octave 04 ′ H
21st Gemshorn 04 ′
22nd Fifth 02 2 ⁄ 3  ′0 H
23. Octave 02 ′ H
24. Mixture major IV-V 02 ′
25th Mixture minor IV 01 1 ⁄ 3  ′
26th Cornett V 08th' H
27. Trumpet 16 ′ H
28. Trumpet 08th' H
III Swell C – a 3
29 Bourdon 16 ′ H
30th Violin principal 08th' H
31. Principal maris 08th' H
32. Cor de nuit 08th'
33. Viol 08th' H
34. Vox coelestis 08th' H
35. Octave 04 ′ H
36. Transverse flute 04 ′
37. Nasat 02 2 ⁄ 3  ′0 H
38. Schwiegel 02 ′ H
39. third 01 3 ⁄ 5  ′ H
40. Mixture III-V 02 ′ H
41. Basson 16 ′
42. Trumpet harm. 08th' H
43. Hautbois 08th' H
44. Clairon 04 ′ H
Tremulant
IV Echowerk C – a 3
45. Wooden dacked 08th' H
46. Flauto amabile 08th'
47. Salicet 04 ′
48. Distance flute 04 ′
49. Flageolet 02 ′
50. Vox humana 08th' 0 H
51. clarinet 08th'
Tremulant
Pedal C – f 1
52. Pedestal 32 ′ H
53. Principal 16 ′
54. Violon bass 16 ′
55. Sub bass 16 ′ H
56. Octave 08th' H
57. Dacked bass 08th' H
58. Violon 08th'
59. Octave 04 ′ H
60. Back set IV 02 2 ⁄ 3  ′0 H
61. Counter trumpet 32 ′
62. trombone 16 ′ H
63. Trumpet 08th' H
64. Clarine 04 ′ H
H = register made from existing pipe material
  1. ↑ from G sharp, C − G reed flute 8 ′ & Quintadena 8 ′ together.
  2. ↑ C − f 0 covered, from f sharp 0 open.
  3. ↑ C − H together with principal 16 ′ of the pedal.
  4. ↑ C − H together with drone 8 ′, doubled from f sharp 0 .
  5. ↑ from g 0 .
  6. ↑ from c 0 , floating below.
  7. ↑ from c 0 .
  8. ↑ overblowing from c 1 .
  9. ↑ C − f 0 together with Holzgedackt 8 ′.
  10. ↑ C − H together with Salicet 4 ′, overblowing from c 1 .
  11. ↑ C-E acoustically of 10 2 / 3 '+ Subbass 16', F-H gedeckter 32 ', from c 0 Oktavextension from Subbass 16'.
  12. ↑ from c 0 octave extension from violon 8 ′.
  13. ↑ C − H with half the goblet length, from c 0 octave extension from trombone 16 ′.

Choral ensemble organ

Choral ensemble organ

In 2008 the so-called choir ensemble organ was inaugurated on the tower gallery, built by Eule Orgelbau Bautzen . The organ has 15 stops (including two transmissions) on two manual works and a pedal, and is based on French choir organs from the 19th century. The instrument has mechanical key actions and electric stop action.

I main work C – c 4
1. Drone 16 '
2. Principal 08th'
3. flute 08th'
4th octave 04 '
5. Cornett II 05⅓ '
II Swell C – c 4
6th Lovely Gedackt 08th'
7th Viol 08th'
8th. Unda maris 08th'
9. Flauto traverso 04 '
10. Fugara 04 '
11. Progressio III-IV 02 '
12. Trumpet 08th'
Tremulant
13. Music-playing 08th'
Pedals C – f 1
14th Drone (= No. 1) 16 '
15th Flute (= No. 3) 08th'
  • Coupling : II / I (also as super octave coupling), I / P, II / P
  1. ↑ Range: H, C – c 4 , switchable from 440 Hz to 415 Hz.

