Materno Bossi

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The epitaph of Materno Bossi in the Church of St. Peter and Paul , Würzburg

Materno Bossi (born July 18, 1737 in Porto Ceresio , Lombardy , † August 28, 1802 in Würzburg ) was an Italian plasterer and outfitter. He was particularly active in the Würzburg monastery , where he helped shape the baroque and early classicism.

Life

Materno Bossi was born on July 18, 1737 in Porto Ceresio in Lombardy on Lake Lugano . He came from a family of stucco workers that should produce several well-known members. The profession of his father, Natale Bossi, is unclear, however. Materno's mother, Clara Bossi, had several children, but not all of them reached adulthood. Materno Bossi began an apprenticeship as a plasterer at an early age , but the sources are silent about this training.

At the age of 18 he then accompanied his younger brother Augustin , a plasterer like himself, across the Alps to Würzburg . In Germany, the older brother Ludovico already worked as the court plasterer of Duke Karl Eugen von Württemberg , as well as his uncle Antonio Bossi , who was employed by the Prince-Bishop of Würzburg. The latter probably became the master of the arriving relatives. At least until 1757 Materno learned from his uncle, although the exact time is unclear.

After completing his training, Bossi went on a hike. In 1759 he probably visited the construction site of the Italian building of the Bayreuth Residence. In 1762 he was recorded in Stuttgart . He was named here as the best man of brother Ludovico. Here he also took on the duties of a master plasterer for the first time. Materno also worked on the construction of his brother in Ludwigsburg, where he stuccoed the Monrepos Castle.

Together with his brother he then traveled again to Würzburg. The stairwell of the newly built residence was to be stuccoed and the Italian masters were ideally suited for this. In 1766 Ludovico Bossi left Würzburg, but his little brother Materno stayed. In 1767, Prince-Bishop Adam Friedrich von Seinsheim engaged the younger Bossi to carry out further stucco work on his city residence.

The satisfaction of the bishop led to Materno Bossi being appointed official court plasterer to the prince-bishop on September 14, 1769. Two years later, in 1771, Bossi married Agnes Amadey, daughter of the prince-bishop's court confectioner, from Würzburg . The marriage, Agnes died in 1798, remained childless. The father-in-law also bequeathed the newlyweds a house near Haug Abbey . As early as 1784 the couple bought their own in today's Theaterstrasse, as Materno had also been appointed valet in 1778.

The appointment as court plasterer was also associated with a large number of orders. First and foremost, Materno Bossi was responsible for stuccoing the secular buildings of the bishopric . In addition, he also worked for noble individuals and the many monastic orders. In 1789 Bossi stuccoed the church of the Juliusspital , before that he had already installed the stucco in the Würzburger Käppele . He also worked in the Teutonic Order Palace in Mergentheim and in the garden of the pleasure palace in Veitshöchheim.

Although Materno Bossi received all the commissions from the Würzburg and Bamberg monasteries , he only became a citizen of the Lower Franconian royal seat in 1793. Two years later, in 1795, the Italian artist began to decline when Bishop Georg Karl von Fechenbach took office . Younger and modern plasterers had overtaken him. Materno Bossi died on August 28, 1802 in Würzburg.

Works (selection)

Since most of the works by Materno Bossi were not signed, the classification is only based on archival sources. The assignment to the Italian ₠ uvre is made even more difficult by the fact that the workshop also consisted of his younger brother Augustin in addition to Materno and his employees.

