Painter from London E33

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The Painter of London E 33 was a Greek vase painter who worked in the late 6th century BC. Chr. In Athens worked.

London name vase

The painter from London E 33 , who was active around the same time as the so-called “ pioneer group ” of the red-figure style , was one of the earliest red-figure bowl painters . Like other bowl painters of this time, the painter from London E 33 tested the possibilities of the new technology due to the comparatively smaller work surface - the inside and the two outside of the bowls - not yet to the same depth as the representatives of the pioneer group on larger vases did, but the bowl painters also contributed to the success of the new style.

John D. Beazley recognized the handwriting of the vase painter within the ten thousand-part inventory of well-known Attic red-figure vases and fragments and fundamentally compiled his works. He described the style as being very close to Epictetus , almost imitating, but technically much coarser. In addition, he strongly resembles the style of the Aktorione painter and points to the circle of the Nikosthenes painter . Beazley attributed few works to the painter. Four works certainly appear to him as the work of a single painter, and he places two more bowls in the vicinity. At first, in the Attic Red-Figure Vase-Painters , he led the works under the name Gruppe von London E 33 , but he saw at least the four main works in the supplements as the works of only one painter, in the Paralipomena he led him also only as a painter, no longer as a group.

List of works

All works are bowls, the first four bowls are assigned to the painter from London E 33 , the rest to the perimeter:
  1. British Museum , London , inventory number E 33, found in Vulci , motif: A-side: battle, B-side: Komos , I : archer
  2. National Archaeological Museum , Naples , inventory number H 2630 (81327 / M 1138), motif: A and B sides: Komos, I: young man in a crater
  3. Fragmented, Louvre , Paris , inventory number G 40, motif: A-side: battle, B-side: possibly running figure, I: youth with drinking horn during a symposium
  4. Private collection, from the art trade (“Ars Antiqua”) in Lucerne , motif: A-side: athletes, B-side: fight between young people, I: naked woman
  5. National Archaeological Museum , Athens , inventory number 1568 (CC1165), motif: A-side: satyrs and maenads , B-side: battle scene, I: satyr with pelta and thyrsos
  6. John Elliott Classics Museum , Hobart , inventory number 37, motif: A-side: Heracles fighting the Nemean lion between a seated Athena and Iolaos , B-side: fighting heroes, I: youth with vases

literature

  • John D. Beazley : Attic Red-Figure Vase-Painters. Oxford 1963², pp. 80-81, 1624.
  • John D. Beazley: Paralipomena. Additions to Attic black-figure vase-painters and to Attic red-figure vase-painters. 2nd edition, Clarendon Press, Oxford 1971, p. 329.

Individual evidence

  1. John D. Beazley: Attic Red-Figure Vase-Painters. Oxford 1963², p. 80.1; Entry on the Beazley Archive website
  2. John D. Beazley: Attic Red-Figure Vase-Painters. Oxford 1963², p. 80.2; Entry on the Beazley Archive website
  3. John D. Beazley: Attic Red-Figure Vase-Painters. Oxford 1963², p. 81.3; Entry on the Beazley Archive website
  4. John D. Beazley: Attic Red-Figure Vase-Painters. Oxford 1963², p. 1624; Entry on the Beazley Archive website
  5. John D. Beazley: Attic Red-Figure Vase-Painters. Oxford 1963², p. 81; Entry on the Beazley Archive website
  6. John D. Beazley: Attic Red-Figure Vase-Painters. Oxford 1963², p. 1624; Entry on the Beazley Archive website