Italian organ

Italian organ

The so-called Italian organ has been in the Marktkirche since 2003, an instrument that was created in 1780 by the organ builder Fabrizio Cimino and was installed in the Marktkirche in Hanover in 2003. In 2007 the instrument was restored by the organ builder Jörg Bente (Helsinghausen) and the art restorer Paul-Uwe Dietzsch (Worpswede). The organ has 7 registers on a manual work (C DEFGA -c 3 : Principale 8 ', Ottava 4', Decimaquinta 2 ', Decimanona 1 1 ⁄ 3  ', Vigesima seconda 1 ', Voce umana, Flauto a Duodecima 2 2 ⁄ 3  ' ). The pedal (C DEFGABH ) is attached. The instrument is tuned to a medium tone at 440 Hz. The wind is supplied via two wedge bellows, which are housed in the lower housing and can be operated by means of an electric fan as well as manually.

Bells

The chime of the market church is the third largest in Lower Saxony after the chimes of the Hildesheim Cathedral and the Brunswick Cathedral and consists of eleven church bells . The large Christ and Peace Bell itself is the largest bell in Lower Saxony and only rings on festive days and on special occasions.

The Great David was originally donated by Pastor David Meyer for the Kreuzkirche and did not come to the Marktkirche until after the Second World War. The George Bell and the larger quarter-hour bell originally belonged to the Kreuzkirche. The detailed ringing order assigns different bell combinations (motifs) to each church season and the individual feast days. There are also three clock- striking bells in the tower lantern.

Christ bell
Great David
No.
  		Surname
  		Casting year
  		Foundry, casting location
  		Diameter
(mm) 		Weight
(kg) 		Nominal
( HT - 1 / 16 )
1 Christ and Peace Bell 1960 Friedrich Wilhelm Schilling , Heidelberg 2460 10360 e 0 +2
2 Great David 1650 Ludolph Siegfriedt , Hanover 1830 3800 a 0 ± 0
3 Marienbell 1951 Friedrich Wilhelm Schilling, Heidelberg 1600 2462 h 0 +2
4th George Bell 1653 Ludolph Siegfriedt, Hanover 1470 1800 cis 1 ± 0
5 Our Father Bell 1951 Friedrich Wilhelm Schilling, Heidelberg 1370 1380 d 1 +2
6th Morning bell 1959 1180 1050 e 1 +2
7th James Bell 1951 1050 623 f sharp 1 +2
8th Baptismal bell 880 358 a 1 +2
9 Eternity bell 1959 780 340 h 1 +2
10 Song bell 1951 700 237 c sharp 2 +2
11 Thomas Bell 1733 Thomas Riedeweg , Hanover 660 140 dis 2 +2
I Hour bell 1672 Ludolph Siegfriedt, Hanover 1140 680 d 1 +6
II Big quarter-hour bell 1654 1030 644 e 1 +6
III Small quarter-hour bell 1722 Thomas Riedeweg, Hanover 1080 515 f 1 +6

Exterior

Martin Luther Memorial
  • Signs are attached to three gable triangles of the tower: on the east side an inverted pentagram (Drudenfuß), on the north and south side a hexagram (David shield).
  • The bronze portal of the west entrance (today's main entrance) was created by Gerhard Marcks in 1959 . Under the motto discordia et concordia (discord and harmony), it shows basic human situations under the two-stem tree of life, whereby the sculptor did not omit Germany's immediate past, as can be seen in the scenes with gallows and tanks, a Nazi speaker, mountains of corpses and burning houses. The risen Christ appears above everything in the upper field. The portal is a foundation of the city of Hanover for the 600th anniversary of the Marktkirche.
  • The sculptures of the patron saint of the market church can be seen on the corners above the west portal: on the left Saint George , the dragon slayer, and on the right Saint James with the pilgrim's staff , both creations by the Braunschweig sculptor Jürgen Weber (1992). Of the sculptures of the two saints that used to stand there, James was destroyed in the war and George was placed in the left (north) choir.
  • On the outside of the former south portal, two sundials can be seen: at the top right one from 1555, on the left on the pillar the so-called canonial clock with prayer times, which probably dates from the time the church was built. This sundial is likely to be the oldest clock in Hanover.
  • The two sculptures on the sides of the church tower were made by the Hanoverian sculptor Carl Dopmeyer and represent Hermann Wilhelm Bödeker on the north side and Martin Luther on the south side .
  • The epitaphs and grave slabs (inside and outside) mostly come from the 16th and 17th centuries. Century. In the market church are u. a. Antonius Corvinus († 1533), the reformer of Lower Saxony, and the equestrian general Hans Michael Elias von Obentraut (died in 1625 near Seelze) who was fighting on the Danish side , who was previously regarded as the historical archetype of the German Michel .
  • In addition, tombstones and epitaphs of mayors and dignitaries of the city of Hanover can still be found today. Examples are Hans Blome the Elder. J. and Franz von Wintheim . These were buried in the market church. Later, tombstones and epitaphs within the church were moved to other walls, both indoors and outdoors. The epitaph of Franz von Wintheim used to be in the Nikolaikapelle and was only moved to the Marktkirche after the Second World War.