place year plant Remarks
Amerdingen 1789-1790 Amerdingen Castle : stucco decoration
Ansbach 1779-1780 Catholic prayer room: stucco, high altar, pulpit merely attributed
Aub 1773 Aub Castle : stucco, fittings, almost completely destroyed
Aub 1773 Assumption of the Virgin: Mount of Olives merely attributed
Bad Bocklet around 1788 Princely building: stucco decoration
Bad Kissingen 1774-1777 St. James : Stucco, high altar, pulpit, side altars
Bad Mergentheim 1780 Mergentheim Palace : Chapter House of the Teutonic Order
Bamberg 1772-1773 New residence: two hallways
Bamberg 1792-1793 St. Martin (Bamberg) : Tabernacle, Antependium
Dettelbach 1778-1779 Mary in the sand : altar of grace merely attributed
Ebrach 1773-1791 Ebrach monastery : stucco, furnishings
Eichstatt 1781/1782 Hof Walderdorff: stucco decoration in the bel étage merely attributed
Forchheim 1775 Oberamtshaus: stucco decoration
Fuchsstadt 1767-1769 Assumption of the Virgin : stucco decoration, altars and pulpit New building from 1751 to 1766 by Johann Michael Fischer
Gaukönigshofen 1776-1777 Guardian Angel Church: stucco, modernization of the altars
Hausen (Bad Kissingen) 1772-1776 Upper saltworks : chapel, stucco, almost completely destroyed
Heidenfeld 1783-1784 Heidenfeld Monastery : stucco and furnishings, destroyed merely attributed
Kirchheim (Lower Franconia) 1790-1796 St. Michael: stucco, high altar, side altars, pulpit
Kitzingen 1793-1794 St. Johannes : pulpit
Memmelsdorf 1770-1775 Seehof Castle : grotto, destroyed; Theatre; Garden shed
Hall on the Saale 1777 Visitation of the Virgin Mary: draft church furnishings, not carried out
Triefenstein 1784-1786 Triefenstein Monastery : stucco and furnishings
Veitshochheim 1771-1774 Veitshöchheim Castle Park: garden pavilion, destroyed; Grotto house; Cascade, destroyed
Fourteen saints after 1774 Vierzehnheiligen monastery : draft of the pulpit merely attributed
Werneck around 1793 Werneck Castle : Pulpit of the castle chapel merely attributed
Wipfeld 1786-1787 St. Johannes Baptist: stucco, high altar
Wurzburg 1767-1768 Residence : 2nd guest room, destroyed and reconstructed
Wurzburg 1769-1770 Residence: Green lacquered room, destroyed and reconstructed; Oven in the White Room
Wurzburg 1770-1771 Residence: opera hall, stage set-up, destroyed; Fürstensaal, destroyed and reconstructed
Wurzburg 1772-1774 St. Michael : equipment, destroyed; Piece; pulpit
Wurzburg 1774 Hofkirche St. Michael : pulpit
Wurzburg after 1774 Monastery church Finding the cross: draft of the pulpit, destroyed merely attributed
Wurzburg 1776-1779 Residence: Ingelheim room, destroyed and reconstructed; Stucco; Whitewashing
Wurzburg 1777 Residence: corner fireplace in opera room, destroyed
Wurzburg around 1780 Blasiusgasse 9, ballroom: stucco, destroyed merely attributed
Wurzburg 1780 Residence, ambassadorial building: Stucco stairwell, hall, 4 rooms, destroyed
Wurzburg 1785-1788 Käppele : Design of the stucco decoration merely attributed
Wurzburg 1789-1790 St. Stephan : design of the stucco decoration merely attributed
Wurzburg 1796-1798 St. Michael : choir stucco, altars
Zellingen 1787-1788 St. George: stucco, 3 altars, pulpit

literature

  • Ernst Eichhorn: On the share of "Welsch" artists in Baroque art in Franconia (= Erlanger building blocks for Franconian history No. 6) . Erlangen 1959. pp. 127-157.
  • Reinhard Müller: Materno Bossi a Franconian stucco worker. Diss . Wuerzburg 1920.
  • Iris Ch. Visosky-Antrack: Materno and Augustin Bossi. Stucco workers and outfitters at the Würzburger Hof in early classicism (= Art Studies, Vol. 83). Diss . Munich, Berlin 2000.

Web links

Commons : Materno Bossi  - collection of pictures, videos and audio files

Individual evidence

  1. While the older literature assumes the years 1739/1740, Visosky-Antrack (p. 16) gives this date.
  2. Visosky-Antrack, Iris Ch .: Materno and Augustin Bossi . P. 16.
  3. Visosky-Antrack, Iris Ch .: Materno and Augustin Bossi . P. 17.
  4. Visosky-Antrack, Iris Ch .: Materno and Augustin Bossi . P. 17.
  5. Visosky-Antrack, Iris Ch .: Materno and Augustin Bossi . Pp. 81-83.