Michael F. Huse

from Wikipedia, the free encyclopedia
Michael F. Huse 2018

Michael Fritz Huse (born August 16, 1957 in Hamburg-Bergedorf ) is a German film director , screenplay editor and author .

Life

After graduating from the Tellkampf School in Hanover, Michael F. Huse initially took part in Germany's first comprehensive Hitchcock retrospective in the cinema on Raschplatz by Hans-Joachim Flebbe . After successfully completing his studies in social and business communication, especially with Bernward Wember , at the HdK Berlin in 1984, he founded the independent video and television production studio K7 - audiovisuelle together with Reiner Bumke from Café Swing , Stephan Guntli and Horst Weidenmüller (Mick) Communication. The economically relatively independent construction enabled new mixed forms of concert recording and scene reporting as well as idiosyncratic art and music clips .

Initially in artistic collaboration with Stephan Guntli , Huse realized numerous projects independent of the mainstream as a picture director, editor and producer in the Berlin music, art and culture scene. Including the 1983 and 1984 Berlin Atonal Concerts on nonconformal music organized by Dimitri Hegemann , u. a. with Z'ev , La Loora , Psychic TV . In addition, experimental concert recordings of Einstürzende Neubauten in the Berlin Metropol and in the so-called Golden Hall in the grandstand on the Zeppelin Field in Nuremberg . In 1987 the video sampler Kings of Independence followed for a concert by Swans , Nick Cave and Crime and the City Solution in Knopf's Music Hall on the Reeperbahn .

As personal assistant to Wolf Donner , Huse worked for the ARD live reporting: Berlinale Aktuell from 1986 to 1989. He was executive producer for the French television documentary: Berlin (1987) by director Philippe J. Grandrieux . The 210-minute film leads through the three western sectors to the viewing platforms on the wall . People have their say who had decided to live in West Berlin or who were forced by the construction of the Berlin Wall to limit themselves to the western part of the city. In a dialogue with Hanns Zischler , they talk about their realities, dreams and expectations. The project was created for La Sept , ARTE France since 1992 , and is considered one of the first themed evenings.

After 1987, Michael F. Huse worked primarily as a director for film and television productions. The cinema project of theatrical trailer of the film director Hans Peter Clahsen led Huse for Theater an der Ruhr from Roberto Ciulli to North Rhine-Westphalia. As a result, documentaries such as Moment Poland , Clowns in the Night , C'est la vie - la Wallonie as well as numerous theater adaptations were made. a. The Croatian Faust , night asylum , Macbeth where he worked in various functions. In particular, his experience with unleashed stage cameras during concert recordings has a formative influence on the cinematic translation of theater plays.

Michael F. Huse is also the director of the films In the West Everything According to Plan and Exclusion (joint direction with Hans Peter Clahsen ) and The Story of Monty Spinnerratz , the first cinema project by the Augsburger Puppenkiste .

From 1998 onwards, dramaturgical adaptations of scripts and theater adaptations (cinema, television, art house) and various camera work followed. a. for Peter Kreysler's Forbidden Fruits (2002) in Iran . Huse also worked as a director in the field of business communication and as a lecturer for international film funds (especially for Deutsche Bank, the film and television competence team and RMC). At the same time, he taught at the Gelsenkirchen University of Applied Sciences as a guest lecturer in the business administration department with a focus on the value chain in cinema and reception-oriented material development .

With directorial work for Moana, Cherchez La Femme, Virtual Beats (1999 and 2000) at the municipal theater Remscheid (since 2001 Teo Otto Theater ), also with the development and pilot direction for the Spanish TV series Es Verdad (2005, Mediterranean Audiovisual Center) Ibiza and the collaboration with Moon Suk on her Berlin talk shows in Stilwerk and her erotic reading in Bangaluu (2007), Michael F. Huse tied in with his work in sophisticated, audience-oriented entertainment. For the dance course show Come Dancing (DVD, 2007) he staged the entertaining didactics of dance teacher Markus Schöffl for the Big Band interludes of the Last Ballroom Orchestra under the direction of Werner Last jr.

Since 2008, directing the product launch of the VW Jetta in India, Michael F. Huse developed a particular interest in Hindi films . The access was made possible for him by the Advise Film & TV Production , Berlin and Mumbai by Nils Visé, meanwhile with Endemol- Shine. In addition to the conception and realization of commercials and image films , her focus was on developing material for German-Indian feature films and their co-production. At the same time in Germany, the director worked for companies in the fields of financial services ( Berliner Sparkasse ) and logistics ( GLS ) as well as for the Berlin-Brandenburg Innovation Prize . For Kropac Media he wrote concepts and made industrial films, especially for Audi and Porsche AG and their suppliers. In 2011 he was a member of the expert jury for the 24th German Youth Video Prize and in the same year one of the founding members of Fun-For-Writing acc. eV With his short film Half Past India - time to reset (2015), Huse recalled the initially erroneous interpretation of the newly discovered America as an Indian subcontinent.

His first novel was published at the end of 2017: CODEX 177. A year with a blood moon . Using the tough protagonist Teresa Wagner, the action around the Mediterranean combines various elements of the early medieval religious history of the eighth century with the current discussion about Christianity and Islam in Europe, as well as the change in values ​​in an increasingly digitized world. The thriller sees itself as Huse's contribution to interreligious dialogue and was created against the background of the author's experiences from filming in Poland, Iran, India, the USA and elsewhere; the extensive appendix also cites other sources from Wikipedia . "His numerous stays abroad, especially the encounters with local people, led Michael F. Huse to an intensive occupation with the mutual dependencies and mutual influences in an economically and medially almost perfect, but culturally insufficiently networked world."

Michael F. Huse lives with his wife Esther and their son Maximilian mainly in Berlin and Hamburg.

Web links

Individual evidence

  1. https://www.velbrueck.de/Belletristik/Sspannung/Codex-177-Ein-jahr-mit-Blutmond.html
  2. https://www.velbrueck.de/Michael-F-Huse.html