  • Portal sculpture on the left:
    St. George

  • Portal sculpture on the right:
    St. James

  • Bronze portal by Gerhard Marcks (1959)

  • Market Church in 1910

  • Tower clock of the market church

  • Epitaph for Johann Kleine († 1672) by Jobst Bleidorn

  • Sundial 14th century

  • Sundial from 1555

Surroundings

On June 26th, 1533, the historic event that can be described as the beginning of the Reformation in Hanover took place on the market square , between the Marktkirche and the Old Town Hall : the oath of the assembled citizens under their “word holder” Dietrich Arnsborg . This scene was captured by Ferdinand Hodler in his mural Unanimity (1913) in the Hodler Hall of the New Town Hall of Hanover.

The Hanover Christmas market has been held in the historic old town center around the Marktkirche since around 1850 . Because of its atmospheric ambience in streets with half-timbered houses , it is a tourist attraction with around 120 stands. In 2007 it had around 1.5 million visitors.

A few steps away from the west portal in the direction of Kramerstraße and Bonehauerstraße there is a cross in the pavement . From this point of view there is a four-church view of the towers of the Marktkirche, the Aegidienkirche, the Kreuzkirche and the Neustädter Church. This place was already considered one of the seven landmarks of the city of Hanover 300 years ago that the wandering craftspeople had to know.

legend

Christmas market in Hanover at the Marktkirche

According to a legend, a choirboy survived the fall from the church tower of the market church. He had climbed the tower with another choirboy to visit the tower guard . On the tower they discovered a jackdaw nest with five eggs that they wanted to plunder . For this they used a board that one boy held while the other tried to reach the nest via the board. While they were still climbing, a violent argument broke out among the boys about the division of the eggs, in the course of which the boy fell down on the board with the eggs. In the fall, however, the choirboy's wide cloak opened and slowed the fall so that the boy survived the fall. The statue of a choirboy at the market church next to the Martin Luther monument commemorates this incident.

Patronage

The city of Hanover has exercised patronage over the Marktkirche since 1574 . From January 2014 to 2019 the former mayor Stefan Schostok held the office of patron, which means that he was a member of the board of the parish and was able to participate in the filling of the parish positions. The municipal department head Beckedorf has been the patronage representative since February 2020.

Personalities

Clergy

The church became Lutheran with the church ordinance issued in 1536. The important clergy of the Marktkirche include:

The Marktkirche has been the preaching church of the incumbent regional bishop since 1925 (2011: Ralf Meister ). The city ​​superintendent of the City Church Association of Hanover is the owner of the first parish office.

Buried in and around the church

Publications (selection)

In the series Marktkirche published:

  • Insa Becker-Wook, Theodor Bohlen, Oda-Gebbine Holze-Stäblein, Joachim Stever (Red.): Marktkirche 1998. A look back at the farewell to city superintendent Hans Werner Dannowski. Ed .: Ev.-luth. Marktkirchengemeinde and Ev.-luth. Stadtkirchenverband Hannover, Hannover: Department for public relations in the Ev.-luth. City Church Association Hanover, 1998

literature

  • Arnold Nöldeke : The art monuments of the province of Hanover . 1: Hanover district. Issue 2: City of Hanover. Part 1: Monuments of the "old" city area of ​​Hanover. Hannover 1932, pp. 76–114 (the market church before it was destroyed in 1943).
  • Wulf Schadendorf: The market church in Hanover ( Small art guide for Lower Saxony , issue 7). Goettingen 1954.
  • The market church in Hanover (illustrated brochure approx. DIN A5, 36 pages), ed. from the church council of the Marktkirchengemeinde Hannover, Hannover: 1964
  • Hans Otte : From the church chairs of the market church. In: Stories about Hanover's churches. Studies, pictures, documents . [Ed .:] Hans Werner Dannowski and Waldemar R. Röhrbein. Hanover: Lutherhaus-Verlag 1983, pp. 152–153; ISBN 3-87502-145-2 .
  • Johann Josef Böker : The market church in Hanover: To the temporal position of the Gothic brick hall. In: Low German contributions to art history , XXV (1986), pp. 33–46.
  • Market Church in Hanover. In: Dieter Oesterlen : Buildings and Texts 1946–1991 . Tübingen: Wasmuth 1992, pp. 12-19; ISBN 3-8030-0153-6 (The architect Dieter Oesterlen was responsible for the reconstruction of the market church after 1945).
  • Ulfrid Müller: Market Church Hanover. The market church of St. Georgii et Jacobi in Hanover ( large architectural monuments , issue 351). 6th, revised edition [1. Ed. 1983.], Munich: Deutscher Kunstverlag 2003.
  • Franz Rudolf Zankl : Interior of the market church after the restoration by Droste . Gouache around 1865. In: Hanover Archive , sheet K 26
  • Helmut Knocke , Hugo Thielen : Hanover. Art and culture lexicon. Handbook and city guide . 3rd, rev. Hanover: Schäfer 1995, pp. 112–116; ISBN 3-88746-313-7 .
  • Alexandra Druzynski von Boetticher: The Hanover market church and its tower . Gütersloh: Verlag für Regionalgeschichte 2004. (Hannoversche Schriften zur Regional- und Lokalgeschichte. 18); ISBN 3-89534-558-X .
  • Wolfgang Puschmann : Market Church St. Georgii et Jacobi. In: Hanover's churches. 140 churches in and around town . Edited by Wolfgang Puschmann. Hermannsburg: Ludwig-Harms-Haus 2005, pp. 12–15; ISBN 3-937301-35-6 .
  • Martin-G. Kunze: Marktkirche - Aegidienkirche - Kreuzkirche - Nikolaikapelle. Features of medieval Hanover city history. In: Churches, monasteries, chapels in the Hanover region . Sascha Aust (among others). Photographs by Thomas Langreder. Hanover: Lutherisches Verlagshaus 2005, pp. 13–22; ISBN 3-7859-0924-1 .
  • Brage bei der Wieden : About pentagrams and other stars. On the iconography of the Marktkirche tower. In: Hannoversche Geschichtsblätter , New Series 59 (2005), pp. 115-133
  • Church council of the ev.-luth. Marktkirche (Hrsg.): Organ book market church. The story of an organ landscape , 2009.
  • Gerd Weiß , Marianne Zehnpfennig: Market Church. In: Monument topography of the Federal Republic of Germany , architectural monuments in Lower Saxony, City of Hanover, part 1, vol. 10.1 , ed. by Hans-Herbert Möller, Lower Saxony State Administration Office - publications by the Institute for Monument Preservation , Friedr. Vieweg & Sohn, Braunschweig / Wiesbaden 1983, ISBN 3-528-06203-7 , p. 52ff .; as well as in the middle of the addendum to volume 10.2, list of architectural monuments according to § 4 (NDSchG) (excluding architectural monuments of the archaeological monument preservation) / Status: July 1, 1985 / City of Hanover , p. 3ff.
  • Waldemar R. Röhrbein , Karl-Heinz Grotjahn MA: Market Church St. Georgii et Jacobi. In: Klaus Mlynek, Waldemar R. Röhrbein (eds.) U. a .: City Lexicon Hanover . From the beginning to the present. Schlütersche, Hannover 2009, ISBN 978-3-89993-662-9 , pp. 426-427.
  • Bernward Kalbhenn: Hanover, Marktkirche St. Georgii et St. Jacobi (= Small Art Guide , No. 2860), Regensburg: Schnell + Steiner, 2016, ISBN 978-3-7954-7050-0
  • The medieval altar of the market church. Images, Thoughts and Reflections , ed. on behalf of the church council of the Ev.-luth. Church parish SS. Jacobi et Georgi on the occasion of the 750th anniversary of the market parish, Hanover 1988
  • Klaus-Eberhard Sander: The altar of the market church St. Georgii et Jacobi in Hanover , brochure (28 pages) with photos by Reinhard Gottschalk, ed. Church council of the market church community, Anneliese Nottbrock and Hanna Kreisel-Liebermann, [o. O., o. D., Hannover, 2017?]

Web links

Commons : Marktkirche Hannover  - Collection of pictures, videos and audio files

Individual evidence

  1. ^ Arnold Nöldeke : Monuments of the "old" city area of ​​Hanover. (Incorporation until January 1, 1870) , in which: The art monuments of the province of Hanover , ed. from the Provincial Committee and State Directorate of the Province of Hanover, Part 1: Region of Hanover , Issues 1 and 2 (Issues 19 and 20 of the complete work), City of Hanover , self-published by the Provincial Administration, Theodor Schulzes Buchhandlung, Hanover, 1932, p. 79; Text digitization in the Internet Archive and through cooperation with the University of Toronto
  2. ^ Georg Dehio: Handbook of German Art Monuments. Lower Saxony - Bremen , (Deutscher Kunstverlag: Munich) 1992, pp. 608–610.
  3. ^ Waldemar R. Röhrbein , Karl-Heinz Grotjahn: Market Church S. Georgii et Jacobi. In: Stadtlexikon Hannover . Pp. 426-427.
  4. ↑ a b c Dirk Böttcher : Meyer, (2) David (also Meier). In: Dirk Böttcher, Klaus Mlynek, Waldemar R. Röhrbein, Hugo Thielen: Hannoversches Biographisches Lexikon . From the beginning to the present. Schlütersche, Hannover 2002, ISBN 3-87706-706-9 , p. 252.
  5. ^ Church council (ed.): Orgelbuch Marktkirche Hannover - The history of an organ landscape. 2009, pp. 60/62
  6. ↑ Detailed information on the history and reorganization of the [1]
  7. ↑ To the choir organ
  8. ↑ Information on the Italian organ
  9. ↑ Plenum of the Bells, Whit Monday, June 13, 2011, 9:47 a.m. (14:35 min) on YouTube .
  10. ↑ Hanover Market Church: Biggest bell in Northern Germany, Day of Repentance and Prayer, November 20, 2013, 5:50 p.m. (10:58 min) on YouTube .
  11. ↑ Sabine Wehking : DI 36, No. 361 on the inschriften.net page , last accessed on December 4, 2013.
  12. ↑ Kürschner, Christiane: Symbols on the tower of the Marktkirche ( Memento of the original from December 21, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www2.kirche-hannover.de
  13. ↑ http://www.inschriften.net/angebote/suchresult/treffer/nr/di036-0055.html#content
  14. ↑ http://www.inschriften.net/züge/suchresult/treffer/set/0/nr/di036-0114.html#content
  15. ↑ Hanover travel guide to the market church
  16. ^ Johann Karl Fürchtegott Schlegel : Church and Reformation History of Northern Germany and the Hanoverian States. Vol. 2. Helwing, Hannover 1829, p. 75 . s. also Patronatstag on Landeskirche-Hannovers.de , available on April 23, 2020
  17. ↑ http://www.landeskirche-hannovers.de/evlka-de/presse-und-medien/pressemitteilungen/landeskirche/2012/10/2012_10_10_2
  18. ↑ http://marktkirche-hannover.de/?page_id=172
  19. ↑ Report in the Neue Presse from February 15, 2020 , accessed on April 23, 2020
  20. ^ Hugo Thielen: Sarstedt, Konrad (also Cord) from. In: Stadtlexikon Hannover , p. 535.
  21. ↑ Sabine Wehking: DI 36, No. 111 † on the inschriften.net page , last accessed on May 29, 2013.
  22. ^ Jens Schmidt-Clausen: Scharnikau (Scarabaeus), Georg. In: Stadtlexikon Hannover , p. 537.
  23. ↑ Dirk Böttcher : Erythropel. In: Hannoversches Biographisches Lexikon , p. 112 ( limited preview in the Google book search).
  24. ^ Johann Anton Strubberg : M. Rupertus Erythropilus. In: ders .: Kurtze message from which evangelical preachers, So since the Reformation Lutheri stood on the old city Hanover. Part of: David Meier : Kurtzgefaste Message of the Christian Reformation In Churches and Schools The Old Town Hanover. Förster , Hannover 1731, pp. 120-128.
  25. ^ Johann Anton Strubberg : M. Georgius Erythropilus. In: ders .: Kurtze message from which evangelical preachers, So since the Reformation Lutheri stood on the old city Hanover. Part of: David Meier : Kurtzgefaste Message of the Christian Reformation In Churches and Schools The Old Town Hanover. How such the 14th day of Sept. 1533. there… come to pass…. And with a preface introducing a small outline of the local school history. Förster , Hannover 1731, pp. 151–161 (with bibliography and testimony that he received when he left the Harsefeld monastery).
  26. ↑ CF Gellert's correspondence: 1764–1766 ( limited preview in the Google book search).
  27. ↑ Nikolaus Baring : Geistliche Artzney gegen den Todt / That is: Christian funeral sermon / Bey ... funeral treats Deß ... Mr. Theodori Blocks / Fürstl. Braunschw. and Lüneb. ... Rahts / also Craiß and Grentz Secretarii: Which on October 19th of this now running Jars ... fell asleep / and afterwards his body on November 2nd. in the main churches all here / in his little chamber of honor / done by Nicolaum Baringium, the H. Schrifft Licentiatum and at the church pastorem , Hanover: printed by Johann Friedrich Glaser, 1647; Digitized by the Göttingen State and University Library (SUB)
  28. ↑ Otto Jürgens : Hannoversche Chronik (= publications on Lower Saxony history , Volume 6), on behalf of the Association for the History of the City of Hanover, ed. von O. Jürgens, Hanover: Verlag von Ernst Geibel, 1907; Digitized by the University of Rostock
  29. ↑ a b Georg Hilmar Ising , Joh. Rodigerus Weselovius, Daniel Barthold Weselau, Nicolaus Förster, Johann Overlach, Johann Christoph Klein, Christoph Weselau, NG Freund: Glückseligkeit / der Rigechten (Righteous People who died prematurely): Except the 1st and 2nd Versicul of the 57. Capitels Esaiae Bey ... funeral of ... Hn. Johann Overlach Senioris, well-merited Camerarii and city chief of the praiseworthy city of Hanover / Alß the same on May 8th / Anno 1690 ... passed away / And on the 22nd of the same month in his hereditary funeral to SS. Jac. and Georgii bey was set , Rinteln: printed Godfried Caspar Wächter, 1690; Digitized version of the Berlin State Library - Prussian Cultural Heritage
  30. ↑ Helmut Knocke , Hugo Thielen : Lavesstraße 82 , in Dirk Böttcher , Klaus Mlynek (ed.): Hannover. Kunst- und Kultur-Lexikon (HKuKL), new edition, 4th, updated and expanded edition, Springe: zu Klampen, 2007, ISBN 978-3-934920-53-8 , pp. 165–166
  31. ↑ Information in the personal and correspondence database of the Leibniz Edition

Coordinates: 52 ° 22 ′ 18 ″  N , 9 ° 44 ′ 6 ″  E